Tag: Dane DeHaan

This is part of Fantasy and Sci-Fi Week at Gorgon Reviews!

I hate Luc Bessson. I probably have said that at least a thousand times in my life at to this point. I have also already said that he hasn’t made anything good since The Fifth Element, which was of course 20 years ago, and relevant to the release of Valerian and the City of a Thousand Planets.

Because I went into Valerian and I expected to hate it. I expected it to be somehow a Eurotrash movie, but in Space. I didn’t have any fond reasons to love the leads at all, and was just ready to be scathing. But then I didn’t hate it. I didn’t dislike it either. At the lowest I knew it would be an average rating, but not sure if it could land higher.

I did know that I had to go and rewatch The Fifth Element before I wrote this review. Because in all honesty, I hadn’t seen it since it came out when I was a kid, and I remembered nothing except for the intro scenes. And after going back and watching it, I sort of shrugged me shoulders and sighed, remembering it to be better than that.

Two takeaways from this intro: I guess I only really really like Leon, The Professional from Besson, and I don’t hate Valerian.

But I did hate how stupid looking they decided to make her armor.

Major Valerian (Dane DeHaan) and Sergeant Laureline (Cara Delevingne) are team of space soldier ranger things. They work for some intergalactic agency and have to do missions. In space! Pretty standard police stuff. We get to see them doing some space mission after Valerian wakes up from a space dream where a planet of blue things get wrecked super hard.

From this mission, Valerian and Laureline, gain a sweet pearl of extreme energetic power, and a cool little lizard who makes copies of anything it eats. I think you all can put two and two together to see why this is an intense combination. And this is the cause of all of their problems. Because when they return back to Alpha (aka the City of a Thousand Planets. A floating, giant space station that has inhabitants from all over to create one massive entity in unity), shit starts hitting the fan. A wiped out race of aliens appear and steal the lizard, but they use non lethal means. The main captain is taken and people who have no idea what is going on are in charge.

But don’t worry. We have Valerian and Laureline, who will take turns saving each other, to get to the bottom of this mess.

Also featuring Alain Chabat, Clive Owen, Elizabeth Debicki, Ethan Hawke, Herbie Hancock, John Goodman, Kris Wu, Mathieu Kassovitz, Rihanna, Rutger Hauer, and Sam Spruell.

Stare deeply into the eyes of the Blue Dhalsim.

I have put off writing this review for over a week. I have reviews that come out next week that I have already written before this one, it is just so hard.

The thoughts I had when I left the theater: Well, I don’t hate it. But do I love it? Is it average?

It is so damn hard to tell. There is quite a lot for someone to like in this film, and almost an equal number to dislike. So…Here…we…go!

Dislikes:

• DeHaan is not a bad actor, but he is not great in this film. Far too much of his dialogue is spent trying to badly woo Delevingne and it just drags on. His voice is way too gruff for his boyish face, like he is trying to play Batman. He worked for A Cure For Wellness, but it is hard to like him here.
• Delevingne, for the most part, is a bad actress. She isn’t great here either, but they don’t give her a lot to work with. Her character is weakly written, despite being an integral part of the team. Her name should be part of the movie, not just focused on the boy hero. But also, it is like her role is one entire eye roll.
• Goodman was wasted in this film, his voice was great for the character, but they implied he would have a bigger impact on the movie and then he…never came back.
• The Alpha station got really annoying. All of these special biomes and places to live, so of course we have a couple parts of the plot where our characters can rush through EVERY SINGLE ONE MENTIONED. Doing the “look at all the stuff in here!” and making sure it all matters instead of just keeping it small scale and letting stuff happen in the future. I had a similar issue with Zootopia, all these biomes, MAKE SURE WE HIT THEM ALL.
• Related to points 1 and 2, Delevingne and DeHaan had terrible chemistry.

