Tag: Max Martini

With Fifty Shades Freed coming out, it makes it the second trilogy to end in 2018 already, and it is only halfway through February! The other one was of course Maze Runner: The Death Cure, which was also complete shit.

I don’t know a lot about the point of this trilogy, but looking at the ad spots online, on youtube, on Hulu, the one thing I realized is that whatever the plot was, they certainly did not want to show it to the viewer. They just wanted us to see people being rich, doing some sexy stuff, and being rich. Rich, sex, rich.

Maybe that is the main point of the movie? Maybe they expect the plot to just maintain “oh, their relationship!” and it be an okay story overall.

Is the wedding the climax, or just the beginning?

The movie begins with the saying of I do from our leads (Which is answers that question). After all, he proposed at the end of the second film, we don’t need to see them planning for it and all that shit. Let’s just see Anastasia become Anastasia Grey (Dakota Johnson) and Christian (Jamie Dornan) stays the same. Which is one of those plots about the movie, him staying the same.

Now we can watch them traveling the world, honeymooning, sexing, being rich. You know. But some guy goes and steals some data from Grey’s company, cutting it short! Oh snap! Now we have some man, or some lady, trying to do bad things to them, and he has “no idea at all why!”. Security is beefed up and some things are a little bit less sexy.

But don’t worry, we still have time to deal with other issues. Like how they never even talked about when they would want kids or if they wanted kids at all. Perfect thing to do post marriage. On that note, that weird ex mistress of his that taught him all of his kinks? You’d think that would be important, but in this movie, it is basically just dealt with in a single scene and ignored the whole way through after it. Yay!

These people are in this movie: Brant Daughtery, Bruce Altman, Eloise Mumford, Eric Johnson, Hiro Kanagawa, Kristen Alter, Luke Grimes, Marcia Gay Harden, Max Martini, and Rita Ora.

Will the SeaDoo scene be the new boat scene from the previous film?

This film is shit, and everyone knows it is shit. The people who put it out know it is shit. The reason the plot is hard to tell is because there is no discernible plot in the whole movie. Bad plot reasons for man to be bugging them. Characters act stupid and don’t understand what is being told to them, and intentionally characters put off obviously important information until it is too late. We have a couple who still doesn’t make sense together, who just get really kinky around each other I guess. Whatever happens never really looks like love.

We have a main character male who is emotionally and physically abusive at times, yes still in this movie. We have a cartoon bad guy. We have a scene where someone gets slapped twice and kicked in the stomach causing a short term coma, some how.

The infamous boat scene was recreated almost with a house they go to in Colorado. Watching the car go up the driveway, we then see several angles around the house, switch switch switch. It is still full of romantic (maybe? hard to tell when it all sounds the same) pop music, to fill any sort of space they might have for character growth.

And just in case you forgot the other films, near the end, we get to see a long montage of the first two movies, of their romance scenes and travels. Yes, we still see that damn boat again in this film. They did it just to troll me.

And then at some point the movie ends, without resolving one of the major plot issues their relationship had with his ex mistress lady he couldn’t ever stop confiding in. Hooray!

0 out of 4.

Two years ago, we were finally given Fifty Shades of Grey. After years of anticipation. And we were given an R rated film that wasn’t as intense as the book, when all we wanted was an NC-17 penis showing flick.

It was bad, but it could have been worse. And strangely enough, the parody, Fifty Shades of Black was just as good as Grey. Meaning they both were bad, but just as bad as each other.

And now we have Fifty Shades Darker. Which according to my wife is a better movie, focusing less on people getting beat and more on a story. But books don’t always translate well into film, so I will note I am expecting the worst and hoping for…well, the worst as well.

His hand is in or near her vagina.

Unfortunately this movie does not begin inside the elevator as Anna (Dakota Johnson) leaves Christian (Janie Dornan) for good. No, it is some time later, maybe even months. Christian sends her gifts, she ignores them. And instead of working at a hardware store, she has a job as an assistant to a fiction editor, Jack Hyde (Eric Johnson) in Seattle.

