Tag: Mark Webber

A green room is the place in a theater/auditorium/bar where the band and performers can hang out before their gig. To relax, to prep, to snort cocaine, whatever they fancy. And that is where a large portion of the movie Green Room takes place. Fancy that!

And here I just thought that director, Jeremy Saulnier, really liked color movies after also directing Blue Ruin, which I never saw.

Not knowing much about the current punk music scene, or the current nazi skinhead scene, I had actually no idea what to expect with a movie like this one. But in retrospect it makes perfect sense for the Dead Kennedys song Nazi Punks Fuck Off to be featured.

Fuck off or get fucked up. That’s my make motto. In role playing games.

The Ain’t Rights are the biggest punk rock band currently in a van with their logo on it! Yeah, people love them! They don’t have a lot of money and they have to siphon gas just to drive around to their gigs. With Pat (Anton Yelchin) on guitar, Sam (Alia Shawkat) on bass, Reece (Joe Cole) on drums, and Tiger (Callum Turner) as their lead vocalist, there ain’t nothing that can keep them from rocking out.

They even have a radio interview with a Mohawk wielding Tad (David W. Thompson) and a gig, neither of which go so well. To make it up for them, he has hits up his cousin Daniel (Mark Webber) in Portland, and they get them a guaranteed stack of cash to perform an afternoon show at some small isolated venue! Sweet! Except it is actually a Nazi skinhead bar, not their preferred clients, just people who really like punk rock music.

Well, they play, they get paid, and get ready to bail, when unfortunately, one of them accidentally finds this chick Emily (Taylor Tunes) dead in their green room. Now the band find themselves locked in there with another witness (Imogen Poots) and Big Justin (Eric Edelstein). The club manager (Macon Blair) handles the cops and contacts the owner (Patrick Stewart) about the incident, but things still seem quite fishy. In fact, the band feels like after everything is settled, they might be taken care of as well.

After all, dead bands sing no tales.

Did you know he was knighted? That comes with a sword and ranks in horse riding! OP Boss!

As I mentioned before, I am basically illiterate when it comes to modern punk rock scene and skin head culture. But Green Room is just oozing with details that it is impossible to not pick up on them. The director didn’t just have an idea and winged it. This is a guy who knows what he is talking about. Everything just feels authentic (Editor’s Note: Yes, I can say I don’t know anything about it and call it authentic) and natural. This isn’t a group of dumb ass rockers who commit every horror mistake in the book to be slashed down by the menacing Nazis. No, they all have personalities. They are all pretty smart. Hell, at least four or five of the main Nazis are also complete characters with realistic motivations.

I’m not saying the skinheads aren’t really the bad guys. They totally are! Just that their actions make sense and you can see other motivations behind their actions outside of just movie evil.

The whole film is a cohesive unit together. No one really stands out in my eyes more than any other. Hell, my favorite acting might have just been Big Justin the door guard. Not a slight against Stewart or Yelchin, both of whom I was excited to see in the film, it just feels like everyone is on the same level and I am not watching one great performance in a movie, just one really good movie.

It is gory and gross. But I would be hard pressed to call this a horror film. Just a thriller for the most part.

Green Room is realistic and tense, definitely worth the price of admission.

3 out of 4.

Please don’t get confused. This review is going to be about Jessabelle. Not Annabelle. Sure, they are both horror films, and they came out around the same time, and you know, have that belle thing going on. But they are nothing alike.

Okay, they have one more thing in common. But we will get to that later.

Jessabelle is obviously the less well known of the movies. It was supposed to come out in January, pushed back to August, then pushed back to a soft release in November with some of that video on demand. It ho hummed its way into existence, and then ho hummed its way onto my laptop. I love you video on demand.

Oh hey, I remember this scene from A Nightmare On Elm Street.

Jessie (Sarah Snook) is living a nice life. In fact she is about to move into her fiance’s house finally and she is pregnant with child. Then surprise, car crash, fiance is dead, unborn baby is super dead, and she is paralyzed legs down. Wow, that escalated quickly.

Now she has to go back down to rural Louisiana, with her dad (David Andrews), and you know her old family home isn’t wheelchair accessible. She just has no where to go.

Well, Jessie finds a box of VHS tapes under her old bed. They were made by her mother (Joelle Carter) before she was born. That is good, because she died when Jessie was young from that cancer. But these tapes are weird. She is acting all funny, talking about death and seeming threatening. Her dad doesn’t like them, saying that wasn’t her real mother, by then her mom was out of it. From the cancer. But what can it mean?

What. Can. It. Mean?!

Also featuring Amber Stevens, Chris Ellis, and Mark Webber.

Acting.

Somewhere lurking in the marshy waters that surrounds this Louisiana horror movie Jessabelle is a unique and decent plot. It it totally there, you just kind of have to scrape off the crap. But not everyone has time to scrape off the crap on their own, and the film makers certainly didn’t do it for us. So instead we got packaged crap and were kind of told to look for it on our own.

