Tag: Kurt Russell

Most reviews for this movie mention fun facts about Quentin Tarantino. And I will spend this time talking about an issue with that. Holy shit, can we all stop going crazy about how many movies he has directed? Let that be his obsession, not ours as reviewers.

Sure, he said he will retire after 10. But plenty of directors have said they would retire and then not.

Outside of a director’s first film, or their second film, I have never seen so many care about their total number after that point. By obsessing over it, we are building up Tarantino to be something bigger than what he really is, and let’s face it, he doesn’t need everyone else stroking his ego.

And with that, let’s talk about Once Upon A Time In Hollywood, his 9th-ish directed movie.

DanceThe year is 1969. Vietnam sucks. Hippies exist. People are famous and rich and Nixon is around as well. We went to the goddamn moon!

But the plot starts in February and ends in August, so most of the film takes place without the moon landing at all. We are talking about aging star Rick Dalton (Leonardo DiCaprio), who was the lead in a Western show for many years in the 50’s and early 60’s, but now is stuck without many job offers and one off appearances in shows as a bad guy who always loses to the hero. It is also about Cliff Booth (Brad Pitt), long time friend and stunt man of Dalton’s. Although he isn’t getting as much stunt work, he is still trying and really a personal assistant and friend to Dalton in order to make some money.

The movie is mainly about their struggles, but it is also a little bit about their neighbors, Polanski and Sharon Tate (Margot Robbie). It is also about a lot of hippies living in abandoned studios. It is about what people need to do to get famous, even if it means doing (shudder) European movies.

Also starring Al Pacino, Austin Butler, Bruce Dern, Clifton Collins Jr., Dakota Fanning, Damian Lewis, Damon Herriman, Emile Hirsch, Harley Quinn Smith, Julia Butters, Kurt Russell, Lorenza Izzo, Luke Perry, Margaret Qualley, Mike Moh, Rafal Zawierucha, Scoot McNairy, and Timothy Olyphant.

Most of all business deals are done in bars with cigars.

Around 2006, when information was coming out about this future movie called Iron Man, people were abuzz with casting decisions. Who is playing who!? One of the most exciting aspects of the whole deal was of course Samuel L. Jackson playing Nick Fury. And then not much else was said about him for a while.

Opening night while watching Iron Man, I remember being so excited the whole film to see SLJ as Fury, and getting to the end of the movie and being confused. “No! They said there would be a Nick Fury!” So as the credits started to roll, I told my friends to sit down. There must be something more in the credits. And lo and behold, at the end of the first MCU film, there was another scene, with Fury introducing the concept of Avengers. At that point this wasn’t established, for something at the end of the credits, I just knew it had to be. I needed my Nick Fury, damn it.

So how does this relate to Once Upon A Time in Hollywood? It relates perfectly I’ll have you know in a second, but let me give you some non spoilery analysis.

This movie is gorgeous. It meanders, yes. It could have been slimmed down. Pitt and DeCaprio give wonderful performances and I won’t forget about them soon. The cameos were fun. Robbie felt like a completely different person and did well at this carefree in the moment feeling actress.

So here are the spoilers for the rest of the review.

Did you know that Charles Manson was in this movie? Well, if you read movie articles, you should have known about it. Because about a year and a half ago, info for this movie started coming out and people were in an uproar that Tarantino was about to do a movie about Manson. There was a bit of backpedaling, like letting us know that he was in it but it isn’t about him, it just has him in it as a subplot or something.

And then I guess everyone forgot about it, because suddenly with this movie coming out, there is this strange aura of spoilers like its Avengers: Endgame. What the hell could really be a spoiler for a movie like this? In the theater, while talking to friends, I correctly guessed the ending of the film before hand as a joke, and uhh, it was correct. It was mostly a surprise due to just knowing what happened with Inglorious Bastards and knowing that Manson was in it. Shit, they end up making pretty obvious references to IB early in the film with a fictional Nazi burning movie.

Anyways, I think it is a mistake to try and make this whole thing a secret. I think it is okay to know that Manson murders plotline is involved, because if you don’t know anything about the real life Manson murders, a lot of the buildup won’t make as much sense. I mean, shit. This movie was actually supposed to come out on August 9th originally, which is the 50th anniversary of those murders. But it was pushed two weeks up in this schedule, maybe to make things less obvious, I have no idea.

