Tag: Thriller

Miraculously, Arbitrage is a movie that came to the theaters that I had the pleasure of never hearing about before.

Seriously. It was just a giant surprise. “What the fuck is Arbitrage?” I thought to myself, and probably what you are thinking as well. Needless to say, I was stoked. It has been a long time since I’ve seen a movie I didn’t hear about before or see a preview for. Like I used to. Damn movie theaters, always spoiling shit.

Thank you cheap theater. Thank you for giving me another one of these.

Can he play anything but a rich guy now? He looks like he has money falling out of his eyes.

Robert Miller (Richard Gere) is your standard big money man on wallstreet. He is old, white, and Republican. I assume the last part. Either way, he runs an investment company, because that just is money on money. But for some reason he wants to sell. His daughter, Brooke (Brit Marling) is a high up person as well, and she doesn’t know why he wants to sell. They are so successful!

Or are they? If they were lying about their profit margins, and actually losing money, selling would probably be a good idea. Get paid, run off, fuck the new guy. Why not?

Speaking of fucking, of course Robert is seeing someone on the side. I mean, his wife (Susan Sarandon) is old. She isn’t Julie (Laetitia Casta), a 20 something model artist.

Bow chicka. So much bow chicka, that they even go on a midnight ride in the country. Fuck responsibilities, time to live it up! Unless you get tired, and crash the car, and kill your girlfriend in the process.

Err, uhh. Well. Whoops. Time to call the only black person you know (Nate Parker), get a ride, and hide it all from the cops (Tim Roth). You know, who know you have hired her as an artist and probably having an affair.

Trying to sell your company under illegal pretenses while being investigated for a murder probably won’t lead to happy times.

Oh hey there Tim. Long time no see. Just been hanging out? Keeping to yourself mostly? Wait. You’re not still upset about Lie To Me, are you Tim? Oh come on, you know it went on too long and peaked with season 1. Damn it Tim, come back here. Act in more things! Tim! Tim stop walking away!

Murder! Money! Lies! Sex!

Sounds very HBO show like. This movie, obviously rated R (for language, mostly) gives you all that and more. Eventually. But at the start, it moves pretty darn slow.

Not only that, but it moves in the slow, obviously hiding stuff now hurry and get to the point, way.

Some of the acting was decent, and I liked the few twists that happened, but the final one seemed a bit ridiculous. Kind of ruined the ending for me.

Arbitrage (which I will now pronounce Arbit-RAGEEE) gave me a lot of things I might not have seen before, but overall, it was just another okay movie.

With The Raven we have a movie based on Poe’s works! Hooray! But not just his stories. This is actually a tale set in the “Real world” where someone is off murdering all these people based on the works of Poe. Even better.

I’ve seen weirder concepts for a killer to copycat. I am hoping one day there is a movie about a serial killer basing his kills off of classic Simpsons episodes. But then something else happened. Turns out this is a fictional account of the last few days of Edgar Allen Poe’s life. No one knows about what happened to him before his death, kind of just found him all drunk and dead. So why not have the actual Poe help solve a case about murders based on his book? Ehh, that’s not weird at all.

I hate how much I still think he looks like Matt Macfadyen. Mostly because its all in my head?

Alrighty then. Poe (John Cusack) likes to drink. No one cares about his work, and he is poor. Life is hard, and having a hard life leads to great stories apparently. Some people recognize his work, but I guess at this time, most people don’t care. We all know an artist becomes much more famous once they are dead!

But as you know, some murders go down. Apparently the crime scene looks like The Murders in the Rue Morgue, a story of Poes! Detective Fields (Luke Evans) realizes this and naturally questions Poe. He is all, what in the fucks, and appalled. So he gets brought in to help solve the case! This is good, because he is into the Emily (Alice Eve), but her father (Brendan Gleeson), captain of the force isn’t okay with that. Well, maybe helping out can get him on the good side!

But yeah, he doesn’t really help too much. Stuff keeps happening, based on the Pit and the Pendulum, The Tell-Tale Heart, and more stories I have never heard of. But will the pursuit of the truth in this case be the death of Poe?

Well, yes. That isn’t a spoiler. We know he is dead by the end mysteriously. Hopefully he at least gets an answer though.

I watched this movie and still have no real idea what is up with this scene.

