Tag: Tadanobu Asano

Moooooooortal Koooooombaaaaaaaaaaaaaaaaaaaat!

I could write a whole review about the non-video game medium of Mortal Kombat, but that is not what you are here for. The first film, despite its flaws, is iconic, and gave us the theme. The second film, despite its bigger cast of characters, is a train wreck and shit, and we all wish it could have been better.

There was the cartoon, that as a kid I found really cool, and as an adult, well, never saw it again besides the few random episodes. There was a 90’s show that I saw a few episodes of as an adult, and didn’t try to watch a lot more after that.  And then there was Mortal Kombat: Legacy, an attempt to make it cool again, focus on the fights, and focus on the Kombat. I still haven’t seen that, because I suck, but I did buy the whole thing on Blu-Ray to watch eventually. Apparently the release of this film was still not the right time.

Regardless of the quality of video game movies and how they always end up disappointing, I was excited to give this new movie a chance. One rated R and ready to give us Fatalities.

I always liked picking hat-guy in the game, so I could throw his hat.

Like before, Earth is about to get fucked. There is a secret tournament that happens, and if Earth loses ten times in a row, we are all gonna die, basically. And you know what? We have lost the last NINE times already. That is some pre-movie shenanigans. So the stakes could not be higher.

Lord Raiden (Tadanobu Asano) is in charge of protecting the Earthen realm from interference, but as an Elder God, he can’t just go and defeat the bad guys for them. Sad.

This movie is actually about a new character, name Cole Young (Lewis Tan), so his powers are a secret until the movie lets us know them. Secret secret secret. He is married (Laura Brent) and a father (Matilda Kimber), and he is a washed up MMA fighter, who takes on shitty fights for $200 bucks and usually loses. But he has this dragon mark, which means he eventually is going to participate in the tournament for Earth’s existence, but he had no idea.

Tournament shournament though. Because Shang Tsung (Chin Han), leader of the Outworld forces, is going to make sure the next tournament is a cakewalk. Nothing permits him from going and getting his guys to kill the main fighters before the tournament even starts. Time to cause a ruckus! Oh, Shang, you rascal.

So what cast of characters do we get in the film? We have Sonya Blade (Jessica McNamee), Jax (Mehcad Brooks), Cano (Josh Lawson*), Liu Kang (Ludi Lin), Kung Lao (Max Huang), Sub-Zero (Joe Taslim), Scorpion (Hiroyuki Sanada), Mileena (Sisi Stringer), Kabal (Daniel Nelson), Nitara (Mel Jarnson), and Reiko (Nathan Jones).

No Baraka? I demand Baraka! Gimmie those blade hands.

People who want a Mortal Kombat movie want a few things. They want a nice cast of characters. They want a lot of fights. They want their fights to be bloody, long, with moves that the characters use in the movies. They want these battles to be cool and surprise. They want goddamn fatalities. Someone has to say Finish Him. Maybe even Fight.

And at least on that front, I would say this film certainly delivers.

It was cool, we had a variety of characters, some more charismatic than others. We got to see some people start off strong and some grow into their powers. We got some magic.  We have a few fatalities and some deaths, not all of which are surprising. And it is good to finally get some bad Sub-Zero, we keep getting good Sub-Zero, and that is silly.

But I am leaving still a bit disappointed. Why is that? I don’t think I got a complete story.

Obviously the plot is going to be a weak point in a movie like this (Despite the video games being steeped in their own timelines and history, I am sure there are winners in that). But when it was over, I more asked “That was it?” to myself and it left a sour taste. Technically my plot description of the movie is accurate, but I still found it awkward where  it ended. Because this is not a guaranteed film series. Most are not, unless they film it all at once. We aren’t guaranteed a Mortal Kombat 2. And if we were, I don’t care. I am not a franchise reviewer, I review the movie. And this movie doesn’t give a complete story.

Come in for the fights, and stay for the fights. But be disappointed when the sequel never happens (And if it does, statistically, it will be a lot worse based on the history of these films).

* How in the hell did they make the nerd guy from House of Lies into an amusing and deadly Kato? Holy shit Josh, well done.

Okay, Thor: The Dark World was sort of bad. I was caught up in Marvel hype at the time, but I still stand by my original Thor rating.

I love the god of Thunder, and I want Chris Hemsworth to be in many more movies, so I just ooze out happiness towards him, hoping everything is great and falling in love. Except for Blackhat. And The Huntsman: Winter’s War. And Ghostbusters. Okay, so lately Thor is all he has going for him outside of Rush (is it the four letter word theme?!).

