Tag: Ving Rhames

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Mainstream 2018 (Part 1)! Basically, the popular movies I had missed, and need to really review, or else.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

In the face of this movie, I expected the worst. I thought this movie had to be a typical January release, something similar to
10,000 BC. But alarmingly, it came out in September, and when I finally got to see the movie it mostly met my expectations. It was surprisingly not amazingly bad, just regularly bad.

Gross CGI landscapes to recreate the before time, and a pretty uninspired storyline about the bringing together a “dog” and a man. The other sad aspect of this movie is that people might watch it and go, “Oh, so that’s how it happened! Domestication!” and take this movie as fact. That would be a shame. And I don’t know if people actually say that, because I barely know people who have seen it, but this straw man stands in my mind. A forgettable film, like most dog films.

Waiting for Mufasa to show up takes forever.

When I first heard this title, I really assumed it was sort of a joke. I didn’t know it was based on a book of the title, or why it was called that, but it just felt off. I thought it would be some sort of exploitative film that was a comedy no one would watch, and hey, it feels good to be wrong. A romance more than anything, this is a film about an outsider being brought into the world of ridiculously rich Asian people in Singapore. So we get all of the wealth, luxury, and snide comments with some back stabbing.

On its whole, it could have been a forgettable romance film. But the lavish sets went all out to display a lifestyle most of us can only dream about, while also bringing in new cultural elements to American cinema. Having the lead be the mom from Fresh Off The Boat was great, and showed she has at least some range. The ending teared me up too. And damn it, it is great in general to see different people on our romance movies. Bring on this wave of Asian-American films, damn it.

Out of the three adjectives in the title, I’d prefer the middle one myself.

“More Mission Impossible? I thought we were done with those,” said no one really ever. Or at least said people who hadn’t been watching them. I will go on record and say the only one I didn’t get enjoyment out of was the second one, and that one has a lot of stranger things going on. I just didn’t see them until I was already an adult, so it took me awhile to appreciate them. Because lets face it, there isn’t another successful American action franchise that is going into this level of detail and craziness for its stunts. It wants Cruise to do most of the work.

He is never going to be the level of some of our older or past martial artist stars, with the long choreographed fight scenes, but its at least a step in the right direction. This film is still exciting, but overall, it feels uninspired. It just isn’t as good as the last two modern MI movies. The stunts aren’t as sexy, even if they have bigger overall stunts. It doesn’t fill me with as much awe, and the story line just gets excessive as it attempts to continually top itself. The ending also feels really clunky and I never really feel that sense of dread that it is going for. A good attempt at an action movie, I just expect a bit more now from the franchise.

The biggest stunts are helicopters? Eh, I’ve seen helicopters before.

I am a huge Ocean’s Trilogy fan, and a huge Steven Soderbergh fan, and so even if the director wasn’t really involved, I was hoping to love this one. Heck, the stars are there too, with a lot of big names.

I will say it feels gimmicky, and not equal, to just go the opposite direction and make it an all female cast. It doesn’t feel natural, just like an all male heist would be with the large numbers (which is why technically the two sequels had…one woman in on the heist). In the movie, it does seem to make a lot more sense, given just the nature of the crime and the talents they needed to pull it off, so that is the good news. The biggest issue overall is just that the movie feels forgettable when it finishes. No one person stands out in acting, and the various twists to show how it was pulled off are for the most part guessable, especially thanks to the title.

I still hope they can do more. Go for it. Just lets raise the stakes.

Yep, eight people, like most of the advertising, spoiling a twist.

Finally, a film people maybe thought initially was a joke. A high budgeted comedy (and slightly action?) movie, about people playing tag, that has gone on with very specific rules for decades, and one person who never, ever gets tagged. So many stars, so little time, and such a ridiculous concept (based loosely on a real story). I wanted to enjoy it and was intrigued by the trailer. But like a lot of modern comedies, I think it really just needs a group of people or slight inebriation to really fully enjoy.