Blah. I either had a weird taste in my mouth the whole time I watched this movie, or I just found the movie itself unappealing. I guess I was a bit turned off knowing that Poe was actually in the movie, rather than just a serial killer imitating Poe’s works later. Which yes, is my fault. But still. Definitely was put off, making it feel like they are cheapening the real tragedy that was Poe’s final days.

It might not help that I didn’t get most of the literary references. I think I have read three whole Poe stories in my life. I probably know more, from TV show allusions or whatever, I just couldn’t name them off the top of my head. But overall I thought the movie was a bit boring, and possibly a rushed piece of work that was trying to cash in…something. I don’t know. Not like there has been any other Poe show/movies that have come out recently. Kind of on its own.

Oh well, I got nothing.

It has been a few years since we have had a stop motion scary movie, the last of which was three years ago in Coraline. But this year we have two! ParaNorman, made by some relatively unheard of directors, and Frankenweenie, a remake of a 1984 short film by Tim Burton, king of the slightly creepy.

Yep, ParaNorman is the underdog in this fight but hey, it is at least in color!

All white people, but color nonetheless.

Norman (Kodi Smit-McPhee) can see dead people. Ghosts at least, who are stuck on earth because their time and tasks have not been completed and cannot move on. So you’d think Norman would go around helping all the ghosts move on, but instead he just befriends them and acts like its not his problem. That isn’t the movie plot, they never even bring up Norman helping the ghosts, he is just a dick kid who never thinks to help out his ghost friends. Just an observation!

He doesn’t keep the ghosts a secret either, so everyone thinks he is a freak. His parents don’t know what to do (Jeff Garlin, Leslie Mann) and his sister (Anna Kendrick) thinks he is a loser. Outside of the ghosts, so far just a normal sounding life. His only friend is a guy named Neil (Tucker Albrizzi), who has no friends because he is fat. True story.

In this town, their claim to fame is that they once burned a witch. But before the witch was burnt, she hexxed her seven accusers into a zombie fate once they die, meaning that  she is actually a witch and really they did nothing wrong. You can’t just let witches free and running amuck! Years later, the curse still has not occurred because of people like crazy uncle Penderghast (John Goodman) who delay the curse. But once he kicks the bucket, it is up to Norman to make sure the zombies don’t rise up and take over, with the help of Neil, Neil’s older brother (Casey Affleck), his sister, and the local bully (Christopher Mintz-Plasse).

SO MANY ZOMBIES. SEVEN OF THEM. AHH.

Personally, I found the movie to be a bit boring. It is hard to classify just what kind of movie this was, and for who it was meant to be enjoyed by. Most of the good jokes were given away in the trailer and I didn’t understand how this town even felt threatened. I mean, seven zombies? That is a very specific finite number of zombies, in the modern age, a town should be able to handle them. There is a scene where the towns people try to destroy them and end up killing exactly zero. Despite multiple guns, they actually just end up beating them up with umbrellas and clubs and let them get away. Well then.

I could talk a lot about the actual movie, but this one has controversy which is more exciting.

Controversy? In a kids movie? Yes! At the end of the movie, one of the main characters turns out to be gay. It was just meant to be a minor joke, but it has caused a lot of parents to freak out. I won’t get into how ridiculous this controversy even is, leaving that up to you.

Overall, I can’t see why this film has received such high praise. I just felt the stop motion wasn’t the best and that most of the jokes fell flat. Feel free to see it as soon as you can and prove me wrong or tell me what I missed, because I am willing to listen. I do understand that the moral of the film wasn’t just destroy the witch/zombies, but that wasn’t enough for me to care.

Ben Affleck. Have you heard of him? He started as an up an coming actor in the 1990s, even won an academy award for writing, but then made a series of bad choices. He followed the Paycheck, got it on with J.Lo and became an easy laughing stock of Hollywood. Basically, he became synonymous with Canada jokes. Something that is joked about to seem cool, basically.

But then something happened. He directed a movie. Gone Baby Gone and The Town were both considered great hits. Now we haveArgo, and if it is any good, it could potentially cement himself as a great director (generally you need at least 3 good movies, in a row preferably).

And if it isn’t good, well then, Argo fuck yourself.

