Tag: Ray Liotta

Marriage Story is somehow both a film I wanted to see for so long, and also never. I knew the plot, I knew it was sad, and I didn’t want to feel sad in that way.

I love it when a film can make me cry. It usually means it had me invested in their story to care about these usually fictional characters. But to cry about a divorce and losing love? That seems like something I can totally go out of my way to avoid if at all possible.

And I waited what felt like forever for when some of my critic friends saw in theaters, and when I finally had time to see it on its Netflix release AND when I had a good span of two or so hours to try and watch it.

Not only was the wait a pain, but so were parts of the watch.

And now the powerful moments are meme’d.Love is a fickle thing. We have seen it in plenty of movies. Different ways that people fall in love, how they plan their wedding, how they spend their post marriage life rekindling that lost spark. But what about for those who do not ever rekindle that spark? For those lost souls who actually can no longer make it work with their soul mate, and need to move on with their lives with very difficult decisions to make?

Marriage Story is about the end of a marriage, and how hard it can be to let go and change. When both sides want drastically different things, there can only be one solution that works, through the courts, but it opens up a dark and dirty underside to marriage.

Nicole (Scarlett Johansson) wants to move back to LA, to work on a TV show, and live closer to her family again. Charlie (Adam Driver) wants to keep his life in NYC, where his theater company is flourishing and culture is a walk away. Their son (Azhy Robertson) is not a strong source for his feelings one way or another, because he’d rather his parents stay together.

Marriage Story is about tearing apart people, past their breaking point, and finding out truths about themselves that they kept hidden for so long.

Also starring Laura Dern, Alan Alda, Ray Liotta, Kyle Bornheimer, Julie Hagerty, and Wallace Shawn.

Meme’d and parodied into submission. Director Noah Baumbach has done an incredible job of giving me movies that I liked a whole lot, and some I did not, and rarely any in between. And this film goes on his excellent pile, like most of his work with Wes Anderson and his movies about relationships.

Without getting too hard into the details, because you should just go and watch it yourself, it thrives in its realism. Both people feel strongly in their decisions and both feel they are right, even if we can see the flaws in their ideas and plans. Longer scenes are there to make us experience the awkwardness of all levels of the divorce, and you just will feel bad/sad/angry about the whole thing.

As soon as the movie finished, I knew I had to see a few of the scenes again, and I was surprised at how many of them flowed from one into another. It basically turned into a most of the movie re-watch.

Driver and Johansson are incredible at these leads. I am so angry at them for their fictional divorce, and I will always associate them with their non-real break up. Well, Driver with Outer Space, but Johansson is stuck with this one despite so many films under her belt.

Outside of the fictional money spent in this movie, it really feels like the best ending they should have had after I could reflect and revisit aspects of the film. Rarely does a film strike so hard at the realities of two people whose paths no longer coincide. And I am just so happy it is on a wide enough format for a lot of people to grieve over as well.

4 out of 4.

The Identical actually came to theaters first week of September, and, from what I can remember, it was the only thing to come out that whole week. Yet I didn’t see it til its DVD Release.

Why? Well. It didn’t have any pre-screenings at all, around the country. Popular movies have pre-screenings. Movies that end up sucking have pre-screenings. But the only thing coming out that week didn’t even think it warranted them? That is a big warning sign if anything. Not letting anyone see the movie before it releases. That means they are afraid of the critics voice or popular opinion fucking up their sales.

That’s really all I knew going into The Identical, outside of its story involving a musician.

And clones. Clearly this involves clones, right?

Back in the 1930s there was something going on called The Dust Bowl. Big storms, droughts, fucked up a lot of farms. Was after the Great Depression too, so that wasn’t a good thing for our economy. As for two unlucky folks (Amanda Crew, Brian Geraghty), they found themselves poor and struggling to get by. And with twins!

So after a long discussion, they decided to instead give away one of the kids to a traveling preacher (Ray Liotta) and his wife (Ashley Judd) as they were unable to have kids on their own.

Flash foward some years, Ryan Wade (Blake Rayne) wants to sing and play music, while his dad wants him to be a Preacher, obviously. He then basically invents rock ‘n roll somehow, with a friend of his on drums (Seth Green). But he doesn’t get famous from it. His dad sends him to the army, and then preacher school before he finally sets off on his own to do what he wants to do: automobile mechanics. Nope. He can’t be a star, too hard for him.