Likes:

• What a goddamn introduction to he film. A nice, beach and ocean planet. A tribe of native aliens. In my screener there was a mess up with the intro, where we couldn’t see their dialogue and subtitles, and guess what, IT WASN’T NECESSARY. A story was told, it was awe inspiring, it was great, quality, film.
• The CGI for the most part was always on par as well. A ton of visual effects and they helped the universe, they didn’t hurt it. A lot of unique elements too, maybe from the comic, maybe not, but it was pleasing to look at.
• The plot wasn’t terrible. It had quite a few good elements and a lot of random twists in the middle. No one would guess where this film is going, even if you could guess where it ends.
• This hurts to say this, which makes it more true. Rihanna was in this film, and her character was fun. It was fun and Rihanna was completely fine in it. She didn’t take away from the movie, although how she exited the movie seemed unnecessary.

Honestly, I could keep going on and on about this movie. What I am left with is realizing this is a step in the right direction for Besson. Another of these films with a more focused story and planet or planets could be amazing. And I wouldn’t even care if he replaced the leads, I swear. It is not terrible, despite pretty bad elements. It is just totally okay.

2 out of 4.

Now that it is February, we have the potential to get some good films again. Split was a January fluke, I am sure everything else that I didn’t see is bad. But this is February!

Last February we were blessed with Hail, Caesar! And before that we got The Lego Movie! So there is a lot of hope for finding the special film in the crowd, and A Cure For Wellness is carrying that flag (along with John Wick: Chapter 2).

I first heard about this film in December when some of my critic friends saw it at Butt-numb-a-thon, but all of their lips were silent as to why they enjoyed it. A mysterious film with a lot of creepy moments. Let’s do it.

Water? Nothing has ever been creepy about water.

Mr. Lockhart (Dane DeHaan) is a young, spry, wall street worker who just got a promotion after closing a big account. And he is ambitious. And he has also cheated on some of his deals. This does not look good, especially when his company is on the verge of a big merger. So the board gives him a task. To head to the Swiss Alps, to a little spa, where their CEO (Adrian Schiller, maybe? God, I hope it was him), has decided to extend his vacation forever and never return home. He hats Wall Street now.

So Lockhart heads to the spa, hoping to convince him right away. But he misses visitor hours, gets distracted by a mysterious woman (Mia Goth), and next thing he knows his driver (Ivo Nandi) gets into a car accident. Lockhart wakes up in the spa, a cast over his leg, with a spa retreat seemingly forced on himself as well in order for him to heal.

While there, Lockhart spends most of his time looking for and failing to talk to his CEO. Trying to discover why the water seemingly is addictive here. And wrap it all up with ancient legends of the place! Fun!

Also starring Jason Isaacs, Celia Imrie, and Judith Hoersch.

Oh man, it is so beautiful it is making me flip my shit.

A Cure For Wellness is not your normal “scary film.” At its core it is a psychological thriller meant to make you feel unnerved throughout its over two hour run time. Every shot is beautiful, showing off the lush Swiss (Well, it was filmed in Germany) landscapes and mountainsides. Rooms uniform to make you feel claustrophobic. Uniformity in the actions of the patrons. Long hallways, identical doors, and a seemingly labyrinth of corridors, the spa is both haunting and beautiful.

The mystery it weaves is a central figure and one that will have you picking up the clues it drops, the smaller references along the way, to build the complete story. Why the spa does what it does, how it does it, and our overall plot is wonderfully crafted and told to make sure you get enough for the average viewer to understand it all.

But in the last 15-20 minutes, they decide that instead of keeping it a smart film, they will dumb everything down, hold the viewers hand and make sure repetitively everyone understands ever little aspect. And it is its biggest failing point. It went from an intelligent film to a tacked on ending that feels normal for Hollywood films but is jarring for this one. It told us too much and also made sure there was no mystery left. It had a conclusion, the story is over, and it could have had many better endings if they just tacked off parts. It reminds me of Don’t Breathe in that regard.

DeHaan and (actors) give great performances. They really dive into these characters and no one is half assing this film. It is a pretty darn good film that people should see if they want to feel unnerved and can handle some body damage horror stuff. I had some pretty extreme cringes during this film, but they are all done in a way that serves a purpose and isn’t just for gore sake.

They just need to know when to end it.

3 out of 4.

