Tag: Paul Dano

I didn’t know a whole lot about Okja going in, but I did see a few posters and just knew, just knew, I had to see it. Like, as soon as possible.

I also definitely thought it was a horror film, a foreign South Korean horror film. About a beast? I don’t know, the name and poster sort of scared me.

But then the advertisements got a bit more flashy, and I realized this was going to be a film bigger than itself. I also heard that it was directed by Joon-ho Bong, an established director who I have only seen one film of before, Snowpiercer. Yeah, I bet you saw Snowpiercer as well. One of the better indie “Have to see this movie!” campaigns over the last few years.

And this time, his film is right away on Netflix, allowing that same sort of campaign to happen, but for even more people.

But come on, we all came for the gratuitous sexual overtones.

Lucy Mirando (Tilda Swinton), new CEO of Mirando Corporation, has taken over from her father, a controversial man. It is a meat factory, and she is introducing a new superpig that they have bred/discovered/something like that. And over 20 of these pigs are being sent around the world to various farms, to see who could raise the biggest and best super pig in 10 years time, with the winner being crowned in a giant event.

And now, ten years later, we get to meet Okja, a superpig, living in the mountains of South Korea. Okja is being raised my Mija (Seo-Hyun Ahn) and her grandfather (Hee-Bong Byun) alone and really don’t want to let Okja go. But they come, they love Okja, and take him away. They even brought Johnny Wilcox (Jake Gyllenhaal), famed TV animal show guy, but that doesn’t soften the blow.

So despite their best attempts, Okja is still taken, so Mija decides to chase after them. Fuck the corporate people taking her friend over the last decade. It turns out she isn’t the only one after Okja either. So is the Animal Liberation Front, an animal rights group, who apparently tries to practice non violent behavior. They want to free Okja and bring down Mirando Corp.

Oh joy, caught between animal rights groups and a meat company, Mija just wants to be alone and happy with her family and friend.

Also starring Giancarlo Esposito, Paula Dano, Steven Yeun, Shirley Henderson, Daniel Henshall, Lily Collins, and Devon Bostick.

I’m glad they told me this was a pig, because if not, I would have assumed…well, lets go with hippo dog.

Okja, for a lack of better words, is an experience. The very first scene is so bright, vivid, and Tilda Swinton, that you are immediately wondering just what sort of film you have gotten yourself into. But it will drive your curiosity and you will find yourself needing to sit through to see where the fuck it is going.

And then after the opening, we get quaint wilderness, giant pigs, and subtitles, so immediately a lot of people may be turned off. A whole lot of this film is subtitles, along with English language, because it is set in the real world and it wants to be authentic. Also because the director is of course Joon-ho Bong and he probably wants to represent his country in the movies he is making.

The characters in Okja, besides Mija and her family, are downright zany. They go to the extreme and bring characters outside of their normal roles. Gyllenhaal is super weird and has a higher pitched voice, it is a bit bizarre to imagine him the star of a successful animal reality show. Like a gone stupid version of Steve Irwin maybe. And Dano? He normally plays the eccentric strange character, but compared to other members, his Animal Liberation Front frontman seemed a bit…ordinary. A guy who would go to great lengths to get what he wants, sure, but relatively normal.

The CGI for the beast was pretty good, but it was still pretty awkward at times. Watching random characters badly interact with Okja as it is stomping and running around leaves a lot of room for error. But it never took me out of the experience.

Okja is a dark film at times, a light film at other times, and balls to the wall in a few other parts. It is probably one of the best Netflix Original films ever made, it just doesn’t feel like one of the best films I have ever seen. But a very strong film regardless and one that a lot of different ages and groups would enjoy.

Every once in awhile a truly surprising film comes out. It could be surprising by having incredible acting from people considered to be B-stars. It could be surprising by having some new technology and allowing great special effects.

Or it could be thanks to a truly absurd and original idea that just blows your mind as a viewer. Something that has never been discussed like it was in a movie before, something that will leave you as a changed movie goer by opening your mind just a tad bit.

I am about to fully review Swiss Army Man. But as a suggestion, if you know nothing about the film and want a crazy experience? I suggest you go and watch it without checking out the trailer, without my small plot synopsis, completely blind and just let the movie happen on you.