But not too hard for Drexel Hemsley, his twin, who became super famous and invented rock ‘n roll, or something. Everyone says they look alike. But that can’t be. Oh well, Ryan looks up to him and hopes he can meet him some day. Also with Joe Pantoliano as a mechanic shop owner and Erin Cottrell as the girlfriend/narrator.

This is the first time in his life Liotta did not play a gangster.

I am so happy that I did not shell out money for a movie ticket for this garbage. It had so many ugh moments, on almost every level, that made this movie bad.

Starting with my already made joke, Ray Liotta as a preacher? What? Every scene set in the 1930s was done in black and white. That way you knew it was the past, versus the “present” of the 1940s and 1950s. Tacky and terrible.

It is such an awkward story (/book), because it is clearly just trying to make a strange fan fiction Elvis movie. The main actor isn’t an actor at all, but someone who won an Elvis lookalike contest in the 1990s and has made a career out of it. So yeah, that guy is the guy they have to play these two people who are notElvisbutElvis.

Not only is the plot itself terrible, but every one of the characters is two-dimensional and lame for no good reason. SPOILERS, but he doesn’t find out he is a twin until his “dad” is about to die. Great. His real mom and twin are already dead now too, so all he has left is a father who got rid of him. Yay?

It was so slowly moving, it became infuriating at times at how dense and pointless the whole film felt.

0 out of 4.

I am not going to get into the same old tirade of how I randomly picked this movie on a whim on Netflix. Mostly because I just gave you all that information in one sentence. Boom. Roasted.

No. Instead I want to talk about how surprising it is that I never heard about this movie Stretch, given its mostly big list of famous actors. This shouldn’t be some straight to DVD shitflick you find in the nonexistent $3 Wal-Mart DVD bins.

Well, Stretch was supposed to come out in March of this year, full on theatrical release, trailers, everything. But Universal Pictures decided to fuck that release date and kind of not want to do it anymore. So the director was able to look for other people to release it and nothing happened. So it wen’t back to Universal who decided to release it in “creative ways”. So early October it hit iTunes and Amazon, mid October it hit VOD services, and then onto Netflix, where of course, I first stumbled upon it, in order to give you this review.

I am not putting a gun to your head to see it, I just wanted to review it, jeez.

Let’s talk about Stretch (Patrick Wilson). He is a limo driver and yes that is his official name. Stretch wants to be an actor, why else would he live in LA? But life is going bad, and he blames it all on Candace (Brooklyn Decker) for breaking his heart after a year of dating. They met on a car crash, sure, he was still a limo driver then. Apparently she wanted more. He just wanted to gamble and do cocaine. But he is better now. He is going to turn his life around. Or else!

Because he also still owes gambling debts, and the piper is calling. He needs $6,000 by tonight, but life doesn’t just ever really hand him opportunities. He can’t even get acting gigs, after all.

Maybe if he just does his job really really really well, like Karl (Ed Helms) did. The best limo driver ever. Maybe he can get some high powered actors who will tip like crazy?

Well, luck is about to be on his side. An eccentric rich person! He just has to comply with all his demands, while his entire life is crumbling around him. Joy.

But who plays the eccentric rich person? Who?! Well, maybe it is one of these people: James Badge Dale, David Hasselhoff, Randy Couture, Chris Pine, Jason Mantzoukas, Norman Reedus, or Ray Liotta. Or maybe it is a woman, like Jessica Alba. Women can be eccentric to you know!

(Yes, all of those people are in this movie).

We will never be able to see a COCK like this on the big screen.

Holy poop in a limo (not a spoiler). Stretch was far more entertaining and interesting than I gave it credit for. I mean, straight to Netflix movie? Who gives a crap! Stretch is full of intense scenes, funny moments, darkly funny moments, and kind of action heavy. A lot went into this movie and I found it really hard to look away.

And the best part is, because it is so widely available right off the bat, I can recommend it to people. Stretch might finally be my next Flypaper. Flypaper was a completely unknown movie, with some people I recognized in it, that I figured would suck. And hey, I liked it a lot. It is my favorite reason for watching probably bad movies. It is all about finding those that rise above their cover and actually present something worthwhile to watch, hopefully multiple times.

Maybe it is a bit disconcerting that I can now only think of two titles that really fit the build, but eh, fuck you for thinking about numbers that I brought up.

