Tag: Michael Shannon

As a critic of film, I try to not let hype over take me, but for a film like Knives Out it has been quite hard to ignore the praise.

Best murder mystery in decades? Stellar cast where everyone brings their best? Laughs and shocks galore?

It was hard to not get swept up in the rush, so much that just getting ready to watch Knives Out made me appreciate the movie I saw before it a bit less due to wondering if I’d even get a good seat.

Also, it’s probably best to even skip my middle section, because generally the less you know about a mystery, the better!

Unless you a detective, in which case, you want to know as much as possible.

Harlan Thrombey (Christopher Plummer) was found in his attic with his throat cut, blood everywhere. By all accounts, a suicide.

But now, a week later, it looks like there are still questions. Officially led by two local officers (LaKeith Stanfield, Noah Segan), but the main questions are coming from Benoit Blanc (Daniel Craig), a southern detective of notoriety who is being backed by a mysterious patron to find the truth of the matter.

Harlan’s Nurse, Marta (Ana de Armas), is going to be his main go to in order to get the inside scoop on the family, full of people with secrets. So many people, let’s just call them the family (Chris Evans, Don Johnson, Jaeden Martell, Jamie Lee Curtis, Katherine Langford, Michael Shannon, Riki Lindhome, Toni Collette).

But of course, nothing is as it seems, and blah blah blah, til the very end!

Also starring Edi Patterson as the house keeper.

J’Accuse…!

Yes, Knives Out was very creative with its reveals and its pacing. Yes, Craig was magnificent in his role as eccentric detective, with a lot of funny lines. Yes, de Armas carried a lot of weight on her shoulders as well, and was a great leading lady. Yes, a lot of the twist and turns were very much on point and unexpected.

And yet, it still didn’t do everything perfect.

With a large cast, I felt like only three~ people ended up being important. A lot of big names are in there, have a moment or two, but are really wasted. The script does not allow for the large amount of people to shine and it is a bit disappointing in that regard. Hell, I am pretty sure Lindhome didn’t have an actual line of dialogue in this movie, outside of gasps, facial expressions, and argument background noise when everyone is talking at once.

And even if the ending technically works, and the reveals are all laid out, it is so god damn convoluted that it will not only be impossible to guess, it takes a lot of mental work to follow through.

This could be very well be a movie that is best tasted after 2-3 tries, and is still a very enjoyable experience. But if certainly did not dethrone Clue as the best murder mystery movie, in terms of humor, wit, or reveals.

Here it is, boys. The time has truly come. A film has decided to come out and also be the “Director’s Cut” of that same movie.

Technically that isn’t all too rare. A lot of movies that come out are Director’s Cuts, they just don’t always advertise it. Usually if there is a DC available, it is home release, and it implies the studio or a producer had a final cut that was different from the director’s vision.

So what is going on with The Current War Director’s Cut? Well, Harvey Weinstein happened.

One of the main things Weinstein was known for, besides the sexual assaults and rape, was getting final edit on many movies. He wanted movies to go a certain way, and advertise a certain way, and go for awards with his permissions. He could be great at it, but it also bugged a lot of director’s at the time.

This movie was planning on coming out around 2017, hitting the festivals, and getting lukewarm reaction. Then the scandal. Then the selling off of properties. And our director got his movie back, edited his movie his way, and got to release it wide for the first time!

It’s basically the American dream, with a lot more sexual assault in the way.

Thomas Edison (Benedict Cumberbatch). An American celebrity if there ever was one in the late 1800’s. He was an inventor, an improver of older inventions, and someone who was business savvy. People loved him and he wanted to be loved. But when it came to the battle over how America would be hooked up to the grid for electricity, he was also quite dirty.

George Westinghouse (Michael Shannon), known for being rich and helping develop breaks for trains for safety and efficiency, wanted to work with Edison, but he was shunned by the busy man. So he figured he could get into the game, help develop a new technology, and then Edison would want to merge ideas. Edison is not a merger, he is a take over kind of guy, a guy who doesn’t admit if he is wrong.

