Month: April 2018

In the future, Netflix will release an original movie every day. Some might be great, some might be terrible, and some you will never fucking notice, because you are not their demographic, and it will be hidden behind all your The Office rewatch suggestions.

The Titan is one of their bigger releases that they want all audiences (outside of their special kids accounts to see), because they put money into this one, damn it! We got effects, make up, and big stars.

Hey, do you remember Sam Worthington, from Clash of the Titans and Avatar? Basically the biggest name in cinema. They had enough money to pay him!

If a movie involves water, it makes 20x more. Just ask James Cameron!

In this future world, everything sucks. Life is fucked. War and explosions and poverty. Earth is basically dead on arrival. Their only hope is to abandon all hope and find some other planet or place to live.

And their best shot is the planet Titan. Because Titan has water, and water is the key to their life. But they know that humans cannot survive on their own on Titan. They are going to be developing some drugs for people to take to alter their biology a bit to survive on that watery sphere. You know, like a bigger ability to be under water. Normal stuff.

The facility to train these soldiers on the mission is probably in the nicest part of the country! They have places to have fun, good houses, and food. Lt. Rick Janssen (Sam Worthington) and his family (Taylor Schilling, Noah Jupe) are one of the families coming in to create a better world for their son, and hopefully escape off of this hell hole. But they are not telling the participants the full truth of their mission.

Also starring Tom Wilkinson, Agyness Deyn, Nathalie Emmanuel, and Corey Johnson.

Like balding, yuck!

I wasn’t really sure what to expect with The Titan. I went in blind as I often do with these random Netflix movies that pop and demand my attention. I chose it because it was that specific day and I needed something to have on while I graded papers. Simple as that.

The Titan has a slow build of mystery attached to it. Just what are they going to do to prepare these people for life on another planet? How will they change? And what side effects will they learn along the way?

We get some pretty intense scenes as our “Not Sam Worthington” characters start to drop out of the program for one reason or another. When the reveals start to happen they definitely feel worth it after the build up. The ending itself is very intense, unlike the rest of the film, and I still found myself guessing at how it would end.

The Titan is relatively unique with its execution and goes places other movies don’t go. You know. The moon Titan.

April is rarely seen as the month for horror films. Usually it is the month for sports movies, or dramas, or I guess now super hero movies.

I hope Truth or Dare is successful, but while definitely going strong on the Truth or Dare aspect. I don’t want it to be an introduction piece and then oh no, killer, lets freak out. I need it to last the whole film.

I hope it introduces a franchise of party game horror films. I want to see the follow ups of Never Have I Ever, Spin the Bottle, Suck and Blow, and of course culminating to the film where all the pieces come together: Seven Minutes In Heaven.

Note, none of this relates to the movie Would You Rather, which came out half a decade ago. But they might try and remake it to add it to the fold, with a new, sexier cast.

I’d like to think part of the audition process for this film was to try and make that face naturally.

Down in Mexico, we have curses, because, Mexico I guess. Some sort of xenophobic nonsense.

Our hero of this is Olivia (Lucy Hale), a good person, she builds houses, cares about the greater good and all of that silly stuff. She planned on doing good things over spring break, but her BFF Markie (Violett Beane) sort of forces her to join them down in Mexico! Last Spring Break before their friend group moves on and gets old and less friendly.

They do things, have a great time, and eventually Olivia meets Carter (Landon Liboiron), an intelligent individual clearly, like her. They are about to leave but they agree to follow him to a cool place to have some more fun. Yay mysteries!

Sure enough, Carter gets the uneasy group to pretend to be middle schoolers and play a rousing game of Truth or Dare. Everyone goes around the circle, doing a dare or spilling their beans, until we learn the truth from Carter. He brought in the group to force them to join this game, to hopefully free himself from its cure. They are haunted now, and if they refuse the task given to them, then they will die. If they lie, they die. And if they refuse to play, well…

Starring as the rest of the main friend group: Tyler Posey, Sophia Ali, Nolan Gerard Funk, and Hayden Szeto. Also starring Gary Anthony Williams, Brady Smith, and Sam Lerner.

And here is another one for good measure.

You know what can make a good horror film? Believable actors, for one. The situations don’t have to be too believable. I can suspend my belief in a movie for scary aliens, monsters, demons, ghosts, ex lovers, possessed things, invincible serial killers, whatever. Sure. As long as it makes sense in that world. But if they introduce things and seemingly just change things on the go, and give no real fucks about the events? Well, that is shitty.