I appreciate the level of detail that went into those scenes, using actual lines, character names, times, dates, and places. It is something he has thought a lot about, and it makes sense in QT’s “real world movie series” and still helps explain his “in universe film series” as a comparison.

If you are unfamiliar with that period, whether it is real events, the movies of the time, it will feel like a long drag and never really reach a high amount of payout. But as a movie about the place where movies were made, about an event that affected movies since that time, it has a lot of insight and actual information in a fictional film.

Also, DiCaprio and Pitt are really fun in this one.

3 out of 4.

Hey everyone! Remember Guardians of the Galaxy? No!? Then what the hell are you doing here for?

People loved GotG and claimed it to be one of the best films for Marvel. Clearly they didn’t see Captain America: The Winter Soldier that same year. But despite how fresh and funny it was, it had terribly weak villains, more so than most other Marvel films in my opinion.

But the soundtrack was dope. It revitalized old classics, and had the sweet finale of a new mixtape. Before going into Guardians of the Galaxy Vol. 2 I refused to check out the soundtrack released a few weeks ago. In the first film, it was glorious discovering the music that went along and frankly, I feel like it is almost spoiler territory for this film.

Man, I hope this new mix is just as banging. And the movie should be good too, as well.

Like how Russell is banging that old dude look. Rock on!

Set only a few months after the first film, so we have to travel back in time to the year 2014. You know, that way Baby Groot (Vin Diesel) is still a baby for a movie for cuteness reasons. The crew is still together: Starlord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), and Rocket (Bradley Cooper). And guess what! They have also pissed off an entire race of golden perfect people, led by Ayesha (Elizabeth Debicki), while also capturing Nebula (Karen Gillan) to turn her in for a bounty. Family bonds? Fuck ’em.

There is still a lot of angst between the members, not knowing how much of their crew is a family, or how much of it is just for the convenience and money. In addition to the golden people, they also have to deal with Yondu’s (Michael Rooker) crew, trying to bring them in again for a bounty.

Oh and remember Starlord’s daddy issues? Well, the timing is wonderful for this film, because apparently some mysterious alien man named Ego (Kurt Russell) is his daddy! He has proof and all, they just have to go back to his own personal planet, to help Starlord realize his heritage, his past, and his destiny. Sounds exciting for Starlord, and no real issues will probably rise from that. Ego has a companion, Mantis (Pom Klementieff), who can read anyone’s feelings and sometimes calm them down. Alien powers!

Also starring two scenes with Sylvester Stallone as another ravager, Chris Sullivan as someone who likes mutinies with silly names, and Sean Gunn. Like, a shit ton of Sean Gunn. I expected to just get a quick cameo, maybe a line or two, but fuck, Sean Gunn is all up in this movie with a major-ish role.

He might even have more screen time than the chick with the antlers.

A lot of your time is busy, deciding what movie to watch, so I will get to the point. In terms of Marvel films, this one felt really disappointing. The first film had issues that a lot of people seemed to gloss over, and the sequel is not as good as the first in so many levels. So I left the theater feeling extremely disappointed. GotG2 is not a BAD movie, but it just had the potential to be so much more.

For our positives, I did laugh quite frequently still. Drax is now my favorite for sure, while there was a toss up in the first film, because they made his personality so extreme in this one. It is also very visually exquisite. One scene near the end with a body reforming in particular stood out, along with colorful explosions and alien landscapes. And Yondu was elevated in this film and given the best scene(s?!) with the best song, so that becomes a standout moment.

And now, the rest. Remember how Drax was my favorite? I said so sentences ago. He is my favorite thanks to the humor, BUT, I am pretty sure he did jack shit the whole film. Outside of the opening fight scene, which is one we can ignore for this point, he did only one real battle/fight scene at all. He is supposed to be Drax the Destroyer, and he is just there for the most part, making quips, and that is it. It was like they forgot his main purpose.

The Gamora/Nebula side plot dragged. Gamora is barely given personality, and Nebula has never been really any good at all, so to see the argument play out and conclude in this film, it just feels like an incredible waste. Starlord/Ego had some interesting moments, but again, the plot just felt very messy. Not really hard to follow, but lacking significant details and just feeling rushed.

This is the third film Rooker has been in with Stan Lee, because people tend to forget about Mallrats.

Yondu was bad ass, but just like in the first film, the made his arrow thing extremely overfuckingpowered. Why they never had him just go up to Thanos and kill they never really stated. His “backstory” and sadness in this film isn’t explored well at all either.