This began a big battle over the American landscape, accepting bids for their various forms of technology, with the goal to be providing power for the Chicago World’s Fair, and putting their product out there for millions. And of course we have a wildcard in Nikola Tesla (Nicholas Hoult), a foreigner, a genius, a man who saw the future, but couldn’t always get the funding or time to put all of his ideas to the paper.

Three men of influence, one goal, and a whole lot of shoddy tactics.

Also starring Katherine Waterston, Tuppence Middleton, Tom Holland, and Matthew Macfadyen as J.P. Morgan.

You know that look in your eye when you see an electric candle for the first time last a few hours? That’s the look I want to give to my dinner every night.

I honestly went into this movie thinking the worst. The trailer was okay, the cast I enjoy, but the director’s cut notion prepared me for the worst. That’s weird. The buzz was not good.

But after watching it? I feel frickan’ amped. Westinghouse is so cool, and he is only a name I have seen mentioned and had no idea he was in this race. I figured this was a Tesla/Edison movie thanks to memes, but Tesla is way less important overall to this plot. Shannon does a good job of playing this quiet and seemingly noble entrepreneur.

After the film I was electrified to look up more information on these big three, to go beyond the quick facts I see on the internet. The movie felt accurate. It moved at a very quick pace, telling a historical pr battle with enough excitement to keep me on the edge of my seat. It flowed so well from scene to scene.

I have a love of historical films, especially ones that have good acting. Historical films that don’t get bogged down in being super serious, but still can tell not only a good story, but a story worth being told. A story with wattage. Alright, that’s a stretch.

Anyways, congratulations to Alfonso Gomez-Rejon for getting the movie he wanted to make. Oh, and by the way, he directed Me and Earl and the Dying Girl, which made my top of the year list when it came out.

Without a doubt, Fahrenheit 451 is one of those revered classic novels. It is one of the first dystopian future novels that are now clogging our bookstores, trying to maintain relevancy, and it warned of a specific type of future.

Literary teachers of course loved it, because it talks about a world that is anti-books and free thought, and they want their students to read books! I know I enjoyed it in middle school, and I was able to see parts of the (even old by that time) Fahrenheit 451 movie from the 1960´s.

And it makes sense as a movie. It makes sense for their to be a modern update. So I was excited to find out HBO was giving us a new adaptation. And again, it seems appropriate given the current political landscape.

I couldn´t find a natural way to fit this in, but here is Fuck Me, Ray Bradbury, by Rachel Bloom, before she got TV show famous.

That song and this movie are HOT!

In the near future, books are OUTLAWED. Why? They are confusing in nature. One person´s text can contradict another. Who knows what to think? It causes confusion, dissent, anger, and separates the population. Instead, the government should let everyone know what they need to know.

This film takes place in Columbus. The firemen of this day and age don´t put out fires, they start them. They are basically celebrities, destroying dissent and burning books if they find a stash, but at this point seeing a real novel is very rare. The world is very digitized. Not only do they have TV´s that are entire walls, they have the news feed on the side of buildings. Everyone is connected to the grid, to the system, and they have three books full of emojis available only.

Guy Montag (Michael B. Jordan) is an up and coming fireman, pretty famous in his community. The crowds love him! He is probably going to be the new fire chief someday, replacing his mentor, Captain Beatty (Michael Shannon).

But when they come across an extremely large stash of books with a stubborn woman, the likes that has never been seen in years. And when she sacrifices her life in the fire in front of the whole world, reciting a strange word, it puts together events that will change the life of…well, at least a few people.

Also starring Sofia Boutella, Saad Siddiqui, Dylan Taylor, and the voice of Cindy Katz.

Flashy techno lights, to make you know its the future.

As a movie reviewer, I try of course to keep the review to just the film if it is based on a book. I try to not read the book before hand. Unfortunately, I have read Fahrenheit 451. Fortunately, I also read it like 15-20 years ago and that was the last time so my memory of the film is very faint and superficial.

I have no idea how much of this film is based on the novel, how much is new due to coming out 60 years later to reach the modern audience or what. I do, however, still have some tastes available to me. And I recognize a bad movie when I see it.

