Tag: Daryl Sabara

I have not seen a lot of actual horror films made by Eli Roth. He is supposed to be a big name, but when I looked at his directed list I had seen…well, zero. I thought he had directed Aftershock, but I was wrong about that.

But I am sure I will watch Knock Knock at some point! That is some sort of Thriller and it is on VOD exactly when it was supposed to be. Apparently The Green Inferno was not as lucky. Made in 2013, it was supposed to come out in 2014, but shit hit the fan, and it got delayed over a year. Which is why Eli Roth even has two movies coming out only roughly a month apart.

Speaking of intro small talk, the film was clearly inspired by Cannibal Holocaust. That is a film from the 1980’s which introduced found footage before it was even a thing. It was very gruesome, realistic, and basically the same plot of some white people heading to the rain forest to get eaten. In fact, people insisted at the time that it must have been a snuff film! The title itself was the name of the movie that was being made in Cannibal Holocaust.

“Ooooh hair, my favorite.”

Being an activist in college is one of the easiest things to do with your free time. Once you walk through a quad or a pit or a hallway, you will find dozens of protests happening all around you. Every day. Guaranteed. All you have to do is stand around, do a chant, and maybe (maybe!) hold a sign.

Justine (Lorenza Izzo) is just a bright eyed and bushy tailed freshmen in NYC. She gets interested in the activism, but her roommate (Sky Ferreira) thinks the local group on campus is too crazy. They plan to go to Peru! There is a logging company who is illegally taking out trees and threatening to remove local tribes from their homes! They will dress up like loggers, tie themselves to trees and record their actions straight onto the internet. That should stop them from hurting them and get people to care about their group and hate on the one company. Sweet. That goes fine enough. Outside of spoiler stuff.

The real issue occurs when they drive to leave the jungle. Something goes wrong with their plane, killing half of the crew as it crash lands back into the jungle. This is where they are quickly found by the local friendly natives. Just kidding, they are all painted red and totally scary. They tranq those college students and capture them to bring them back to their village.

And guess what? You already know what. They eat people! Yay!

Now they have to figure out how to survive the tribe, run away, survive in the jungle, and get back to America as soon as they can. And guess what, again! They ruined their best chance of escape by making the logging company stop their illegal actions. Life is a bitch some times.

Starring Ramon Llao and Antonieta Pari as the main two village people. As for our other activists, we have Aaron Burns, Nicolas Martinez, Magda Apanowicz, Daryl Sabara, Kirby Bliss Blanton, and Ariel Levy as our leader.

“What? Tribal mom got your tongue?”

I have heard some of Roth’s movies have been very graphic and hard to watch. Why the fuck would I ever want to go back and watch Hostel if that is true? The first major torture porn right, outside of some Saw movies? Well, The Green Inferno, if you didn’t already guess it, was very graphic and hard to watch.

I had to look away numerous times throughout the movie, my stomach unwilling to negotiate with the eye terrorists on the screen. Eating people it turns out can be pretty gross. Unfortunate, if everyone was simply just eaten, that’d be a boring and just gross film. They do a good job of keeping more of the deaths diverse so that it doesn’t get stagnant. Although watching that boy from the Spy Kid movies felt very weird for me.

As a horror film, it did its job in terms of grossing/creeping out the viewer. It definitely isn’t boring, outside of some of the earlier moments before they make it to the other country. It is super violent and should make you uncomfortable.

But it feels all very cheap at the same time. Overall the film lacks a lot of substance. It is trying to make a statement about social justice types, or America butting into things, or…something else. It just does it in a terrible way. “Don’t do this, or you will get eaten by the natives.” Cultural exploitation aside (which I do not care about), it isn’t a strong link and ruins any message it was trying to make.

For those who like gross stuff, this is your movie. If you want anything besides that, well…uh, not this movie then.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Shortly after I posted my review of God Bless America, a friend of mine told me I should watch World’s Greatest Dad. Apparently it had the same director and was surprisingly good/dark despite the recent trend of Robin Williams movies, like RV or Man Of The Year.

So why did it take me more than a year despite at least two other people telling me to watch it? Well, I just needed the right time to do it. And unfortunately that time had come.