Life is good for Anna now, but she still misses Christian, just can’t handle his paddle. Anna also keeps seeing a creepy girl (Bella Heathcote) watching her every once in awhile, with bandages on her wrists. Blah blah, eventually Anna talks to Christian again, and immediately wants to hop on his dick some more. No more contract this time, just a slow relationship with immediate passionate sex and foreplay. And despite saying no rules, there are still some rules. Like he can’t just hurt her. And she can’t touch his chest. Oh okay.

Oh, plot. There is a plot. Yes. Okay, the boss of Anna’s is an obvious jerk and jealous of Christian. The creepy girl is one of Christian’s past subs still obsessed with him. And there is Elena Lincoln (Kim Basinger), the woman who taught Christian about sex, involved with his life and being a bitch too. And hey! Christian has a new security dude (Max Martini). Anna still overreacts to a lot of things, and Christian still doesn’t know how to carry on a conversation.

Oh, and of course flashbacks that imply that Christian’s fetishes are actually the results of abuse, abandonment, and things he has to change and not something Anna has to accept.

Also returning in their previous film roles, no matter how brief are: Marcia Gay Harden, Andrew Airlie, Luke Grimes, Rita Ora, Eloise Mumford, and Victor Rasuk.

0
Now you cannot see their shame or anxiety.

There are so many things wrong with this movie, I knew it would be an easy and fun analysis to write. First major issue is of course that it ended up being worse than the first film! How was that possible?!

Darker decided to go a different route with the story. No, there is still some level of eroticism. But in way of public acts and sex beads, versus more traditional paddling used in the first film. A film can have all of this and still be a good film, but unfortunately instead of going for a good film, they decide to just take any and all important plot points and resolve them as quickly as possible. They must have decided that these scenes only exist as a way of transitioning between soft core porn scenes. But you know, still quite softer than anything else that exists. Because it is just an R rated movie with “Some graphic nudity” (meaning no, we still don’t see penis).

Now lets go into the scenes between sex. Well, there are technically some important plot points that occur in the film. Like Anna’s boss being all rapey. And right after the threat exists, in the next scene he is already fired and then she has his job. Boom, resolved. She has to go to a meeting in his place, we then hear a stupid idea, her obvious and better idea, boom, they like it, she is great at her job.

There is a helicopter crash. And within the next three minutes, despite being in a mountain wilderness, they area not only found to be alive but hey, back at the house and just seemingly ignoring that it even happened. There is a creepy girl, who appears a few times, and boom, she is subdued, lets move on.

This means the plot of the film is just their relationship, without a viable end goal. And with our ending, it isn’t as bad as the first one, but it feels like a terrible cartoon, with returning characters looking badly menacing. Shit, it is worse than a terrible cartoon, it is more like a bad soap opera (not a good soap opera).

Obviously the acting is still bad. Anna is still annoying and overreacts to everything. Christian is a character who has no ability to express feelings, so Dornan is wooden.

Oh, and yeah, the movie begins to imply the only reason someone would be into BDSM type things is thanks to physical abuse and sexual abuse in the past. You know, instead of regular fetishes. Yay, demonizing real, mostly normal people!

0 out of 4.

Benghazi. What a political buzz word. A city that no one had any idea even existed before the events in 2012, but it became quite a big deal.

And I couldn’t care less. I am mostly annoyed that it has become such a buzz word without a lot of meaning behind it that shitty internet and news people are referring to controversies as “word”-ghazi, depending on the situation. It is just as ludicrous as adding gate to the end of it, if not more so. And both things need to stop.

Yes, these indeed are my thoughts going into the movie 13 Hours: The Secret Soldiers of Benghazi. I don’t know shit about it, outside of the fact that controversy exists. I know it is supposed to be a real story, but Michael Bay is directing it so who knows. I know that this movie is based on a book written by someone who was there, so who knows the actual accuracy of the book.

After all, who cares about truth when the outcome is income.

I expect a plethora of pew pew pews on both sides.