That sounded pretty harsh, but I thought I was being clever there.

But it is true! The acting wasn’t terrible. The movie was just slow. Some times people think movies set in rural areas need to take their time and can’t be high energy, but that is just silly. It had its jump scares, it had scenes that were alluding to other movies. And it had a decent plot. But it was full of other crap and given to us in a boring “seen it!” before way.

Oh well, maybe you can surprise me with some indie sequel in like, four years.

1 out of 4.

Shit. I should have saved this movie for actual Christmas. Jeez. What is wrong with me? I blew it, clearly.

Happy Christmas is an indie movie, so of course it makes sense to come out on July 25th, which I guess is the “Christmas In July” day, but I don’t get that concept at all.

Either way, we are going to have a movie about Christmas now, damn it. I don’t care what holidays are nearby.

But I hope the baby is the main character. Like Santa. Santa is a baby right?

Jenny (Anna Kendrick) is just a girl, standing in front of her brother, asking for a home. She is having some troubles in her life, but she just needs a break from it all. Thankfully Kevin (Mark Webber) has room in his house for her to crash. His wife, Kelly (Melanie Lynskey) is a novelist, but right now she is taking a break to be a stay at home mom because they have a baby! Yay babies!

And yay Jenny in their house. That means automatic free babysitter. Kind of hard to accept free rent without helping out.

But just one night in, Jenny gets blackout drunk and embarrasses her good friend (Lena Dunham), requiring the help of her brother late at night to get her. Some reliable baby sitter, huh?

Well, these old coogies can’t seem to accept her young hip ways and she finds herself constantly disappointing them, despite trying her best. And hey! She wants to help Kelly get back on the writing thing.

But seriously. Can she just not fuck up once? Maybe by Christmas? Or will she just be fucking the babysitter? (Joe Swanberg)

She ate all of those pretzel bites the night before. What. A. Night.

Quintessential indie film. Some comedic moments, a lot more dramatic ones, everything really close to reality, very few actors, and overall, just okay.

I mean, there are truly fantastic indie movies out there. This year we were able to get Obvious Child and Locke. After watching this film I was left wondering “Is that it?”

I guess with their lower budget they just want to tell a simple story, but a lot of times I am not left wanting more just because it was such a great story and I am super invested in the characters. It is more me wondering why any of it even mattered?

Oooh, a group of people learned to accept each other by the end. And there was awkward moments. (Awkward moments are key to indie movies).

As I already said, Happy Christmas was okay, but borderline on boring and disliked. So a low 2, if you will. You can tell my indifference, as I couldn’t even write 500 words about this one.

2 out of 4.

When I saw the trailer (I never saw this trailer) for Save The Date, I assumed that the stars were also the writers! It looked like an indie romance comedy that these comedy stars keep doing on a small budget (I based this on the poster only).

Lots of assumptions, but seriously, they are all very similar. Trust me.

But some other person wrote it! So uhh, maybe it will just be different and realistic?

We all know the real reason I watched this movie. Sup Alli?Sarah (Lizzy Caplan) is moving out of her apartment! Why? She is moving in with her long term boyfriend, Kevin (Geoffrey Arend). Yay relationships!

She never wants to get married, but hey, living together is fine. He is the lead singer in a small band. Sarah’s sister, Beth (Alison Brie) is a lot more secure in her life, and she is currently planning her wedding to Andrew (Martin Starr), the drummer of that same band! What a convenient way for everyone to be introduced quickly!

Despite everyone telling him not too, Kevin decides the best course of action is to propose to Sarah at the end of their last concert before going on a big tour, in front of all their friends and family! This doesn’t go the way he had planned it.

This causes a lot of strife in the group, obviously. But hey, Sarah warned him. She is also totally interested in this Jonathan (Mark Webber) guy at her work. He will do, he hates marriage too.

This leads to fighting amongst all people, sex, cheating, and maybe even a pregnancy. Yep, pretty realistic I’d say.

To be fair, this does look super realistic. Dat frizzle. When you watch a movie like this, you hope the acting is awesome, and it probably has really great dialogue. Well, the latter is generally true. The conversations felt real, the reactions felt real, no one was a silly stereotype. But the acting? Definitely not high on the Ben Affleck scale.

I actually enjoyed the plot and (I will say it again) realisticness of the whole movie, but the ending ruined it a bit for me. I don’t want to stereotype it and say the ending felt “artsy” and thus bad, but…other words really escape me. It’s a bullshit way to end a movie, and they should feel bad. I demand a complete story, not snapshots of random lives.

Someone who was working on this must have just got out of art school.

2 out of 4.

If you guys knew how many lesser known movies Kevin Spacey was making nowadays, you’d be shocked. Shocked!