I’d prefer a comedy I can find historical alone, and this is clearly one meant for you to enjoy with your own group of friends, which is fine, but limited. Again, with a large cast, no one really feels like a standout, and some people seem to be doing the same sorts of character they are always type casted into. The ending also went a really strange place. Unexpected, sure, but something that feels almost like a complete genre switch.

Mainstream movies may be a broad title, especially when you compare them to the other quick themes I put together, but hey, its my themes suck it. I originally would have done genre, but too many films are multi-genre that I didn’t want to deal with that hassle.

As of writing this introduction to The Star, there is only one mainstream / mainstream movie I have yet to see for the year, and at this point I can say that 2017 just overall sucked.

So many sequels of films that didn’t need them, offering nothing new. We have stories that are based on books and don’t rise up to their level. We have original works that don’t focus on the smaller elements. We have two fucking LEGO movies.

And then we have The Star. The cherry on top of the year. I haven’t released all the reviews I just mentioned, because at least one or two films were actually good, but I will let them happen eventually through the rest of this month and January. But it should be obvious I was not looking forward to The Star in any level.

No film has starred a donkey successfully since Shrek.

The film starts off at “9 months B.C” because they need to make it obvious. This angel talks to Mary (Gina Rodriguez) that God is about to give her that baby, and she is like yes!

Now, months later we can focus on the real hero, Bo (Steven Yeun)! Bo is a donkey, a mill donkey, who spends most of his day walking in a circle, moving the mill. Hard labor. He has big dreams though. He wants to get out of the mill and carry around important people, like royalty, like the horses. Oh yeah, that would be the life. Eventually he does get to break out and finds himself in the barn of Mary and Joseph (Zachary Levi). You see, they just got married, and Joseph is of course worried about her baby bump. But she says it is from God, and he prayed so it must be okay.

What is not okay is some animals have spread the story of the angel and the future king, which has gotten to the ears of the current King. The new King doesn’t like that and sends people out to look for and kill this dude. Also, they are having a Census, so everyone has to travel to Bethlehem, or else! I don’t know what the or else is, but no matter the condition they must go.

So Mary and Joseph are traveling when she is about to pop, with a Donkey and a bird (Keegan-Michael Key) and a lamb (Aidy Bryant), and along the way they get into many shenanigans.

Either way, this story is pretty common, so you know where we are going with it and the whole thing is basically spoiled.

There are so many goddamn people who they grabbed to get presumably tiny quick paychecks. Because the more famous people you cram into a film, the more people will come to see it. Just ask Movie 43. We have as animals or the occasional other human: Christopher Plummer, Ving Rhames, Gabriel Iglesias, Kelly Clarkson, Anthony Anderson, Patricia Heaton, Kris Kristofferson, Kristin Chenoweth, Mariah Carey, Oprah Winfrey, Tyler Perry, Tracy Morgan, Delilah (from the Radio), Joel McCrary, Phil Morris, and Joel Fuck The Poor Osteen.

Winfrey, Jordan, and Perry are camels. Seems…racist.

Just like I have mentioned in previous films about mythology, I don’t care if they change aspects from the original stories, because who cares, they are made up stories as well. I didn’t care with The Rock’s Hercules, I didn’t care with Percy Jackson, and I don’t care with the Star.

But if I was Christian, I would be insulted by this film. To take one of the hallmarks of your religion and turn it into a big awkward joke. To have Mary and Joseph worry so much about the donkey and bird hanging out with them, making light of some king dude, and basically implying everything worked out well due to some animals.

Shit, the manger scene before it was set up had the horses basically making meta jokes about how convient it was for there to be this space, this manger, and a big awkward shining light on it that had been bugging them for weeks.

However even worse, I am going to quote the end of the film. This is Oprah as a camel, talking about the ending (spoilers?). Seriously, real words here, it took me awhile to get it all down: “You know, I think people are gonna remember this night. What happened here around this manger will be celebrated for thousands of years. Families will come together and exchange presents and sing carols, all to remember the grace of this moment that we are witnessing right now.”