And it hurts me to say this, it really does. Because my own baby was Baby Groot for Halloween to my Rocket Raccoon when she was just four months old. But Baby Groot, although cute, was again, just a distraction. He got a bit annoying with his antics and it gave me scary flashbacks to the Minions in Despicable Me, taking an okay idea and running it into the ground. Rocket was cool though. They gave him a lot to do, some anger, some great humor, and he was definitely highlighted well.

Volume 2 had a few decent song choices, and the ones that work end up working REALLY WELL. A lot of the songs though also became pretty forgettable after the fact, although they did a good job incorporating the music into this movie, by also making the characters more aware of the songs.

Volume 2 is okay. It is. It just isn’t really super. It is flashy, funny, but it just lacks a lot more substance. The type of things you go into expecting in a sequel now that the “origin story” has been told.

2 out of 4.

Okay, let’s start this with my fast and the furious order of liking the films.

1, 5, 3, 7, 6, 4, 2.

And now that I have seen The Fate of the Furious, I would either put it after 7, or after 6. The trend continues, that I would have mentioned in a few of the previous F&F reviews I have done.

The even ones are not as good as the odd ones. It is science, bitch!

I think this is also some science.

F8 begins with Dom (Vin Diesel) and Letty (Michelle Rodriguez) in Havana, Cuba on a honeymoon. A honeymoon! Hooray! And it comes complete with a street race so absurd and contradictory, you can accept anything else the film has to offer.

While walking around, Dom runs into a stranded woman. Car problems, sucks to suck. Turns out it was a trap, this lady is named Cipher (Charlize Theron) (A name that always means villain in any movie that features it), and she has something to blackmail Dom with. She needs him to run a mission, he can’t tell anyone, and yes, it will involve betraying his friends and loved ones to do it. But part of the film is learning about the mystery, so why would I tell you now?

We have a lot of returning characters, including: Hobbs (Dwayne Johnson), Tej (Ludacris), Roman (Tyrese Gibson), Ramsey (Nathalie Emmanuel), Deckard (Jason Statham) and Owen Shaw (Luke Evans), Elena (Elsa Pataky) and Mr. Nobody (Kurt Russell). For some reason, no Brian, although he is mentioned a ton.

But also new characters! Mainly featuring Little Nobody (Scott Eastwood), underling of Mr. Nobody who is going to be geared towards our new Brian, Rhodes (Kristofer Hivju), Cipher’s main muscle, and Helen Mirren doing something or another.

Ending with Mirren is like popping out a secretive submarine out of nowhere, right car guys?!

What is it like to enjoy this movie? I truly cannot fathom it. It seems to be plagued with issues, from ridiculous character decisions, to plot points, to plot twists. I understand that not every character should be smart, but this group of people has now turned into an international task force that deals with apparently world ending problems, so they have to have some intelligence.

But instead we get a main character who says that ¨It doesn matter what is under the hood, but who is behind the wheel¨ before a street race. So when he is called out on that quote and given a shitty car, what does he do? A whole lot of quick modifications in order to change what is under the hood. Ah, thanks Dom, so it does matter, okay.

And that was just the beginning of the film, with the rest of the movie falling straight in line with those scenes.

We have a few mentions of Brian, but terrible reasons for not involving him. We have returning bad guys, meaning you actually have to remember the inane plots from previous films, and then watch as these bad guys gain sudden redeeming qualities and everything is fine again. We get a build up of a big fight, and it never gets to occur.

And again, we get poor decision after poor decision. In one of the above pictures we have all the cars driving in reverse to keep the middle car in place. Before that, they were just breaking to keep him stopped. But at this point in the film I had to scratch my head, wondering what their plan was going to be to actually stop him, because keeping him in place with a lot of moving tires is clearly not a good idea with no end goal. Before this scene we had a great idea with cars being hacked and forced to get in the way and block up traffic, but for whatever reason, that tactic had to be thrown out of the window for these scenes.

And you know what? The ending explosion and save rivals Indiana Jones and the Kingdom of the Crystal Skull. That might sound harsh, but it is true.

Some amusing banter aside, if you like superhero films where there power is driving and surviving explosions, while also having lower than average intelligence, you will enjoy The Fate of the Furious.

1 out of 4.