In this scenario, it takes far too much time for everyone to get on board with what is happening. I think two of the friends need to die before people start realizing that something bad is happening. We just get to watch friends argue and get mad about spoiling each others shit up with the truth. And afterwards? Well, it is mostly friends still being dumbasses as a group.

First of all, this movie is all over the place. With one of the dares that occurs, it feels like a really poor final destination movie, and then never really goes back to that concept. “Why don’t they just all say truth?” Well because they suck. And the movie wanted to add rules later on. This movie plays out the dumb scenario of turning a dare into telling the truth as well, just because. We have characters who over and over again get upset over the truth, but they know that if the truth wasn’t said, their friend would die. But who cares right?

The ending is the lowest point of the film, so its interesting they decide to leave us with a sour taste in our mouths. After a scene where our heroes try and get the upper hand, we find out that it still didn’t work as planned. Then they try one more plan which, as previously established earlier in the movie, won’t do shit for them at all.

I am going to put some spoilers here. The previous Truth or Dare group hoped that by putting new people in the group they would be freed. It did not, it just made it bigger. They still had to do the question just the others didn’t know about it. And despite being merged groups, they only bring up these facts when it is convenient, in lazy writing. For some reason one of them can’t do it if he is alone? Even though they have shown others have to do it when alone? For some reason order only matters for this group, and the others can just be asked when convenient for the plot? It basically shows that the two groups have their own games on it and don’t actually affect each other, meaning adding more people will not buy you any time, because your game is still limited to those players. And yet that is just what our “heroes” try to do at the end. Get more time. With this terrible, terrible, strategy, all they did was fuck over others, while also dooming themselves right after the credits role anyways.

It is just such a goddamn stupid movie. It is never really well established. When they exposition us enough in the film to try and piece it together, it just doesn’t really grok well. The strange face thing wasn’t good, wasn’t scary, and just seemed silly. So many jump scares that were pointless and lazy. And again, it is just very stupid.

I wouldn’t dare my worst enemy to watch even half of this movie. That’s the truth.

What is the deal with this surge of tennis movies? This year we have Borg vs McEnroe, at some point there is that documentary Love Means Zero, and last year had the Battle of the Sexes.

But it isn’t just a two year trend. Don’t you remember two years ago, that HBO miniature film? It was called 7 Days in Hell, and that one was a parody piece and about fictional rivals. Somehow that 45 minute feature led executives to put out two real tennis match movies relatively close together. Are people just running around buying out the rights to intense matches?

Then before this gets to the point of no return, then can we get someone to quickly film the Isner-Mahut match from a bit ago? That would be a marathon film if any. And don’t fill it with flashbacks. Start with the match. Then give us the night time breaks to get some other characters/story/anxiety in there.

The real reason for the film is to create this hair.

Set in 1980, history in Wimbledon was about to be made. Björn Borg (Sverrir Gudnason) was the sexiest man alive, if sexiest man alive meant extremely skilled at Tennis. How can Borg, only 24, be the greatest Tennis player? Well, when he was 23, 22, 21, and 20, he won Wimbledon. That is four times in a row. And no one had ever won it five times in a row. Could he be that first person? He is young, he is strong, he is accurate. And hey, he keeps his emotions in check. He is so goddamn stoic, before, after, and during matches, he is like a robot. They went on to name the Borg hive race in Star Trek after him due to that personality.

So what is stopping him? Well, a younger up and coming athlete, John McEnroe (Shia LaBeouf), who, like all great rivalries, was basically the exact opposite. He was 22 at the time, American, and like America, he was rash, angry, and people didn’t like him across the seas. He was a firecracker, he yelled at the judges, he unnerved his opponents and was a thorn in the professional tennis world.

And they would meet at Wimbledon. If Borg wins, he makes history. If McEnroe wins, it dawns a new era of primadonna shit head tennis players.

What world do we want to live in!?

Also starring Stellan Skarsgård, Tuva Novotny, and Scott Arthur.

Really they are both rock stars if you think about it.

I have a general fondness for Tennis movies. I really can’t imagine one I really disliked. To be fair, outside of the ones I tagged up there, the only ones I remember right now at Wimbledon itself and…that’s it. And I liked Wimbledon.