That isn’t even funny at this point, as they basically stare at the camera to update us on what sometimes happens around Christmas.

The plot is full of mostly filler material, a lot of non exciting chase scenes, a very gullible husband, a very confident wife, and a shit ton of actors earning some money. But hey, at least the colors of Mary/Joseph were attempted to be correct.

There isn’t much new to say about the Mission: Impossible series that I didn’t already say in my Ghost Protocol review weeks ago. I watched the other four movies in the series, some were good, some were bad. More importantly, the last one was good, so the series is on an upswing and I can be excited!

Tom Cruise puts out exciting movies. He can be a bit crazy, but by damn does the man know how to entertain an audience.

Part of me secretly hopes that this time, in Rogue Nation, the mission actually ends up being impossible and they lose. That would be a nice plot twist and a fantastic way to end the franchise. A bit of a downer, but man, what IDGAF attitude they would have!

Your mission should you choose to accept it: Die in the movie and NOT return for a sequel.

Remember the Syndicate? Of course you don’t! They were mentioned at the end of the last movie but vaguely and that they were bad people. Turns out they are very, very bad people. So bad that Ethan Hunt (Cruise) got captured by them relatively early on in the movie, with innocent people being killed. He doesn’t know a lot about them, they are a very secret organization, led by some guy (Sean Harris) that he of course knows next to nothing about.

All he knows is that he only is able to escape thanks to the help of a woman (Rebecca Ferguson). But just like previous films, due to all of the chaos of events going around the IMF, they officially get disbanded. The head of the CIA (Alec Baldwin) has brought all usable resources into his division, including Benji (Simon Pegg) and Brandt (Jeremy Renner). Luther (Ving Rhames) figured he’d rather retire than work for the CIA.

And now Ethan is on his own, being hunted by the CIA and the Syndicate, the latter of which no organization actually believes exists. A typical Tuesday for him I’d imagine.

Also featuring Jens Hultén as henchman who speaks and Saif Al-Warith as henchman who doesn’t speak, but has a nice beard.

If you look closely, you will notice reversed gender roles!

M:I 5, if I can call it that, was an action movie done right. We don’t have lamely on a mission killing an entire island worth of henchmen, or people running around just yelling shitty puns. No, the action scenes in this film have depth. It helps that a lot of the stunts are done by Cruise himself, which just adds to his action star credibility. The plane scene is the famous stunt scene, which is funny in context of the film based on how little it matters. The underwater scene was one of the best scenes, as well as the motorcycle/car chase.

For the plot, it has the normal twists and turns that the franchise tends to offer, but I think it falls apart a bit near the end. Things get almost too convoluted. Thankfully it doesn’t completely ruin the film which spends the rest of the time before it building up your good graces with cool scene after cool scene.

Ferguson plays the best Mission: Impossible lady star of the five films. She is a kick ass, bad ass woman, who has her own motives for doing everything. She isn’t just a lame plot device for Hunt, like a Bond girl.

Mission: Impossible – Rogue Nation is definitely one of the best action movies of the year at this point, and probably one of the better non Superhero action movies from the last few years. Go and see and be entertained.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

A lot of times when figuring out what a movie is about you can break down the words in the title to get a good clue.

For Echelon Conspiracy, there is two words. Conspiracy? Alright, government is probably involved, a cover up, crime and shit. Fun.

Echelon? Alright well fuck you too movie.

Even the main characters can’t figure out the Echelon part ahead of time.

Max Peterson (Shane West) works for a security company, specifically computer based technologies, and is overseas finishing installation to a system. When he checks into his hotel, he receives a package. Inside the package? A wicked cool new cell phone. Sweet. He assumes it is from the hotel, and receives a text telling him to stay an extra day, and why not, he does. Turns out his original flight home crashed. Whoops. That would have sucked, you know dying.