But that is not why I am excited about Thor: Ragnarok. I am floor to the wall excited thanks to Taika Waititi.

Who? The indie film New Zealand director who gave us What We Do In The Shadows and Hunt For The Wilderpeople (one of my top films last year). This man is so good at his craft, bringing natural humor and an adventure out of little. The fact that he was given a Marvel film to helm, to put his own spin on things, blows my minds, and honestly, I just could not fucking wait.

Basically, Thor is now full on Rayden.

Ragnarok takes place sometimes after the events of other movies. Thor (Hemsworth) is roaming the stars, leaving Midgard (Earth) behind for a bit in their squabbles, as he makes sure life around the Realms is swell. He is having nightmares about Asgard falling in flames, and he would rather not have that happen to his home.

After dealing with threats, he returns to Asgard and finds it complacent in the suffering of the realm. Heimdall (Idris Elba) is missing. Odin (Anthony Hopkins) is clearly Loki (Tom Hiddleston) in disguise, not actually dead like everyone assumed. But that is only the beginning of the issues.

It turns out that Thor has an older sister, Hela (Cate Blanchett), the Goddess of Death, who has been imprisoned by Odin for some time. She is set to return, to return Asgard to a machine of death and destruction to conquer the cosmos. The Asgard of the past was a scary place, everyone would prefer peace time now, but it is hard for that to occur when she shows up on their doorstep, stronger than the other Asgardians and willing to kill anyone who gets in their way.

Thor and Odin are expelled from their realm, with mixed results. Odin would like to survive and run, while Thor would prefer to get out of his new reality, defeat his sister and finally claim the throne he has denied in the past. I mean, he has to, or else everyone will die or something.

We get a few new characters into the story, including the Grandmaster (Jeff Goldbloom), Valkyrie (Tessa Thompson), and Skurge (Karl Urban).

Also featuring the Warriors Three (sort of) (Zachary Levi, Ray Stevenson, Tadanobu Asano), the voice of Clancy Brown, Rachel House, Taika Waititi (he is in his own movie, yes), Mark Ruffalo, Benedict Cumberbatch, and a few cameos to keep on your toes.

This is probably what I would wear if I got into LARPing.

Thor is such an odd character to make films about. The goal is to make sure the films have their own unique feel to them and are not a generic action superhero film. This means that Thor gets to go to other planets and realms, but not like the Guardians of the Galaxy, as his is more solo based and war based. GotG is more bad dudes all around.

Years ago this was being noted of being a sort of Road Trip Marvel film, which is not a very apt description. We get to see different areas, different people, at various amounts, while Thor deals with his friends and family tearing itself apart. Unfortunately like a lot of those films, some areas spend too much time, seemingly drag on, when the viewer might just wish it to move its ass along eventually. Namely, the trash planet with the gladiators. Sure, some cool stuff happens there. Some sweet characters. But damn it, get going, get out, let´s get this plot going!

And there is a lot of cool stuff in this film! Thor at the end of the movie is a complete badass, finally rocking out in such an epic way that it feels like a Thor makeover, and I don´t just mean his hair. Hulk is given a decent amount of screen time and gets to show off. Loki is around, which is okay. Hela likes to throw spikes or whatever, and I guess she is strong doing that. Heimdall finally has a purpose in these movies, but still not a lot of purpose. And cameos!

Then there are questions like: Where is Lady Sif? She is a major part of the Thor crew, but she is basically replaced with Valkyrie and we are supposed to be cool with it? (She could not make the filming time, and they just ignored her existence. The Warriors Three at least had parts though).

The questions brought up at the end of The Dark World with Odin/Loki were really quickly dealt with as well. TDW had a very ominous ending and I have been waiting many years for this to come about and it was a disappointment.

Again, the film has tons of fun moments. It does a lot of things right, and it is quite hilarious and badass at various points. It is just a bit too long, rushes through the better things, drags at others, and ignores characters without a good reason.

What’s that? Do you hear that? Shhh, listen!

That’s right, that is the sound of Silence, blistering in the wind.

It is also the sound of Martin Scorsese, old and still not giving a fuck. He is making movies that he wants to make and he is making him epic. When his last film came out, The Wolf of Wall Street, it was hacked down to 3 hours from a much larger length. And the same was true for Silence.

It ended up around 2:41, making it just a few minutes shorter than American Honey, and thankfully the only two films to be pretty darn long this year. But on average, the movie lengths have still probably gone up. You know, thanks to the behemoth that is O.J.: Made In America.

