Tag: Idris Elba

This is Disney doing a live action remake of one of their old animated films. Nothing new about that of course. The Jungle Book has already had a live action remake once (it’s bad), and it is based on an older story, so they wanted to get theirs out there quickly.

But did you know about the other Jungle Book movie, Jungle Book: Origins? The one directed by Andy Serkis to showcase new motion cap technology? I had thought that one was supposed to come out this year, to get all doppleganger film-y and all. But nope, its release date was October of 2017. And just because this one is getting such good ratings, they pushed it back to October of 2018.

Sucks for that Jungle Book. Especially since I am pretty sure it was announced first and it is already in post production now, we just have to wait 2.5 years.

Unless it gets pushed back again. Because this film, the Disney Jungle Book, already has announced a sequel. It is like Disney is just trying to screw over poor Andy.

[Editor’s note: Since writing this but before publishing, Serkis’ movie has now been renamed to just Jungle Book, probably increasing future confusion. But at least it won’t sound like a prequel anymore.]

Oh well Andy. Hakuna Matata or whatever it is that bears say.

Mowgli (Neel Sethi), the poor little man-cub, was abandoned in the Jungle when he was but a toddler. The noble Bagheera (Ben Kingsley), a black panther, discovered him and felt pity. Even though Man is a danger to the jungle, he was but just a cub and would die on his own and he needed a family of his own. So he brought Mowgli to the wolf pack. There he could learn to be a wolf and there would be a shit ton of wolves to help protect them.

The wolf pack leader, Akela (Giancarlo Esposito) agreed to take him in, but really he was raised by Raksha (Lupita Nyong’o) as one of her cubs.

But eventually the ferocious tiger Shere Khan (Idris Elba) finds out about Mowgli’s existence. He hates Man and knows what they can do, so he needs to be killed before he destroys them all. He threatens the wolf pack and eventually it is decided that Mowgli needs to be taken to the closest man village to protect him. So Bagheera agrees to take him there.

Of course that doesn’t work. A nice tiger attack separates the two of them, and Mowgli has to live on his own in the Jungle. Mowgli now has to survive on his own, when big ass boa constrictors (Scarlett Johansson) are trying to eat him, even more big ass Orangutans (Christopher Walken) are capturing him, and bears (Bill Murray) are trying to befriend him for food help. Oh that last one isn’t too bad.

Also Sam Raimi and Jon Favreau voice a couple animals, how neat.

Trusssssssssst meeeeeeee, it is very neeeeeeeeat.

The Jungle Book is another modern movie where literally every main character is voiced by a very famous person not known for their voice work. There are some cubs and minor animals with who the hell knows voice people, but for the most part we are squandered in celebrities. And not every celebrity with a unique voice makes them great at voice work. Robin Williams has an obvious voice, but each character was unique and special. Not every character felt unique and special.

Let’s start with the good voice actors. I really liked Elba, Nyong’o, Johansson and Kingsley. At least Johansson is known for one voice work (Her), but everyone else seemed to bring some passion and heart into their voice. I hated Kingsley’s Bagheera at first, but I grew into it and it felt natural. Elba was the real powerhouse here as Shere Khan and was a voice to be reckoned with.

On the other hand, Baloo the bear just sounded like a lazy Murray in a bear suit. And of course King Louie as Walken was just all over the place. It turned what should have been a scarier scene into a joke, because it is Walken’s voice and he didn’t change anything about it.

Speaking of voices, I was worried from the trailers that everyone would sound like they were just in a recording studio as they did their lines, but the post-production guys did a good job of making everything natural.

As for one final complaint about voices, this film suffers from animal talking inconsistencies. They are in a Jungle and everyone can talk and understand each other? Cool. It isn’t just Mammals either, because we have the snake joining in the fun. But you know who cannot talk? Elephants for some reason. They only make Elephant noises. Bees only buzz, and about 800 monkeys just squeak and shrill, despite the orangutan singing and yelling. This might seem like a minor complaint, but that is the sort of lack of forethought that just creates a technically confusing universe. Give me all, or give me none, but don’t give me arbitrary rules that make certain animals just into animals.

The visuals and animation for the animals were extremely top notch. Everything for the most part felt realistic, outside of one stampede scene, and I have no complaints from that. The jungle itself was also a diverse and beautiful setting and it made viewing the film a great experience.

And sure, I liked that they included a few of the original songs. They did feel out of place and didn’t sound as great as the cartoon, but still keeping them was a nice touch.

The Jungle Book is a great adaptation, but it could have been the BEST adaptation if they went for top tier talent and consistency.