It is a sport that definitely allows itself to be filmed in a way to really show the struggle between two athletic individuals. It doesn’t focus on nameless team players that are just background bodies, or shenanigans. Just playing some tennis balls.

Both LaBeouf and Gudnason give very strong performances as people with their own issues to deal with. The use of flashbacks really worked in this movie. We got a lot of flash backs for Borg in particular, to see how he developed into that type of player and why (hint, some bad stuff happened). And similarly, what McEnroe had to deal with, even as one of the top players of the world, how he never seemed to get his respect.

I kept the truth of the ending a secret from myself, which paid off big time. Real stories are cool, and they are better if you don’t know the final outcome.

Definitely a solid dramatic tennis movie. I’m talking acrylic court solid here.

Gemini is a movie I actually knew about before watching! I swear! I heard of this one!

I saw the trailer, once, and it had an electro-noir feel. That will either make a lot of sense, or it won’t. And that is okay, because genres can get real weird. I just learned about post-postmodernism and hysterical realism! Not what they mean, just that they are genres that more than one book or art work fit.

Gemini is definitely a much lower budget, indie movie with one or two recognizable stars in it. It is the type of film that has to rely on a good story to actually get people to watch it, and not warm celebrity smiles.

See? No smiles. Just blue tones and glares.

Jill LeBeau (Lola Kirke) is the agent, PR firm, best friend, and potential lover of big Hollywood actress star, Heather Anderson (Zoë Kravitz). Heather is a big star. Everyone wants her. The paparazzi. The fans. The studios, the writers. All of them can’t get enough of that Heather. And they have to get through Jill to get to her.

In these trying times, Heather is going through a lot, including a break up through her celebrity boyfriend. People really just want to find out why and get in her business, putting her in a more reclusive mood. Jill cannot protect her either, but she can just try to make her feel comfortable.

After a night of drunken shenanigans and loneliness, Jill gets to her bosses house the next day and finds her lying dead on the ground on her own home. And all of the evidence points to Jill. But Jill couldn’t kill her boss, her best friend, her maybe lover, could she? No! There were people who might have done it. Angry writers, obsessed fans, down on their luck paparazzi, all of that.

No, Jill isn’t going to go on some pseudo investigative hunt to find the real murderer. But she is going to ask questions and try to clear her name while wallowing in self pity.

Also starring John Cho, James Ransone, Greta Lee, Michelle Forbes, Nelson Franklin, Reeve Carney, and Ricki Lake.

“No, her future ghost is the murderer!”

For the most part, while watching Gemini I just thought it was an average story pseudo-thriller. The soundtrack resonated throughout it, a sort of techno pulse that was going and going. It reminded me of Good Time, but that is a movie about a guy on the run and it sort of earned that score. This one was way less hectic and just seemed off to me.

Don’t go into Gemini thinking it will be a classic whodunit film where the viewer can follow the clues and pick out the murderer along with our “Detective.” No, it is not one you’d be able to pick up from clues, because there aren’t really any clues, just assumptions and you have to sit and wait for the ride to end before it is fully revealed.

And unfortunately when I was almost done off the ride, the cart went off the rails and left me in the gutter. This is a long metaphor to describe the film, and I don’t apologize for that. The ending is downright terrible. I feel so disappointed in following the story of this film. It was never great or above average even. Just okay. But the ending cost it points and put it clearly as a film I don’t need to see again, nor would I recommend.

Sometimes you just stumble across a film and you are not sure how you found it. Maybe it was in the depths of Netflix. Maybe it was clicking the wrong button on a Redbox. Maybe it was a strange comment on an internet forum that made you just discover something odd about the world.

Or maybe you are just trolling through Nick Offerman´s IMDB page and see something called Infinity Baby and go “Ohhhhh, that sounds weird!” and just go and grab it to watch it without even wondering what it is about.

Who really can say though? When the whole thing is a mystery?

Oh yeah, the film is in black and white.

In this world, due to stem cell research something strange occurred. A miracle, maybe, but definitely something that no one intended. Certain babies were given a condition, a curse maybe. They would not age. They would stay in that infant, cry, poop, eat, sleep phase forever. Forever. So yes, similar to the plot point from The Boss Baby.