Back in the 1960s, Iran was fucked up. The film does a great explanation to catch you up to the events at hand though. Basically, the USA helped make a military coop, put a leader in charge who was horrible but loyal to the US. Eventually Iran gt their country back and the leader was brought back to US for protection, and was dying of cancer. Iran protested under their new leader, demanding the old one be brought back to be tried for his actions, but the US refused. They rioted at the US Embassy, eventually broke in and took everyone captive. Everyone, but six individuals who were able to escape (Tate Donovan, Scoot McNairy, Rory Cochrane, Kerry Bishe, Clea DuVall, Christopher Denham).

They find themselves in the house of the Canadian Ambassador, Ken Taylor (Victor Garber), and become stowaways. Unfortunately for them, the fact that they escaped puts them in more danger than those who were captured! The whole world is looking at those captured hostages, so Iran knows they cant have them killed. But people who escaped and have been hiding out? They are clearly spies and can be killed. Well, shit.

Two months later, enter the CIA. They are brought in to help extract the individuals from Iran, lead by their best man, Tony Mendez (Affleck). Unfortunately, their best idea is a long shot. He will head to Iran, pretending to be part of a Canadian film crew looking to shoot a new sci-fi movie, called Argo, there. He will teach the captives their roles and they will just leave hopefully. But first they have to make it seem real. With the help of some Hollywood big wigs (John Goodman, Alan Arkin) and the head of the CIA (Bryan Cranston) they attempt a rescue that basically seems like a suicide mission.

Tip 2 on how to be Canadian: Apologize always and often.

One thing people ask me a lot if what is my favorite movie, and every time I say Chasing Amy. Clearly I am a fan of Affleck as an actor usually, I just think he made some bad decisions in his life (the first half decade of 2000, specifically). Most people would agree that he was the bomb in Phantoms as well.

Thankfully, Affleck lived up to his hype and both directed an amazing movie, while also acting the shit out of it. First off, the way the movie set up and explained all the history before the hostage situation was really good. I was worried never hearing of the Canadian Caper before would lessen the movie for me, but they quickly set it up while also making it easy to understand. The entire film puts you into the late 1970s, everything from the looks of the actors, to the language just seems to fit.

Sure, it is true the Canadian involvement is incredible downplayed, but movies aren’t meant to be historically accurate, just entertaining. Historically accurate movies tend to be documentaries.

I think I would call Argo one of my favorite movies of 2012, which is an amazing accomplishment with all of the big movies that have already been released this year.

End of Watch (I hate that there is no ‘the’ there) is another of those movies that I felt bombarded by trailers for. Unfortunately they only made a single trailer for this movie, so I saw the same two minutes over and over again. But from that trailer, I was definitely curious about this movie. Filming style was different, might have been a buddy cop movie, but at the time with very serious overtones. I do love genre bending movies!

Oh man, look how happy they are! If only they knew…

Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) are partners working the hard streets of South Central LA. They are great at their job, if not a bit reckless. Brian is slowly taking classes, working on a Pre-law degree, with high aspirations. Mike is happily married (Natalie Martinez) with a child on the way.  The beginning of the film opens with a chase scene and subsequent shootout, causing the two to be suspended for a month while they make sure it was a legitimate shooting.

But no worries! They make sure they follow the book, mostly. Brian is also taking an ‘art’ class, where he has to make a movie so he decides to document his life. Why not? Cops are exciting! So he has his normal hand held camera, and some ‘spy cameras’ on their shirts, along with other footage from police scanners to make up the majority of the film.

They are like most stereotypical cop units, there is a hardass equal who always gives them crap (David Harbour), a lieutenant who only cares about results (Frank Grillo), and some other friendly cops who actually appreciate what they do (America Ferrera, Cody Horn). Heck, even Brian has started to see someone, a smart girl who is more than just a booty call (Anna Kendrick).

But when the two start an investigation on a Hispanic gang shooting, they soon find themselves deeper and deeper in the dealings with the drug cartel, who have expanded their operations out of Mexico.  Discovering mass murders, cocaine, golden guns, cash, and human trafficking have put them as the number 1 priority for the cartel to deal with. What they just assumed was a normal shift will turn into a fight for survival to just make it to the end of (the) watch.

Yes, the same Cody Horn who helped ruin Magic Mike is a cop in this. Same disgruntled face.

I know my description of the plot made it seem like a pretty serious action movie, but surprisingly I would instead describe it as a “Comedy Drama Action Thriller” film. It is seriously all of the above. I laughed, quite often, I cried once, there was the obvious action, and I felt scared more than once.