3 out of 4.

2016 has a sizable collection of animated movies coming out this year. I’d list them, but that makes for a boring read.

A common theme I see is the classic “Animals doing human people things.” We technically had it with Kung Fu Panda 3, but it was at least set in the past. This year there are at least three major films with this theme in modern times. Zootopia, The Secret Life of Pets, and Sing. It seems excessive, so it probably is.

Needless to say, this made me worried for Zootopia. I had only seen the first teaser trailer, and a lot of posters. It looks un-original. It looked like last year’s The Good Dinosaur. Something they slapped together after a few years, but instead they are anticipating their other film to win awards. That one being Moana.

But then again, Walt Disney Studios hasn’t let me down since The Princess and the Frog. Clearly I should just shut up and watch the movie.

Obligatory Non-Animated Sloth Related Clip.

Despite most of the advertisements I have seen, our main character is not the fox, but actually a bunny! A female bunny, Judy Hopps (Ginnifer Goodwin), with big dreams and aspirations. She wants to leave her farm and small village and become a cop! She wants to work in Zootopia, the main mammalian metropolis where so many life forms come together to live and work together to build something great. Of course there has never been a bunny cop before and her parents (Bonnie Hunt, Don Lake) will miss her a lot, but she wants to help other animals!

You see, in this world, humans never happened, all the mammals evolved to be human-esque and resist those primal urges to kill or be killed. Somehow still, despite the hundreds of years, stereotypes still exist for predators and animals. Go figure.

Well she makes it, but Chief Bogo (Idris Elba, an Ox) doesn’t care and makes her a meter maid. After getting herself into trouble and being extremely pushy, she is eventually able to join the big case. Quite a few animals, all predators have gone missing and no one has any leads on any of them. So Judy has only 48 hours to try and find Emmett Otterton, or she will resign from the job. Sucks.

To help her, she blackmails a fox named Nick Wilde (Jason Bateman) to help her follow up on some leads. And of course, they become a completely opposite duo that is able to miraculously solve the case and do what no one imagined they could do.

And of course this is a big cast. So let’s not ruin it by talking about who does what and just give the list of names: J.K. Simmons, Jenny Slate, Kristen Bell, Raymond S. Persi, Maurice LaMarche, Nate Torrence, Tommy Chong, Octavia Spencer, Shakira, and of course Alan Tudyk,

And this guy is our new Olaf/Baymax/Horse from Tangled.

Somewhere, a little cartoon mouse with ears as as big as his head is slowly lighting a cigar, laughing to himself. Walt Disney Animation studios has been in the game for eons at this point and they know what they are doing. Sometimes their advertising may be suspect, but their current main line of films since the CGI era has not had a bust yet, and it was apparently wrong for me to think otherwise.

Zootopia for the most part was a very well done and enjoyable film. Scenes were incredibly detailed, especially during a night time rain storm in the jungle. There was incredible detail put into the streets of the main city and from what it looks like, they may have gotten an accurate scale of all the animals big and small. That is a huge undertaking in a film, instead of everyone just being of similar height ranges to human, a rhino or ox or giraffe appear much larger than our normal bunny point of view. In fact, I first thought something was wrong and things were being exaggerated by the animators because the reality is quite jarring.

Better yet, Judy Hopps is an awesome character. She is inspiring, she is funny, she does more than what anyone expects of her. And hey, Nick Wilde ends up being a complete character as well. A great dynamic duo, both with their own dreams and goals and neither being a cheap stereotype (although, yes, a lot of characters are cheap stereotypes).

Your mom’s a cheap stereotype.

And the movie is funny as well, it had jokes for everyone. Meta Disney jokes were there, especially when it came to Alan Tudyk’s character, movie/TV references (Breaking Bad!) and clever puns. I was almost dying during the Sloth scene, but apparently they turned 80% of that entire bit into a trailer. I’d suggest not watching that and letting it happen naturally during the movie.

It also happens to be about racism/prejudice or even a poor/rich sort of dynamic. It handles the topic with care and kids will be able to understand what is going on and the consequences of these sorts of actions.

Despite how much better it was than my imagination, it did still have some annoyances. The Gazelle played by Shakira, named Gazelle, felt incredibly cheap every time she was on screen or playing the new song just for this movie. More of a money grab than the Trolls from Frozen, but they were mostly just boring. The twists in the plot are relatively easy to catch far in advance. Not the minute small details, but figuring out who is behind the disappearing animals. A disappointing amount of time is spent pre-reveal, when an earlier reveal would have done wonders for building up the bad animal.

