Tag: Megan Mullally

Sometimes you just stumble across a film and you are not sure how you found it. Maybe it was in the depths of Netflix. Maybe it was clicking the wrong button on a Redbox. Maybe it was a strange comment on an internet forum that made you just discover something odd about the world.

Or maybe you are just trolling through Nick Offerman´s IMDB page and see something called Infinity Baby and go “Ohhhhh, that sounds weird!” and just go and grab it to watch it without even wondering what it is about.

Who really can say though? When the whole thing is a mystery?

Oh yeah, the film is in black and white.

In this world, due to stem cell research something strange occurred. A miracle, maybe, but definitely something that no one intended. Certain babies were given a condition, a curse maybe. They would not age. They would stay in that infant, cry, poop, eat, sleep phase forever. Forever. So yes, similar to the plot point from The Boss Baby.

Why would they do this? Well it was an accident. And the government has determined to get these babies into homes. Other technologies have been developed, like special food pills for the babies. Things that put them to sleep most of the time, but still living entities. The amount of sleep and type of food they get means they only need a diaper change about once a week. The company Infinity Baby was set up to find these babies homes. I am unsure of if it is for life for them, or what, but an adult would get a large sum in the ten thousands to have them for three months. After three months, I dont know if they get more money or what.

Maybe those people who feel extra pampering would want this responsibility to be helpful. Who knows.

But Neo (Nick Offerman) is in charge of the organization. Ben (Kieran Culkin) is more of a hands on, day to day in charge of the operation, finding potential clients to take their babies. He has his own intimacy issues, and every time he feels his partner becomes too attached, he will take them to his mom´s house (Megan Mullally) and she will disapprove of them so that he can dump them.

And Malcolm (Martin Starr) and Larry (Kevin Corrigan) are two men on the ground, who actually have to go and deliver the babies to the clients. Their issue is a client has changed their mind last minute, so they decide to just adopt the baby together for that sweet cash.

Also starring Trieste Kelly Dunn, Stephen Root, and Noël Wells.

Would it be a big troll to say a movie is black and white, but really just one scene is, and you took the images from the same scene to trick people?

I hated Infinity Baby way more than I imagined. It is just a small indie movie with a lot of recognizable people, but the plot doesn’t go a lot of places and it presents an unnerving concept.

As a father, the idea of baby never getting past that infant early born stage is pretty damn sickening. I didn’t think that before I watched the movie, but during it. It makes me so sad and upset to even acknowledge that idea. Especially when I found out in this movie they use pills to make them mostly asleep and their lives basically meaningless. This sounds like a horrible fate to anyone.

Sure, some of the aspects are dealt with in the film. But half of the film is about Culkin’s characters inability to get a relationship. And I don’t know why that is attached to this film at all, besides a lazy parable about how other people can’t grow up either.

Maybe it was the black and white, maybe it was the plot that didn’t go many different places, or maybe, maybe, it is just the whole sadness for the babies things. But I would never want to see this movie again, nor would I really know a group who might enjoy it.

0 out of 4.

When you claim to watch bad movies so others don’t have to, you often get asked if you have seen certain bad movies. I would say the film I have been asked about the most by a landslide would be Cube. Because I like shit like that, and math. Didn’t see that coming did you? Well I’ve seen Cube now and the first sequel.

The movie most requested after that would easily be The Room, something I didn’t rush out to see. I saw the “best scenes” compilation on YouTube and just put that in a “one day” bucket. Then The Disaster Artist has to go and not only come out but receive awards nominations. shit. That meant I HAD to watch The Room finally. I couldn’t go in blind. What’s the point?

So I saw it still slightly reluctantly. Powered through. I get the appeal but I still won’t see it again. And hey now I can watch others talk about it!

Just not in the goddamn theater, that’d be rude.

Sometime in the late 1990’s, Greg Sestero (Dave Franco) was a struggling young adult. He thought about being a famous actor one day, and he was even taking acting lessons. He just wasn’t any good. At all. At. All. Nothing helped, he didn’t display any emotion, it was a lost cause. But in those same classes, he found a dark and mysterious man named Tommy Wiseau (James Franco). Now this is a man who knew how to channel his emotions and really bring that raw talent to the stage.

So Greg wanted to work with Tommy, and Tommy agreed. He was a bit weird, but he really brought it out of Greg and Greg started to feel confident. After years of friendship, they moved to LA, with Tommy financing everything, to become real actors. After it didn’t work out well, especially not for Tommy, Tommy started to write and figure out his own movie. This piece became The Room, a film that is iconic today, and the rest of this movie is how it was made, the trials they faced, and the hurdles that were overcome. Also how Greg began to move on by getting a girlfriend (Alison Brie) and trying to separate from the Tommy umbrella.

