Tag: Tony Goldwyn

The Belko Experiment trailer seemed to come out of nowhere, and it honestly got me really excited.

A Battle Royale experience, with regular office workers, in a potential psychological horror film with difficult moral decisions? That sounds like an amazing film, one that would quickly become a cult film and something that would top my end of the 2017 list!

And to top it all off, it was written by James Gunn, who has been kicking ass lately. Not directed, just written, but he is a pop culture junkie and someone who can really get to the heart of issues with, yes, excessive violence.

But really, the hype was real on this side. Fictional people killing people with office equipment.

Office equipment, like guns!

Head on down to Bogotá, Columbia, where the sun is always shining and everyone is so happy! And it is also the location of Belko Indutries, a very large office building seemingly in the middle of nowhere. They help hire foreign workers for American companies, or something like that. Hard to say, doesn’t matter, they have sweet government contracts, so life is sweet.

Weird things are afoot today. All of the local workers are being sent home. There is a larger security force than normal, checking cars and looking intimidating. But hey, it is still a work day, so even with some missing people they have meetings and phones to call.

And then, a voice (Gregg Henry) comes over the loudspeaker, that they didn’t even know existed in their building. It said that most of them would die, and that if in the next 30 minutes two people were not killed, then there would be consequences. Ha ha. Must be a prank. And then the office building straight up closes entirely around them, windows, doors, all covered in large metal panels. Fuck! Well, of course no one kills anyone, so then four people die from sudden head explosions. Head explosions! Each person had a GPS tracking device put into their head, in case of kidnappings, because Columbia. Turns out they are bombs and now everyone is even more fucked.

Of course it gets worse. Now they know it is serious. And now they know that with 76 people left in the building, they now have 2 hours to kill 30 people. Or else overall 60 will be killed, randomly. Now it is time to let your animal instincts out. Now is the time to go wild for survival. And hell, a few of the people have some special forces training before this job. Doesn’t look good for your normal receptionist.

And we have a lot of workers, so here they are: John C. McGinley, John Gallagher Jr., Tony Goldwyn, Adria Arjona, Melonie Diaz, Michael Rooker, James Earl, and Sean Gunn are some of the bigger players. We also have Brent Sexton, David Dastmalchian, David Del Rio, Gail Bean, Josh Brener, Owain Yeoman, and Rusty Schwimmer.

Blood bath? More like Blood…um. Office. Yes, Blood office.

I wanted so badly for The Belko Experiment to be good.To give me a satisfying psychological horror. To really emphasis the experiment parts, and showcase human spirit and humans in general. And yes, I also wanted it to feature a ton of violence through the use of common office equipment. Things like coffee pots, staplers (of course), paper weights, chairs, paper clips, who knows. And honestly? We maybe got 3. Definitely two that stand out, and of those two, one doesn’t even kill a person, it just injures them.

When it comes to wild and crazy deaths, this film lacks them. It just gives us death. MOST people, out of the 80 starting amount, die from a gun shot wound or from their GPS tracking devices exploding in their head. And I do mean that by most, definitely well over half. We have some knife/cutlery related deaths, a couple accident based ones, and a few explosions, but most of them are just regular violence in what could have been a creative film. The trailer implied a lot different film from the tone given.

A lot of screen time is given to the characters actively trying to escape. Making signs to hang, getting through the metal, taking out their “GPS devices” and so on. Perfectly good rational behavior. And that same behavior is why we never really get the all out blood bath the trailers seemed to imply. We get forced into a situation where a few people with power and guns just start killing off random individuals without the thrill behind it.

Overall, I guess what I am getting at is that the film is too serious. The violence doesn’t lead to the fun deaths which doesn’t lead to a fun movie. But it isn’t serious enough that it makes any point either. It just feels meaningless and hollow.

Sure, we have some interesting characters. Gallagher is our voice of reason. McGinley is a creep. Goldwyn is a typical executive. A lot of people play scared office worker quite convincingly. Surprisingly, Sean Gun, James Gunn’s brother, known basically only for Gilmore Girls, is the most exciting character and his actions are fun to watch, but he can not entertain us enough on his own.

The Belko Experiment seemed like it would be an immediate cult classic, but I doubt even a sequel could save the story it tried to piece together.

The Divergent series has the honor of being the next Hunger Games series, movie wise. Even if The Hunger Games still has one more movie yet to come out. You know. Successful trilogy, third one split into two boring as fuck movies to milk more money out of teenagers. Whatever.

I wanted to like Divergent a lot more than I did. But, TL;DR, it wasn’t a completely original dystopian plot line like it made it look like. It was kind of nonsensical at points, left a lot of questions, and it ended up just being a damn high school clique movie, in its most basic form.

HOWEVER. Insurgent can be something completely different. If the ending of Divergent is any indication, Insurgent shouldn’t be a shitty high school clique movie. It should be a smarter sci-fi dystopian action movie. Class warfare shouldn’t be an issue. Just rebels vs the government. Good. This one can be a huge improvement.