Uh oh, dead Harry Potter, that means this is your last chance.

Hank (Paul Dano) is on a tiny deserted island, like, really small, with only some rocks in a big mound. He has been there for some time and he is ready to kill himself. But then, a body washes on the shore.

Hank hopes it is a live person so he can have company, but nope, it is just another dead body. This dead body (Daniel Radcliffe) gave him one small glimpse of hope before smashing it all away. And this body keeps farting, almost constantly, making it even more bizarre. But then Hank sees the body floating on the water, almost propelled by these same farts. Since Hank has nothing else to live for, he hops on that body and rides it like Jetski to freedom.

Well, at least to somewhere else. He finds himself on a much bigger beach, with a forest and trash. He is now SOMEWHERE in the world and damn it, that body helped him. Maybe that body can help him some more too, or at least, he feels like he has to bring him to civilization to get the proper burial he deserves. So he brings him with it.

And sure enough, that body ends up helping him in more ways than he ever imagined. And when the body starts to talk back, Hank helps him more than he ever imagines as well.

Also featuring (slightly, very slightly), Mary Elizabeth Winstead and Richard Gross.

LIKE A GODDAMN JETSKI.

Are you still with me? Even though you found out the movie is about a farting corpse and a guy trying to make it back to civilization? I bet the Jetski gif made you stay. You’re welcome for that, and that happens in the first 10 minutes.

Speaking of time, Swiss Army Man is only around an hour and a half long and it ends up being the perfect time for a movie this long. We don’t get overlong sequences of them trying to survive and the ending goes at a good pace. We are given several different montages of the Radcliffe / the “Multi Purpose Tool Guy” being used in unique ways to help Hank survive and they are done in a strange way to really add to the magic of the whole movie.

Keeping with the slightly absurd concept, the music in this film is a phenomenal fit. The movie music is basically made entirely by Radcliffe and Dano. Okay, I know in reality, the music is done by some performers, somewhere else, with extra instruments and all. But as it is put into the film, it is mimicked after their own dialogue and noises and flows wonderfully. The music itself is an experience. It feels airy, full of adventure, and downright inspiring.

The reason this movie works so well is that Dano and Radcliffe fully commit themselves to their roles. There are no sly winks to the camera or hidden smiles. They are two people in this serious situation and despite how crazy it all feels, they work together to make it work. It takes some high level chemistry to pull it off. Both Dano and Radcliffe pull off extraordinary performances. Definitely Radcliffe’s best performance ever. And it is a top one for Dano, but for Dano, almost everything is top level.

Swiss Army Man is bound to be one of the most unique experiences in cinema over the last decade. It is a magical film with enough ambiguity to make the viewer think and draw their own conclusions. The ending gets a bit weird, but to me it really just shows that anything is possible. Just don’t give up and the weird can become reality.

I mentioned just yesterday that I watched Mississippi Grind solely for the fact that it was nominated for an award. There are several other films nominated for Spirit Awards that I could have watched right away, and I picked Youth.

No, it wasn’t nominated for a Spirit Award. But it might be nominated for an Oscar. In some form or another. I don’t want to be too obvious with my movie choices, and Youth seemed like a nice out of no where film that no one would ever expect me to watch.

“I’m very very sneaky sirs.”

Youth, of course, stars two old people. Fred Ballinger (Michael Caine) is supposed to be a baller as a fuck music composer. He is famous and people love his songs and work. But you know, he is old. So he is on at a resort in the Alps with his good buddy, a filmmaker, Mick Boyle (Harvey Keitel). Mick is doing research for his next movie, which he believes will be his greatest work yet. He just has to figure out the ending.

Their vacation starts to get weird when an emissary of the Queen (Alex Macqueen), yes, the British one, visits Fred hoping he will conduct a symphony in honor of a big birthday celebration. Well, Fred, despite being his proper British self, says no. Huh. Rarely do people say no to the queen.

It should be noted that these two friends are also related now through marriage. Fred’s daughter (Rachel Weisz) married Mick’s son (Ed Stoppard). Except now Mick is leaving her for a pop star (Paloma Faith, apparently a real pop star?) for very shallow reasons.