And this is just a sign of the behemoth that Garfield’s hair will become.

In the mid-1600’s, we meet a couple of priests, Father Rodrigues (Andrew Garfield) and Father Garrpe (Adam Driver). They are young and have strong hearts for Jesus in their Monastery in Portugal. From another Father (Ciaran Hinds), they find out that Father Ferreira (Liam Neeson), their former mentor and teacher, was still alive in Japan.

But he was no longer there to try and and convert a nation. He apparently has actually denounced his faith and is living there a Buddhist now. Shocking rumors, for sure, but his last letter was from a long time ago, and about Christians being tortured and killed.

Strong in their faith, the two priests decide to head to Japan, a very anti-Christian nation. Not only to find the missing priest, but to see what became of his life, try their best to not get killed, and also maybe restore Christianity to the nation that was flourishing with followers just decades ago.

Including a major role from Yôsuke Kubozuka as Kichijiro, a secret Christian with a weak mind, Issei Ogata as the main Inquisitor, and also Tadanobu Asano, Shin’ya Tsukamoto, and Yoshi Oida.

Speak softly, confess frequently, and carry a regular sized stick.

Silence, despite its gargantuan length, starts captivating very early on. You don’t get bogged down in Portugal. After two quick scenes and Ferreira’s letter, our boys are in China, meeting a guide to the island. And once there, they are basically smugglers, only able to come out at night, not sure who they can trust.

It is just a very tense film where it feels like anything can happen. Loosely based off of a real individual, the story is very personal and it made me start to feel like I was there with the priests. By having the point of view specifically with Garfield’s character, all of the fears and mysteries are revealed when he finds out the truth. The truth about Ferreira, about any of his friends when they are away, about who to trust, just everything. It is a great journey, even with large swaths of it involve him hiding up in some cave or shack or building.

The film also features some incredible shots of jungles, mountains, and seas. It is fully immersive in 1600’s Japan and creates a wonderful experience regardless of the story.

And yes, it is a film about Christianity and how right or wrong religion is at certain parts of the world. And no, it is never a problem. This year was a great comeback for “Religious films”. Yes, we had God’s Not Dead 2 and I’m Not Ashamed, the normal cheesy crap. But Miracles From Heaven ended up really average, which is something positive. And along with Silence we of course had Hacksaw Ridge.

Can you believe it? In a span of a few months, Andrew Garfield starred in two extremely good religious films about Christianity and someone sticking to his faith and principals against incredible odds and struggles. What the hell are the chances there, that two films like that, could get 4 out of 4’s? This is the direciton the genre needs to go, and Scorsese and Gibson gave a giant push in that direction.

47 Ronin ended up being a textbook example of the phrase “production hell”. The “good people” at Universal Studios decided to give the directing chair to Carl Rinsh, who has only ever done some shorts and commercials before this big budgeted movie. It was supposed to be released in December of 2012, but went 50 million over budget, and required massive reshoots.

Why reshoots? Because Universal Studios thought that Keanu Reeves would be the star of the movie. When they found out he was just a side character, they brought in new editors and had to reshoot many scenes to make him a much bigger player. After all, how else could they market this already huge huge budget movie, without a star being the star? How dare the director try and tell the actual ronin story!

Apparently lying about who the stars were wasn’t too important, given that the main poster for the film (Seen here), features a guy with bone tattoos. He is in the movie for about 5 seconds, has one or two lines, isn’t a villain, and isn’t even wearing make up. Yep, those are his real tattoos, you may remember him from the “Born This Way” Lady Gaga music video.

Yep, here are your brave 47. Not the best shape. Some old. But whatareyougonnado?

47 Ronin is actually a true story that takes place in Japan, this version is just heavily influenced by fantasy. You know, to make cooler fight scenes. But the message and plot are still there.

Early in the 18th century, Japan was in a feudal system, run by warlords. One warlord, Lord Kira (Tadanobu Asano) wanted to extend his rule and conquer the land of a neighboring kingdom, but he wanted to do it without being seen as the aggressor.

At the Ako castle, Lord Asano (Min Tanaka, who looks like the Japanese Bill Nighy) had to host Lord Kira and the local Shogun over for a festival. After a few blunders, Asano attempted to kill Kira (with magic influence being the cause) and he was sentenced to death. Kira has a witch (Rinko Kikuchi) working for him! With their lord dead and because Asano’s only heir was a girl, Mika (Ko Shibasaki), the shogun says that she must marry Kira, joining their kingdoms to prevent further bloodshed. Oh yeah, and all of Asano’s samurai get kicked out and lose their jobs.