He is unable to tell where the cell phone comes from, but it keeps giving him good advice with texts. So why not follow him. Heck, it even takes him to a casino, tells him which machine to go to, and how far it is from a jackpot. And shit, he is right about that too. Takes his money to a black jack table, told to bet it all, black jack. Shit is crazy! Casino doesn’t like that. Head of security John Reed (Edward Burns) is trying to figure out whats up with his luck, notes his phone and they make him turn it off. But now he loves gambling and the money. He contacts a Russian cab driver Yuri Malanin (Sergey Gubanov) he had earlier, who sells accessories, to let him turn his texts into voice into an earpiece. Yay more cheating!

But once he gets a even bigger jackpot, security tries to throw him out when he is instead intercepted by Agent Dave Grant (Ving Rhames). Oh shit, the NSA? Apparently other people have received these messages/phones, all random people. First comes wealth, then random instructions, then death. Max is the only one they have found alive before that happens and want to find out where the texts are coming from.

Even the head of the NSA (Martin Sheen) gets involved. But shit really hits the fan when they find out it is coming from Echelon, a very smart computer device they have built, to protect America and what America stands for. But no one is using Echelon, which has access to all phones/emails/security cameras, to do this. Nope. The machine has become sentient, and is planning something potentially catastrophic.

Also, there is a random girl played by Tamara Feldman who doesn’t really add anything to the movie in my eyes.

Knock Knock! Who’s there? Holy fuck why are your eyes that big?!

I loved this movie. Well, the beginning. It was a lot more entertaining when it was secretive still. But after it turned into a sentient computer, and wondering what it wanted, there was still over half the movie to go. Hmm. Seems to lose its appeal at that point. Why not just stop doing what it says? Except for the fact that it will choose someone else, but still, calm down guys. If you know what is doing it, make it stop at the source, and you are good.

They just take forever to get to that conclusion, and try to throw a lot of ethical freedom stuff in the movie, that isn’t at all clever, and all kind of lame.

I am surprised it had a 0% on Rotten Tomatoes, but only like 12 people reviewed it. Not the normal (hundreds?) Not sure. Weird site.

Good beginning, bad everything else. For shame.

Despite its flaws, Piranha had its moments. One of those moments being a geologist who kicked some sort of ass.

But the end of it did leave us with a cliffhanger. Turns out that the big Piranha’s attacking the lake from way back when were actually babies. The adults were much bigger, (as we saw in the last scene a character getting killed by this many meter long fish). Alright, reason for sequel! Piranha 3DD, because of boob jokes.

That’s what you get for going to a water park and expecting to have a good time. Right in the face.

“Fuck your continuity”. That is what the makers of this film said. Despite the knowledge gained in the last film, the only Piranha in this film are the same size as the last film. And smaller, if they want to be. Whatever.

Maddy (Danielle Panabaker, yes from Sky High, because I apparently want to mention that movie as often as I can on this website) is a 49% owner of a water park, yay. The 51% belongs to her step dad, Chet (David Koechner), after her mom died. And well, he is turning the park into a joke of itself.

In its grand re opening, he is trying to sell sex. He fired all the former life guards, and replaced them with strippers (who are technically certified) just to look hot. Has deals to get more women to come to the park, and an adult only pool, where clothing is optional. Oh yeahhh.

Either way, turns out the Piranha’s that fucked the world up last Spring (and apparently no one has noticed moving) have migrated to the local lake, where the water park dumps its water out. According to the mad scientist (Christopher Lloyd) they may be getting confused and start to go through pipes and drains to more populated areas. Uh oh. Like the water park!?

Maddy tries to stop the opening of the park, just in case, but to no avail. And then Piranhas happen. Worst opening day ever. With the help of her best friend who is definitely not gay Barry (Matt Bush) she tries to save the day! Too bad he can’t swim. There is also asshole local cop Josh (Jean-Luc Bilodeau), best friend Shelby (Katrina Bowden) (who we will get to later…) and even David Hasselhoff, playing himself as a “lifeguard”.

Heck, even Ving Rhames returns to reprise his Oscar worth role as a deputy, now without legs after the tragic events of the first film.