With the passing of Robin Williams, I felt a huge sense of sadness that I haven’t felt from a celebrity in a long time. Yes, Philip Seymour Hoffman‘s death was also sad, but I and many others didn’t grow up with PSH always in our lives.

So without further ado, finally I am checking this movie out and will try to catch up on his back catalog over the next few months.

World’s Biggest and Wettest…

Being a dad can be hard business. Especially if you are a single parent and your son is the douchiest of all douches.

That is what is going on with Lance (Robin Williams). For all intents and purposes, Lance is a failed writer, he wrote several books but no one would publish them, so he is stuck being a high school English teacher. A lame English teacher too, as no one seems to be taking his poetry class and he might lose that. His son, Kyle (Daryl Sabara), is a sick fucker. He only has one friend Andrew (Evan Martin), he only talks about sex, he is rude to his dad, he doesn’t do homework, he gets into fights, and is just a general dick.

But yet, Lance is still surprised and saddened when he finds his son dead, an accidental suicide in an embarrassing fashion.

Lance didn’t want his son to go out like that. So he cleaned him off, changed his position, wrote a suicide note for him and thought that would be the end of it. But when Kyle’s “final words” start touching other students and gets recognition for being great writing, Lance can’t help helping himself to some of that fame and glory. Right? No. No, that would be scummy.

Also starring Henry Simmons, Alexie Gilmore and Geoff Pierson.

“Yes. Kyle’s note cured that boys AIDS, don’t cha know?”

Wow. So, I can tell you I didn’t know the movie would be dealing with the actual subject matter of suicide. I think I would have still watched it, but I definitely didn’t see that coming.

This is now an incredibly hard movie to judge. I teared up a little bit during the scene where he found the body, I think more due to the topicalness of it all. It hit all sorts of hard. That happened multiple times during the movie. Separating the real life from the movie is just at this point impossible, I am forever biased.

I still liked the movie overall. A good black comedy can be hard to come by as they tend to not be the most popular genre to take over. The camera style was definitely similar to God Bless America, as was the subject matter.

I mean shit. If you wanted to cry about Robin William’s death, you’d probably want to pick between this one and Jack, given the storyline of that one. I am sure there are plenty more to pick from, but screw you, I want to just throw out Jack.

The film picks a dark subject matter and really gets deep into the subject so it earns chops from that. A little bit more in the ending might have been good to add on, but other than that, a well done movie. You will be missed Mr. Williams.

John Carter has been hit hard, right in the rear end, with piss poor advertising and some early reviews.

An expensive Disney movie, should have had a lot going for it, but nope. Nothing. Personally I have heard of John Carter before, vaguely, I knew it was sci-fi books from the yesteryears. But when I first saw a trailer for it, I only could think of how bad it looked. My first thought was that “What? They made a movie using all the left over prop parts from Prince of Persia. Who cares.”

Way too similar, the main peoples outfits, and both in deserts. Yeah, whatever. Some aliens too, cool.

Turns out Disney for whatever reason didn’t try too hard to market it, or get the facts right with their own movie. So they deserve it I guess. Next thing you know is Pixar will just assume everyone will go their movies if they make them (and they will).

“So you…don’t have access to the sands of time?” John Carter stammered, glancing towards his script.

The movie begins with….NOT JOHN CARTER (Taylor Kitsch). Instead he is dead. Sad times. He has left his rich later 1800s fortune to a nephew or something of his, Edgar (Daryl Sabara). He is told he only has access to his personal diary. In it he says all of his past stories he told him were true! But here is a re-telling of how it began…

Long ago, after the Civil war in the area not yet known as Arizona, Carter was just trying to get by, looking for gold. Well the local US army there wants to enlist him to help fight the Apache (Since he was a kick ass soldier/leader in the Civil War). John doesn’t want too, much to the general’s (Bryan Cranston) demands. He tries to escape multiple times, eventually does, and when they run into the Apache, he successfully escapes both groups into a cave. Some weird shit happens, and he is transported far and away to a different desert.