CGI movies take a long time to make and come out. But I don’t want to wait a long time to see more of these characters. They should turn this into a TV show, but not a cheaply done one. And fast. It easily works as a police procedural, and they’d have great content for years. Zootopia on its own is definitely recommended, and gives me a small amount of hope that maybe some of the other animated films this year won’t suck too much.

3 out of 4.

Oh no, they’ve gone and done it. Netflix has bought the movie, Beasts of No Nation, from the film festivals and decided to release it. Fuck the big studios. They want to get in on that game too. They paid 12 million to distribute the film, and since it is Netflix, most of you can see it. Hell, if you prefer films in theaters, you can go see it on the big screen instead. It has a limited release, because none of the big chains would show it. They demand at least 90 days before the film gets released online, or they won’t show it. Because theaters are dying and all that jazz.

But yeah! They wanted a good film to try and win awards to help legitimize their business. Making their own TV shows is cool and all, but releasing their own movies is another. Note, they did not make this film. They just paid to distribute it. The next film that Netflix will release at the same time as theaters is Crouching Tiger, Hidden Dragon: The Green Legend. So regardless of quality, BoNN is in some good company. Hopefully. I guess The Green Legend can also suck.

Needless to say, this film probably won’t win any Oscars. Those are run by the Academy, and so many of them are stuck in their ways, they are probably firmly against things like Netflix trying to join their game and hurt the money studios can make in theater ticket sales. Since ticket sales are the end all be all in movies making money, outside of the few that can go cult status and coast on DVD/Blu-Ray sales for decades.

There is a joke there, implying DVDs or Blu-Rays will still be a thing decades from now.

Maybe they will be things in other parts of the world. But I doubt they make much in the African DVD Sales Department.

Agu (Abraham Attah) is just your typical boy living in a typical civil war torn African country. This one is unnamed, because it is a fictional story, but hey, you can probably imagine it all. He likes to sing and dance with his friends. He hangs out on the streets, because the schools were closed due to wars. Oh well, at least the local police force from Nigeria is keeping things calm in their village.

You know, until it doesn’t. Next thing they know, danger is everywhere, and it is hard for them to get their loved ones to safety. Try as he might, Agu’s dad is only able to get his wife to safety as he is unable to find a car for his boys. And sure enough, when the “government army” comes rolling in, they assume the villagers are actually working with the rebels and get shot. But Agu was told one thing. To run into the bush and to survive.

And that is when Agu meets the Commandant (Idris Elba). Turns out he has his own army as part of the rebel force. He is always recruiting too, especially if they are younger. In fact, there are quite a large number of children in this army, so it is easier for Agu to really get involved when the officer directly above him is only a year older than him. And hey, if they are staying in line and being obedient, he should too. They have food, shelter, camaraderie. AND YOU KNOW WHAT ELSE? The government killed his family, damn it. Why shouldn’t he join the rebels? Where he is loved and can continue to be loved if he just, you knows, shoots the innocent villager or two.

Other main-ish child soldiers are played by Annointed Wesseh, Kurt Egyiawan, and Emmanuel Nii Adorn Quaye.

Look at me. Look at me. I am your daddy now.

Running at around 147 minutes, Beasts of No Nation is basically your typical war film. Those are always long fuckers.

However everything else about it is pretty different from your standard war drama. Usually in those films when they talk about people just being kids, it is due to the dead bodies of a village they find, or an eighteen year old recruit heading overseas to kill the bad guys. BoNN dealing with actual child soldiers reflecting an actual reality of some African countries adds a constant level of fright into the whole equation.

At the same time, because of this being in the news (hah, not TV news of course. But internet news and stuff) so much and for so long, it also feels like a lot of the surprise is and shock factor is already gone. Do you remember Kony 2012? I fucking do. I got caught up in the hype and ordered one of those paint the town red packages. A week later I realized that it was a terrible program and was able to fight tooth and nail to cancel it and get my money back. But still. That was a super big thing for like, a whole month almost.

I wish now more than anything that it could have never happened. Because once people realize that yes, it is shitty there, but three dudes form San Fransisco are not the best holders of our money to do it, people kind of got fed up with the child soldier thing and then promptly ignored the real problems that are still occuring. If that had never happened and then BoNN came out, it could lead to a lot better and positive PR in order to help stop the civil wars over there. Then again, blah blah, USA needs to stop interfering with countries trying to do their own thing because we cannot police the world.

What I am getting at is the situation is hard in real life for the rest of the world, and it is much harder for those living in those areas, which the movie does an incredible job of showcasing.