There’s no way a Piranha would be in her bath tub. Right?
That’d just be silly. …Right?

Here are some spoilers. The movie ends by setting up for a third movie, like the last one. This time saying the Piranhas are evolving to maybe grow legs and grow on land. But like with this movie, I expect if there is a third, them to say “fuck you” and lie about that as well. (Despite showing one on land, like the big one last time. Bah). Also, I am disappointed with some deaths. The step dad was just stupid. Most of the others were expected. Hated the lake scene before hand too, just because the woman was just incredible dumb.

Speaking of incredible, how bout incredibly painful. The biggest WTF moment in the show happens when you realize that Katrina Bowden’s character has a Piranha inside of her (small one I guess) that chooses to not eat anything. Skinny dipping was the cause, and I will let you figure out what happened there. This doesn’t lead to anything until she has sex where…well you can figure it out.

There was some nice self parodying in there. Hasselhoff put it the best, when someone was yelling for him to help and he refused to leave his chair. Pretty much said he won’t help, they are in a dang pool, once everyone just leaves the pool they will be fine. Not his fault they are all morons. Well put Hasselhoff, clearly the best part of this movie.

The movie did had some nice moments going with it, but by ignoring the first one’s big discovery (seriously?), and other factors, it was just not as good as its predecessor. Also the credits were like 11 minutes long, with extended scenes, bloopers, and more Hasselhoff. Was bizarre.

Piranha! A movie in no way taking itself seriously, relying on CGI “3D” effects for a better experience, and a lot of naked womens. Okay, technically that could fall under a lot of different Horror movies, but this one still has a more obvious comedic element to it. In fact, the first scene involves Richard Dreyfuss being the first to die, which is an obvious shout out.

Obvious shout out, sure. But to what?!

Earthquake opens up a chasm to an underground lake that has been sealed off for thousands of years. What is in it? A larger more dangerous form of Piranha!

“Wait!” you say. “Sealed off for thousands of year? How could they survive!”. Apparently cannibalism. So they still have large numbers somehow despite that.

At the same time as this small earthquake, Spring Break is happening on the lake of this local sunny town. Ving Rhames is the Sheriff of the town, and he hates it, with his Lieutenant being Elisabeth Shue. Her son is local boy, Steven R. McQueen, who instead of watching his little siblings, accidentally gets a job showing a pornographer the cool hot spots of the lake. Jerry O’Connell is the drug and sex crazed filmmaker, and really shows that Jerry will do anything they ask of him.

Also involved? Jessica Szohr, his friend who is talked into coming along, and Kelly Brook, a way too hot porn actress. Anyone else in this movie? Of course!

Christopher Lloyd plays retired paleobiologist like dude, who recognizes the species that was thought to be extinct (somehow). Also, Adam Scott, a GEOLOGIST, who leads a team to check out the opening to the lake.

So, most of the film is a couple of random small deaths out of no where, and teases of deaths. Also, lots of hot college kids partying it up, and the “famous” underwater naked scene involving Kelly and random porn actress. That scene was /very/ long, and had opera music in the background. An example of mocking itself, I guess. But once they finally attack the boat / the spring breakers, it is just way way way too long.

Its weird enough to see the local cops firing their shot guns into the water to try and kill all the fish. But it just seemed like so many minutes of watching people, more or less, die the same way, in a gruesome light. The “dude trying to escape on a motor boat and run over people along the way” scene was also horrid. Ving Rhames deserved his Oscar for what he did in the movie though. It made the most sense out of all the cop actions (didn’t make sense. Just made the most sense.)

Only a bad ass geologist would think to jump on a jet ski to drive around and shoot fish in the ocean.

I was going to give it a 2/4 just because of including a Geologist hero, and so I did it anyways. I almost made it lower because of a silly grudge, but fixed that. Just now. There is a planned sequel, Piranha 3DD (get it?), and it is starring that plant chick from Sky High, and a water park.