WHERE HE CAN FLY. Not really, but jump super awesomely far. Hells yeah. But then some aliens run into him. Behemoth ten foot tall monsters, with four arms. They are confused by him, but eventually capture him (not kill) to bring back to their base. The head mean guy Tal Hajus (Thomas Haden Church) wants to kill him so badly, but the king, Tars Tarkas (Willem Dafoe) says no. Fuck that. Train that dude. He can jump like crazy.

Also there is other shit going on, between some kingdom called Helium and Zodanga. Helium is the good guys, war, the princess of Helium (Lynn Collins) has to marry someone in Zodanga, or else. She said nope. War stuff. Escapes, John saves her. Big war. Bald dude magic guy (Mark Strong) from Zodanga wants to fuck all the shit up.

Eventually a journey starts up to end the war, between the nations and the big alien things. With a dog like creature too. And the daughter of the alien king (Samantha Morton). Shit, details aren’t necessary. But a lot fighting ends up happening, some personal shit with John Carter’s nuclear family, and some other shenanigans (like you know, going back to Earth, obviously).

“Oh fuck fuck fuck fuck fuck fuck fuck fuck fuck!” John Carter sighed, quite nonchalantly.

Holy shit, this movie was more than about a guy on Mars, fucking up some shit. There was some stuff about post civil war Arizona! Some history! Yeah!

I loved the beginning of the movie a lot. From his bumbling in Az, to his bumbling on Mars and having no idea what is going on. I’d say about halfway, I did lose a bit of the drive. I think the war between nations, and an alien nation could have been simplified a bit. Instead of just throwing out a bunch of people with weird names at me. I bet, I bet reading the book would have made it all simpler, which is not a good thing for a movie.

But in terms of action/adventure entertainment? I was definitely entertained. Well done. Unfortunately this monetary flop means not only probably no more John Carter movies, but that Disney will in general stay away from Mars forever.

Spy Kids: All The Time In The World! Yeah! The Forth Spy Kids Movie! I will let you know that I did my research before this movie. I “watched” all three Spy Kids movie the week before this one, just so I could “get” it all. After all, the poster confused me. Jessica Alba and Joel McHale? That’s weird. They aren’t in the other movies. It also said the “Spy Kids” from the previous three movies were in it, but not on the poster. Some other jerk kids.

But unfortunately, the other three movies don’t matter for this one.

Shocking, I know.

Plot? Uhh. Time! Someone has the ability to speed up time and time travel and other shit. Chaos ensures! Instead of adapting to the changing of time (despite not aging faster, just shorter days) people flip out about deadlines approaching. I think eventually they are supposed to freeze, because time is going so fast? Thats vague. Right.

Jessica Alba! She is a spy! And pregnant. After stopping crime on the way to her delivery, she retires. She marries Joel McHale who has two kids already in his past marriage. In fact, the kids are aged appropriately to be called kids for a least a few films. Handy right?

Joel is not a spy. But he is a fictional / real spy hunter on TV? It is confusing. Like, he has a TV show, I thought it was fake, but it could also be a real life documentary thing, like all of those dumb shows, following around jobs. I can’t believe people watch it though, since he doesn’t do anything? As far as I can tell.

Blah blah blah. They have to become spies accidentally. Also a talking British robot dog. It is Alexa Vega‘s fault, since she obviously thinks kids should be spies. The head of the spy agency is Jeremy Piven (but acts nothing like Ari Gold). Eventually Daryl Sabara shows up too, to help. Dude keeps retiring and rejoining (based on Spy Kids 3).

So yeah. That is about it. Cool new gadgets. Cool new set of kids. Cool new way to make more movies and money grab. The story was okay, full of normal kid super hero cliches. But making the Baby randomly powerful and a spy too was just too much. The ending was super corny too. Also, super-baby looked ugly as shit. Just sayin’.

Out of the other Spy Kids movies, I’d rate 1 and 2 a 1, but Spy Kids 3 was a solid 2. It involved going into a video game to save the world. Despite the fact that the creators made it seem like they’ve never played an actual good game before, it had a good enough story, and funny movements to be an okay movie.

This one does not.

Probably because the new chick has those dead eyes that look into your soul.