There are other big names at this fancy as fuck resort. There is Jimmy Tree (Paul Dano) an actor who is well known for playing a robot, the most recent Miss Universe (Madalina Diana Ghenea), and even a fat…football player…dude. Or something. That one was weird.

Either way. Shit happens at the resort. Bad and good things. Also Jane Fonda.

And all the pictures for this film make them look really pervy.

Youth is directed by Paolo Sorrentino, a man who I know close to nothing about. He is Italian and mostly has Italian films, but his most recent one before Youth was The Great Beauty, which was also acclaimed and loved. But in all honesty, I don’t remember anything about it. At least the last two films (The only ones in English) seem to be about rich people living fancy lives, but you know, having issues.

The best part of Youth is the cinematography. The movie was shot on site of an actual “You Will Never Be Rich Enough To Go Here” resort, and it is probably better looking than you can imagine. Imaginative shots, montages, colors, almost every shot is wonderful. Youth is rated R for its Graphic Nudity, and by that, naked people everywhere. As it is the only way to stay at a resort.

Beautiful film, decent acting, and hard for me to relate to. I am probably wrong, but I guess the title refers to older people trying to reclaim their youth and show they aren’t old. They are making movies. They are enjoying life and the beautiful women around them. But at some point they have to realize that they are old, life is no longer as grand as it used to be, and they sometimes have to make difficult choices.

It is easy to get lost in this film and at points, I felt it was just too intellectual for me. Some of the imagery was out there and I kept losing track of what the film was even about. Naked people. Oh yes, it is about naked people.

For the most part, I tend to avoid films that begin with the word Love. I did a theme week a few years ago watching a whole lot of films that began with Love, and for the most part I was disappointed. Here’s a snapshot of those films and review ratings as simple reminder. Basically, since I watched Love and Other Drugs, no other Love film got close. A few strange ones did a good job, but for the most part, they were all meh, bad, or shit.

But new movies keep coming out, and occasionally they start with love. I still don’t mean that in a story telling sense. As I review new movies, I will of course still watch them, but I won’t actively seek out a film with this strange specification. Regardless, I was slightly interested to see Love & Mercy.

That is because this bad boy is about the “greatest rock album” of the 20th century, Pet Sounds by The Beach Boys Brian Wilson!

Less surfing, more strange sounds and a journey through one’s mind.
So… mind surfing.

In the mid-1960’s, The Beach Boys were everywhere. In 4 years they had already released 10 albums, a lot of them about surfing. They were world famous, tours, money, all that fun stuff. But Brian Wilson (Paul Dano) wanted something more. None of them actually ever surfed, it all felt fake. He was a composer at heart and had a sound in his head that he needed to record and let the world hear!

So he didn’t tour with the group to focus on their next album. He pulled out all the strings, getting great orchaestra players to figure out the tunes and sounds without any words for most of the music yet. And he did what he always wanted to do, to make what would become the Pet Sounds album, despite all the naysayers.

Also, it is the mid-1980’s. Brian Wilson (John Cusack) is mostly alone, on a lot of drugs, and under the guidance of a caregiver Dr. Landy (Paul Giamatti). He cannot see his kids, he is under constant watch and other people make all of his main decisions in life.

His life sucks. His life might have always sucked. But there is some hope, in Melinda Ledbetter (Elizabeth Banks), a cars saleswoman he meets one day. They start to date and she starts to see how bad his situation is. She wants to get him help because she is starting to like Wilson, who seems to only be a shell of a person at this time.

Oh and I guess some other Beach Boys are in this movie. Played by Kenny Wormald, Graham Rogers, Jake Abel and Brett Davern. They have various speaking parts in this movie and some of them butt heads with Brian when they hear his album concept. And of course, Bill Camp gets to play the dad of the Wilson kids and former manager and not former mean person.

Sometimes you just wake up in the morning and think, “Fuck, even my art is beach themed.”

What is this, the year of the musical biopic? A lot of them tend to be terrible VH1 Behind the Music level films that tell a story we have all heard before with some sweet tunes. But 2015 has given us Love & Mercy, which you know I will call amazing, and Straight Outta Compton, which was definitely amazing. I would like to thank Get On Up from August 2014 for this. It was a good musical biopic, not on the level of the above films, but better than average. It seems like the genre can do no wrong!