The film isn’t a typical ‘found footage’ film. I believe the director originally wanted the whole thing to be in police camera / hidden camera footage, but there is plenty of actual camera work thrown in as well. So that means we have a movie that fits multiple genres, and doesn’t even keep its camera use constant, but yet it works really really well.

Frankly I thought the movie would be stupid, but I ended up loving every minute of it. Gyllenhaal and Peña had excellent chemistry together, and it shows that they spent months shadowing LA cops and hanging out for inspiration.  My only suggestion for watching this movie is to be prepared to have scenes change suddenly. It may go from hilarious banter to scary cop moments in an instant. This form of ‘genre shock’ is pretty rare, and now something I hope to see more often in movies after this. End of Watch is a definite must see.

A couple years ago, I saw a trailer for Donkey Punch and laughed. “Ha ha! Fake trailers can be great!”. No one would actually make a movie called Donkey Punch and be about what Donkey Punches are about. That’d be silly.

But then we remember the British are a rather silly group of people. When I saw the trailer, two years ago, I realized the movie was actually real, and from two years prior. Holy shit. Why?! Well, why not I think was the response. Which I can totally agree with.

Ah, such a happy group of people. No idea the sexy bad time they will have.

Three girls are having a fun vacation out in Spain.

Lisa (Sian Breckin), Tammi (Nichola Burley), and Kim (Jaime Winstone). Party party party, they end up meeting a few guys who invite them on the boat to party more. Reluctantly, they decide to go. What could go wrong?

Sean (Robert Boulter), Marcus (Jay Taylor), Bluey (Tom Burke), and Josh (Julian Morris) are the guys.

Needless to say, drugs and alcohol happen a bit. And then some sexy time. Not everyone. But there is a lot of sex going on. Bluey is with Lisa, and notices Josh being a creeper, so gets him to film that stuff. Oh yeah, hot. Then he lets Josh have a go. Then they do anal. Then, based on a conversation earlier, and from peer pressure, Josh decides to Donkey Punch her. Accidentally breaking her neck and killing her on the spot.

Da fuq?

The rest of the movie is complete freak out mode. They have on tape a technical murder, and egging on, and a dead body. The women are freaking out, they want to go back to shore for the cops, guys not having any of it, want to dump the body. So then some more people die and maybe just maybe someone will escape the current death boat and make it out alive.

Improvise an escape, using your only means of escape!

What?? You don’t know what a Donkey Punch is? That is definitely an act during doggy style, where the male, generally near orgasm, will punch the woman in the back of the head. The more you know. And yes, the British made a thriller movie off of that act, not just a made up Urban Dictionary term.

This movie could have been a lot of crazy fun, unfortunately the characters ruin it. They are all dumb. The easiest solution would be for the girls to agree with the guys and then, you know, go to the cops. Bad survival instinct. The standard “Oh cells dont work out here!” problem, and other silly issues.

The movie also was super slow. You’d think it’d be full of action and freaking out, but really it lacked a lot of it. Was also a bit confusing when I assumed a guy got stabbed in the heart was dead, but nope. Survived most of the film, with a damn knife in him. Fucked up.

I think of ways to fix the film, and they need the guys to have a bit more distinct personalities and looks, so I don’t get confused at who is the puncher, who is the asshole, who is the taper, etc. And you know, just smarter characters. But maybe the drugs and alcohol made them dumb? I dunno. Don’t drink and go on boats, or else you may be donkey punched.

I love it. This is another example of one of those “Hey look, I know some actors in this. Let’s watch it”.

I mean, Peacock? That is vague, so who knows. But this movie went places. Scary and odd places.

But not bird places. Just the film takes place in (fictional?) Peacock, Nebraska.

Definitely nothing sketch going on with this group of characters.

John Skillpa (Cillian Murphy) is just your average bank worker. Goes to his job, rides a bike, goes home. Has his breakfast prepared for by Emma, who also does all the chores and the shopping. Very mysterious family, more or less.

Mostly because John is Emma. He has multiple personality disorder, and potentially came about through some childhood trauma (from an abusive mom), and can’t actually “control” his Emma side. But she only does those three things, so not that bad. But while coming back from a shopping trip, a train caboose derails and comes crashing into their backyard and almost hits Emma who faints. What in the what, train!? She kind of faints and wakes up to a big crowd. Not what she needs and rushes in side and goes John.