The acting from the two Michael´s isn´t bad, it is just the whole story feels bad. It feels unbelievable and I am never drawn into it. It feels like a movie and not a tragic direction our country is heading towards. A very simplistic and basic retelling of an actual frightening future.

The story could still work, but it needs to be more fleshed out. These feels like a spark notes version of a story and never goes in depth. It needs more fine tuning. It probably should go further from the source material to make it believable.

Either way, I am trying to forget seeing this adaptation as I type, I should be done soon.

People don’t like Guillermo del Toro like I like Guillermo del Toro. Wanna know how I know? Because I gave Crimson Peak 3 stars. Great film, you should check it out. Decently creepy, and very beautiful.

Unfortunately, we are never going to get the Hellboy 3 he invisioned (now that the reboot is coming), but it seems to me like The Shape of Water is him telling an offshoot Hellboy story without needing Hellboy. Or at least, a prequel about Abe before he joined the B.P.R.D.

And I am a bit annoyed that this review is coming to you so late in the year, well after the wide releases, because I wanted to be in the forefront, waving my del Toro flag around, hoping that my eyes bleed from beautiful awkwardness.

There it is, love at first sight.

Way back a long time ago, long long ago. Let’s say the 1960’s. Yeah, that sounds good. Somewhere in Baltimore, close to DC, lived a mute girl by the name of, Elisa Esposito (Sally Hawkins). She led a simple life, generally alone in her world. She would wake up late at night, bathe, masturbate, eat, and head to work because she worked as an overnight cleaning lady.

She had a friend, Zelda (Octavia Spencer.) who worked with her and did all the talking for the duo. She also had a neighbor, Giles (Richard Jenkins), an eccentric artist who a lot of strong opinions on everything. But she has no one to love, to really be intimate with, outside of the occasional Giles snuggles.

Well, at work one night, a strange shipment comes in, and their head of security (David Hewlett) says it is their most important thing ever! It comes with its own team of scientists, led by Dr. Robert Hoffstetler (Michael Stuhlbarg) and some sort of federal agent, Richard Strickland (Michael Shannon). And sure enough yeah, it is some sort of Creature from the Black Lagoon! Or at least an Amphibian Man
(Doug Jones) from the Amazon Rain forest and rivers where he was worshiped as a god.

Oh fun! A creature that people are afraid of, who is being abused, who also has communication problems and is alone. Well, Elisa seems to have a connection to him. She feels his pain and wants to put him at ease. And when his life is on the line and other countries want him dead as well, she is going to have to put a lot more of herself out there than ever before.

Also starring Morgan Kelly as a below adequate pie flinger.

Michael Shannon desires only above average pie flingers.

At this day and age, it is very hard to give us a sort of “star crossed lovers” story and have it believable. We get it. People can be with anyone at this point. Romance against all odds.

So what about a woman and an amphibian man. Not a man who turned into a fish creature, but you know, some entity that evolved on its own, completely separate from humans, despite being humanoid. See, this is the new stuff that storytellers need to be tackling, the things that the Republicans have been warning us against.

Hawkins gives an astounding performance as our mute lead, and I am surprised there currently is not a giant campaign against her taking actual mute actresses work, or whatever. She does an amazing job, doing so much with those eyes and her smile. Shannon and Stuhlbarg are a bit cartoon-y, but that is okay given what they end up doing. Shannon’s villainness started off slow but really escalated near the end during the climax. I was very scared in the scene with Spencer.

Jenkins continues his eccentric small characters that he has been doing recently, and Spencer is unfortunately playing a role she keeps getting put into. She needs a better agent to showcase her range instead of the same thing over and over.

The film is stunning to look at, the Amphibian Man is detailed in every facet (and orifice). Doug Jones is finally being acknowledged for his astounding work in the creature field. There are so many positive things to say, but really, just see it for yourself for a different experience.

By and by, this is probably the finest piece of interspecies erotic ever written.

I wasn’t able to see Nocturnal Animals before it came out, mostly due to screening conflict. But without knowing the plot of the film, I was interested in the cast alone.

But given that I wanted to see it, the title did a lot of work with only two words.

Nocturnal. Animals. It sounds mysterious, secretive, and of course, primitive. It riles up a lot of fears, especially for those people afraid of owls.