And only some talk about being a vampire.

Given the people who made this, it is no surprise how many famous actors are in this film: Seth Rogen, Paul Scheer, Zac Efron, Josh Hutcherson, Charlyne Yi, Bob Odenkirk, Hannibal Buress, Joe Mande, Nathan Fielder, Andrew Santino, Jason Mantzoukas, Megan Mullally, June Diane Raphael, Jackie Weaver and Ari Graynor. I could have also swore a minor character was Margot Robbie, but the credits won’t let me confirm that.

As we learned in The Room there is never a bad time for football.

I wonder how much your perceptions of this film changes based on your opinions of The Room. If you have seen The Room many times since it came out, were totally in that cult movie aspect, I think you will enjoy The Disaster Artist a whole lot more than someone new to the topic. Obviously this is a film where you sort of need to see The Room before seeing it to really get it at all, but there is a huge difference between me watching it a week before The Disaster Artist and years prior.

Because hey, The Disaster Artist is a pretty funny film. The Francos do a good job of setting the stage, building up the Wiseau mythos and so on. And sure, I can agree that James acted well, only because we obviously have a real person/character to compare him to. But if this was just a movie about a bad production, this is the type of thing that would be panned for unnecessarily ridiculous director guy.

So it is a very hard thing to judge. Was it actually well acted only because he acted like Wiseau accurately? Or does well acted need to be something more than accuracy to a subject? It is a hard subject to answer, and not one that I will go into real detail here. But it is something on my mind and something that certainly would tell me that it certainly shouldn’t be winning awards for its acting.

The Disaster Artist was a film that made me laugh and remind me of a shitty film at the same time. It is a very strange genre of movie, very meta, and it will gain its own cult status I am sure. Double features for the next 20 years! However, in reality, I really just want to read the book to get the full story and won’t bother too much with the film version many times in the future.

3 out of 4.

Happy Marcho-wene! For those who read this months from now, I quite lazily decided to finally review Hotel Transylvania 2 in March. Hell, it even came out to DVD in January. No excuse valid, not even a busy Oscar season.

I thought Hotel Transylvania was only okay and really wasn’t surprised it had had a sequel. The animation isn’t top tier, so it is probably relatively easy to throw together a movie. And you know everyone in the voice cast is available for work. They keep busy, but they keep busy together.

Except for one person. CeeLo Green! He voiced the mummy in the last movie, but this time he is nowhere to be found. Instead they got Keegan-Michael Key to voice the mummy, keeping their “token black role” to one I guess?

Oh, and now old people might be voicing characters!

Mavis (Selena Gomez) and Jonathan (Andy Samberg) are getting married! But that isn’t the important plot point. They invite all of the family over, on both sides, except for Mavis’ Grandpa (Mel Brooks). He apparently doesn’t like humans. That will come back later.

Then they have a kid. A little ginger kid (Asher Blinkoff), gross I know. Because he is a male, Dracula (Adam Sandler) assumes he has inherited the vampire DNA (because his genetics is weird) and can’t wait for him to go doing Monster stuff. But instead, he can’t fly, has no fangs, can’t turn into a bat, and does a lot of normal baby things. Mavis is now very protective of the baby, living in the harsh Hotel monster environment. Jonathan just wants her to trust a babysitter and let them spend some time alone together.

Now it is like, five years later and it is still the same. Mavis wants to move to California, where Jonathan comes from, to live a normal and safe life. So Jonathan agrees to take her on a trip, but he likes the hotel and likes working there. So Jonathan and Dracula agree to hatch a plan: While they are gone checking out Cali, Drac will take the kid and go on a fear-adventure with his friends (Kevin James, Steve Buscemi, David Spade, Keegan-Michael Key) to scare him into going full vampire. Jonathan will try and make her think California is terrible so she won’t want to leave. Can’t go wrong.

Also featuring the work of Rob Riggle (Which was great), Fran Drescher, Molly Shannon, Megan Mullally, Nick Offerman, and Dana Carvey.

Jonathan fucked up. How could you go back when you get rainbow teeth?!

Hotel Transylvania 2 doesn’t live up to its predecessor. It also doesn’t improve anything along the way, with the exact same quality of animation.

First of all, it takes a long time to really understand just what this movie is about. Sure, vaguely it is about the family the whole film, but that isn’t a plot, those are just characters. A good third of the movie happens at least before we find out that the plot is a dad and husband lying to their daughter/wife, on a very ridiculous idea.