I am so disappointed in myself for taking so long to see Deepwater Horizon. I am a goddamn geophysicist. And teacher. And movie reviewer. But geophysicist first.

And you know what? The BP oil spill in the Gulf was bad, it was terrible, but at the same time, certain aspects were completely overblown, public opinion was driven from emotions and not from science, and blame was thrown around all over the place.

But reality isn’t simple, a lot of people were involved, and a lot of processes and safe guards went wrong or were ignored to allow it to happen. And yeah, it sucked. But still, it happened only six years ago and doesn’t seem like the type of film to warrant a movie at all. Some shit went wrong, and some environment got fucked up.

Are they going to celebrate it? Fear monger it? What is the message? These are the questions I will ask myself and why I want to even see the movie.

I can confirm from my many years as an alive person that this is indeed a drill.

The day began like every other day for Mike Williams (Mark Wahlberg). Hours of passionate love making with his wife (Kate Hudson) and sausages for breakfast.

Just kidding, he woke up, talked to his kid, heard a report on oil drilling, then left to go to his job for the next three weeks. He is on a crew on the Deepwater Horizon which is working on a borehole in the Gulf of Mexico. His boss is Jimmy Harrell (Kurt Russell), head of safety supervisor guy, and he is angry when they land, as the Schlumberger crew is apparently heading home early. They didn’t do all the safety tests!

Apparently because they are behind schedule, BP is getting impatient, and the people they sent to check things out (John Malkovich and James DuMont) are getting antsy. Needless to say, things get rushed, bad things happen, and a few people die in the process.

Also featuring Jason Pine, Jason Kirkpatrick, Gina Rodriguez, Ethan Suplee, David Maldonado, Dylan O’Brien, Douglas M. Griffin, and Brad Leland.

Not to mention they get about 10% more dirty than normal.

It turns out that this movie had a few things they wanted to cover. That people died during this accident, and to honor them with this film. Also that the main crews who were working were not to blame and the entire thing is BP’s fault.

And there is where some of the major fault for this film lands. It is hard to not have biases against films based on real life, and this one decides to run with the bias that the average American has taken. It is not using the film to right wrongs or tell actual true events. It is just telling us events based on what people want to hear.

Unfortunately, those biases cannot get out of my head and the film ends up taking a ding for that.

On its own, the first half of the film is interesting enough. The beginning is a bit corny, but the lead up to the events, the characters, they felt like a bunch of real people not just potential victims. They had their own voices. It is what really helps sell the whole film.

Things start to fall apart in the film when things start to fall apart. The explosions, the saving, the pain, the people jumping into the sea and the rescue? They all just felt like noise, like filler. Given how recent the events were it felt like the film was almost celebrating the disaster by making it take half of the film.

Deepwater Horizon is a strange event to make a movie about, has its moments, but also has its biases and excessive flair.

2 out of 4.

Quentin Tarantino is a crazy sunuvabitch.

He has passion, you gotta agree with that. He loves movies and wants movies to be real. Christopher Nolan and him are some of the only reasons film is even relevant anymore.

Tarantino had a lot of problems leading up to The Hateful Eight. Like when his script was leaked before they even began filming, causing him to cancel it completely. After awhile, he apparently changed some things and did it eventually.

He also wanted to film the whole thing on 70mm film, but barely anyone had a projector that could play it. So he decided to just provide free cameras to almost a hundred movie theaters across America, just so people everywhere could see his film in the vision he had in his mind. I can respect that, but I also think he is a single man on a mission to move a mounain. So we will see if his lunacy gets us anywhere. Until then. H8FULL8.

“Replace more parts of words with numbers, I dare you.”

Set a few years after the end of the Civil War, and thus, after Lincoln’s assassination, The Hateful Eight is about a group of would be killers, maybe killing each other.

Namely, John “The Hangman” Ruth (Kurt Russell), rocking the same facial hair he had in Bone Tomahawk, is bringing a bounty to Red Rock to get executed. Daisy Domergue (Jennifer Jason Leigh) is a very bad murderer and she has a $10,000 bounty on her head, dead or alive. Well, Ruth brings them in alive, because they deserve to have justice done to them. By hanging. Hanging justice. He is nicknamed The Hangman.

