Tag: Lily James

When I first saw the trailer for Yesterday, I will admit it intrigued me. A world where only one person knew about The Beatles? Okay, cool.

A world where something never happened can be a hard subject to take over. Are the writers/director going to really drive hard into all the consequences of the bigger band ever never existing? Will a lot of the world be different? Or will it just be an awkward hole that needs filling.

And honestly, I don´t care about The Beatles at all. So hearing some guy do covers of their music all movie doesn´t appeal to me in the slightest, so I would go in only caring about the story, the why, and the ramifications.

He also seems to be screaming instead of singing most of these shots. Jack Malik (Himesh Patel) is a British man from an Indian family, trying to make it big in the music business. He can write songs and play guitar, but no one gives a damn about him. His best friend for a long time is his manager and a school teacher, and Ellie (Lily James) has always supported him, even when he wants to give up.

And he wants to give up, a lot. Especially after he is hit by a bus when a global blackout occurs.

After his recovery, he plays a Beatles song for his friends, and none of them recognize it. That is a dumb joke, but whatever. And when he references them to more and more people, no one has a clue what he is talking about. Shit, even the internet is confused by his nonsense.

Time to exploit this knowledge, sing all of their songs, and become world famous! But wait, it is 2019. Will people care about the Beatles songs outside of the context of their role in history? Aren´t they all basic forms of music compared to some of the complex music we have today?

Eh, who cares. Let´s get rich and deal with the how and moral implications later.

Also starring Kate McKinnon, Ed Sheeran, and Joel Fry.

Scream number 2.

If you want a light movie with some Beatles covers and some light romance too, then I got a movie with you. If you care at all about plot or the ramifications, well, do not watch this movie.

This is the type of film where they had the idea and stopped developing it after the idea. There were a few cute moments about OTHER popular things that did not exist because of the Beatles fame. But the only one that made direct sense was Oasis, because of course. The filmmakers just nonchalantly picked other famous things to delete as well.

Were they because of the no Beatles? Were they also wiped during this weird event? Were they the real thing that was disappeared and that caused no Beatles? They do not explain it at all, and do not make an attempt.

And also, as most of us would assume, no one would get super famous from Beatles music in 2019, if it didn´t come out 60-70 years ago. No way at all. So his strange rise to success feels forced and at no point am I given a believable picture of this strange rise to fame.

Just kidding. A scene where his parents gave no fuck that he was unveiling a new song for them to hear, and interrupted him multiple times? That was believable.

A concept that could have been great, but was instead left up to mysteries and lack of thought.

1 out of 4.

Sorry to Bother You is one of those films that sort of snuck up on me with a roar. I heard idle mentions of it earlier in the year, but didn’t go out of my way to do further research.

I knew the star. I guessed the theme. And yet none of that would prepare me for the trailer.

The trailer felt very fresh and told me that this. Would be a movie with a lot going on. A sort of extreme satire, maybe very political, but whatever it is it has a message and will be both subliminal and superliminal with that message.

I was excited and ready for this screening, without really knowing what it might give me.

I am getting a Japan / sumo wrestler headband vibe here.

Cassius Green (Lakeith Stanfield) is your regular, down on his luck, poor, brother. He is living in a garage in the house of his uncle (Terry Crews), with his long term girlfriend artist (Tessa Thompson), and they aren’t having a lot of luck making money.

But Cassius is able to get a job working as a telemarketer, working for commission. It is better than nothing. And he has the promise that if he does good, he can go to the top floors of the company. He can ride in the special elevator. He can be a “power caller,” and make the big bucks. No one really knows what they sell up there, but it ain’t magazines and book sets.

Cassius is told to just stick to the script, don’t get out of line, and make money. Once he makes money, he can make more money and more and be a success for once. Especially if he taps into his white person voice.

Starring David Cross, Patton Oswalt, Lily James, Forest Whitaker, and Rosario Dawson! Or at least their voices. Also starring Jermaine Fowler, Steven Yeun, Omari Hardwick, Armie Hammer, Robert Longstreet, Danny Glover, Kate Berlant. and Michael X. Sommers, that would be their voices and their bodies.

This is how white people drink champagne.

Strangely enough, the trailer for Sorry To Bother You only gave you a slice of the whole story, so I tried to do the same with my plot. There is a whole lot more that goes into this story. Topics of slavery (multiple levels) , class warfare, poverty, selling out, and American indifference to clear wrongs in the world. This movie coming out now is extremely well timed given the border problems that keep getting swept away by other media distractions.