Why is this one fantastic? Thankfully it is for multiple reasons. First off, the acting from Dano and Cusack is incredible, yet very very different. Yes, they play the same man about twenty years apart, but they are very different times in his life where he has a very different psyche. In Dano, you can see the artistic genius at show but also see how he starts to crack and fall apart despite the currently good events in his life. For Cusack, he plays a more typical drugged up/mentally ill person trying to make his way in the world. While a good performance, from an acting stand point it didn’t seem to be breaking new ground like it did for Dano.

Again, Cusack was actually really good in this, but to me he was overshadowed by Dano who was really really good in this. And besides, it was a bit hard to imagine Cusack as anyone other than just a bit more out of touch Cusack.

But that is just the first reason! The other reason comes from the plot and accuracy. I, like a lot of people, would love it if the bio films were more all encompassing instead of focusing on a few events. But they picked great (read: sad) times in Wilson’s life to really tell the story of what he has overcome and what he has accomplished. But to tell a coherent parallel story always takes some gusto. This is the first major movie directed by Bill Pohlad, who has produced a lot of great films. It is a very impressive first outing, an incredible work for him and the writers who pieced together this movie.

God Only Knows what we would have done without the Pet Sounds album and eventually this film.

I try to not go into movies biased, but with going to a lot of movies, I am forced to see a lot of previews. Mother fucking movie previews bias the crap out of me. I miss the days where I could watch most of my movies without knowing a lot about it before hand.

The good news is, I never saw the trailer for 12 Years A Slave, nor did I know what it was about. I mean, I can guess, with a title like that. But I don’t know the real plot details. That is awesome.

However, I did know a lot of hype from my reviewer friends. Every single damn one of them loved this movie and there is much talk of Oscar buzz. I guess I should make note: that type of stuff biases too. Whoops. Oh well.

Oh man. Enjoy that dinner guy. It is all about to suck for you after this.

Soloman Northup (Chiwetel Ejiofor) is a free man. He lives in Saratoga Springs, New York, with his wife and two children. They are pretty well off too, living in a nice home, fine clothes, and instruments! Soloman plays the violin, and he is quite good at it. Performs at very exquisite dancing balls.

Well, his wife and children go on a trip that will take them away for about three weeks, leaving Soloman all alone. Later that day, in town, he meets two gentlemen, performers, who offer to bring Soloman on trip to Washington and back, overall two weeks. They need a man to play music for them and their other acts, a fancy circus of some sorts. He agrees, given his current free time, and hey, good money is good money.

Then, after a night of drinking in Washington, he finds himself in chains. Hmm. This must be some misunderstanding. A pretty serious and unforgiving misunderstanding. There is only so much you can do in chains however, and when people with whips say otherwise, you must listen.

And so began the unfortunate story of Soloman, a free educated and wealthy black man, kidnapped into slavery for, you guessed it, 12 years of his life. Away from his family, friends, and any sensible human being. There is a huge cast of characters in this film, including: Michael Fassbender and Benedict Cumberbatch as slave owners, Paul Giamatti as a slave trader, Brad Pitt a Canadian sympathizer, Paul Dano as an overseer, Lupita Nyong’o a hardworking female slave that becomes an obsession of her master, and Adepero Oduye a woman who becomes separated from her children.

FUCK YOU FASSBENDER. I HATE YOU NOW. I HATE YOU. YOUR CHARACTER WAS A DICK AND NOW I THINK YOU ARE A DICK!

So gritty and unforgiving, and so true. The film is adapted from a book of the same name, written in the 1850s by Soloman Northup. The book gives a first hand experience of years of being a slave, by a man educated enough to accurately recall the events and get them written down. A vague book, that not a lot of people are aware of, but a book that will have sales boosted exponentially due to this movie. Shit, the book was even verified later as being very factual and accurate on all the accounts that could be fact checked.

But it being a true story shouldn’t affect the rating of it as a movie.