Attah and Elba do a good job at the helm of the film, and their relationship is convincing and a bit scary. Elba is such a smooth talker that I almost wanted to shoot some fictional villagers for him. But make no mistake, despite the bigger headline, this is Attah’s film and story and it is a great one. Due to the subject matter, it was a lot harder for me to find myself completely emotionally invested in the situation, and from some sudden changes in the plot’s direction, I did find it harder to understand just what was happening in the story. But on future re-watches* I’d probably be able to relate and understand it all a lot better.

* – Hah. I won’t rewatch this. War stories take too much out of me and time. Still haven’t seen Saving Private Ryan since I was like 10.

3 out of 4.

No Good Deed is my first negative experience with a company screwing over a critic. Well, first and only.

Days before No Good Deed was set to come out, all screenings around the US were canceled. Press, public, and otherwise. Why? Well, this is the message that came with it:

Screen Gems has decided to cancel the advance screenings of NO GOOD DEED. There is a plot twist in the film that they do not want to reveal as it will affect the audiences’ experience when they see the film in theaters. Screen Gems apologizes for any inconvenience.

Yep, that says a lot there. Namely that hey, there is a big plot twist. Thanks for that, assholes. And since when have movies with plot twists been spoiled ahead of time by reviewers? I am sure it happens, but is it a big deal? Not at all. Most people don’t actively look for the twists, most people ignore it.

This was when I was still seeing everything I could in theaters, but I figured because of their shenanigans, I knew I’d wait til I could rent it for next to nothing and not reward them for this crap.

And I was excited to see it too. It hurt me, when the film left me. It hurt deep down.

It felt like a rain cloud was following me around for weeks.

Colin (Idris Elba) is a bad guy, maybe a sociopath. He was in prison for five years and up for parole. They got him for a manslaughter charge, but his crimes have also been linked to more than one missing woman. They just couldn’t prove anything. So just a manslaughter charge. Families are mad that he is up for parole. Well, obviously, he doesn’t get it, no matter how reformed he looks.

Well, he says screw that, and escapes from the transport anyways. What a bunch of dicks, not letting his reformed ass out of jail. So he goes to his old lover’s house (Kate del Castillo), finds out she has been cheating, and you know, kills her. She wasn’t faithful to him!

While driving away, he gets into an accident, and walks to a nearby house. Pouring rain, late at night, pretty bad times. Terry (Taraji P. Henson) is home alone with her baby and little girl. Her husband (Henry Simmons) is away on a golf trip with his dad for his dad’s birthday. So after a bit of help, she trusts him enough to let him in, dry off and wait for the tow truck. Things get even more interesting when her BFF (Leslie Bibb) shows up for their girl’s night.

But clearly Colin is messed up in the head. And Terry is for the most part alone with someone she doesn’t realize is dangerous. Is she going to get punished for helping a stranger? For doing a GOOD DEED?

Hot dogs and mac and cheese? What is she, six?
Oh. Yeah, she does look six. Carry on.

Something something plot twist. That was IT? That was the big moment? I am going to talk about the plot twist so hard, without spoiling it, because that is what they didn’t want me to do. Sure, I am pretending I am a big shot movie critic who has some clout, not just a dude with a website, but shush. It happened, it didn’t make the movie better, it just attempted to add some sense to everything.

It was more or less a plot point, not a plot twist. Twist implies some sort of change, whether it be in direction or maybe just a loop di loop. So the twist is terrible, which doesn’t help the movie.

The movie itself has very little character development. I thought I would get a shit ton out of something that Elba agreed to be in, but he is as cardboard-y as the rest of the cast. I think the movie moved too slow, too slow for a suspenseful movie.

I don’t know what else to say about it either. Not to entertaining, and the big twist couldn’t save it.

1 out of 4.

Unfortunately, Mandela: Long Walk To Freedom ended up having extremely good timing. Less than a week after the movie was released theatrically (on a limited run), Nelson Mandela passed away. Even stranger is a much lesser known movie Winnie Mandela was released on DVD Tuesday, December 3, just two days before his death. A coincidence in that it was only trying to gain some success by releasing around the same time as the more famous movie.

Timing aside, this movie is actually based on Mandela’s autobiography, focusing on his youth and ending right after his 27 years of imprisonment, which came out in the mid 1990’s. I guess if you want anything about his life after that, you can just watch Invictus.

Idris Elba as young Mandela. Because young happens before oldness.

Some of you may already be aware of the struggles that Manela (Idris Elba) went through in his life before he became President of South Africa. Those people won’t really find this movie too informative.