Jake Gyllenhaal already had a good year thanks to Demolition, so regardless of how this one went, I consider it to just be bonus Gyllenhaal.

And a bonus amount of this guy, who I didn’t recognize in the film.

Susan Morrow (Amy Adams) is miserable. She lives in a giant house, with her husband (Armie Hammer). She is an art director, but feels like it is all junk. They are close to being poor, selling their items, waiting for a big business deal to come through, but she doesn’t care. She cares that her marriage is just a shell and pointless.

Then she receives a package from her ex-husband (Jake Gyllenhaal). He is a writer, she criticized him a long time ago, he just didn’t write from his heart. But now he has a new story, one he says was inspired by her, to write from his heart, even dedicated to her. It is even called Nocturnal Animals, his old nickname for her to explain her insomnia.

The story is about a family, a husband (Gyllenhaal), his wife (Isla Fisher), and teenage daughter (Ellie Bamber). They are driving through Texas in the middle of the night, heading to a vacation, empty roads, no signal, simple. Until they do catch up to a few cars, who are up to no good and willing to make a few choices to ruin a few lives.

Starring Aaron Taylor-Johnson, Robert Aramayo, and Karl Glusman as some bad dudes, Michael Shannon as an older, smoking cop, and Laura Linney as Susan’s mom. Real mom in this story, not the book mom.

But also all of these people are fake anyways because: acting.

Nocturnal Animals made me feel a whole lot of emotions. Fright, scares, hope, sadness, angst, tension, extreme sadness, indifference, and even a bit of confusion. Needless to say, I was on the edge of my seat from some parts of the film, and sinking into it later to try and escape the pain.

Nocturnal Animals tells a story, a story in a story, and it does both points so goddamn well. It both made me want it to never end, and to subsequently hurry up so that it could potentially become a sunshine, happy ending. But it sticks to its tone guns and it delivers exactly the perfect ending at the conclusion.

Everyone involved with this project should simultaneously be slapped and hugged because of what I imagine they had to go through to really convey those emotions. The acting, cinematography, directing, fuck, even the costumes, why not. It all just feels so planned to maximize the angst I felt inside.

This movie is extremely hard to talk about because in all honesty, it is something that should be experienced. It isn’t for the feint of heart, it goes into some heart wrenching areas. But if you give it a shot, you will get a smart film that doesn’t hold your hand, some of the best performances of 2016, and a story that will stay with you for a long time afterwards.

I don’t know a lot about Loving, but what I do know is that I do love the concept.

Without getting into too many details in my introduction (as I should properly tease it out), I also learned that finding a friend or colleague to watch Loving with you is sort of weird. I had one friend who wanted to see good movies, but his wife didn’t approve, because she wanted to watch it with him.

And then I found out inviting anyone based on the concept would be awkward. So did I watch it alone? Hell no, I watched in a theater of people, like I do most movies.

Don’t worry, we are a family in there, I don’t feel like a stranger.

Loving ain’t always easy. Just ask Mildred (Ruth Negga) and Richard (Joel Edgerton). A black woman and a white man, living in the 1950’s Virginia. Richard has always been around black people and his dad used to work with them, so he doesn’t care about color, but everyone else does. Needless to say, they do the thing together that they aren’t supposed to do, so they decide to get married before the baby comes out.

Unfortunately, they are not allowed to get married by state law, because of something Jesus said or something. Instead, they head up to DC, get their marriage on, and beat the system! Richard buys some land to build a house, and everything is swell.

Until the Sheriff (Marton Csokas) and a couple others break into her family home and see them in the same bed. Because of shitty laws, they get arrested, cannot bail each other out, and have a problem. Their crappy lawyer agrees to get them out of jail if they plead guilty, they are just banished from being in Virginia for the next 25 years at the same time.

Obviously there are issues. They can get legally married in one part of America, and arrested for it in another. How does that work? They should eventually fight this and get the Supreme Court to make marriage legal for all. What a good idea.

Also starring Will Dalton, Christopher Mann, Nick Kroll, Jon Bass, and Michael Shannon.

To show your loving, you just need to cuddle. It is science.