A year later, the former samurai leader, Ôishi (Hiroyuki Sanada) decides it is time the remaining ronin (term meaning former Samurai) to rise up, and avenge their former lord’s death. There is of course another side story about Kai (Keanu Reeves), a half blood Japanese man, who also might be part demon. Don’t worry, he is totally a good guy too.

Also featuring Jin Akanishi as Ôishi’s son, and Takato Yonemoto as the coolest ronin in the army.

Shit, that guys sword glows. You know it is serious now.

Overall, 47 Ronin can be seen as a nice fantasy based retelling of an actual historical event. From what I can tell, the story is basically right, minus the parts with the demon raised half blood. Not sure where that came from, but I am not an expert on Japanese history.

On the other other hand, while watching, you can definitely tell the problems that went into production. Scenes are edited weirdly, and I was able to notice that although Reeves’ character was involved, he wasn’t 100% involved. Calling him the main character is silly, because Hiroyuki Sananda as Ôishi is clearly the main lead according to the story. Another way to imagine it is that Sanada plays the main lead, and that Reeves is the strongest weapon in his army, so they are both important.

The acting could have been better, and honestly, I would have liked better CGI effects than what was offered. Sure, the dragon fight scene was nifty, but multiple “villains” had similar styles and it just felt like I was getting a few rehashed fights. Unfortunately the movie will most likely bomb, because the story is great. It just needed a lot more polishing.

I have a confession to make. I really really enjoyed the first Thor movie. I enjoyed it far more than everyone else I know.

It gets a lot of negative attention compared to the other Phase 1 Marvel films, and personally I disagree. I enjoyed it probably the third most out of all of the films, after The Avengers and Iron Man. It had comedy, it had action, it had Norse mythology, and well, it had Thor. Like a lot of people my age, I first heard about the God of Thunder from watching Adventures in Babysitting, which lead to discovering the Marvel version. I think that film was received as well only because he wasn’t as well known as the rest of the Phase 1 heroes.

So, Thor: The Dark World has an upward battle to climb.

“But we will make that climb, together, brother!” – Loki, in a very specific genre of Thor fanfiction.

This film takes place just as Thor (Chris Hemsworth) is proving why he deserves the “Mighty” adjective, by bringing peace again to The Nine Realms after the Bifröst was destroyed in the first film. He has been very busy, and could not return to Earth except for exceptional circumstances for that reason.

Unfortunately the Convergence is about to occur, where the nine realms line up perfectly. It happens every 5000 years, and causes all of the realms to be a bit wonky, creating portals to each other and messing with gravity/physics. It has also awakened an old threat, King Malekith (Christopher Eccleston) of the Dark Elves, who tried to destroy the universe at the last Convergence. He used an ancient magic source called the Aether, which has been hidden for thousands of years. But guess who found it? Oh that meddling Jane Foster (Natalie Portman) and her team (Kat Dennings, Jonathan Howard)!

At the same time, monarchy based drama in Asgard is occurring, as Odin (Anthony Hopkins) and Frigga (Rene Russo) are planning on making Thor the next king, given the recent actions of Loki (Tom Hiddleston). But Thor’s love for a mortal is worrisome, and a cause for concern that he might be focusing too much of his attention on just one realm.

It isn’t too bad for Thor I guess. He just has to save his very fragile love from the powers of the Aether, watch out for Loki while he is imprisoned in Asgard, deal with potential enemies on all sides, and try to stop an ancient race from destroying the universe. Probably just another Wednesday for him.

Thor: The Dark World features a whole lot of other actors, including the returns of Sif (Jaime Alexander), Heimdall (Idris Elba), Erik Selvig (Stellan Skarsgård) and The Warriors Three (Ray Stevenson, Zachary Levi, Tadanobu Asano). Well, Asano really wasn’t in this movie much, and Levi replaced Josh Dallas, but hey, Stevenson is still there! Also introducing Adewale Akinnuoye-Agbaje as the second in command to Malekith.

Also, the Dark Elves in general reminded me of really strange Putties.

One thing I learned from watching Thor: The Dark World is that Chris Hemsworth definitely helped cement himself as the only man who can play the God of Thunder. Over the summer, huge contract negotiations were taking place between Hemsworth and Marvel, the latter who claimed that they don’t need him in The Avengers 2:Age of Ultron, they could just hire someone else, and refused to budge. Well, eventually they budged, thanks to the help of Robert Downey Jr., so presumably both sides reached a worthwhile agreement.