Unfortunately, they are currently racing against a mighty big blizzard and his driver, O.B. (James Park) is hoping to get him to Minnie’s Haberdashery before it hits so they can have a place to stay until it all melts. Along the way though, he runs into Major Marquis Warren (Samuel L. Jackson), a bounty hunter with his own set of bodies heading to the same place. He is able to get a ride. But they also run into Chris Mannix (Walton Goggins), son a Rebel leader who claims he is going to be the new Sheriff of Red Rock!

But when they got to Minnie’s, Minnie wasn’t there. She apparently was away to visit relatives and left Señor Bob (Demir Bichir) was left in charge. Other patrons included Oswaldo Mobray (Tim Roth), a British literal Hangman, Joe Gage (Michael Madsen), a cow puncher visiting his mom, and General Sandy Smithers (Bruce Dern), from the Rebel side looking to bury his son.

Ruth thinks someone is lying. He thinks someone here is not who they say they are and looking to free Daisy and kill all the witnesses. People are lying, and now everyone might die because of it.

Also featuring some less hateful people, Dana Gourrier, Gene Jones, Zoë Bell, and Channing Tatum.

Tim Roth is actually just playing the real life Christoph Waltz.

The Hateful Eight feels like a play, and I love plays. It is definitely the best part of the film and it is why I might want to watch it over and over. The action is of course another big part, graphic and very violent once it gets going. Not as violent or crazy as his previous films, but it is still pretty up there.

The 70 mm version of the film, which is what this is based off of, did not feel too long at over 3 hours. It went quickly because there was rarely a dull moment. And hell, an intermission meant I could buy a drink and not torture myself for two hours refusing to leave my seat. The overture was a nice touch and of course the music throughout.

The film is tonally different over its two halves and I wasn’t as excited during the second half. The whole thing is set up as a mystery as to who is a liar and a cheat. Without spoiling, let’s just say the whole thing let me down. It was unexpected surely, but not in a good way. There were still some great acting moments in it, and some of the scenes were very tense, but damn, it just wasn’t that sexy of a reveal.

I cannot say for certain of the 70 mm actually added a lot to the film, it’d be hard to without seeing both versions. I believe the digital version is about 20 minutes shorter including the intermission, but I have no idea what they’d cut out of it.

Not Tarantino’s best work, and worst of his most recent films, but still quite memorable and worthy of multiple viewings.

3 out of 4.

Westerns! According to Spielberg, Super Hero movies might soon go the way of the Western. Everywhere, and then rarely. K, thanks Spielberg.

All of this is irrelevant to Bone Tomahawk, which is a new western (definitely not a super hero movie). It was also independently released, you can tell, because it wasn’t even rated. Ooh, a Non Rated Western? That has to be intentional. There has to be some fucked up shit in there. You know, NC-17 rated stuff.

What will it be? Violence? Sex? The word “Cunt?” Who knows! Only the one with the best facial hair I imagine.

Fuck. I hope that is real and I hope all future movies let him keep it.

Set in the vague past, we need to talk about a small town out in the West with your standard group of people. We have Sheriff Franklin Hunt (Kurt Russell), whom has lived a good life of protectin’ people and growing facial hair. He has a “Back Up Deputy”, Chicory (Richard Jenkins, who I didn’t recognize at all until writing this review), and older fella who likes to talk. Like old people.

They got a rich guy, John Brooder (Matthew Fox) with no family, a fear of Indians, and a lover of the ladies in the town. Arthur O’Dwyer (Patrick Wilson) is also relatively wealthy, but he has a broken leg, and is being tended by mostly from his wife, Samantha (Lili Simmons), who is basically a nurse.

But when a drifter (David Arquette) comes to their town, their life begins to get a bit rougher. They lock him in the local jail, not sure if they should trust him. Next thing they know, the drifter, Samantha, and Nick (Evan Jonigkeit) are missing. Apparently they were taken by an angry Indian tribe, nicknamed the Troglodytes, because they live in caves. No other tribes will interact with them because of their cruelty and cannibalism.

Well, not in Hunt’s town. He is able to gather a crew of men (the four mentioned!) to get them back, despite injuries and oldness. That is the only thing they can do, lest a wife and a friend get eaten up. That is not a pleasant way to go.

Also with one scene from Sid Haig.

There are rag tag groups, and then there is this group. Rejectag.

Bone Tomahawk is like a slow fuse. A long, slow fuse. Bone Tomahawk is 132 minutes long and the type of film that is in desperate need of a better editor. I can imagine at least 20 minutes of material being cut out to make the story just a smoother experience for everyone involved. I am not talking 20 minutes of beautiful scenic shots, I just mean actual character conversations.