Loving is a movie about an important case that is still referenced and relevant in our time. It is about love, and our protagonists have the last name of Loving. It is like a cheesy movie idea, but in real life. And with the title of Loving, I expected both a whole lot of love from some characters, and an equal amount of hate from others.

Instead, what I feel after the fact and felt from the characters feels mostly apathetic.

I will freely admit that Negga and Edgerton did great acting in this movie. I will say especially that Negga’s character is a bit more likeable and her personality basically carries the movie. I believe the way Edgerton portrayed his character was probably realistic to the real life man. But what I didn’t really feel in the movie was a realistic relationship between our leads.

The chemistry didn’t just feel off, but it felt stale. I wasn’t feeling anything from the two characters, and most of it thanks to the way Richard was portrayed. There was one moment of actual sincerity between them near the end, and it can be a director’s choice to show them that way until the case is finally won. But a third of the way in I am already checked out because of how fake it feels.

Loving was a film that spent 95% of its time focusing on the relationship between two people and their struggles. We barely get any court room drama, which is a disappointment. No, we just see how they react to it all as the lawyers fight for them in court over the various levels. It felt like we were given a media portrayal of their relationship and never a personal look between the two, despite the focus of the film clearly being on just their relationship.

If it wanted to make it more historical, we could have gotten more court room drama and things like that, but nope. Just relationship for this story. A relationship that portrayed by two well acted individuals in a seemingly non loving relationship.

Presidents in the modern era meet with almost everyone. Celebrities, athletes, civil rights leaders, union leaders, foreign leaders, gym leaders, you name it. So it isn’t weird to see a picture of Obama hanging out with Justin Bieber.

But maybe back in the day it was a bit more odd. Like, a famous picture of Elvis Presley shaking hands with Richard Nixon. One of the biggest entertainers of the last few decades and a president with a lot of…well, character, I guess. It was a really famous image and sort of set the country into jubilee at just the thought of these two larger than life men in a single room talking about who knows what.

And just what led to this monumental meet up and what did they talk about?

Well, it would take a movie named Elvis & Nixon to get to the bottom of it I suppose!

This really just feels like fanfiction. Who wrote this? When do they get undressed?

In 1970, the US was in disarray. There was a war going on that not everyone loved, the parties were divided, drugs were big in the news and in our suburbs. Basically, not too different from today.

But one man was sick and tired of it all. His name was Elvis Presley (Michael Shannon). He was tired of these drugs, these gang fights, people stoned at concerts. He was in the army before and people loved him, so he figured he could go undercover as himself, into their events and protests. And maybe convince them to say no to drugs and put an end to it all. He could be a really big help, hell, he knew karate!

So he wants to head to the White House. He has a damn plan. He will talk to President Richard Nixon (Kevin Spacey), he will convince him to swear him in as a federal agent at large to work secretly for the Bureau of Narcotics and Dangerous Drugs. Brilliant, great, wonderful. Except Nixon didn’t care to meet with him. Even if a meeting could boost his popularity with the youth and the south. Except Elvis doesn’t want to hold a concert, he wants it all to be a secret, no publicity.

Sure, these men might not see eye to eye, but they want similar things, so maybe they can work together. Or maybe their assistants and staff can force them to work together. On Elvis’ side, we have Jerry (Alex Pettyfer) and Sonny (Johnny Knoxville), with Jerry trying to get out of working with Elvis to focus on his own life and maybe engagement. The president aides include Krogh (Colin Hanks) and Chapin (Evan Peters), both people later involved with the Watergate scandal, fun fact!

And so yeah, the meeting is of course them setting everything up and what their conversation may have entailed in that mysterious room.

Here is a picture of a recreation of that picture!

Two powerhouse men can only be played by two powerhouse actors, and we certainly get that with Shannon and Spacey. When I saw the casting, I was almost flabbergasted with excitement. To repeat, almost flabbergasted, not fully flabbered nor gasted. Despite loving each actor from many of their recent and older roles, I still found both of them hard to see in their collective role.