Thankfully, it doesn’t even matter, as this movie was incredible in every way. It was emotionally draining, as bad event after bad event occurred to our hero. Yeah, we know he obviously eventually gets out of his predicament, or else how could he write the book? That fact doesn’t change any amount of agony that the watchers and character feel during the events in the story, and it is very eye opening.

I am super stoked this movie isn’t political in nature or trying to change anything (because how could it? It already stopped), but instead focuses only on telling a full, accurate and strong story.

Chiwetel Ejiofor was stupidly good in this movie. The emotion he carried with his eyes alone made everything seem so believable. I already mentioned Fassbender, who had an almost equally powerful performance, enough to make me hate his real life self.

I will warn that there is some graphic stuff in here. I am talking whip scenes, rape scenes, just general beatings, and an incredibly long and well shot hanging scene. You might have to look away, and you might feel squeamish. “12 Years A Slave” is probably the current front runner for Best Picture this year in my book, with only 1.5 months left to go int he year. Shits good. Slavery is bad. I am sad.

Honestly, when I first saw the trailer for Prisoners, I wasn’t really impressed. It didn’t look like it was going to offer anything new. Sure, a torture scene. But despite the high star count, it just looked like it would be a lot of people yelling at each other, and then eventually somehow a crime gets solved.

Yeah. I was wrong. It is wonderful and unique. Fuck trailers, seriously.

He probably deserves everything that happens to him. He wears GLASSES, the nerd.

Ah, Thanksgiving. A time for eating food and watching the Lions lose a football game. A whole week of buying electronics cheaply on Amazon.

Well, the Dover family (Hugh Jackman, Maria Bello) and their two kids have decided to eat at their neighbors house down the street. The Birches (Terrence Howard, Viola Davis) also have two kids, of similar ages to the other kids.

Well, due to some confusion, the two youngest daughters are able to go back to the Dover home on their own…and then not seen again hours later. Shit. Fuck. Missing kids. That is never good. In fact, they think the kids were abducted. They were seen playing around an RV earlier, and the brother is pretty sure someone was inside. But when they find the RV later, the driver is Alex (Paul Dano), an IQ of a ten year old with no physical evidence of the kids in his vehicle.

Well, Detective Loki (Jake Gyllenhaal) is on the case, and he has never left a case unsolved. He just doesn’t have a lot to work with, with Alex being clean, and his mother (Melissa Leo) explaining his circumstances. No, there is a lot more at work than what we know. It just takes piecing a lot of different puzzle pieces together.

But time is of the essence, and when your daughter’s life is at stake, what would you be willing to do to save her?

“Hey you should just show pictures of people being rough with Paul Dano.” Okay!

Well, here is something I realized. Unfortunately, it is only for the male stars. I really love these guys. For three of the four male stars, their last movie on my website was given a 4/4. The only one who doesn’t match this criteria is Hugh Jackman, because I had to sit through The Wolverine and Movie 43, but he still had Les Miserables right before that. My last movie for Jake was End of Watch, for Howard it was The Butler and Dead Man Down, and Paul Dano it was Ruby Sparks.

Looks like these men get another highly rated movie to their resumes. No offense to the ladies, but they have been in a lot more crap recently. Oh well.

So yeah, this movie was incredible. I thought it would be a joke from the trailer, honestly. It looked overly melodramatic. When I found out it was 2.5 hours long, I groaned. How could they fill it with 2.5 hours of content?

Apparently it was really easy, because the time flew by and I was captivated the entire time. They don’t waste time either. The girls get kidnapped within the first ten minutes of the film. The torture scene alluded to in the trailer happens within the first hour as well. Yet somehow, there is more to it than those few events.

The director does NOT hold your hand throughout the film. There are some plot lines you have to figure out on your own, through flashes of story and connecting the dots. It is a great film to go with others just to make sure you can figure out all of the looser ends. The ending itself is a bit controversial. I will admit initially I was kind of pissed off, but it has grown on me, and now I like it a lot.

The acting is fantastic in this film. Hugh Jackman and Jake Gyllenhaal carry it on their backs with exceptional performances, but even though Terrence Howard had a smaller role, he worked it well. One scene in particular, the fists and hammer torture scene just was so powerful, it will stay with you for some time. Howard was in the background of that scene, but his face says it all. Paul Dano also was pretty great in a role where he wasn’t given a lot to work with dialogue wise.