Fuck, fuck, fuck. All these people! In his yard! This is bad. He knows about Emma, and he can’t have them knowing his secret. This is a small town in the south, damn it! Turns out it takes a while to get a train piece that crashed into the ground to go away. Especially when they want to make a political spectacle of it.

Susan Sarandon is the mayor’s wife, who also runs a women’s shelter; Ellen Page is a single young mother, who knows some information about John’s past; Josh Lucas is a local cop and friend of John; and Bill Pullman plays the bank boss. Will all this unwanted attention utterly destroy John? Or will his Emma ever leave?

Who would have thought they were the same person? They look…okay they look alike.

Needless to say, this film was very different from the start. There was always an eerie overtone thoughout, and although it was about a disorder, you knew there was a lot more up that the movie was choosing to not tell you right away. And it was creepy. Not that people who dress up in drag are creepy, but doing so against their will, from their own mind? Makes it a bit unsettling.

The film had a decent plot, but I felt it moved a bit too slowly at points. Also, Cillian when he was John after the first five minutes I didn’t like. This was post train scene, so he was shaking a lot, and scared of the attention, but it all felt like too much. His character barely was able to speak at times, and it was just weird. Him as Emma? Down right creepy, based off how little she talked in general.

Some of the plot points came off a bit confusing too, but they weren’t that big of a deal. Just enjoy the creepiness, and then never again.

Ominous cloud. Confused people. Dead body.

These are the things on the cover of Don McKay. Despite all of that, it doesn’t show much excitement, but more sadness. And mystery. But since I never heard of it, and I got the Blu-Ray for only $1…

Well you know the rest.

He just got a letter, I wonder who it’s from?!

Don McKay (Thomas Haden Church) is a janitor at a school, and a long way from his home. Twenty five years since he moved away, and he gets a letter from the woman he used to love, Sonny (Elisabeth Shue). He left town because he was a suspect in an unsolved murder, but no real evidence. Creepy. Either way, she says she is dying and loves him, and wants to die with him by her side. Okay, that is creepy too.

He meets her care taker, Marie (Melissa Leo), and her doctor Lance (James Rebhorn). After he gets some sex, and the ladies are out, he is attacked by Lance for an unknown reason, and a struggle for his life, and Don ends up killing Lance with a broken glass bottle. What in the what?

Don quickly tries to hide the body in the nearby wooded area, freaking out. He gets stung by a bee also, which he is allergic too, and passes out, waking up in the hospital. No one seems to know about the body yet! And Sonny wants to propose. Interesting.

Needless to say he realizes something fishy is going on. He tries to contact his old friend Otis (Keith David) who doesn’t like knowing that he was contacted just to help hide a body. Also Pruitt Taylor Vince is in this movie as well, but his role is more of a plot spoiler.

Why is everyone in this movie so weird? Why are they so vague with Sonny’s disease?

Angst face is full of angst.

Man, this movie. Man.

While potentially having an amazing plot, and almost going to amazing “Oh shit! Didn’t see that coming!” moments, the things that ruined it was the slowness, the lame acting, and the boringness. Reason 3 probably relates to Reason 1 there.

But holy crap, does this movie move slow. Not only that, but Don’s face seems to look like that the whole entire movie. Solemn and grumpy, and almost lost. The whole damn time. I think the best performance is from Melissa Leo, but still didn’t find it too great. I found it hard to care about the characters who looked and acted so uninteresting to me.

There are like, three plot twists in this movie roughly, the third being especially creepy and unexpected. But twists or not, it could not save me from the dullness I felt from this film.

Gone is pretty much like Taken.

You know, if the main character is a young adult women, not an older man.

And if the younger sister is taken, not the daughter.

And if the main character has no training in any government field.

And if it takes place in a small town not half of France.

And — okay, not much like Taken.

Next thing you know I will be comparing everything to Top Gun.

Amanda Seyfried is just a girl. She works the night shift at a local diner, and lives at home with her younger sister, Emily Wickershaw. Possible drug use is happening. And vague references to a park. But why? Well, two years ago Seyfried was abducted from her house, and allegedly thrown in a hole in the middle of the forest. She wasn’t alone, bu there was bones too. She was trapped all day, but at night, heard a voice saying that it was time to die, and managed to escape when the mysterious man got her out of the hole. Since then she has lived her life in fear.