It is not a film to use subtle clues to drive the point home. No, these clues are obvious, with a hammer. Fuck, one of the most uncomfortable scenes was the precursor to a “rap” where the chants, the disparity of the cast, made everything all too real and uncomfortable.

Stanfield is amazing in this film as our lead. His senses will probably always align with the audience on the scale of what is right and wrong and when to finally draw the line. Oh yes, you will know when that line is drawn. It was good seeing Yeun in a role very different than his previous work. Thompson was great. Hardwick was as well, despite more limited time, and Hammer was a blast going full crazy CEO for this film.

Unfortunately, areas do feel a bit clunky and jarring. Especially in the end, time seems to go by strangely and not everything seems to have the same attention to detail as earlier on in the film.

Sorry To Bother You will be looked back as an important work, with extreme topics in order to get the point heard loudly.

3 out of 4.

With a title like Darkest Hour, you would assume the movie would take place sometime in the 1-4am range of whatever time zone that film is in. But what do we know.

Well we do know is that The Darkest Hour is a film that came out six years and features at least one more article in the title. I never reviewed The Darkest Hour, but I remember when it came out and in retrospect, I really wish I reviewed it just for this review comparison. Unfortunately, it was right before I started my website, and I was too cool for that shitty looking movie then. Russians, aliens, power, seems perfect. Damn it.

Back to this film, Darkest Hour. This one is a film that people have actually talked about, buzzed about, raved about, but never done a full on analysis between it and the previous film. I feel like this is the easiest thing they could have done. Maybe no one watched The Darkest Hour?

According to him just two people watched The Darkest Hour.

In early May, 1940, the British Parliament was getting sick of World War II. Their troops were dying. Hitler was taking over Europe, and everything looked grim. So they wanted Neville Chamberlain (Ronald Pickup rel=”noopener” target=”_blank”) to resign as the Prime Minister so they could get someone with a bigger drive to save them from utter turmoil. And despite his background, despite his history, they knew the only man for the job would be the controversial Winston Churchill (Gary Oldman rel=”noopener” target=”_blank”).

And of course Churchill knew this, he has waited his whole life for this, he just wishes it was under better times. His wife (Kristin Scott Thomas rel=”noopener” target=”_blank”) supports him, and he just has to, you know, save all of the British troops from annihilation in France, develop a competent war council, and determine if his country will end up signing a peace treaty with one of these warlords.

The king (Ben Mendelsohn rel=”noopener” target=”_blank”) is not a fan of his, his ¨allies¨ (Stephen Dillane) want him to just make peace and end things, and well, nothing is going right. This is the same month that will end with his troops retreating to the coast in Dunkirk, France, with no real ability to get help and return home. Thankfully throughout all of this, we have our person new to the crew (Lily James) as his typist so that we can catch up on any important backstory.

Oh, and yes, the film takes place entirely in the month of may, no D-Day like I originally imagined.

Also featuring Samuel West and Richard Lumsden.

That smoke is coming out of his eyes like a bizarre dragon, not his cigar.

Watching the trailer for The Darkest Hour, I realize I totally did watch that movie. Again, it was just incredibly forgettable, and before I had this site, so no review of it exists. I can´t believe I watched it.

On the other side of the line, I am so glad I watched Darkest Hour. A thrilling biographical film, filled with wonderful performances, gripping true story, and wonderful history.

Gary Morphman Oldman is insane in this film. I don´t mean he acts insane, as he has plenty of characters who do that, but in his transformation into Churchill. At no point in the film did I think that it was just Oldman playing a character and doing it well, it just felt like Churchill the entire time. The words, the walk, the look, the makeup people are probably getting nominations for this one. Sure, yes, you can see him in his Oldman eyes, but it is one of the finest full on character transformations in recent years. Similar to the transformation of Daniel Day-Lewis into Lincoln.

The rest of the cast could not get up to Oldman´s level, unfortunately. Our main antagonist felt a lot less realistic and not fleshed out, so he became a one note pony and it got a bit old. The King was okay, Chamberlain was okay, Lily James was okay enough, but didn´t have a strong purpose either.

This is certainly a better movie in my mind than Dunkirk, because it has a lot more of a human and story component behind it, while Dunkirk is visually pleasing and thrilling, the story just lacks so much.

In case you didn´t read that, Oldman great, rest of cast okay, story better than Dunkirk.