Apparently, Benghazi, Libya was named one of the most dangerous places in the world. Despite that, the US still kept a “diplomatic compound” in the city and nearby is a “secret” CIA compound staffed by private military contractors. And the movie begins with Jack Silva (John Krasinski) flying in to join their team. “Rone” Woods (James Badge Dale) an old friend picks them up, tells him to not mess with the locals and you know, helps fill in the new guy so that we can as an audience can learn things.

Despite tension, the US Ambassador to Libya (Matt Letscher) is still there, with a small rental cop security team. He gets worried when he sees people taking pictures of the compound. And worried he should be! Because on September 11, yes that day, some people attack the compound.

Now, our private military CIA people are the only friendlies in the area and they go against orders to try and save the ambassador. They have no support incoming and they are basically going to war with a tiny army, but it is the right thing to do. It is the right thing to do, right?

Also starring David Giuntoli, Max Martini, Pablo Schreiber, Dominic Fumusa, David Denman, David Costabile, and Alexia Barlier.

Shit, there are explosions too. Instead of pews, we get boom boom booms.

I know what I am about to say is terrible criticism for a film and I know it is a word I should try to avoid while writing a review, but after pounding my head, I have no idea how to talk about the movie with any other vernacular. 13 Hours was boring. It dragged. It is almost two and a half hours long and it felt like four. It took a whole hour before the assault on any compound began, which is a shit ton of time to spend to try and make us care for the characters (which doesn’t work).

Sometimes when your goal is ultra realistic combat situations (which this is arguable, clearly many liberties would have been taken), it no longer entertaining. I hated Act of Valor, because they wanted realism at the expense of acting and story and it showed. In this case, Bay wanted to drive home an opinion, honor some people, and explode some shit.

I think forcing someone to watch this movie twice in a row would actually be considered torture and so technically it fits the theme of area the movie is set in. Go figure.

It wasn’t completely terrible, it was just boring. It failed to ever grasp my attention and felt like it would never end. Thankfully, this is the final major movie from January of 2016 that I had to watch. Hooray, I caught up only six months into the year! Too bad the months after it also were filled with bad films.

Bay, stick to Robots and Turtles. At least they are occasionally interesting.

1 out of 4.

Let’s start with the obvious.

Literally everyone at this point knows that Fifty Shades Of Grey started out as some sort of Twilight fan fiction. People liked it, she changed the characters names a bit, gave them some new jobs and that was about it. Literally even the setting is the same. When watching, I could easily imagine Edward and Bella in each scene. The mannerisms, whatever. Yeah.

Either way. That is besides the point.

The other thing I heard about Fiddy Shades is that it is a poor portrayal of BDSM subculture and what this movie really promotes is sexual abuse and lies. Oh good. Perfect date night film then. There are also issues with the rating itself (which I will get to later) and apparently the director and book author argued a bunch on set.

I’m sorry, I can’t hear your criticisms over these chiseled abs and bare skin.

Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) met under unusual circumstances. She interviewed him at his company because he was going to be giving the commencement speech at her graduation. He is a billionaire. She is a senior English Lit major who is doing the interview for her sick roommate (Eloise Mumford). But he sees something in her and she mostly just thinks he is hot.

However, she is also very inexperienced. Despite having average looks, she is a virgin, saving herself for the one she really wants. Fuck this pretense. Christian wants to spank dat ass, and Anastasia doesn’t know what she wants, outside of the fact that she wants Christian’s body too.

So he gives her a taste. Like, a dick taste. But does that get her hooked? No, not really. She knows about what he really wants, and he makes it perfectly clear. He has a contract, things up for negotiation, everything laid out on the table. But she doesn’t want a contract, she wants their relationship instead to be confusing and “normal” where things can happen without rules. In fact, the whole film she just leads him on instead, refusing to sign the contract, not because she doesn’t want to, but because she keeps going back and forth. Not that changing your mind is bad. But refusing to come to a decision for weeks is kind of annoying.

Also featuring the Grey-clan, like Marcia Gay Harden, Max Martini, and Rita Ora. I have been told the last person is a singer.

Grey isn’t the only color in the movie. Unless Red is a shade of Grey. I don’t know, I don’t “see color.”