Pls don’t let me down. Plsssss.

I was just as surprised as everyone else over the erotic lunch based three way scene.

The last movie ended with our heroes, Tris (Shailene Woodley), Four (Theo James), Peter (Miles Teller) and Caleb (Ansel Elgort) escaping out of Chicago and heading past the wall into the magical world of the unknown. After all, the wall was put up to protect them from the dangerous outside that had monsters and bad people and shit.

Wait a minute. Sorry. No. They just go into the forests outside of the city? Not outside of the wall? Oh…well then…okay. I guess they are just hiding out from the hippies, trying to figure out what the hell Jeanine (Kate Winslet) wants to do, now that she took out all the working class selfless people. That’s right, only four factions now fuckers. The nerds, the jocks (which are scattered and small), the student government, and the hippies. Because it is still a high school in Chicago. Speaking of those factions, we get to see things from the hippies and the student government finally. The hippies are lead by Johanna (Octavia Spencer) and the SGA is lead by Jack Kang (Daniel Dae Kim, of Lost fame!).

Either way, the plot of this movie is our heroes on the run. Not physically, because apparently it is super easy to hide from almost everyone in Chicago, despite them only using like 5 buildings for most of the population. Their GPS systems must all be out of wack. Also, Jeanine found this mystical box under Tris’ old house that her parents were hiding. That is why she killed them by the way, looking for the box. Didn’t you know that they wanted it from the first movie? (I literally don’t remember it, but it may have been hinted or mentioned). The thing is, this box has a message in it, written by the founders of the caste system. It will let them know how to deal with all these Divergent assfaces. They just need a really strong divergent to open it. Hmm, wonder who that could be…

This movie has a huge number of other people of course. We get the return of Jai Courtney, Mekhi Phifer, Ray Stevenson, Maggie Q, Ashley Judd, Tony Goldwyn, and Zoe Kravitz. But we also have new people, like Naomi Watts and Keiynan Lonsdale! Woo~

Oh, and didn’t you hear that this one featured Bieber?*

As soon as I finished this movie, I was immediately asked by people what I thought about it. And I shrugged. I didn’t know. It took me a long time to figure out exactly what I liked, disliked, and how I thought about the film as a whole.

Here is one thing I know for certain: Insurgent is better than Divergent. For sure. I had a lot to complain about Divergent. You might have heard about me doing so in my review of Divergent. But I still thought it was at least okay. So here is another thing I know: Insurgent is not good enough for me to give it a 3 out of 5, the like it category. It is a 2 out of 4 like Divergent, just a better 2 out of 4.

I was able to see this movie in IMAX, only my second movie to do so after Edge of Tomorrow, and it did feel good on the gigantic 3D screen. It had a lot of CGI based special effects going through these tests or whatever they were called and for the most part the looked pretty decent. It had more action than the first film. Real action, not bullshit “dangerous training”.

On the other hand, the plot was pretty basic. It was very predictable, especially when it came to reality versus simulation. The only wild card was Miles teller. We mostly just had teenage angst carrying the rest of the plot, so it was pretty linear. Major plot points seemed like they were added on as an afterthought (read: that box thing that wasn’t mentioned in the first film at all). And of course, this film still doesn’t feature outside Chicago, which to every one that isn’t a book reader, was pretty sure how this one would start. But whatever.

The film also still features a huge amount of confusing plot decisions and material. Maybe reading the books would fill the gaps, maybe they are shitty in the book too. Who knows. I know this is still entertaining enough to warrant a watch, but not enough for me to want to buy any of the series still or read the books. And the last movie being another shitty two parter means the franchise is probably at its high point right now. So sad. Please go back to Spiderman, Shailene.

* – Bieber jokes are still funny, right?

Divergent, or as I like to call it, the next fucking recent young adult sci-fi/fantasy series to have taken off, has been turned into a movie. Weeee.

A lot of these lately have been terrible. Did you see The Mortal Instruments: The City of Bones? I did, it was ghastly. So was Vampire Academy. The only recent successful one of these was The Hunger Games, which had a dystopian aspect, just like Divergent, and just like this random other movie The Maze Runner later this year.

So, will it actually be a nice parallel of society? Or will it just be made to make teens feel special? That’s the important question with these adaptions.

And here is the main characters ass as promotional material.

Beatrice (Shailene Woodley) is an Abnegation tribe member. What? Okay. This story takes place in Chicago in the future, after a big war, they have built a big wall around the city. They have split members into big tribes, each having a trait. Abnegation people are selfless, run the government, wear grey, simple lives. The Amity are peaceful, hippies, farmers. Not really talked about in this movie. Candor wear white, are honest, and just say whats on their mind. Yeah, another kind of pointless tribe I guess. Erudite are the smart people, doing smart stuff and wearing blue, the smart colors. Dauntless wear black and leather, the brave, the cities police force and protectors.