Stretch was highly entertaining and way more unique despite what may seem from its premise. Patrick Wilson carried the movie through his narration and humorous acting. Sure, parts of the ending you can see come from miles away, and that leads to some weaker moments. But I think this limo ride is totally worth it.

3 out of 4.

I don’t know how people reviewed the movie Sin City when it came out, I just know that Sin City: A Dame To Kill For will be pretty hard to review.

Sin City itself was pretty polarizing. I think overall it was on the positive side of the spectrum for most people (including me). The art style was something very different and took awhile for some people to get used to. It was also pseudo copied with The Spirit, which a lot of people hated (and those people also suck).

But a sequel has long been in development and long been clamored for, as the original came out in 2005. Almost took 10 years to get another installment. It has to live up to a lot of pressure, so I hope it can deliver.

Now with more nakedness than ever before.

Sin City is a land where dreams come true. Assuming your dreams involve corruption, drugs, sex, betrayal, murder, lawlessness, crime, death, and other synonyms. Shit is weak. Shit is weak everywhere.

Marv (Mickey Rourke) is still running around, being a badass. If you like him, good news, he is basically in every plot line.

Like when Johnny (Joseph Gordon-Levitt) comes to town, looking for secretive revenge and wanting to use his elite poker skills to do it. Or when Nancy the never naked Stripper (Jessica Alba) wants to enact revenge on the death of Hartigan (Bruce Willis) from the first film. Or when Dwight (Josh Brolin) has to go an save Ava (Eva Green) from an abusive relationship, taking out an inhuman body guard Manute (Dennis Haysbert).

So, basically Marv is everywhere. Yay continuity?

Also featuring others, like Rosario Dawson and Powers Boothe bringing back their old characters. Or like Jamie Chung, taking over someone else character. And some people in much smaller roles, like Ray Liotta, Christopher Meloni, Jeremy Piven and Christopher Lloyd who is like 150 at this point.

If only there were angels out there for him to help out?

More action! More death! More sex! Is Sin City: A Dame To Kill For a step in the franchise? Or is it just too late?

Hard to say what the reason is, but this movie felt incredibly lack luster for me. Maybe it is because when Sin City first came up, it was before comic book movies really started to amp up their games. Before The Dark Knight before the Marvel films. Because for the most part, this story / set of stories feels very familiar, yet still distant.

Maybe I am annoyed at just how connected they wanted everything to feel? I liked the disjointedness of the first film, just a few short stories and then another.

Maybe it is just the quality of the stories? For what it is worth, there are basically three plot lines. The middle being the longest and most complete, or at least featuring the most characters, but even it dragged by the end. The “first” plot with JG-L didn’t feel interesting, and Alba’s felt not as epic as it was going for.

Maybe it is that the style feels stale after all this time, with the 3D elements never really enhancing it like I had hoped?

Maybe I don’t know. The only thing I know is this movie felt like a great disappointment. But also, maybe I am just getting older.

1 out of 4.

Hello there kiddos!

Remember my last review of The Muppets? No? Well, there it is if you want to click on it. If you don’t want to, I gave it a 2 out of 4. I never watched The Muppets as a kid, so I had no sense of attachment. It was an okay movie on its own.

So when I heard that it was getting a sequel with even more cameos, even more Muppets and an even more ridiculous plot? Well, sure, why the fuck not? Muppets Most Wanted. We got a spy movie folks.

Walter from teh first film still not necessarily important enough to make it into this shot.

So, the Muppets gang has been given a sequel. That must be true. Why else would the cameras still be rolling? They are still voiced by their normal people who voice a shit ton of them, so here they are in a list: Steve Whitmire, Eric Jacobson, Dave Goelz, Bill Barretta, David Rudman, and Matt Vogel.

They decide that the plot of the movie should be the Muppets going on a world tour! The idea is actually suggested by Dominic Badguy (Ricky Gervais), who might have ulterior motives for getting The Muppets around the globe. At the same time, the world’s most dangerous frog, Constantine, has broken out of his Siberian Gulag and has a plan. If he covers up his mole, he looks a lot like Kermit. He can make Kermit look like him, allowing Constantine to steal more treasure and live a rich life.