Now, in this film, they both did great jobs. But Shannon has such a unique face, I never really fully believed he was Elvis, he was always an actor. Basically the same for Spacey. For both of these roles, it could be due to the fact that these characters over time have become very exaggerated and in real life they weren’t so intense, but it just never really fully clicked.

The story itself is decently amusing. The cast of characters while small added a lot to the film. The movie is also under 90 minutes long, so it never drags and a good third or more to it is actually focused on their actual discussion in the white house.

The film just has a lot of build up for this moment and honestly, doesn’t go too many places. Elvis & Nixon won’t take up a lot of time and is pretty amusing. Hell, you will learn a lot about an event that is just all sorts of weird in American history. But one that never really elevated more than cool tidbit.

Quick, it’s midnight, what do you do? I tell you what I do. I sleep.

But for some people midnight is something special. And yes this poor intro was just a way to say the title Midnight Special, but it isn’t going to well.

Before the film, I knew nothing about it outside of the director, who has recently directed Take Shelter and Mud. I loved Mud! That means I might like this one too!

How old do you have to be for this potential Halloween costume to come off as creepy?

Alton Meyer (Jaeden Lieberher) has gone missing in Texas. An Amber Alert has been issued statewide, strangely with no picture, but a good description and a picture of the man who probably took him. Roy (Michael Shannon)! Sure, Roy happens to be his father, but that is besides the point. That boy needs to be found and they will put a lot of resources into it.

Hell, even the FBI is involved. That’s how serious this is. The boy was taken from a place called The Ranch, which is a bit of a religious cult. They hold sermons at night, led by Calvin (Sam Shepard). They think the boy is their messiah and that judgement day is coming soon. He has glowing eyes and gives people emotional visions that make them think everything will be alright. They send a few people to find him (Bill Camp, Scott Haze), where the FBI has an NSA member (Adam Driver) conducting the search.

Roy has a childhood friend helping him, Lucas (Joel Edgerton), and along the way also running into Sarah (Kirsten Dunst), Alton’s mom. They believe their boy is sick and the only way to help him is to get him to a specific location and time, based mostly on a whim. They have to travel only at night, with a whole mess of people with guns trying to stop them.

Also featuring smaller roles for Paul Sparks and David Jensen.

Yes I did say travel only at night. This movie isn’t called Noon Special.

I have a staggering weak knowledge level about sci-fi movies from the 70’s-90’s unless they were aimed at kids. This is a film that feels like it is full of allusions and I understood probably none of them.

The good news is that I didn’t have to catch any allusions (because, there also might be none, fuck if I know) to enjoy the pants off of this film. By the end, I felt such sorrow and joy simultaneously, and there aren’t many films that can pull it off. It is just a beautiful film, from the acting, cinematography, to the arguably simple story. Parts of the film do feel like a mystery, but the point of the film isn’t to answer all your questions but to take the viewer on the ride with the boy and be amazed and full of wonder. Jeff Nichols, the writer/director, feels like an older and wiser Damon Lindelof despite being five years younger. The mysteries and secrets are important for the story, not just shocking viewers.

And really, when it comes down to it, his is a film about a father afraid to let his boy off into the world and become his own person. Their journey is very emotional and every line delivered from Shannon you can feel/se the pain and sorrow in his voice and eyes.

Midnight Special is probably this years Ex Machina. A beautiful sci-fi film that doesn’t get enough attention, although this one is a lot more broader in its scale and reach. I know for certain I might never look at a sunrise the same way.

If I had 99 Homes, I’d either sell at least 94 of them, or desperately look for one more home. It’s so fucking close to a cool number. Just think, 100 homes.

You know what you could do with a 100 homes? No? Exactly. I’d realiz it was stupid within a week and then try to sell at least 95 of them.

99 Homes is released by Broad Green Pictures, a new company as of 2015, but they had a productive year. However, I am happy to announce this is their first film I have actually reviewed! Hooray! I had no interest in seeing Learning to Drive or A Walk in the Woods or the other few films I never heard about before.

And I will review it without making any Spider-Man / Superman crossover jokes.

Remember the 2008 Financial Housing Collapse thing? No, well, go watch Margin Call and The Big Short. Come back to this review in like 4 hours.