For the rest of us western civilization based scholars, the movie is 2.5 hours of Mandela’s early life: his role as a lawyer, his relationship with his first wife, and later with Winnie (Naomie Harris), how he got into activism, his role in the apartheid bombings, and his imprisonment. After his imprisonment, we learned how he was able to eventually make conditions better for his friends, while also eventually working with the South African government to help end apartheid in a peaceful way, eventually being released and of course being elected as president.

That’s a rough outline of his life and probably grossly misrepresents most of his life, but hey, if it is based on an autobiography, what can you really do?

Idris Elba as old Mandela. He looks nothing like Idris Elba!

I’ll tell you what we can do. We can just assume it to be completely, 100% factually correct and just talk about the acting.

Idris Elba was amazing in this role. Hands down, no doubt about it, he carried the huge burden of Mandela on his shoulders and did it justice. No offense to Morgan Freeman or any of the other actors who have played Mandela, but Elba was easily my favorite of all of them. At the same time, Naomie Harris did an amazing job of Winnie. I can only compare her portrayal to Jennifer Hudson‘s in the “biography” of Winnie, but Harris showed Winnie in a positive light, as someone who went through her own struggles while Mandela was imprisoned, and someone who shouldn’t be hated by others for the divorce.

On top of that, because the film is about 2.5 hours, it is able to go into great and intricate details about their lives, and I can definitely say I learned a lot about his early life. One of the main goals of every biography should be to hopefully learn new and interesting details about someone’s life.

Overall, I really enjoyed Mandela: Long Walk To Freedom. Like any movie of this nature, I am more concerned with what they decided to leave out versus what they told us. I personally don’t understand the controversy over his life, because by the end, he clearly did more good in his life than most people could even think about. An interesting movie, more so if you don’t know a lot about the man.

 

3 out of 4.

I have a confession to make. I really really enjoyed the first Thor movie. I enjoyed it far more than everyone else I know.

It gets a lot of negative attention compared to the other Phase 1 Marvel films, and personally I disagree. I enjoyed it probably the third most out of all of the films, after The Avengers and Iron Man. It had comedy, it had action, it had Norse mythology, and well, it had Thor. Like a lot of people my age, I first heard about the God of Thunder from watching Adventures in Babysitting, which lead to discovering the Marvel version. I think that film was received as well only because he wasn’t as well known as the rest of the Phase 1 heroes.

So, Thor: The Dark World has an upward battle to climb.

“But we will make that climb, together, brother!” – Loki, in a very specific genre of Thor fanfiction.

This film takes place just as Thor (Chris Hemsworth) is proving why he deserves the “Mighty” adjective, by bringing peace again to The Nine Realms after the Bifröst was destroyed in the first film. He has been very busy, and could not return to Earth except for exceptional circumstances for that reason.

Unfortunately the Convergence is about to occur, where the nine realms line up perfectly. It happens every 5000 years, and causes all of the realms to be a bit wonky, creating portals to each other and messing with gravity/physics. It has also awakened an old threat, King Malekith (Christopher Eccleston) of the Dark Elves, who tried to destroy the universe at the last Convergence. He used an ancient magic source called the Aether, which has been hidden for thousands of years. But guess who found it? Oh that meddling Jane Foster (Natalie Portman) and her team (Kat Dennings, Jonathan Howard)!

At the same time, monarchy based drama in Asgard is occurring, as Odin (Anthony Hopkins) and Frigga (Rene Russo) are planning on making Thor the next king, given the recent actions of Loki (Tom Hiddleston). But Thor’s love for a mortal is worrisome, and a cause for concern that he might be focusing too much of his attention on just one realm.

It isn’t too bad for Thor I guess. He just has to save his very fragile love from the powers of the Aether, watch out for Loki while he is imprisoned in Asgard, deal with potential enemies on all sides, and try to stop an ancient race from destroying the universe. Probably just another Wednesday for him.

Thor: The Dark World features a whole lot of other actors, including the returns of Sif (Jaime Alexander), Heimdall (Idris Elba), Erik Selvig (Stellan Skarsgård) and The Warriors Three (Ray Stevenson, Zachary Levi, Tadanobu Asano). Well, Asano really wasn’t in this movie much, and Levi replaced Josh Dallas, but hey, Stevenson is still there! Also introducing Adewale Akinnuoye-Agbaje as the second in command to Malekith.

Also, the Dark Elves in general reminded me of really strange Putties.