The first scene is great, tense, gets you the mood. Then it takes a long time before people get kidnapped and their journey begins. An incredibly long time. Enough time for me to forget about the intro completely.

The journey itself was fine. The four actors provided nice conversations and good back stories, but still I figured more things would happen outside of the one or two issues they encountered pre-Troglodytes.

The action was very brutal however. A lot a talk about how one death scene was the craziest of the year, and I think most everyone who watches it will feel uncomfortable throughout it. Straight up medieval torture. The other shootouts are not long and drawn out, just real people blasting in holes in people where no one can really be a hero.

Bone Tomahawk could have been an excellent western. It just needs to trim a lot of fat first to get ready for bikini season.

2 out of 4.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

FAST FAST FAST.

Nope. Too slow. Now you are just Furious 7. Look down. Look up again. You are Vin Diesel upset that Chuck Norris stole all of your internet jokes. Look at my hand. It is full of movies. THINK AGAIN. Just odd numbered Fast and Furious movies!

Blah blah blah. I have said before. I think the even numbered movies are either shit (2 and 4) or just okay (Fast and Furious 6). Some are well known to be bad, I went against the grain for the last one. Tokyo Drift has a good story though, which is why I like it and the first and fifth are entertaining. I was super stoked to watch Furious 7, before the death of Paul Walker, because I wanted the continuation from Tokyo Drift! I was ready for it all. And you know, 7 is an odd number.

And hey, Vin said this movie was amazing. Tears would flow and it should win Best picture awards. In that case I expect also hard hitting dialogue, some true events maybe, a new look at a modern topic, and maybe some death.

I don’t expect too much butt though.

JUST WHEN YOU THOUGHT ALL OF OUR FRIENDS COULD RETIRE AND JUST ENJOY LIFE. Just right then. Deckard Shaw (Jason Statham) shows up and starts killin’ people. He is the brother of the Shaw dude from the last movie and he wants revenge. Deadly revenge.

Well that is great, they have to deal with this asshole who has money, power, and explosives, and he will follow them around the world just to get his sweet deadly revenge.

Thankfully (?), a covert ops team lead by Mr. Nobody (Kurt Russell) wants to use Dom’s (Diesel) team to track down a computer program(er) (Nathalie Emmanuel) and a terrorist (Djimon Hounsou). If he stops the terrorist, they can use the special facilities to take out Deckard as well. Deckard of course will continually interfere with each step of that operation before he can be fully dealt with. Dom wants his crew though for the job. So he gets the leftover parts of the crew (Walker, Tyrese Gibson, Michelle Rodriguez, Ludacris).

Action, cars, people being mad. Dwayne Johnson is back in his role, Jordana Brewster is still Walker’s wife, Lucas Black reprises his role kind of, and Ronda Rousey is in this movie because modern action films secretly hate us.

Furious 7 is making shit tons of money. It is also is breaking records while doing it. Why? Is it because of its extremely diverse cast? (which is by the way, ridiculously diverse. Look at that group shot and tons more not featured). No, probably not.

The thing is, this franchise always made a lot of money. Six made almost 800 million, so the fact that this one already hit a billion isn’t a surprise. Because let’s face it, regardless of how good or bad it is, people wanted to go see it because of Paul Walker’s death. Just like The Dark Knight.

Now, sure, I might have had a tear near the end. My emotions are easy to manipulate in a movie. But I am still disappointed with their choice. I think a much stronger movie could have been made if they went real crazy and intense with it. I even knew I wouldn’t get the more intense and tear inducing finale to Walker’s character, because they announced what would happen to his character months ago. A literal ride into the sunset. Kind of disappointing, but I get it. I do.

Either way, some of the stunts in this film were insane. Most of them just involve literally the cars flying through the air and surviving big crashes. They are thankfully in vehicles a lot, so it keeps up with the theme, despite only one (and a half maybe) street races. And it didn’t feature an incredibly stupid ending like the last film. And the characters, all of which were still decently over the top, didn’t feel like superheroes which was another complaint I had.

But also, this one featured The Rock in a great scene involving a cast. That scene made the movie for me. I just really hope they don’t make another one. End up on top. Please no more. Don’t piss off Paul Walker’s ghost.

3 out of 4.