Day four of Musical Week also falls on a Thursday. Hmmm. That is my documentary review day. Can I do it? Of course I can do it. When you think “musical” and “docuementary”, the only real cross over would be some sort of concert movie. But! There hasn’t been a sweet teen sensation concert movie for over a year. The last one was the One Direction movie.

So instead I found Metallica Through The Never. You may have guessed it already, but this concert movie/movie has a lot of Metallica music in it. And all of it comes from actual concerts that they filmed the footage at from a few concerts on one of their tours. However there is also a small story in here, clearly fictional with actors, set to Metallica songs, to give us a very strange movie hybrid.

They must have thought a regular concert documentary was boring and for teeny-boppers. So they wanted something more.

The story itself is just about a boy, Trip (Dane DeHaan), a roadie for Metallica, who kind of just has to run and get stuff. Well, during the concert, he has to go and find a package in truck that ran out of gas. Get the truck gas, so it can deliver the package that is very important, for reasons.

But chaos has broken out in the streets. Death, riots, destruction, and maybe some supernatural things as well! And who is The Rider (Kyle Thompson)? Is he the Sandman?!

I picked a concert photo so you all wouldn’t call me out on shenanigans.

I am not a huge Metallica song by any means. None of their songs are on my iPod, but I recognize the famous ones, and I know to make fun of the driver due to his anti-Napster campaigns.

Despite that, I was surprised at how many of the songs played I honestly recognized. Probably at least half of them. So that was a bonus. The music didn’t sound terrible either and it fit the story they were telling nicely.

The story itself? Well, it felt like an acid trip. No crazy colors, but all the other elements were there. At points it was terrifying, mostly it was weird, but it was definitely entertaining.

In fact, I wanted way more of the story and way less of the concert scenes. That is a terrible complaint, I know, for what amounts to a concert film. But because it is a hybrid, I expected more time focused on the story. I would guesstimate the average movie went 75% concert, 25% story.

It should go without saying that if you hate Metallica music, or the genre of music, you won’t gind any enjoyment in this movie. I thought it was a okay experience, and what I can tell, a good first effort for this fantasy concert genre.

2 out of 4.

Yes! More movies in the supernatural rom com genre!

There hasn’t been a lot of these, I guess. Most of them are dramas more than comedies. Apparently that is where they think the money is at, teenage girls. But the comedy element? Outside of Warm Bodies (Warm Bodies), there haven’t been that many.

So sure, Life After Beth is giving us love and zombies again, a year later, but just like regular romantic comedies, as long as they are done in different and unique ways it shouldn’t be an issue.

You don’t need a beating heart to float on water!

Beth (Aubrey Plaza) is dead. You can’t change that. Freak accident. Her boyfriend at the time, Zach (Dane DeHaan) is taking it really badly. Yeah, sure, he lost the love of his life, but it ended badly too. They were fighting. He didn’t her what he really felt.

So yeah. That sucks. Trying to cope after a death is hard. He has even been hanging out with Beth’s parents (John C. Reilly, Molly Shannon) in the down time.

But then he sees Beth. Walking around. Seemingly normal.

What in the highest amounts of fucks? Was this some joke to get him out of their lives? A shitty way to break up with him?

Or, was she resurrected, like her parents believe? They don’t care. They were missing their little girl and are happy to have her back, regardless of any complications.

You know. Zombie things.

The parents of Zach are played by Cheryl Hines and Paul Reiser, he has a brother who is a cop played by Matthew Gray Gubler, and Anna Kendrick as an old friend and old fling.

Sometimes your flirt face is the same as your scare face.

While other supernatural movies may strive for extreme supernatural things going on, Life After Beth keeps it surprisingly realistic. Yes. Sure. Zombies happen. These zombies may have big strength, start to decay, don’t feel much pain, whatever. Normal zombie stereotypes.

But the emotions and reactions are surprisingly real feeling. The grief Zach feels over words not spoken. His reactions to her being alive, the many that occur. The parents, unsure of what to do about it. And ignoring the problems as things get worse and worse over time.