One thing I learned from watching Thor: The Dark World is that Chris Hemsworth definitely helped cement himself as the only man who can play the God of Thunder. Over the summer, huge contract negotiations were taking place between Hemsworth and Marvel, the latter who claimed that they don’t need him in The Avengers 2:Age of Ultron, they could just hire someone else, and refused to budge. Well, eventually they budged, thanks to the help of Robert Downey Jr., so presumably both sides reached a worthwhile agreement.

Thor: The Dark World more or less gave me everything I wanted in a sequel movie, expanding on a lot of areas that the first film established. It still has the same level of comedy, so we aren’t just dealing with a serious space fantasy drama. The chemistry between Hemsworth, Portman, and Hiddleston is electric, allowing the story to flow just a little bit better. The film also takes place a lot more off Earth compared to the first film, allowing the use of new landscapes and helping separate the franchise from the rest of the Avengers movies.

The does come with a downside, however. With a lot of the film set off world, we are given many more scenes that are heavily CGI’d in order to create the scene, which gets tiresome after awhile. I’d like more of it to be grounded in areas that aren’t created by green screens.

My biggest issue from the film actually has to do with the editing. I found the scene transitions really distracting, as on more than one occasion it felt like we were cut far too quickly to another scene, almost cutting off lines by the characters. We weren’t always allowed the appropriate time to even acknowledge what was just said, before having to focus our attention elsewhere. It made the pace of the film seem a bit off to me, and not what I would expect from a film at this scale.

Most likely Thor: The Dark World won’t get anywhere as close to touching the amount of money that Iron Man 3 brought in. I hope that doesn’t detract Marvel Studios from eventually bringing us more Thor outside of The Avengers.

This film had an excellent amount of drama, action, and comedy to help create a fantastic theater experience, but has some technical aspects that distract me from giving it that perfect rating overall.

 

3 out of 4.

Giant Robots Fighting Giant Monsters.

That should be a good enough review for this movie.

If you are like me, the first time you heard about Pacific Rim (Trailer) you bounced around with joy. Sure, some of you maybe bounced on the subject matter alone, which is fine. But I was even more excited about the fact that Guillermo del Toro was set to direct the film. Guillermo means quality in Spanish, I am pretty sure. Just examine the last two films he directed! Hellboy II? Pan’s Labyrinth? This guy knows how to tell a story, while also kicking major ass.

Spoilers: These robots are here to fuck shit up. Monster shit. In the year 2025, we are currently in the twelfth year of fighting the Kaiju. Kaiju are larger than life mythical beasts that come from a dimensional portal at the bottom of the Pacific Ocean. The first one to appear took over five days to kill while it rampaged the California coast. The world realized it would have to stop fighting and work together to stop this threat from taking over completely, which started the Jaeger program.

The Jaegers are giant robots equal to the size of the Kaiju that can be deployed to fight the beasts before they cause more harm. Initially they prove to be quite successful, but the Kaiju have started to appear in increasingly shorter intervals, bigger and badder than before.

Raleigh Becket (Charlie Hunnam) used to be a great pilot with his brother. Five years prior, a Kaiju took his brother’s life, so he left the program to become a drifter. Shockingly, the UN is thinking of abandoning their Jaeger program due to the amount of Jaegers that are now getting destroyed. Their idea is to build a giant coastal wall to keep them out (very dumb). With only few months left of funding, Marshall Stacker Pentecost (Idris Elba) brings Raleigh back in to the fold to attempt one last shot at ending this thing once and for all.

Damn, that was a really good plot description. But there are many more people who have important roles in this movie. Rinko Kikuchi is Raleigh’s new partner once he returns to the Jaeger program. Max Martini and Robert Kazinsky play a father/son pilot team who run the fabled Striker Eureka, the fastest Jaeger made. Charlie Day and Burn Gorman are the main two scientists working on solving the Kaiju problem, a biologist and a mathematician respectfully. Finally, Clifton Collins Jr. is the main control room operator for the operation, and Ron Perlman a black market Kaiju flesh dealer.

Spoilers: There is no giant version of this monster unfortunately. If you don’t like the idea of giant robots fighting giant monsters then I really don’t think you will enjoy this movie. Because the movie gives you exactly that, and just a little bit more.

First off, if you are going to see Pacific Rim (Which you should!), you should watch it in 3D. The fight scenes were so incredible, I thought my eyes would melt. The second fight scene in Hong Kong is probably the sexiest thing I have seen in film this year. They were filmed with 3D cameras, so you don’t have to worry about blurriness mucking up the great action.