Why would they do this? Well it was an accident. And the government has determined to get these babies into homes. Other technologies have been developed, like special food pills for the babies. Things that put them to sleep most of the time, but still living entities. The amount of sleep and type of food they get means they only need a diaper change about once a week. The company Infinity Baby was set up to find these babies homes. I am unsure of if it is for life for them, or what, but an adult would get a large sum in the ten thousands to have them for three months. After three months, I dont know if they get more money or what.

Maybe those people who feel extra pampering would want this responsibility to be helpful. Who knows.

But Neo (Nick Offerman) is in charge of the organization. Ben (Kieran Culkin) is more of a hands on, day to day in charge of the operation, finding potential clients to take their babies. He has his own intimacy issues, and every time he feels his partner becomes too attached, he will take them to his mom´s house (Megan Mullally) and she will disapprove of them so that he can dump them.

And Malcolm (Martin Starr) and Larry (Kevin Corrigan) are two men on the ground, who actually have to go and deliver the babies to the clients. Their issue is a client has changed their mind last minute, so they decide to just adopt the baby together for that sweet cash.

Also starring Trieste Kelly Dunn, Stephen Root, and Noël Wells.

Would it be a big troll to say a movie is black and white, but really just one scene is, and you took the images from the same scene to trick people?

I hated Infinity Baby way more than I imagined. It is just a small indie movie with a lot of recognizable people, but the plot doesn’t go a lot of places and it presents an unnerving concept.

As a father, the idea of baby never getting past that infant early born stage is pretty damn sickening. I didn’t think that before I watched the movie, but during it. It makes me so sad and upset to even acknowledge that idea. Especially when I found out in this movie they use pills to make them mostly asleep and their lives basically meaningless. This sounds like a horrible fate to anyone.

Sure, some of the aspects are dealt with in the film. But half of the film is about Culkin’s characters inability to get a relationship. And I don’t know why that is attached to this film at all, besides a lazy parable about how other people can’t grow up either.

Maybe it was the black and white, maybe it was the plot that didn’t go many different places, or maybe, maybe, it is just the whole sadness for the babies things. But I would never want to see this movie again, nor would I really know a group who might enjoy it.

Oh, it is the spring time. Is it time for an inspirational sports movie? Shit, I didn´t know. I wasn´t ready.

The more and more inspirational sports moments they decide to turn into films, they more obscure or recent they have to grab them. When we had Million Dollar Arm a few years ago, it was literally only a couple years after the event. We used to have to wait 10+ years to get a film about the sports event in question. Hell, we finally got a Tonya Harding movie just last year.

I honestly don´t know if The Miracle Season is a current event or something really old. I just know it is a volleyball film, which is not really common at all. So it is an inspirational volleyball film to get people excited about that sport, and winning and stuff.

Want to know the last inspirational volleyball film I remember watching? Phat Beach.

Holy shit, did they find a missing Mara sister for the lead role?

First of all, get ready, this film is set in Iowa. Now, everyone is not white in the movie, but they probably had to add some people of color because reality is too scary and they want to imagine it not so intense.

The main two white girls that this movie is about are Kelly (Erin Moriarty) and Line (Danika Yarosh). She was Caroline, but hated it, so she want by Line or Liner. They were BFFs since 3 years old, and their families have been close. And now they play volleyball together, going into their senior year of high school. Their team won the state championship in volleyball the previous year, and now they are ready to repeat!

Well, the coach (Helen Hunt) is. The rest seem to be cocky and goof off, even after losing their first game. Long story short, Line dies in a scooter accident, and now the team is even more fucked. She was the captain, the center, and the life force of their program. Her dad (William Hurt) is going through the most, because his wife died of cancer a week later, but her condition the knew about.

This is a true story again, so you know most likely how this story is going to end, or else, why would the movie exist?

Also starring Jason Gray-Stanford, Burkely Duffield, and Jillian Fargey. A few other girls on the team that stand out include Lillian Doucet-Roche as the freshman, who isn’t blonde, Tiera Skovbye as the most athletic one, who you can tell from the other blondes by her hair band, and Nesta Cooper, who is someone who isn’t even white like the rest of her team.

There we go. There’s that classic sports ending movie shot.

First of all, let me note that originally I was going to rate this lower, because I was annoyed at how they were “Hollywood-ing” up a real story, which happens very often. Creating a bit of extra drama in order to keep things going, instead of sticking to the truth. Well, then I watched a 14 minute special on the events, and every part I assume was extra was real. My bad.