Life After Beth does a great job about moving on but in a unique way. Just because the dead are rising up and walking around doesn’t mean that life is over as we know it, right?

3 out of 4.

The Amazing Spider-Man 2 is technically the first big budget movie of the summer, because April doesn’t count as summer. Take that, Captain America: The Winter Soldier. And what a packed summer it is! Or at least this month, in which we see two Marvel franchises, neither currently owned by Marvel.

Either way, the first one I thought was a good reboot. I was still shocked like everyone else when they announced that there would be at least four movies in this franchise, one released every two years. So you can look forward to The Amazing Spider-Man 4 in 2018. It also will have two spinoffs at least, Venom and Sinister Six, presumably in the off years. Although they will just feel like more of the same I assume.

I have absolutely nothing to follow that informative, yet boring intro.

Spider-Man! It is a few years after the first film, now time for graduation. Peter (Andrew Garfield) is conflicted over his love for Gwen Stacy (Emma Stone). He promised to not get her involved, it could hurt her. Sure, at the end of the first movie he didn’t care, but apparently now he does.

So, a yearish after that, he is still saving the day, but now in college. I assume a community college or something, maybe online classes, because you never really see him doing work for it. Some would say he is wasting his potential, but those people don’t know he is Spider-Man.

Either way, his old friend from middle school or so, Harry Osborne (Dane DeHaan) has returned home. His father, Norman (Chris Cooper) is dying of a genetic disease, so Harry is going to get it too probably. That isn’t Harry’s only problem. He is also now head of Oscorp, the board hates that and wants to get him ousted as soon as possible.

Lot of shit going down. Not to mention a poor nobody Max Dillion (Jamie Foxx) is killed while working at Oscorp, his body being electrified in a horrible accident. Oh what’s that? Electro. And he has a beef with Spider-Man and the city too. Oh hamburgers.

Also starring again Sally Field as Aunt May, Campbell Scott as Peter’s dad, and Paul Giamatti as a Russian criminal turned Rhino.

I think I actually got shocked during this fight scene. 3D Effects are amazing.

Just like the previous film, this franchise just seems to “Get it”. They get what it means to be Spider-Man, how cool it is, and the entire strength of his character. This is mostly portrayed in two points of the film.

Point one: His wit. Spider-Man talks with the public and the bad guys as he swings around, offering the quick joke or two and not taking life too seriously until it gets dire.

Point two: The fights. Holy crap the fights. The action in this movie is just so fucking incredibly Spider-Man. So good, so good. We get to see Spider-Man use his agility and webs to maximize his chances of victory, against stronger and slower foes, and against quick foes too. He has to use his brain to develop strategies for beating enemies. He uses Science! We get to see his Spider Senses help determine his plan in a combat. It is just so gleeful. Maybe worth the price of admission.

But this movie has a lot of faults too. The plot is a lot thinner than I would have hoped. Too much of the movie is Peter moping around, not being awesome. We just had the origin story, the sequel is supposed to allow for a lot more action and awesome. Since it is over two hours, having two big villains shouldn’t be an issue, as it is closer to the comics that way anyways. But still the ending villain fights feel a bit rushed.

I knew how the ending would go I guess, and man, it still rocked me. I thought it was a well done interpretation. That is all I will say on that note. The movie feels a lot like a comic too, and I don’t know how to describe that better. But the plot also moves sometimes at strange paces. Somehow Peter finds out a secret laboratory that his father had made. But the clues that lead to it seemed completely random, and they didn’t really have a good way of explaining how he made those leaps of logic.

Oh well. The action? Really really fucking good. The plot? Ehhh. I do like how they started the Electro character. That way feels pretty new. The Goblin could have used a bit more work and time I think.

2 out of 4.

The Place Beyond The Pines by itself is an interesting title. It is actually the literal meaning of Schenectady, a town in New York where this film both takes place and is filmed. Damn these clever directors and writers!

The title is also mysterious enough on its own right to potentially gain viewers by itself. Every time there is a bad movie title, I tend to harp on it, so I felt it was my duty to point out the excellent ones as well.