3 out of 4.

At the time of writing this introduction, Baby Driver was listed on Wikipedia as a British-American action crime comedy jukebox musical film, and when I first read that my heart skipped several beats. I am now dead. [Editor’s note: I have gotten better, and the Wikipedia article has since been shortened.]

Those genre’s together just seemed too good to be true, and it was. Because a jukebox musical means, 1) It is a musical, and 2) That the songs that the character sing already exist and come from the charts. But I knew this wasn’t a musical, just a film that really, really, really, loved music. Music that yes, at different times, may have hit the charts. And even if the main character sings some of them, they still don’t qualify it as a musical.

Which is sad, but I am mostly certain no one will turn a plot like this one into an actual musical. Or at least, not for film, but you never know with Broadway turning out 2 or more “Movie title, the musical!” films a year.

“Elevator, the musical!” is coming up and down this fall.

Baby (Ansel Elgort) loves music. It is a major part of his identity, there are always earbuds in his ears with an iPod playing a song to help the situation. When Baby was a kid, his parents got into a car accident with him in the back seat. They died, he survived, and he gained an ever persistent noise in his ears that won’t go away. The music helps dull it out.

Baby unfortunately got into some trouble. He became very good at cars, being one of the best drivers around despite his young age. But one day, he messed with the wrong man, Doc (Kevin Spacey), and lost a lot of his merchandise. And now, to pay Doc back, Baby has been the driver for several bank robberies in the greater Atlanta area, with his share always going towards his payment. But as soon as he pays off Doc, he wants out. He just wants to drive and be free, he definitely doesn’t want to hurt anyone.

Baby works with criminals, however. And criminals can be erratic and put his family in danger. His family being his foster dad (CJ Jones), who is now in a wheel chair, deaf, and needs a lot of attention. And Deborah (Lily James), a waitress at a diner he frequents who shares his passion of music and is generally a free spirit. So when the criminals start doing bad things, it is Baby’s duty to get out of it while protecting those he cares about.

We have quite a few criminals played by actors like Jon Hamm, Jon Bernthal, Jamie Foxx, Eiza González, Flea, and Lanny Joon. Also featuring Sky Ferreira and Hal Whiteside.

Everyone knows that diners are the best place to go for music and pie.

Baby Driver, from start to finish, will keep you on the edge of your seat and the edge of your car seat as well when you are heading home. Don’t watch this movie during the day, because you will want the roads empty so you can blast music and drive (responsibly) maybe a little bit faster. It will take over you, especially if you are a movie goer with varied music tastes.

Elgort has been in quite a few teenage romance / young adult films. The Fault in our Stars, Paper Towns, Divergent, even the Carrie remake. But Baby Driver is finally his jumping off point into something greater than all of his parts before combined. He is now part of a cinematic masterpiece, playing a role unlike his other characters, and hopefully will lead him to a lot of better roles in the future. Elgort might be a star, especially lucky after he didn’t get the Star Wars gig.

The cinematography, the action, the variety of characters, the dialogue, and of course, the music, make Baby Driver a must see film. I especially appreciate at how diverse the music ends up being, from all sorts of decades and genres. In addition to that, having the action FIT the music is an incredible achievement and allowed me to sit in my seat in awe.

I can’t talk enough about how wonderful an experience Baby Driver was. It is a film that I want to see again in theaters and will pick up on Blu-Ray day one of its release.

4 out of 4.

For the most part, I try to avoid reading a book if I know it is going to turn into a movie. Or even worse, just try to read a book right before watching the movie. I can’t stand it, I will go into the movie with biases, and the movie won’t be able to surprise me.

I don’t know if I would have been able to cry during The Fault In Our Stars had I read the book! And those were some good tears.

But I read Pride and Prejudice and Zombies. I think I read it in 2010, before I started writing reviews, with the actual book coming out in 2009. I read the entire book the whole way though, and then quickly got rid of it. I paid full price for it and gave it away for free. It was dreadful trash and I couldn’t stand it. I only finished it because I assumed it had to get better, there had to be reason for the success.

The book was about 80% original Pride and Prejudice and about 20% the author changing some scenes and throwing in zombie fights. Every time the author switched it was so jarring, going from well written to complete trash. All it made me do was appreciate Pride and Prejudice more and vow to not read any of the other mashups that would exist, no matter how popular.

Needless to say, I am going into this movie incredibly biased. And also I am in general surprised that it took 7 years for this film to get made.