Thor: The Dark World more or less gave me everything I wanted in a sequel movie, expanding on a lot of areas that the first film established. It still has the same level of comedy, so we aren’t just dealing with a serious space fantasy drama. The chemistry between Hemsworth, Portman, and Hiddleston is electric, allowing the story to flow just a little bit better. The film also takes place a lot more off Earth compared to the first film, allowing the use of new landscapes and helping separate the franchise from the rest of the Avengers movies.

The does come with a downside, however. With a lot of the film set off world, we are given many more scenes that are heavily CGI’d in order to create the scene, which gets tiresome after awhile. I’d like more of it to be grounded in areas that aren’t created by green screens.

My biggest issue from the film actually has to do with the editing. I found the scene transitions really distracting, as on more than one occasion it felt like we were cut far too quickly to another scene, almost cutting off lines by the characters. We weren’t always allowed the appropriate time to even acknowledge what was just said, before having to focus our attention elsewhere. It made the pace of the film seem a bit off to me, and not what I would expect from a film at this scale.

Most likely Thor: The Dark World won’t get anywhere as close to touching the amount of money that Iron Man 3 brought in. I hope that doesn’t detract Marvel Studios from eventually bringing us more Thor outside of The Avengers.

This film had an excellent amount of drama, action, and comedy to help create a fantastic theater experience, but has some technical aspects that distract me from giving it that perfect rating overall.

Turning popular board games into movies is not a new thing, it is just not too common. Hopefully the next one is some disaster film by Michael Bay, involving Hungry Hungry Hippos. But really, why not board game movies? I can only think of one of the top of my head, Clue, and Clue is amazing. So why not Battleship? Sure, it is basically two naval units firing randomly into the abyss to hit the other, because fuck your radar.

Can they turn that into a full fledged naval war movie? Or will they just cop out and throw in some Aliens?

Yep. Fucking Aliens. Never mind the Michael Bay thing. He’d just make the Hippos become aliens as well.

Back in the mid 2000s, NASA has discovered a “Plant-G” with similar situations for life compared to earth. It is just super far away. So they send a giant ass beacon to that planet, hoping for a response. About six years later in 2012, they get one. But first! Alex Hopper (Taylor Kitsch) is a local slacker in Hawaii, and his brother Stone (Alexander Skarsgård) is a Commander in the Navy. He does not approve. Especially when he flirts with the Admiral’s daughter, Sam (Brooklyn Decker).

He does what anyone would do in this situation. He joins the Navy from the pressure, and six years later finds himself as a Lieutenant! Yeah. Even better, he has been dating Sam, and now wants to marry her. Just has to ask the Admiral (Liam Neeson) for his blessing first. This has a lot of nothing to do with Battleships, so lets move on. Woo, navy games with other countries involved in Hawaii! Too bad the Aliens show up and confuse everyone. Four ships, to be exact, land into the ocean, with a fifth one breaking apart and crash landing into Hong Kong. Whoops.

When the ships go close to investigate, a force shield is brought down trapping only three ships in its grasps! One lead by Stone, one with Alex on it, and the other lead by Captain Yugi Nagata (Tadanobu Asano) of Japan. Due to certain circumstances (death), Alex also finds him the new Captain of the ship, and he has to figure out how to bring down the Alien threat, while his girlfriend, a man without legs, and a scientist try and stop the aliens from signaling home. Also, Rihanna is here, doing some stuff.

Doin’ some stuff on some computers, gettin’ her pew pew pew on.

So here is something cool. You are probably wondering how randomly firing into the ocean makes this movie eh? Well, turns out the Aliens turn off their Radar, so they kind of have to blind fire. Because it is by Hawaii, there are tsunami warning buoys throughout the ocean. They access that information, to try and determine where the Aliens are currently swimming by the rise in elevation of the tide at that point. Then they fire at the buoys to hit them. Thankfully they have short quick names like, B7, allowing the firing to become quicker and more easier.

Cheesy? Yes. But I like that they incorporated the game in some how.

But that is all I liked. This did basically feel and look like Transformers, if all the Transformers were giant machines that became sea dragons. Dialogue and plot was crap. Epic sea battles didn’t really happen. Mostly ships got destroyed, and one was able to survive and fight back. Slowly. The scenes on the island trying to stop the aliens on foot? Eh, wasn’t a fan of those either.

Basically, it was another mainstream action movie that I found boring. Can’t believe anyone would be surprised at this point!