The Hong Kong fight is actually better than the fight at the climax of the film. Some would consider that to be a big problem, but I can easily forgive it. The final fight gets points for taking place in a different environment from the rest of the film.

I love the casting choices in the film, in that most of the people are not big named stars. This really allowed the viewer to get involved with the story and not get distracted by the eyes of someone like Brad Pitt.

Sure, there are a few weak plot points, and the acting isn’t always top notch, but the stunning visuals, well choreographed fights, and complete bad-assery from start to finish well make up for it. My biggest plot complaints really come from what was NOT said by a few characters. I was disappointed that the movie didn’t delve deeper into some of the ethical implications brought upon by certain actions, but really, that just allows a sequel/prequel to ask those questions later.

Please. Give Guillermo del Toro your money. Go see Pacific Rim.

3 out of 4.

Prometheus! Such a meaningful word. This movie I had the pleasure of seeing in theaters, which of course means it is automatically a bit better than it might be, so the review could change months later.

Outside of the amazing trailers, of course I knew that Ridley Scott was the director. I had heard originally that they planned on being a prequel to the Alien movies, but it was scrapped when it became so big. Well, it still is pretty much. Not a direct prequel, but same universe, and before Alien at least.

I’m sure there is nothing ominous about those vases.

Prometheus is the name of the ship, sent to a moon of a very very distant planet. Two archaeologists, Liz Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) find a bunch of cave paintings, showing old nations worshiping a lager man, and pointing to a very specific star system. It is weird, because none of these nations would have had contact, and are quite old.

So they believe that these beings are inviting them to their planet, and really want to “meet their maker”, and so they convince a trillionaire (Guy Pearce, looking like an old Bill Maher) to finance a ship and crew to do just that. Presumably the ship cost most of the funding, so not all individuals of the crew were the top of their field (on a potentially suicide mission), but still. We got a pilot (Idris Elba), a biologist (Rafe Spall), a geologist (Sean Harris), some sort of high level CEO like figure (Charlize Theron) and an adroid who is fucking fantastic (Michael Fassbender).

Of course other people too, like medics, navigators, security, etc. But eh whatever.

They go to the planet, find the people in question, but they are all dead (OR ARE THEY?). Also, find some nice black ooze. I’m sure after this they go home disappointed and no one dies.

After unlocking all of the secrets of the universe, of course.

Let me go over some pros first:

Michael Fassbender as an android. So good. So so good.
The visuals and shiny colors.
That basic premise.

Some of the cons?
Well, obviously, this is by far the worst depiction of a geologist I have ever seen in film. Thus my comments on not top of the field. Scientifically, a lot of this film is a travesty. Liz demanding no weapons on a new planet for safety, is pretty dumb, as is having only one “Expert’ on each field. But man, that geologist. It sucked, knowing he would die so fast in the film before I knew his field.

A lot of the characters don’t get as much development as one would like. So when certain self sacrifices are made, emotionally it doesn’t hurt as much because we barely know these people. Other conversations seemed forced (“I can’t have babies!” “Father!” etc) and it almost cringe worthy to see. Also drugs.

If I could rate this just on potential? It would be quite high. A lot of the elements are there but I think a bit too much was left on the cutting room floor. This film with a directors cut would probably be great. There is a lot of implied themes that make this film great as well, with plenty of evidence. Just…not enough for me to call it great.

Give a watch, but maybe wait for a nice Directors cut on Blu-Ray.

2 out of 4.

Generally, most people will tell you they were disappointed with the original Ghost Rider movie. Ghost Rider himself is a cool concept, and a bad ass character, but for people to go home feeling bored? That isn’t good at all.

With most of the Marvel movie characters that they no longer own, such as Spider-Man, Fantastic Four, X-Men, and Ghost Rider, there are contract stipulations that state they must use their movie rights or else they will go back to Marvel. From the looks at it, it looked like there wouldn’t be another Ghost Rider movie, and Marvel would actually get a character back! Hooray, even if its one they can’t use that much.

Then there was news that they wanted to do another movie anyways, regardless of how bad the first one was. A RUSHED movie. Well, no way Nick Cage could be involved. Wait what? Nick Cage signed on too?

That is pretty much the only constant between Ghost Rider and Ghost Rider: Spirit of Vengeance, so the outcome should be different, right?

These eyes. Cry out every night. For you.

This film takes place in Romania, and yo\u do not need to see the first one to see the second. Every character is different, even kind of changed how he turned into Ghost Rider. Instead of Mephistopheles, it is Roarke (Ciarán Hinds), but still a generic Satan/Devil, just played by a different guy.