Secondly, it is all over the place in terms of applying its own rules. Namely I want to talk about vampires. They early on make the joke about how vampires can’t have their reflection, commonly shown through mirrors, but also any other thing that would capture their image. So of course, the wedding photographs are a bit funny. But then they let the vampires use skype and appear on video cameras, like they are really anything different. And of course, if they were wondering if the boy had any vampire in him, all they had to do was take a picture of him and see what happened. Unless in this world the vampireness just can develop all at once, and literally zero traits show up before hand.

Finally, the ending is a complete disaster. It ends with a complete brawl, all of our main characters versus an army of other characters (I wouldn’t want to spoil it). But yeah, it basically ends the same way that Grown Ups 2 ends. The fight is unnecessary and a bit nonsensical. It is unnecessary because it is the type of thing that could have been prevented and stopped at any moment by one of the characters literally just saying something. The bad guys wouldn’t have a beef with most of the monsters either, so they’d have no reason to attack them. And it was nonsensical, given the extreme powers that apparently exist in tiny bat forms. They just wanted to end it on a silly note, and kids like brawls I guess. But it is a shit move.

There were the occasional funny jokes. But this film had no focus and had no great conclusion. Mavis should take the baby and leave her husband and family behind, I think.

1 out of 4.

When I heard they were making a movie version of Alexander and the Terrible, Horrible, No Good, Very Bad Day, I didn’t have a good or bad impression. I was more indifferent about how the quality might be. Instead, I was worried about typing out the title, or getting the adjectives all out of order accidentally.

These are the fears that I run into most often in my daily lives. And getting imprisoned incorrectly. Just those two things.

But hey, technically I have read this book before. Technically I own it. But I think, for the most part, I won’t let the book plot line bias my thoughts on the movie version. There should be differences. Should be TONS of differences. The book is just a kid, maybe 8, complaining about his day, then it getting better. I think. Sounds correct, but it has been awhile. Very simple plot. The only difference is, it looks like everyone in Alexander’s family is about to get royally fucked up by a day. So if anything more slapstick shenanigans than the book.

But maybe also a few more life lessons on how to not be an asshat?

Lesson #1: Do not drug the peter pan cast member into believing the kids in the play are actually teddy bears.

Alexander (Ed Oxenbould) is about to turn 12 years old. He has a lot of shitty days. He is generally grumpy and complains a lot too, so it is a wonder no one wants to be around him. To make matters more Terrible for Alexander, his family is perfect. His dad (Steve Carell) is an Astophysicist or something, PhD and all, but currently being a stay at home dad. His mom (Jennifer Garner) is heading out to be VP of her publishing company if this new baby book launch goes well. His brother (Dylan Minnette) is a popular junior in High School, dating a babe (Bella Thorne) and heading to prom! And his sister (Kerris Dorsey) is the lead in the Peter Pan play and just generally successful.

So Alexander is grumpy. He also found out some dick kid is throwing a birthday party the same night as his, but better with blackjack and hookers, so no one will show up to his. And there his family stands. Perfect and happy. So at midnight, he has a tiny cake with a candle and wishes his disease upon his blood.

Seemingly, the little twat has devil magic in him or something, because sure enough the family have a Horrible Day. Car problems. Oversleeping. Very Bad. Sickness. Typos. Animals. Flames. Babies. Destruction of property. No Good.

But Alexander doesn’t have a bad day. So I guess he has that going for him!

And of course there are other people! Donald Glover, Megan Mullally and Jennifer Coolidge!

What a smug as fuck look Alexander has, despite wishing he could be his brother.

OH NO THIS MOVIE DOESN’T FOLLOW THE BOOK DIRECTLY WHAT THE FUUCUCUUCCUCCKKKKK.

Just kidding. But on a related note, there was one big huge problem with this movie. Alexander. Not just the actor, who I could ignore for the most part. He was completely average, bland and annoying. Probably an actual 11/12 year old. The more annoying fact is that in this movie, he doens’t have the bad day. Just his family. Does this make the title wrong? No. But he should be having a shitty day too. Instead of having a shitty day, he becomes a weird silent observer throughout the day, every once in awhile giving a shocked face, while the rest of the movie deal with their problems and have zany adventures.

In this way, it feels like Alexander is the 5th or 6th most important person in a movie about him, allegedly. So the family? They are all pretty good. There are some good amusing parts, good clean fun for the family. Well thought out disasters for them to conquer. And Alex is a smug motherfucker just existing. Unfortunately, it ends with the birthday, which is a good experience for everyone, the bad day basically over. So it also ends with a lame feel good fest and kind of a boring note.

I am just saying. This movie already barely features Alexander. Might as well cut his role out entirely. Makes the title shorter too. Instead, we get to see a movie about rich as fuck people having a bad day. Which I am pretty sure is the plot line for lots of films anyways.

2 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.