People lost their homes. Loans and bubbles, bad stuff. Very bad stuff for Dennis Nash (Andrew Garfield), a single dad, raising his son Connor (Noah Lomax) and also living with his mother, Lynn (Laura Dern). You see, they are about to lose their family home. He is a contractor, but he lost his job and is up to his ears in bills and lawyers and what not.

But no. The home is no longer his. It belongs to the bank and they have to leave immediately and move into a hotel room. The man to deliver the message is Rick Carver (Michael Shannon), a real estate agent who has turned into the guy people hate to kick them out of their houses. No one likes Carver, especially not Denis.

Then Dennis starts to work for Carver. What? Exactly. A shitty job needed to be done on a different foreclosed house, and Dennis has the tools, skills, and really needed the money. Dennis slowly gains more and more responsibility, doing terrible things for pay, hurting others who used to be just like him. Just so he can get the house back.

It isn’t even that great of a house.

There is only so much sadness one person can feel due to a single event. Right? That is why they don’t make as many Holocaust movies as they used to. People are tired of those events.

I apparently am not over these types of movies yet. The beginning of 99 Homes is compelling and really gets you on the train to sadtown real quick. It is a bullet train. Garfield gives a pretty compelling performance, Dern not as much as I had hoped.

Shannon is the big bad guy here. A seemingly uncaring man who just wants people out of houses so he can move on to the next house to fuck up more lives. But as Garfield’s character begins to work and deal with him, part of him gets redeemed. Just kidding, dude is terrible and all money hungry and exactly the right kind of antagonist to go with a movie about the economy tanking.

The ending was good too, a lot of tense and morally dark choices had to be made, but I feel every character got what they deserved and was not disappointed.

A ha, my first review of a movie that has been guest reviewed! Here I am, following up someone else’s opinion, on my website. Not even mad. I try not to read opinions about film before I write my own, so obviously, my review of The Iceman breaks that creed unfortunately. If you want to read their review of The Iceman, click that link I just linked.

The flipped across the vertical line version of this picture exists on the internet. I…I don’t know which one is real.

The Iceman tells the true story of Richard Kuklinski (Michael Shannon), a famed Polish man who killed over 100 men as a contract killer in NYC. He was arrested in 1986, much to the surprise of his friends and family who did not know he was leading a double life for so many years to provide for his loved ones. Well, not his brother (Stephen Dorff), he was a dick and in prison already. For killing a man. What a criminal.

Of course, he didn’t start as a contract killer. He had a small time job, and came from humble beginnings. He met his future wife (Winona Ryder), and somehow charmed her into marriage, and had two kids. But when he accidentally fails the wrong customer, Roy Demeo (Ray Liotta), he has to repay a debt and does so through a nice assassination or two, which come with nice bonuses.

Eventually, his lives start to collide, as he is forced to work with a rival contract killer, Mr. Freezy (Chris Evans), and work amongst all the mob bosses in the city. The film begins and ends with his confession on the witness stand, and a whole shit ton of remorse. Kind of. Also, James Franco plays a small role who totally dies, and David Schwimmer awkwardly a mob man, and he freaks me out.

The Iceman Cream.

Michael Shannon has been a good actor for sometime. He was arguably the best parts of Man of Steel and Premium Rush, so it is nice to see him again in a leading role like this one. He knocked it out of the park, going completely in character, and nothing like his other recent roles. Dude knows how to act, yo.

In the early 90s, HBO released a documentary on the subject, called The Iceman Tapes: Conversations with a Killer, with actual dialogue with Richard. Presumably this fictionalized version was made to tell the twisted story after his death in 2005. I haven’t seen it, but I think it is on youtube, and I really kind of want to now.

A lot of the assassinations they show are generally really well done, with lots of planing/details gone in to making sure they are perfect.

By basing this movie on a true story, it adds an extra layer of chill as you watch it, knowing that it isn’t just another mob movie starring Ray Liotta. The ending is especially the most chilling aspect of the film, his final courtroom plead and communication with his family. You felt sorry for the guy, even though he killed hundreds of people. Shit, that is rough.

Definitely a movie I’d recommend as well. Even if you have to see David Schwimmer’s goofy face.