Moreau (Idris Elba), a drunken French priest is seen trying to warn a clergy that the Devil has sent men to capture a woman and a boy they are hiding, but they don’t believe him. And then they get fucked up, but thankfully the woman (Violante Placido) and the boy Danny (Fergus Riordan) get to escape, with Moreau’s help, but he loses them. So he finds out Johnny Blaze and asks for his help. He doesn’t want to, he just wants to be left alone. After all, he only hurts people anyways. But if he helps him, he is promised that they can undo his fiery curse. Sounds good.

So he catches up, right before the mercenaries lead by Ray (Johnny Whitworth) are capturing them. After killing a few he gets distracted, and wants to kill the kid sensing a great evil, but it is knocked unconscious and stopped. After escaping a hospital, he finds the woman and Moreau again, and they device a plan to find the kid and get him back. Eventually the find out the kid is actually the son of the devil, and Roarke is hoping on unlocking his full power (and those deep dark eyes!). Moreau wants to take him back to his church, lead by Methodius (Christopher Lambert) and freeing Blaze of his Rider curse.

But when everything inevitably goes wrong, can Johnny Blaze free the kid from his fate, after he has freed himself from his curse? Also, angels and spirits of justice?

Don’t even ask me about this moment.

Blahhh. Honestly, the plot doesn’t sound that bad on paper. Especially if I fully explain more of the curse, as it is figured out in the story. I am even fine with where the film ends. It just would be a much better ending for the first film, and not the second film.

He turns into Ghost Rider three times in the movie, and none of them really seem that important. The fact that in his first encounter he gets knocked out from a blast just seems silly, after what we see of him in the first encounter and first movie. The second fight is way too long, and the character does many pointless things when his goal should be to kill them all as quickly as possible. The third fight is more of the same, but with a powerful enemy to fight, who actually turns out to not be that special.

When you have a character who really can’t be stopped / killed, there is no fear for survival or suspense. Just kind of lame. Action was boring. Plot was confusing in that it made it seem like the first film never happened, despite maintaining the same main actor for the character. That is some shit. I hate ret-cons. Also lots of unexplained plot directions. Give it a pass, but the third film might be better.

1 out of 4.

The Losers is one of those “Oh this is based on a comic? Why?” type movies. No super heroes involved, just your normal run of the mill elite black ops team, who gets set up/framed, and have to fix it. A story I might have wrote about yesterday, and very popular.

This movie came out around the same time as The A-Team though, which means you were far more likely to not ever see or hear of The Losers, as they are easily compared.

But this one has more than four people. And a woman! Eventually.

Ooh, lets try and do this the team way!
First we have Clay (Jeffrey Dean Morgan) the leader of the group.
Then there is Roque (Idris Elba) the second in command.
Jensen ( Chris Evans) is the communications/tech guy, and a lot of the comic relief.
Pooch (Columbus Short) is the driver, and soon to be family man.
And finally, Cougar (Oscar Jaenada) their ‘long range specialist/sniper’, wears a hat, and doesn’t talk much (At all). So mysterious. So deadly.

Well the missions they take are never officially wrote down, very very covert, don’t technically exist in the government. They are in Bolivia on a search and destroy mission for a drug cartel, but find that the camp has dozens of slave children. They try to call off the attack to their handler, Max (Jason Patric) but he ignores them. So they do the reasonable thing, break into the compound, kill the drug lord, rescue the children and barely escape!

On the helicopter sent to pick them up, they decide to stay behind and save the children instead. And when it gets up to leave. BAM. Missile. It was meant to kill them instead. They know there will be huge back lash here, so they decide to fake their deaths as if they were in the helicopter, and plot their revenge against Max. Which they get four months later, when another mysterious person, Aisha (Zoe Saldana) has a plan. But can she be trusted.

Stealing hard drives, and getting to Max is the rest of the movie, and having to go through his “top notch security” (Holt McCallany). Also filled with betrayal, the Losers try and stop Max before he acquires new age weapon technology, and you know, start a new world war.

The “mind bullets/tech support” scene is one of the better scenes. Of all time. Complete with Journey!

Seriously though, you will probably enjoy that scene even without the rest of the movie. That is what comic relief character gets you. Great scenes.

It is definitely more action than comedy, not everything is laugh out loud heelarious, but the movie is not meant to be taken too seriously. The first picture of the review is just covered in campiness.

Other aspects I found boring. I enjoyed it, but on a rewatch, not as much interests me as it did before. So its definitely a one and done kind of film. Won’t blow your socks off, but can be enjoyed if you are in the right mood.

2 out of 4.