Secondly, here are some coincidences. This film is about the death of Line of course, and the team coming together to repeat. It is also about Kelly, her best friend, coping with their loss and turning into a leader for the team to rally behind as well. Kelly after the events of the film went on to college at Iowa State from 2011-2015, where she probably played some volleyball too.

Well, I was at Iowa State from 2012-2014 for graduate school. I was a Geophysics graduate student, and she was a microbiology student, and those two sciences shared the same relatively small building on that campus, so there is a really good chance I have walked by or seen this real life person before. Heck, I had even bought things from the Microbiology club for their fundraisers. I find it a bit bizarre that this person who went through these crazy life experiences was near my own personal existance for so long without knowing, and now they have a movie about them.

Well, Kelly went on to graduate school to be a PA, and is currently in Houston, Texas trying to finish that. Hey. I am in in Houston, Texas.

Cough. Okay. Sorry. Moving on. To talk about the actual movie? Well, the acting is really average to below average. Yarosh was insufferable as Line. Way too much, and that may have been Line in real life, but it sort of just irritated me. I was ready for her to die. They loved spending time on their grief, so they didn’t spend as much time as I would have hoped on actual volleyball.

Outside of the occasional montage, the volleyball games were basically described by the first 1-2 serves and the last 1-2 serves, without much in between. Most of the characters don’t have any discernible personality. The freshman player has the next most personality after Kelly, and that is because of her fresh-ness only.

The Miracle Season is an okay film for its accuracy to the story and its ability to make you feel a bit compelled. It is not one where you will be blown away by the acting from any party involved. It has minor issues occasionally like one near the end where the server changes in between points at a time when that totally wouldn’t happen. But again, this is our only volleyball movie for the next 20+ years probably, so it will have to do.

I was very excited when I saw the trailer for Blockers. Not due to the actors, or the plot, or the humor in the trailer. Just the title alone.

I really hoped that the title of the film was officially a picture of a rooster and the word Blockers. I can’t tell you if any film title has officially just been a picture, or included a picture, but I was excited that this one might be one of the first in a good while.

Unfortunately, no. It is just called Blockers. Sure, rooster imagery abundant on the posters. But it is not the same.

It is just not the same.

Look at all these cocks right here.

Ah, growing up. The joys of being a parent. Movies and stuff. Mitchell (John Cena), Lisa (Leslie Mann), and Hunter (Ike Barinholtz) met each other on their daughters first day of school. They became best friends, so they had to be friends. Their daughters (respectively) are Kayla (Geraldine Viswanathan), Julie (Kathryn Newton), and Sam (Gideon Adlon), who are all dealing with their own issues, both in terms of their relationships with their parents and their relationships with boys.

But like all movies, prom is set up to be this big special night, so they are determined to make it special. They make a sex pact. They are all going to lose their virginity that night and it will make them closer together, so what when college happens, they don´t lose their friendship or anything.

The parents find out after they have left and aren´t sure what to do. Just kidding, they are going to find their daughters and put a stop to this madness before their daughters lives are ruined.

Also starring Jimmy Bellinger, Sarayu Blue, Gary Cole, Gina Gershon, Ramona Young, Miles Robbins, Hannibal Buress, and Graham Phillips.

Fuck that fedora is cool.

The most apparent thing about this movie is that it was directed by a woman. Kay Cannon has worked on some pretty woman based shows you would have heard about, and directed this film to make sure the woman’s voice was key. If this was directed by a dude, the parents would have been more egregious, the daughters would have had no real point of view scenes to speak their minds, and it would have been entirely forgettable.

Surprisingly, there was a wonderful amount of great arguments and feminist ideals presented by the daughters and other adults throughout the film. It was clear that our three leads were being shit heads and not thinking in a way that was beneficial to their daughters. Hell, even one of our leads for some time had great intentions as well. The message hits over and over again, without feeling like a lecture, and wanting to make a point as obvious as possible for those watching at home. Because this is just a comedic work of fiction, but it seems like its goal might be really to reach the audience, to help them learn how to better and more fairly treat their daughters.

Moving on.