Mwhaha! The perfect plan! Especially when Kermit is back in Siberia, with a mean old guard Nadya (Tina Fey) watching his every move and a bunch of evil criminals (Ray Liotta, Jemaine Clement, Danny Trejo).

Oh, and they have an Interpol agent on their trail kind of. He is played by Ty Burrell.

Is all the celebrities? Oh fuck no. We got a lot of them. Hell, some of these guys I didn’t even recognize before. A lot of them are only up for a second or two. So I would list them, but that would ruin some of the surprise.

Man, this plot was super simple.

It is impressive how well they sing in those frigid temperatures!

Smiles. I had a smile on my face more or less the entire movie. Everything about it felt cute and wonderful. I only remember one of the songs from the last movie, while this time, a bunch of the songs will end up sticking with me. I mean. I really really enjoyed the movie.

Then the credits rolled and I saw that Bret McKenzie wrote it all! That’s right, we got the entire Flight of the Conchords crew working with this movie. Jemaine as an actor, Bret as the song writer. Last film he was only the music supervisor, not the writer. Also, the director James Bobin directed like, half of the FotC episodes. That’s a lot of quality humor going into this movie.

Which is why I smiled the whole film. It was completely ridiculous but it just seemed to work. The cameos were great and plentiful. The plot was absurd, but interesting. And shit, it was funny.

The last movie, again, I thought was okay and admitted I never really grew up on The Muppets. This time, some how, I loved the sequel and want more Muppets in my life.

Definitely go see this quirky movie, a new clear favorite of mine for the month of March. At least, for the films that came out as wide releases.

4 out of 4.

A ha, my first review of a movie that has been guest reviewed! Here I am, following up someone else’s opinion, on my website. Not even mad. I try not to read opinions about film before I write my own, so obviously, my review of The Iceman breaks that creed unfortunately. If you want to read their review of The Iceman, click that link I just linked.

The flipped across the vertical line version of this picture exists on the internet. I…I don’t know which one is real.

The Iceman tells the true story of Richard Kuklinski (Michael Shannon), a famed Polish man who killed over 100 men as a contract killer in NYC. He was arrested in 1986, much to the surprise of his friends and family who did not know he was leading a double life for so many years to provide for his loved ones. Well, not his brother (Stephen Dorff), he was a dick and in prison already. For killing a man. What a criminal.

Of course, he didn’t start as a contract killer. He had a small time job, and came from humble beginnings. He met his future wife (Winona Ryder), and somehow charmed her into marriage, and had two kids. But when he accidentally fails the wrong customer, Roy Demeo (Ray Liotta), he has to repay a debt and does so through a nice assassination or two, which come with nice bonuses.

Eventually, his lives start to collide, as he is forced to work with a rival contract killer, Mr. Freezy (Chris Evans), and work amongst all the mob bosses in the city. The film begins and ends with his confession on the witness stand, and a whole shit ton of remorse. Kind of. Also, James Franco plays a small role who totally dies, and David Schwimmer awkwardly a mob man, and he freaks me out.

The Iceman Cream.

Michael Shannon has been a good actor for sometime. He was arguably the best parts of Man of Steel and Premium Rush, so it is nice to see him again in a leading role like this one. He knocked it out of the park, going completely in character, and nothing like his other recent roles. Dude knows how to act, yo.

In the early 90s, HBO released a documentary on the subject, called The Iceman Tapes: Conversations with a Killer, with actual dialogue with Richard. Presumably this fictionalized version was made to tell the twisted story after his death in 2005. I haven’t seen it, but I think it is on youtube, and I really kind of want to now.

A lot of the assassinations they show are generally really well done, with lots of planing/details gone in to making sure they are perfect.

By basing this movie on a true story, it adds an extra layer of chill as you watch it, knowing that it isn’t just another mob movie starring Ray Liotta. The ending is especially the most chilling aspect of the film, his final courtroom plead and communication with his family. You felt sorry for the guy, even though he killed hundreds of people. Shit, that is rough.

Definitely a movie I’d recommend as well. Even if you have to see David Schwimmer’s goofy face.

3 out of 4.

I am watching The Iceman on the recommendation from someone who hasn’t even seen the dang thing. They just heard it was good from other people. Thankfully, I am glad I took that advice.