The women were for sure underused, so I am just not sure if the writer knew what to do with them. Viola Davis had one pretty intense scene, but then wasn’t really talked about much. Maria Bello’s character was pathetic and on drugs, so she wasn’t given much to work with either.

Oh well. Go see Prisoners. Probably the best movie to come out this month for sure.

I often find that when all you do is talk about movies, people tend to suggest them. Of course I will watch a movie if someone suggests it to me, but with Ruby Sparks something even stranger happened. TWO people recommended this movie to me, potentially within a few weeks apart. Well, of course I have to see it now.

I also realized why I didn’t watch it right away. Sparks? That title is too close to the title Sparkle. I hated that movie.

I could write a better movie than Sparkle for sure. It would be about some sort of mythical creature that Sparkled under strange circumstances. I am sure that’s an original concept.

Calvin (Paul Dano) is a genius. Alright, he doesn’t like that word. But he dropped out of high school once he wrote what many consider to be the next great American novel, and he quickly rose to fame and success. But now, almost ten years later, he is in his late 20s and he still has one novel under his belt. He has released a few short stories and novellas, but nothing of any real length or magnitude.

Some genius indeed. It must all be getting to his head. In fact, he has to see a psychiatrist now just to sort through his feelings of loneliness.

But then one magical night, he has a dream. A dream of a girl, with red hair, and a quirky attitude. She is perfect to him. So he writes about his dreams and turns it into its own new story. Yes, this is the one, his next great novel! Who cares if his brother (Chris Messina) thinks the story is dumb.

Calvin really is a genius. His brain is so powerful, that one morning he woke up and found the literal girl of his dreams in his kitchen. Ruby Sparks (Zoe Kazan). In the flesh. Based on everything he wrote about. How can that be? People can’t just be created! Or can they? Truly only a genius (or geniuses, in some cases) could create a person without even trying. It gets weirder when he realizes it is not in his head. It gets creepier when he realizes that whatever he types comes true. Yeah, you know what I’m talking about.

Annette Bening and Antonio Banderas play his mom and step-dad, while Steve Coogan has a small role as “other older writer dude.”

Anyone else find it funny how Ruby is always wearing red? And how she and Superman are never in the same room?

Yeah, so I really fucking love strange quirky movies like this. Pretty easy to learn that given my rating record. Watching this movie made me want to watch Stranger Than Fiction right after it. Another well acted quirky movie about the truth being determined by what someone rights. Who knew there was a whole drama about this!?

I found myself flailing while I watched this movie. My mind raced ahead of itself, so once I was given new information, I always assumed the worse. Having complete and utter power over someone? That can lead to many dark dark places, and I assumed each one would be touched upon. Thankfully, each one wasn’t touched upon, because I didn’t feel like crying that night. But the scene where the power finally got to the head? Shit scared me, and it did it in away without having to go the hard R rating that most of us are probably imagining. Which is great, when I rewatch this movie, I can not flip out as much and STILL enjoy the process they go through.

Besides, this type of stuff is every (male?) fantasy. Since Frankenstein, the idea of creating a person has always been intriguing. So why not?

I think this film is excellent on all cylinders, and exactly the type of thing I’d watch again and again.

If you wanna have a good time, every time you say Looper, you should pronounce it as “Loopah”. Reminds me of Zelda a bit.

It is a good idea to laugh. Especially when you see Looper, and feel all sorts of weird feelings during it.

The year, 2044. The setting, Kansas, because why the fuck not? Joe (Joseph Gordon-Levitt) is a Looper. Probably want to know about that, eh? Well, in the future, time travel is invented and immediately banned. Naturally then, only criminals have time travel at that point. So they sent a representative back to 2044 (Jeff Daniels) to set up a system to their advantage. Bodies are hard to dispose of in the future, so they send back the people they kill at predetermined times and locations! The loopers job is to kill them right when they appear. They get paid with silver bars strapped to the back.