Well, Beatrice is about to go to her choosing ceremony, where she picks her faction she will live in from then on. Her parents (Ashley Judd, Tony Goldwyn) are big in Abnegation, and want her and her brother (Ansel Elgort) to stay in their area. Well, during her test to see who she actually fits in with most, her results are inconclusive, equally selfless, brave, and smart. It is called being Divergent, and it should be secretive, because people don’t like free thinkers?

Well, Beatrice, now Tris, chooses Dauntless, as she always liked them. Now she has new friends (Zoe Kravitz), and has found out that just because she chose Dauntless doesn’t mean they have picked her. Of the recruiting class of like 40-50 students, half will be cut after weeks of training based on physical skill, and then another half will be cut after emotional/mental training. So only like, 10 or so people will actually make it. Yep. This movie is mostly a training movie. Ha ha! Fooled you guys!

This gives us characters like Four (Theo James), her main trainer and probably love interest. Or Eric (Jai Courtney) a much meaner training guy. Kate Winslet is a mean smart woman, Miles Teller is a mean new Dauntless recruit, and Ray Stevenson is a mean Abnegation leader.

And shit, this movie has ninjas too!

So I felt like again, if I had read the book, parts of this movie would make a lot more sense. Just like every other damn young adult adaption. Here are brief thoughts about my ramblings, that as far as I can tell didn’t get answered in the movie. Some are just world building questions that would have been very helpful.

How often does this choosing ceremony take place? Multiple times a year? How old are you when it happens? I guess the main character and her brother are not twins, but born close enough that they have to choose the same year? Does every faction have a long ass training process for when people join? I wonder how strict it is to train to be a hippie. Why did Tris not learn about what a Divergent is until her test, and only because she was one, but as soon as she does, it seems to be common knowledge for every other person what it is? With all the cuts the Dauntless people made, they literally only gained like what, ten recruits? How the fuck is that helpful? Did the plot really need to wait for the ten new recruits for something other than training to start taking place?

If the point of the faction system is to keep people in their place and get rid of human nature, why even let them choose what faction they live in after some random age? It seems like it’d be better to have the false notion of a choice, but in general, make everyone stay where they came from. Honestly, how does early life in other factions like Dauntless even work? Are there any parent type people there at all? It seems very messy to have people trained in a faction type for blah many years, and switch to a different faction, giving them awkward skill sets, that clearly they never lose after switching factions.

Really, this movie is literally just a high school movie, put into a Sci-Fi setting. We have cliques: jocks, nerds, hippies, normal people, and I guess gossipers or something. We have a high school girl, Tris, who feels like she doesn’t fit in with just the normal people, so she tries sports. She tries to also be smart. So she is a nonconformists, and all the conformists want to get her for being different. Or something like that. That is what the movie boils down to.

It was a cool concept, but I also feel like the writer has no idea what the fuck she is doing. Just making an interesting story and hoping it works out. There is a good chance the second movie is better, given that it will take place outside of Chicago. Wait, why is Chicago now bad? They beat the main bad guys? It should be easy to fix now? Eh, whatever.

I guess I should also note the trailer is pretty misleading. It makes it look like because she is Divergent, she joins some group of underground fighters who train her and then they attack the government or something. Nah. Well, she gets trained, but the Divergent-ness seems to be mostly pretty pointless overall.

Remake alert!

Did anyone even know that? Did anyone even care that The Mechanic was a 1972 film? I know I don’t. Back to the violence, please.

I am cutting my original joke, because this screen shot from the movie is hilarious.

What is a mechanic? If you answer a guy who fixes shit, that is an acceptable answer. But in the world of assassinations, it is a guy who will kill and make it look like natural causes, or an accident, or suicide. Very useful, that ability to kill and make it look okay. Right?

Jason Statham is one of those guys, of course, and the movie opens showing him do that shit. He gets paid mad monies from Donald Sutherland, one of the few people he gets missions from. Good friends they are.

UNTIL TONY GOLDWYN SHOWS UP. He gives him a new mission, to kill Sutherland! Why? Because he might have intentionally failed a mission in South Africa, and blah blah plot. So he does it. Unfortunately. At Sutherland’s funeral, Statham meets his son, Ben Foster, who has that young guy rage. So JS is all, hey lets make him a mechanic too! So he uses him as bait / to help kills, get him in the know.

Sure, there’s the fact that JS killed his dad, and made it look accidental, but that probably won’t come back to bite him in the ass, right? Right!

That chihuahua is not Photoshopped in.

Overall though, the story I just didn’t find that interesting. It went the obvious route, especially the supposed “twist” near the end. That twist is actually what was expected. Not having the twist would be a better twist. But you know, billing order and stuff, that matters. Jason Statham is the star, damn it. Acting is as you’d expect for the movie.

Action scenes were fine. But its amazing how these professionals tend to have things go wrong so often, despite all the supposed planning. I guess we have to assume that in the movie, that first success he did is how it normally goes, and that every other time in the movie happens to be not the norm, despite evidence showing the contrary.