First of all, I am definitely disappointed in the R rating. Boooo. You might wonder why? The only way it can go higher is the dreaded NC-17 rating, which major movie chains refuse to show! Only indie art house theaters! Well, obviously, an erotic novel for adults only with very graphic sex scenes should be that rating in movie form. But also, this was like, our ONE chance for the major movie chains to change their opinion. They know this is going to make money. They wouldn’t refuse a film version when the book was so hyped up. They would have caved and maybe we would have gotten more NC-17 movies in theaters in the future.

But yeah, missed opportunity.

As for the abuse part? I looked very hard. Christian never does anything to Anna that she does not agree to. Never. Sometimes it takes convincing, but real adult people are allowed to discuss things. Yes he is more experienced, but like in real relationships there will usually always be someone more experienced. If convincing someone to try new things sexually is abusive behavior, then man, I’d imagine most relationships are abusive.

At the same time, this doesn’t really put a good spotlight on the BDSM community, known for being very high on communication. Why not? Christian follows their rules pretty well it seems (despite Anna’s best attempts to muck things up), but they also made him an abused figure in his past who came from a crackhead mom. So they are also painting the picture that BDSM is “not right” and clearly it is due to bad experiences in his youth. Shit, looks like they are also trying to burn all bridges here.

Anyways, Dakota Johnson was very believable in her role, I guess, even if she is stupidly annoying the entire time. The character’s actions rarely make sense to me, but she acted great in it. Dornan had the serial killer look down I guess, but I thought he overacted his part.

In all reality, I thought the movie was okay for the most part. But the ending was down right terrible. Terrible in a “Hey, fuck you guys, you don’t get a complete story in this one, you have to watch two more movies to get a complete story.”

Cliffhangers are one thing. They can work well for a series. But if that series can’t even complete a fucking basic arc, then it is just filler pointlessness. I don’t know anything about how the rest of this story goes, but if it is like the first one, then I can safely assume it probably should have just been one movie and not fucking three.

Also, there were no dicks in the movie. Some bush on both ends, and maybe the start of a shaft once. This is what I assume you all really wanted to know.

1 out of 4.

Yay! Finally, we are getting a movie version of the Beastie Boy’s song Sabotage. I am also immediately killing that joke before it gets too stupid. I don’t even like that song. Too hard for me, I guess.

The actual movie Sabotage is the next attempt for Arnold Schwarzenegger to get back into action. I think I saw the trailer once before a month or two ago, so going into it, I really didn’t remember at all what I was about to watch. That was a good feeling. I did learn right before that the director also directed and wrote End Of Watch, which I loved so I did get all sorts of excited. A great underrated movie from two years ago.

Aw shit. Here is them with presumably the bad guy. I guess they all win, spoilers!

The story is about a special operations DEA team who are really good at getting the job done. They are lead by Breacher (Schwarzenegger) and they all get snazzy nicknames too, because they are cool. They also have Tripod (Kevin Vance), Monster (Sam Worthington), Grinder (Joe Manganiello), Neck (Josh Holloway), Sugar (Terrence Howard), Pyro (Max Martini) and Lizzie (Mireille Enos). She doesn’t get a nickname presumably because she is a woman.

Oh, they might be a little bit dirty too. Not The Shield levels of dirty, but a little bit dirty. The story begins with them taking down a huge drug lord, but also stealing a measly ten million from the pile and stashing it to split amongst the team later. Well, someone dies during their operation, and later the money is gone as well, so it the drug bust was a bust. Especially when they all go under the microscope, with the ten million reported missing.

Well, eventually they all survive and since no one trusts Breacher in the department that much, they just let him have his team back for special missions. Then, one of their own dies.

Shit. Then another. Turns out someone is trying to take them out. But why? They have tons of enemies, it could be anyone. But local cop people (Olivia Williams, Harold Perrineau) are on the case, so I am sure they will stop the bad guys.

Many guns. Both the actual weapons and these gentleman arms.

Pew pew pew! Action and death. This film really earns that R rating with the amount of graphic violence (extreme deaths), language, and nudity in it. Some of it was indeed really gross too.