They work until their loop is closed. How does a loop close? That is when the mob sends back the future version of yourself. They are always bagged, so you don’t realize it until you see that you received gold bars instead of silver. Then they know they have 30 years left of their life, and to take their huge wealth and enjoy it. But things start to hit the fan for the Loopers. Loops start closing quickly. Joe’s good friend, Seth (Paul Dano) ends up letting his future self go, causing problems! Apparently the future is scary. Some new guy is taking over and closing up shop.

But what happens when Future Joe (Bruce Willis) gets sent back. Will Joe do his job, kill his future self? Or will he help him figure out how to change the future for the better, with every action they take changing it in some way? And what does the future have to do with a local single mom (Emily Blunt) and her kid (Pierce Gagnon)?

Tell me I am not the only one who immediately thinks of Bangkok Dangerous when I see this?

Shocked. Shocked is basically how I felt after watching that movie. Not at the ending. No, I could see it coming, just still didn’t expect it. Hell, there was many options the ending could have chose. The film did a nice job of keeping you guessing, and leaving you with a feeling of wonder.

I know what you want to know. Time travel? Does that mean this movie will be confusing? Does their time travel make sense? Hard to say really. I’d say there is some confusing elements. Comes with the territory. Is their time travel without paradoxes? No, not really. Especially when dealing with loops and stuff. I would say their metaphysics isn’t perfect, but it is good enough for the movie.

The science in the movie isn’t the main feature though. It is the characters involved. Lot of serious questions get asked when dealing with your future self and the implications of it, of which I think the film handled wonderfully. Everyone acted pretty amazingly, and I was on the edge of my seat wondering what was next. They also did great job with the makeup work to have Levitt look like a younger Willis.

Finally the movie does a few things that few films outside of horror ever do. Have the potential death of multiple children, and the use silence in the music and action to convey feelings of isolation/being alone. I love it when a film steps out of a normal comfort zone. It is great when a film makes you think too, and focuses a lot of energy into character development in arguably a short time. Just don’t go in expecting some action heavy flick, and you will be set.

The Extra Man is one of those films I just threw in and said, “NOW ENTERTAIN ME MYSTERIOUS MOVIE!”. I tend to yell at inanimate things. Less feelings are hurt.

What I didn’t know was how weirdly unique everything about this movie would be. Hooray!

Take it all in. Slowly, while everything seems normal.

The movie begins with one Louis (Paul Dano) teaching at a small college literature. Kind of guy who loves the Great Gatsby, and novels from the 20s. Generally loves everything from that period, and wishes he could live there. Even wishes he had nonchalant narrators narrating his life, and often thinks of it. Well, due to downsizing he no longer has his job, and probably has nothing to do with the fact that he was trying on another professors bra.

So a guy has an urge to wear women clothing on occasion, surely that isn’t a big deal? He decides the need to find himself, he answers an add for a room with a cantankerous older gentleman, Henry Harrison (Kevin Kline) who is very proper and sophisticated. He also is an “Extra man”, or someone who accompanies older women on nights out on the town, like a prostitute, without the sex. Speaking of sex, no weird sex stuff goes on his place, it would not be appropriate. He also meets one of the neighbors, Gershon Gruen (John C. Reilly) who helps “lift things” and is very secretive.

Louis ends up getting a job working for an environmentalist magazine, pretending to be very green and environmentally friendly, thanks to the boss man (John Pankow), and is happy to find a very cute vegan coworker (Katie Holmes) who is seeing an activist. Damn it.

But during all this, Louis is learning the city through his roommate, and learning a lot more than he thought possible. He even dreams of one day also being an Extra Man, so that he can experience the lash and luxuries that he just seems so naturally suited for, including seducing one of the richest, Vivian (Marian Seldes) and meeting women of a similar position (Celia Weston).

So can he be a successful gentleman? Or will he continue to explore his fascination with lady garments? Or will he change himself completely for a VEGAN?

He is more human when he sings.

So a lot is going on in this movie, told from the point of view of Louis, despite being a book about the Henry. Hey, whatever, I don’t care ’bout no book.

I was finding it all incredibly interesting, despite not knowing what the heck was the end game. But I thought the film lost a bit of steam as it tried to end. Some plot lines dropped quickly, and I wanted them to be more explored more, damn it. Something about it, just made me a bit disappointed. If the ending was a bit better, it’d be a 3 for sure.