The opening of this movie starts with a really awkward coffee date between Richard “Richie” Kuklinksi (Michael Shannon) and Deb (Winona Ryder) that doesn’t seem to be going well. She’s telling him how she thinks he’s not talking enough and then makes a comment about his creepy tattoo. Because of this, he gets visibly offended and she apologizes profusely. However, two scenes and several years later they’re married and having a baby!

That tells us one of two things: Either bad first dates could end up well, or their bad decision making has been consistent.

Ray Liotta is in a film about mob guys? Who saw that coming?
After Richie’s job with a Disney cartoon dubbing *cough*porn*cough* studio gets eliminated, Richie is offered a job by the mob boss as a hit man.  Turns out, Richie is already pretty cold-hearted dude, due to some serious childhood issues, so he has no problems gracefully accepting the position. After all, he’s got a wife and a kid and apparently she’s spending her days looking at expensive houses instead of quietly cleaning the one she has. That bitch.

After years spent as a contract killer picking off everybody, including business associates and long time friends, it’s clear that the only people he cares about are his wife and kids. He doesn’t care about them enough to tell him the truth or get a real job or anything, no, but he will kill anyone that gets in the way of him supporting his family.

“Tax man? Dead! School Principal? Dead! Door to door salesman? Dead! Lazy crosswalk guard? Double dead!”Due to the fact that this is based on real events (and there was a documentary about it roughly 20 years ago) it’s not much of a spoiler to say “Hey! The police caught him!”  The finale includes a really crazy monologue from Richie, and according to the history books he never saw his family again.

What really gets me about this film is that it’s so intense but void of a lot of high powered action. You are only going to get one car chase, and it is not as you would expect. No one is going to fight on top of a train, but I feel like that’s better reserved for Bond.

Also, I was incredibly fascinated by the casting choices for Richie and Deb. Shannon is such a HUGE guy and Ryder is this tiny little thing and every time he embraces her or even just stands next to her it looks like she’s going to disappear into him.

Overall it was a really captivating movie and I’d put this on my “watch again” list.

4/5
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I’ve reviewed this on Criticker!

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Whew, this might be one of the longer reviews I have put off writing. After I saw Pawn, I meant to write it later that night. Then I probably wandered off and fell into a movie coma.

Then I kept watching more and more movies, so although Pawn was on my list to write I kept just picking different movies to write about instead.

Well, eventually laziness catches up to all of us. Not to mention making sure I write it before I forget basically everything.

Hover over this image. What do you see? You see that I am really fucking clever.

Basically, Pawn tries to turn a simple robbery into a complicated game of cat and mouse. Like Derrick (Michael Chiklis) is British. That on its own is pretty complicated. He has a group of thugs, and for whatever reason they are slowly robbing a night time diner. They came in early, but the safe is time sensitive so it will only open at a certain time every night. Shit. Looks like they just have to play it cool.

Hard to do that when customers are frightened, and random cops (Forest Whitaker) come strolling in. There is also Nick (Sean Faris), who is on parole, and looking to get his life back on track for his wife (Nikki Reed) and kid. Last thing he wants to do is get mixed up in any wrong doing. We also have Charlie (Stephen Lang), the owner who is getting far too old for this shit.

And who can forget fucking Ray Liotta? Ray Liotta is some sort of evil guy, but just who he is working for is the bigger question.

Basically, everyone is an asshole, and everyone might have secret motives for either being there that night, or what they are out to get. There are some things far more important than money.

Like good old fashioned bromance.

Well, in movie terms, this one has plenty of twists and turns, but not enough to make you annoyed. Again, everyone seems to be playing a game, except for our hero Nick (good name), who is unfortunately caught up in this. Doesn’t help that his brother works in Internal Affairs. Lot of cops hate those guys. Lot of crooked cops in this town too.

I actually enjoyed parts of this movie for what it was, but overall it is just an average movie. Chiklis had a pretty bad British accent. The ending is hard to remember, mostly because it seemed really silly. Similarly, not all of the plot twists made complete sense.

I do think this film could have used more chess references though.

2 out of 4.

The Details I must say is a random grab for me. I saw the cover, I noticed how bad it looked, and that hey, I know all the people in it. Fuck it. Give it a shot.

It did just come out on DVD/Blu-Ray, but I know it was finished in 2011. Lot of post production hell, but the wiki page wont tell me anything. Oh well!

But clearly this will offer nothing but good clean family fun.