Hey girl, even though I am surrounded by flashy lights and neon signs, all I can see is you.What would you do to support the ones you love? More importantly, what if you just found out you had loved ones who needed support?

Luke (Ryan Gosling) is a motorcycle rider for a traveling fair, the guy who gets into the tiny steel ball and rides around. It is a lonely life, always traveling, but he can sometimes find love in the random towns that he stays at. Like Romina (Eva Mendes), who he had a nice time with last year, but now lives with a man (Mahershala Ali) and has a son. Well, Luke’s son it turns out.

Luke doesn’t know how to handle this situation, but he doesn’t want to be a scumbag father, like his own, so he quits his job and settles in Schenectady. He finds a job as an auto mechanic with Robin (Ben Mendelsohn), but it still isn’t enough. He needs a large sum, and he needs it now. So why not rob a bank? Who does that really hurt?

This film also tells of Avery Cross (Bradley Cooper), a law school student turned cop, who doesn’t want to follow in the footsteps of his own father (Harris Yulin), a member of the state supreme court. Even the small towns may have local corruption, and that corruption may cause conflict in his household with his wife (Rose Byrne) and other cops (Ray Liotta).

Pines also features Emory Cohen and Dane DeHaan, but I don’t want to tell the specifics of their parts.

Hey girl, I know I am no Ryan Gosling, but check out these cheekbones. Hey, wait, come back! The “Sins Of Your Father” theme is a popular one for shows, movies, and novels, yet I always feel like it never really resonates with me and always falls flat. The Place Beyond The Pines might have the best showcasing of this theme I have ever witnessed, making me truly understand the full extent of what it means, and how it can be conveyed.

The movie is split up pretty nicely into three parts, with the end of part one coming out of left field. It was well acted up to that point, but it was still missing a major umph to get my full attention, and it was sure to bring it. After that, I was hooked and couldn’t look away from the screen, wondering what other secrets and twists it had in store for me.

Everything about this movie felt amazing to me, especially the acting. Eva Mendes is basically the only woman character in this movie. Lately, she seems to be put in movies more often for her looks than her talents, but she definitely delivers in this film.

I have talked to about five-six people about this movie, and at least from the “guy perspective” everyone loved it. The one woman I talked to thought it was decent, but not the best. The themes presented may be easier to latch on to for men, since it falls so heavily into the son/father relationship category, but despite that I think this movie can be enjoyed by everyone.

It might just be the best drama I have seen so far in 2013. This with Silver Linings Playbook has elevated Bradley Cooper into an elite acting category, and it will take more than a new Hangover to knock him down from it.

4 out of 4.

I am surprised at how little Lawless was talked about when it first hit theaters. They didn’t really give away any of the plot, but made it seem like a ganster/western movie of some sort, with some bad ass actors.

And you know, uhh, Shia LaBeouf.

Damn it Shia, what did I tell you about showing up in my movies?

Franklin County, Virgina, early 1900s, prohibition is a bitch. But thankfully this is the wettest county in the world and basically everyone is growing Moonshine, so much that even some gangsters from Chicago are getting their hands wet out here.

The Bondourant brothers are immortal, through legend and talk from their brother Forrest (Tom Hardy). He survived a flu that killed most people who got it, and his other brother Howard (Jason Clarke) was the only surviving member of his platoon in WW1. The youngest brother, Jack (LaBeouf) is the runt of the group and wants to join in on all of the activities but, you know, he is small.

He has big dreams though, and even worships the great gangster Floyd Banner (Gary Oldman), and is hoping to start his own moonshine batch with his weird friend Cricket (Dane DeHaan) who is at least good with tinkering.

Things are going great! That is until some DA Charlie Rakes (Guy Pearce) is brought in, from Chicago, to clean up this moonshine business in the area, even though the local cops don’t care. His style and aura is definitely not welcome, you know, because he wants to arrest them and maybe kill them.

Kill them? Yeah, life is brutal in this time period. People die, lots of people, and it is fucking gruesome. Most people would fear for their lives, you know, if they weren’t immortal (and missing a lot of their brain cells). All while this is going on, Jack is working on seducing a local Amish like chick (Mia Wasikowska) and a former dancer from Chicago is here to work at their restaurant (Jessica Chastain).