Because everyone loves Kevin Spacey right? Even when he is in mediocre films, he is usually the best part and everyone is happy. Because yay Kevin Spacey. But why all these films that aren’t advertised? Today I watched Shrink, which came out in 2009. And well, I am sure its probably not something anyone really knows. Tomorrow I will watch Casino Jack, a 2010 movie with him. Heard of it? No. Probably not.

I am sure most would be willing to tell Kevin their darkest problems too.

Kevin Smith is a celebrity therapist in LA. Exclusive and famous clients, who all have problems. No cameos here, but Robin Williams does play an actor who is in therapy for alcoholism (but doesn’t believe he is an alcoholic, and thinks himself a sex addict instead). Unfortunately for him, his wife also recently committed suicide and he is kind of having a rough time with it. He starts drinking himself, avoiding his bed room, and hanging out with his pseudo-relative Jesus (Jesse Plemons) to get drugs and high with.

His dad was also a therapist and it is clear Kevin is having a hard time. After a failed intervention, he gets him to start therapy for a high school girl, Jemma (Keke Palmer) as Pro Bono work saying it would help. Why? Turns out her mom committed suicide too. She wants to be a filmmaker some day, but is having quite a rough time at the moment.

At the same time, he is handling a few other celebrities. Saffron Burrows is an actress, married to a narcissistic rock star husband, who makes her feel insecure about her age (joint therapy, husband the real problem). Dallas Roberts is a talent agent who is a germaphobe and has anxieties, who’s biggest client is Jack Huston, who is also addicted to drugs.

Finally, Mark Webber is his kind of related god son, who is a struggling writer who might finally get inspiration through Kevin’s clients. Also interested in romantically with the assistant to Dallas, Pell James.

Yeah, lots of plot lines going on here. Most importantly Kevin trying to handle his clients (who end up being way too connected for his liking) while also failing to take his own advice to deal with his own problems.

Jesus wears glasses.

As we learned from The Sopranos, sometimes even a Shrink might need a Shrink. Having to hear others problems for so long can drive a person mad and not feel as important. This isn’t the plot of the movie, just me free balling.

An interesting concept of a movie, but I definitely thought there was a lot of plots going on. I wasn’t sure why there was so many separate stories for awhile. They eventually became more and more connected (or they always were connected, just more and more revealed) but ehh. Still felt weird. Some of the client stories (Robin Williams / Saffron Burrows) seemed to go nowhere by the end. No where exciting at least, nor did they really end.

Everything else was neatly wrapped up in the movie though. Kevin Stacey does good. I thought each of his scenes were decent, but the flip out on TV scene didn’t feel natural at all. But yeah, wooo therapists.

2 out of 4.

Here is an example of a biased review. Yesss!

Scott Pilgrim vs The World is a movie based off of a 6 part graphic novel series more or less called… Scott Pilgrim. The novels were one of my first forays into owning graphic novels and reading them, when there was still only the first four out. By the time the sixth one came out, I was able to go to a midnight release of the book and read it all before I went to sleep. Then the movie came out a few weeks later, and crammed all of the stories into one movie. And it was epic.

You might even say I am in lesbians with it.

Scott Pilgrim (Michael Cera) is our main boy, and he lives in the mythical land of Toronto, Canada. He is 22, and living with his gay roommate Wallace (Kieran Culkin), and has little to no prospects outside of his band, Sex Bob-omb. The lead singer and guitar player is Stephen (Mark Webber) and the drummer is Kim (Alison Pill, and dated Scott a long time ago). So what is Scott doing? Dating a HIGH SCHOOL CHICK, named Knives Chau (Ellen Wong) and she becomes a groupie along with Young Neil (Johnny Simmons).

But then he meets Ramona Flowers (Mary Elizabeth Winstead), a cool American chick and wants her so bad. What he doesn’t know, is that to actually be with her, he has to first defeat her seven evil exes in order. What?! Yes. Including an emo, a movie star (Chris Evans! In his 5th comic movie role), a vegan, a girl, twins, and Gideon (Jason Schwartzman). Can he defeat the exes? Can he handle his own exes? Does he know how hot his sister (Anna Kendrick in the movie) is? Also Aubrey Plaza is in here, more famous for Parks and Rec.

Of course, as it is a six book to one movie adaption, a lot of fun cool stuff had to be left out. Like my favorite panel in a comic ever.

Hopefully you can tell already that a lot of the movie is kind of video game-y. If you ever played older ones, this movie has a lot of shout outs for you. Parts are written like the comic as well, and full of smaller inside jokes, but they don’t take away from anything if you’ve never read the books. It is also a very fast paced movie, so time should fly by pretty quickly while watching it. Also, hilarious.

Fight scenes are great. Characters are great. And you won’t be able to guess how it all ends. If I had one real gripe, it is that there won’t be anymore movies. And they never made any “save point” jokes. For a first time watcher, a lot of the names thrown at you at the start may confuse you too. But hey, get over it.

4 out of 4.