Also I laughed a bunch. The acting wasn’t amazing. Cena was probably one of the lower points for me. The daughters and other teenagers really carried the film, and yes, surprisingly, Barinholtz’s character. I can’t say this is a movie I would want to watch over and over again, but it did the trick and was way better than it should have been.

Did anyone hear about The Layover? No? It wasn’t really thatrically released? Sort of buried? Mostly VOD/straight to DVD?

Huh that is strange. Because the two leads are pretty darn famous.

But let’s face it. The only reason I even heard about this film is because it was directed by William H. Macy. Before he directed The Layover, he directed Rudderless, which I actually really liked.

So even though the movie seemed like a bad sexy comedy, I figured it still deserved a chance.

BFF stands for breast friends forever.

Meg (Kate Upton) and Kate (Alexandra Daddario) are actually best friends, and not only that, live with each other in the same apartment! Two twenty-something ladies, totally successful, living with their friends, yeah! Kate is a teacher, and being asked to leave her job due to a student talking about anime tentacle porn, and Meg is involved with selling supplements from North Korea. So yeah, they both made poor choices.

Well, Meg made more poor choices. Kate is getting screwed over. Before they go and pout, Meg goes and spends more of their money on a trip to Florida! On the way there, on the plane, sitting right between them, they get to meet Ryan (Matt Barr), who I guess is a cutie with a bootie. Kate is in a funk and might need a good shag, and Meg is used to getting what she wants. So they join into a little game, to seduce this Ryan man.

And good news, they have plenty of time to do it. Due to weather concerns, their plane has to land far away from their destination. You know, a layover. And now they can hang out with him outside of a plane, and I guess do a slut-off to see who can seduce him the best.

Get it? Layover? Get it?

Also featuring Matt Jones and Kal Penn.

I think he is trying to secretly take pictures for his sex wall.

Welp. No. Just no.

The Layover did not end up being a better film than the cover suggested. Macy be damned, but this is not a good follow up to Rudderless at all.

I mean, what you see is what you expect. But technically, if you are a perv watching a sex comedy for titillation, you expect at least some nakedness, but of course this film doesn´t have any of that either. This is like a strip club version of a sex comedy, just a big tease.

Want to see two ladies jump into a pool in a bad diving competition? Or to just sabotage each other over and over? Or even just have a straight up fist fight near the end, you know, over a man? Then sure, give this film a chance.

Everyone else will just give this film the obvious hard pass it deserves, because you wouldn´t even known it existed.

Gringo had something funny occur with their PR screening ahead of time. Our screening wasn’t until the week of release, like normal, but they actually sent out the real invite for it over a month early. Now, normally, these invites are a week to two max early. If any earlier, we get save the date notes or whatever to let you know it is coming up, but this was just the regular invite to respond to for RSVP purposes.

So of course I accepted, and the only reason it is much later a review is because I was sick that day, couldn’t go, and had to watch it weeks later in the theaters. I wanted to see Gringo, it looked fun, and sure, it had a plug on The Joel McHale Show with Joel McHale. Let that be a lesson for you, advertising can work. Why else would I still be using old spice body wash every day?

Gringo has an interesting name, given what I think I know what it means, and that we had a film awhile ago called Get The Gringo, which was also a bit better than anticipated. I had high hopes for Gringo given it setting, its very fun looking cast, and of course, because of Mr. Copley adding his own weird style.

Which one is the gringo though, really?

Our story is about Harold Soyinka (David Oyelowo), a man who never can catch a break. He has a high job in a pharmaceutical company,but he isn’t rolling in the dough like the people in the higher levels. His wife (Thandie Newton) is an interior decorator, but only has one client and is bleeding their money. His boss (Joel Edgerton), is a hardass, a dickwad, and all of the body parts between those two. But he makes that money, he is good friends with Harold, and he got him the job in the first place.

Harold has to work and travel to Mexico frequently for their job, where they have the pharmaceutical factory set up. They are making a weed pill, so to speak, so that when America starts lifting those bans, they will have the product and infrastructure in place to take advantage of the now open market.

Because we are talking about drugs and Mexico, it should be obvious that the Cartel is also involved. Harold doesn’t know about that of course, he is a good guy, but when dealing with his boss’s mistakes, he is about to see how little he matters in the grand scheme of events.

Also starring Carlos Corona, Alan Ruck, Kenneth Choi, Sharlto Copley, Charlize Theron, Melonie Diaz, Amanda Seyfried, Harry Treadaway, and Yul Vazquez.