Basically a nice quiet life. But with lots of guns and violence.

Despite my best attempts to make the movie seem lame, it was a blast to see. Hardy and Clarke as the older brothers were both unique and brought a lot to their characters, especially Hardy. His low witted self always made me either chuckle or grimace based on what he was doing (or had done to him).

Gary Oldman is barely in this movie, but Guy Pearce definitely plays his own extremely unique character, so much that I couldn’t even remember what Guy Pearce actually looked and sounded like.

But Shia? Well he did a fine job too. Didn’t ruin the movie like I thought he would, but I am disappointed that he was the main character and not Forrest.

I think the movie could have been a bit shorter than what happened though, or even better, just less “down” scenes. The church scene was really odd, and I do’t know why they never really explained what the heck was going on there. There won’t be any sequels to the movie, as the entire story is told, which is a shame. I’d almost want to see more of Forrest and Howard when they were younger and just getting started.

3 out of 4.

I first heard about this movie before it came out to theaters, a friend of mine saw the trailer and shared it and I was like, whoa, this looks pretty awesome.

I then “forgot about it” in that I could not remember the name. At all. I remembered what it was about. But the name?! I kept confusing it with Project X, not for similar subject matter, but I could imagine a lame title like that for the trailer I saw. It wasn’t until a few days ago when someone suggested I watch Chronicle. I was like, “Chronicle? Never heard of it, let me go to IMD-OH MAN THAT MOVIE!”

I was seconds away from downloading it illegally too, but don’t worry, it came out on DVD/Blu-Ray Tuesday!

Ah, they don’t look worried.

Andrew (Dane DeHaan) is a kid in high school, who is bullied and generally keeps to himself. He lives in a bad household too, where his mom (Bo Petersen) is dying of cancer and his dad (Michael Kelly) beats him and is verbally abusive. Because of this he decides to video tape his life as a self project, so that others can know what he goes through, have the last moments of his mom, etc.

People find it weird. People HATE being video taped, they just assume he is creepy. He is feeling all bad at a party his cousin, Matt (Alex Russell) made him go to, when Steve (Michael B. Jordan) the popular high school president friend of Matt makes him grab his camera to check out something cool. Matt and Steve found a huge hole in the ground that makes weird noises! So of course they investigate it. Well they find a giant blue crystal, weird noises, gives them headaches and nose bleeds, and breaks the camera.

Three weeks later? Oh hey look, telekinesis.

They figure out that it works like a muscle. Gets stronger the more they practice with it, and nosebleeds happen every time they exert too much power. Basic things cause it at first, but eventually these bitches can move cars. And fly! But dissension occurs amongst the ranks, as they realize certain things are bad, but other people don’t like being controlled. They plan to fly around the world together, after they graduation. Maybe visit those Tibet monks.

You know, as long as they don’t start fighting it out all telekinetic power wise, and have people die and shit.

I am just going to leave this here.

In case you didn’t know, this is a “hand held camera” movie, but don’t worry, it isn’t some found footage crap. It is just showing the film through whatever video collecting device was running at the time. Whatever it may be! That three week pause is because he didn’t get a new camera, so we get to avoid the delay of discovering they have powers, straight to them playing with them and figuring out what they can’t do. I didn’t find the camera too distracting either, and it kind of helped out the movie in a lot of ways just feel more realistic.

Matt’s pseudo love interest (Ashley Hinshaw) is supposed to help ground Matt, I guess, who might secretly be a smart guy but afraid to show it or else not be popular? Pretty much that aspect of his character is the only thing I didn’t like. He said a feel philosophical things, but they always felt a bit random to me and I think they threw that aspect into the character without fully defining the why aspects.

But everything after that I loved. The visual effects for this movie were great and like I said, everything just felt super real. Predictable events don’t always mean a bad thing, because even if you know which character is going to turn mean, you don’t know what he is going to do when he IS mean.

4 out of 4.