Unfortunately the local police don’t believe her story. Couldn’t find the hole, no signs of any abuse, and other complications. She was even put into a mental hospital for the story (severe!). But she lives with the sister now, and after getting home in the morning (and after some weird encounters with her coworker, Jennifer Carpenter) she finds her sister…missing! Based on very little evidence, she knows for a fact that the abductor has come back and meant to get her, but instead found just her sister.

Of course none of the detectives (Daniel Sunjata and Katherine Moenning) really believe her, but the new guy, Sebastian Stan kind is willing to believe her. Even though she has only been gone for hours, not really a missing person case. But Seyfried is freaking out, knowing that the killer “kills at night (from her one time being there)” and that she is running out of time!

So using what little she is given, she follows clues, and talks to many people who seem to remember an awful lot about their previous day, hoping to catch the killer in time. Wes Bentley also plays Emily’s boyfriend. Tons of other guy actors I know in this film, but you know, don’t want to give away which ones are important and which ones are not.

But will these strangely placed convenient clues and people who know way too much information, will they lead her to the killer? Or will she run into a trap? Or is she just making it all up again?

Or will her life revolve around a series of flashbacks that could be fake? Fakebacks.

For a film I didn’t even hear about until I saw it for sale (when I was going to pick up my copy of Goon), I was surprised that I liked it that much. Honestly, I assumed the only reason it was even supposed to be a big movie was because of Amanda Seyfried. I couldn’t recognize any of the actors on it besides her (and until I watched it, when I obviously knew Jennifer Carpenter).

But I thought it was nicely done. Seyfried’s acting was great, and had to carry the film. Lots of red herrings. Believable enough plot, but very believable ending. The police chase throughout the film wasn’t as believable. Tons of bumbling idiot cops I guess. And it also didn’t feature tons of shots of Seyfried kicking ass or anything. Mostly running away, and being sneaky.

I’d definitely say its worth a watch.

Man On A Ledge, a very descriptive title for a mysterious movie. I was confused when I saw the TV spots for this movie at first, the commercials definitely made it look like it was a TV show. But there was no way an entire show can be based on a guy maybe going to jump off of a building.

Unless it was on AMC, but then those 8 episodes would probably be the most amazing episodes of TV of all time.

But nope, it was a movie. But what the heck was it about? Very sketch previews. I did want to see it in theaters, but alas, no friends to go with. I was hoping it would be another movie like Phone Booth (which I love). But it is in fact, way different.

For instance, phone booths are 9 times out of 10 a safer place to be than a ledge.

The only stuff I will say in this will be known from the first thirty minutes. I mean, you have to get some plot as to why he is on the ledge. If not, you wouldn’t read this part at all!

Nick Cassidy (Sam Worthington) used to be a cop, but got sentenced to jail for a felony. At the funeral of his dad, he found an opportunity to escape, and oh boy did he. He claims he was set up, where he allegedly stole very valuable diamonds from a local real estate / diamond guy (Ed Harris). Even his former partner (Anthony Mackie), despite his claim to innocence.

What does he do with his new found freedom? He makes a fake identity, gets a nice room and goes to stand on the ledge in the middle of NYC. Wooo, a jumper!

He refuses to talk to the original hostage negotiator (Edward Burns) but demands instead Lydia Mercer (Elizabeth Banks), someone who ended up getting a cop killed a month earlier, and the current red headed step child of the police department. Maybe he is just stalling though. He is after all talking secretly in a hands free device to his brother (Jamie Bell) and his brother’s girlfriend (Genesis Rodriguez), who are across the street trying to break into a jewelry vault.

Wait what?!

A lot of the film takes place here though.

Thankfully the film had a lot more going on in it than just a diamond heist. And he wasn’t on the ledge the whole time either. Thanks to things like flash backs, the heist itself, cops doing cop work, and leaving the edge within the last 20 minutes, it is more than a one note thing. It is obviously a metaphor and literal title, given he is on a ledge, and just means a man who has no place else he can go. Either prove his innocence (if he isn’t lying) or die trying. Animal in a corner, and other stuff like that.

It had an okay plot, and a decent heist, but was still probably a bit too long. A few of the potential “oh man, action!” parts are just him acting like he will jump, when we all know it won’t ever happen. Not that early, at least.