Ooooh, looks like they finally GOT THE GRINGO! Oh, wrong movie. Sorry.

Gringo is an example of a story with a lot of separate plot lines amongst the characters, where no one character is sure of what is actually going on, and all the chaos that occurs from these miscommunications and lies. But also, with death, violence, and comedy. So yeah, going for a Taratino film feel.

Out of all the many cast members, the only one to really shine is our star, Oyelowo, who seems to have perfected that scream freak out look that he gets to do over and over in the film as he continues to get shit upon. Because that is the movie. Bad things happening to his character, despite being a relatively good guy, and him never getting out of his situation.

If you hate crazy plot lines, you still might enjoy it for Oyelowo’s performance, where he seemed to show a different side of him. A more excited side, compared to more of his very serious roles recently.

The movie did feel quite long, given the twists and turns along the way. And hey, I didn’t know where it was going most of the time. So it was a surprising thrill ride that did still have me on the edge of my seat. A lot of bad people in this one, and one guy to root for. A good classic film position to be in.

Give Gringo a shot, at least just once.

Lara Croft first entered our lives in 1996, with giant pointy boobs, and a woman hero that has never been that defined ever in video games. Them polygons.

A strange video game feminist and sex icon, she raided the fuck out of tombs, and in some versions of the story, fucked the raiders in the tombs. It led to more female protagonists, more hybrid shooter puzzle games, and was a real win for the genre defying starlet.

Well, many years later they decided to reboot it a bit. They had Lara change her body type and her motives, and we got more polished games, more puzzle focused, but with a strange and many easy ways for her to die terrifying deaths. Not as bad as Dragon’s Lair, but relatively similar.

So why not also have a movie reboot as well? A new Tomb Raider. Get someone up and coming, get her in her first real action movies, and get her on the big screen.

Oh, and get her some abs and some muscle.

Laura (Alicia Vikander) grew up in the lap of luxury. Her father (Dominic West) was basically this perfect specimen of a man, who treated her well, trained her to be a model citizen, was into charities, being rich, and of course, cultural secrets. You see, he was sort of absorbed with the idea of finding a missing tomb of an ancient Japanese queen who was said to bring death to the world. Why did he want to find it? Well, it is a goddamn challenge, lost in history. That’s why!

But when he left on that fateful afternoon, he never returned.

Now, many years later, Laura is working, being athletic, doing things, but refusing to sign the papers acknowledging that her father is dead. No, he must be out there. If she signs the papers, she inherits the fortune, but she would rather struggle on the street and hope than admit to his death. She would rather starve, damn it.

Well, eventually she almost signs it, so she is given a puzzle key and that leads her to a secret message from her father. Following the clues, she is led directly to his research, with information on where he went, his goals, and learned about a bad organization and what they wanted to do with that information.

Oh no Laura, what are you going to do? Follow your father’s wishes and destroy all the evidence? Or go on a trip to complete his mission once and for all? Well, we know the answer to that one.

Also starring Walton Goggins, Daniel Wu, Alexandre Willaume, Derek Jacobi, Nick Frost, and Kristin Scott Thomas.

Everyone knows that girls like to play with bows growing up. In and out of their hair.

The original Tomb Raider film was pretty okay. For the 12 year old budding reviewer, it was beyond everything I had hoped for, well, almost. The sequel I didn’t watch until years later and don’t really recall much about it.

If I had to describe this reboot in two words, the words “pretty okay” would be perfectly acceptable towards this film as well. If you want action/adventure, you will get a decent amount of it. Most of it takes place after she leaves London of course, outside a thrilling-ish bike race scene. It seems that after we got to the island, a scene where she escaped capture seemed to last for fucking ever. I was just waiting for her to finally die, or just get caught. Of course neither would happen, but I knew those scenarios would finally let the movie chill out a bit.

The ending parts with the tomb really didn’t let the movie shine. A lot of silly things occur, with puzzles that don’t feel smart or anything, just inconvenient. I want the obstacles they overcome to be actually well written is all.

Overall, there is a lot of hope for this movie. Vikander does do a wonderful job as the new Lara Croft, I believed in her ability to do awesome things. It is still a bit cheesy with mostly lazy thrills and stunts though. An adrenaline junkie might have a good time, but this is still not the video game movie savior.