Jeff Lang (Tobey Maguire) is a simple man, with a simple wife (Elizabeth Banks) and a simple child. He is a doctor, loving life. He is trying to do the good breadwinner thing and expand his house for his growing family. But this fucking raccoon keeps messing up his lawn. This pisses him off so much that he decides the best way to fix it is to poison that raccoon.

Things go all down hill from there.

Not wanting to give away the plot, but he also has a noisy cat lady neighbor in Laura Linney, a best friend doctor in Kerry Washington, her husband is Ray Liotta, and a strange best friend confidant in Dennis Haysbert.

That is it. People also die, there is that. And cursing. Not at all a family film!

Just look at that pie. Oh yes, I love pie.

Shit, this movie was hysterical. I didn’t even know it was a dark comedy going in, it kind of sprang up out of no where, but it was definitely odd and campy early on.

Surprisingly, Ray Liotta had my favorite scene in this movie, a certain encounter with him and Tobey Maguire on a bridge. It blew my mind how well dialogue-d it was.

Not to take anything away from Tobey, as he floated through his life. Some of his actions didn’t seem to make any sense, but must have been part of his midlife crisis, trying to fix the wrongs he found himself buried in. Not to mention Laura Linney was strangely really hot as the “crazy cat lady”.

I’d say that The Details is a surprisingly well done dark comedy, a genre sorely unrepresented in most new films. Well, ever. I want more, damn it!

3 out of 4.

The Place Beyond The Pines by itself is an interesting title. It is actually the literal meaning of Schenectady, a town in New York where this film both takes place and is filmed. Damn these clever directors and writers!

The title is also mysterious enough on its own right to potentially gain viewers by itself. Every time there is a bad movie title, I tend to harp on it, so I felt it was my duty to point out the excellent ones as well.

Hey girl, even though I am surrounded by flashy lights and neon signs, all I can see is you.What would you do to support the ones you love? More importantly, what if you just found out you had loved ones who needed support?

Luke (Ryan Gosling) is a motorcycle rider for a traveling fair, the guy who gets into the tiny steel ball and rides around. It is a lonely life, always traveling, but he can sometimes find love in the random towns that he stays at. Like Romina (Eva Mendes), who he had a nice time with last year, but now lives with a man (Mahershala Ali) and has a son. Well, Luke’s son it turns out.

Luke doesn’t know how to handle this situation, but he doesn’t want to be a scumbag father, like his own, so he quits his job and settles in Schenectady. He finds a job as an auto mechanic with Robin (Ben Mendelsohn), but it still isn’t enough. He needs a large sum, and he needs it now. So why not rob a bank? Who does that really hurt?

This film also tells of Avery Cross (Bradley Cooper), a law school student turned cop, who doesn’t want to follow in the footsteps of his own father (Harris Yulin), a member of the state supreme court. Even the small towns may have local corruption, and that corruption may cause conflict in his household with his wife (Rose Byrne) and other cops (Ray Liotta).

Pines also features Emory Cohen and Dane DeHaan, but I don’t want to tell the specifics of their parts.

Hey girl, I know I am no Ryan Gosling, but check out these cheekbones. Hey, wait, come back! The “Sins Of Your Father” theme is a popular one for shows, movies, and novels, yet I always feel like it never really resonates with me and always falls flat. The Place Beyond The Pines might have the best showcasing of this theme I have ever witnessed, making me truly understand the full extent of what it means, and how it can be conveyed.

The movie is split up pretty nicely into three parts, with the end of part one coming out of left field. It was well acted up to that point, but it was still missing a major umph to get my full attention, and it was sure to bring it. After that, I was hooked and couldn’t look away from the screen, wondering what other secrets and twists it had in store for me.

Everything about this movie felt amazing to me, especially the acting. Eva Mendes is basically the only woman character in this movie. Lately, she seems to be put in movies more often for her looks than her talents, but she definitely delivers in this film.

I have talked to about five-six people about this movie, and at least from the “guy perspective” everyone loved it. The one woman I talked to thought it was decent, but not the best. The themes presented may be easier to latch on to for men, since it falls so heavily into the son/father relationship category, but despite that I think this movie can be enjoyed by everyone.

It might just be the best drama I have seen so far in 2013. This with Silver Linings Playbook has elevated Bradley Cooper into an elite acting category, and it will take more than a new Hangover to knock him down from it.

4 out of 4.