On the same note, the story itself was interesting. Yeah, I said it. I liked the plot of this movie. It wasn’t a simple story, it had some layers, and characters had motivations. At the same time, some characters had absolutely no motivations and even by the end, I am not sure why they did what they did.

In fact, the climactic ending complete with a chase scene and finding out who the bad guys are was very disappointing. It doesn’t match the tone of the rest of the movie. It was drawn out and suddenly no one knew how to aim, despite being tactical and military elites.

So that is that. It has some cool stuff. But the ending is pretty lame. There ya go.

2 out of 4.

Giant Robots Fighting Giant Monsters.

That should be a good enough review for this movie.

If you are like me, the first time you heard about Pacific Rim (Trailer) you bounced around with joy. Sure, some of you maybe bounced on the subject matter alone, which is fine. But I was even more excited about the fact that Guillermo del Toro was set to direct the film. Guillermo means quality in Spanish, I am pretty sure. Just examine the last two films he directed! Hellboy II? Pan’s Labyrinth? This guy knows how to tell a story, while also kicking major ass.

Spoilers: These robots are here to fuck shit up. Monster shit. In the year 2025, we are currently in the twelfth year of fighting the Kaiju. Kaiju are larger than life mythical beasts that come from a dimensional portal at the bottom of the Pacific Ocean. The first one to appear took over five days to kill while it rampaged the California coast. The world realized it would have to stop fighting and work together to stop this threat from taking over completely, which started the Jaeger program.

The Jaegers are giant robots equal to the size of the Kaiju that can be deployed to fight the beasts before they cause more harm. Initially they prove to be quite successful, but the Kaiju have started to appear in increasingly shorter intervals, bigger and badder than before.

Raleigh Becket (Charlie Hunnam) used to be a great pilot with his brother. Five years prior, a Kaiju took his brother’s life, so he left the program to become a drifter. Shockingly, the UN is thinking of abandoning their Jaeger program due to the amount of Jaegers that are now getting destroyed. Their idea is to build a giant coastal wall to keep them out (very dumb). With only few months left of funding, Marshall Stacker Pentecost (Idris Elba) brings Raleigh back in to the fold to attempt one last shot at ending this thing once and for all.

Damn, that was a really good plot description. But there are many more people who have important roles in this movie. Rinko Kikuchi is Raleigh’s new partner once he returns to the Jaeger program. Max Martini and Robert Kazinsky play a father/son pilot team who run the fabled Striker Eureka, the fastest Jaeger made. Charlie Day and Burn Gorman are the main two scientists working on solving the Kaiju problem, a biologist and a mathematician respectfully. Finally, Clifton Collins Jr. is the main control room operator for the operation, and Ron Perlman a black market Kaiju flesh dealer.

Spoilers: There is no giant version of this monster unfortunately. If you don’t like the idea of giant robots fighting giant monsters then I really don’t think you will enjoy this movie. Because the movie gives you exactly that, and just a little bit more.

First off, if you are going to see Pacific Rim (Which you should!), you should watch it in 3D. The fight scenes were so incredible, I thought my eyes would melt. The second fight scene in Hong Kong is probably the sexiest thing I have seen in film this year. They were filmed with 3D cameras, so you don’t have to worry about blurriness mucking up the great action.

The Hong Kong fight is actually better than the fight at the climax of the film. Some would consider that to be a big problem, but I can easily forgive it. The final fight gets points for taking place in a different environment from the rest of the film.

I love the casting choices in the film, in that most of the people are not big named stars. This really allowed the viewer to get involved with the story and not get distracted by the eyes of someone like Brad Pitt.

Sure, there are a few weak plot points, and the acting isn’t always top notch, but the stunning visuals, well choreographed fights, and complete bad-assery from start to finish well make up for it. My biggest plot complaints really come from what was NOT said by a few characters. I was disappointed that the movie didn’t delve deeper into some of the ethical implications brought upon by certain actions, but really, that just allows a sequel/prequel to ask those questions later.

Please. Give Guillermo del Toro your money. Go see Pacific Rim.

3 out of 4.