Well, you know what they say. You cannot spell Slaughter without Laughter.

Oh that zany 19th century England. Full of lords, ladies, romance, guns, and zombies.

What is a patriarch (Charles Dance) and matriarch (Sally Phillips) gotta do when they have five daughters, all of viable marriage age, needing husbands to take care of them?

Their oldest daughter is Jane (Bella Heathcote), but everyone knows their best daughter is Elizabeth (Lily James), despite her strong wills. The other three daughters, Lydia (Ellie Bamber), Mary (Millie Brady), and Kitty (Suki Waterhouse), are around but not super important.

Jane falling for one Mr. Bingley (Douglas Booth) is important though, as he falls for her as well. Now the parents can meddle and force a marriage. When they meet Bingley, they also meet Colonel Darcy (Sam Riley), whom is seen as a pompous and arrogant person, but also wealthy as fuck. And you know, he can kill a zombie like no other it is said.

Can headstrong Liz learn to love another, more than her love of zombie killing? Can headstrong Liz keep her head strong enough to avoid zombie bites? Find out…well, in this movie.

Also starring Jack Huston as Wickham, Lena Headey as Lady Catherine de Bourgh, Emma Greenwell as Carolien Bingley, and Matt Smith as Parson Collins.

Kicks to the chest also can be quite deadly, apparently.

Fuck. Just fuck. I feel like this movie was actually worse than I imagined. I imagined it would have bad acting, sure. I imagined it would shit on something I find enjoyable, yeah. I imagined the CGI wouldn’t be top notch and a lot of corners would be cut when it comes to fight choreography, of course. But on top of everything, I also didn’t think it would be Boring. As. Fuck.

Say what I will about Abraham Lincoln Vampire Hunter (and of course I did), but at least there was an inherent entertainment level there. At least I could sit in the theater and laugh at some of the more ridiculous scenes. But with watching this film on DVD, I found myself constantly wanting to pause to get a drink, go to the bathroom, spin in my chair. I wish my laptop worked so I could have laid down in my comfortable bed and fallen asleep to the movie, instead of actually watching all 90ish minutes.

I think it is notable to mention when you fall asleep in a film, which usually happens only in theaters for me. But I know I would have passed out for a lot of this movie if I was watching it while feeling any bit comfortable.

Everything about it is magnified so much, because of how interesting the story becomes. I get annoyed at the bad fight scenes. Annoyed at the acting. Sam Riley as Mr. Darcy? They picked a guy, who decided to give a raspy voice performance and absolutely no sex appeal in a role that is still very much technically in the romance genre? Riley is not my Darcy. The cast for most of the parts in this film is just the final nail in the coffin.

But let’s end this on a fun fact. Emma Greenwell plays one of the three younger sisters. I already forgot who. But she also was in the movie Love & Friendship, also out this year, and also based on a Jane Austen novella. How cute.

0 out of 4.

Alright, fine. Disney is going full money grab. Disney Princess line is a success. Frozen has made multiple billions from sales and merchandise. They have bought Marvel and Star Wars. They want all the money on the planet, that is the only way to describe them right now.

Because if they keep making live action movies of their animated classics, they get to print even more stacks of cash out, keep up any copyrights they have (totally researched argument, this could be a false statement), and re design the character as see fit. After all, most of the early princesses are pretty passive people and terrible role models for women. They can make all of these women stronger independent ladies. They can make the movies more exciting or just tell a better story.

The first attempt was Maleficent, which I thought was terrible. The changes they made (all of it) were terrible, and instead of getting a bamf villain, we got a misunderstood fairy who spent a third of the movie just watching a girl grow up. We are getting Beauty and the Beast which I already have issues with casting wise, but I will tease and not talk about it until that review comes out in 2016 or whenever.

So now we have Cinderella, which for the most part, looks to be the exact same story. Maybe some more details, but exactly the same story with all of the same songs. Wait, what, no songs?

We are just getting fancy dancing? WHO WILL SERENADE ME?

Ah little Ella (Lily James). Living on her slightly big house with servants and shit. A loving family. Her dad (Ben Chaplin) is a merchant w ho goes on trips a lot, leaving her with just her mother. Did I say mother? Just kidding. She died. She told her to always be good and nice to people, because that was her gift.

Eventually the dad was feeling a bit lonely and he also wanted to be nice. So he heard about a lady who needed help, who was also now a Widow with two daughters. He wanted to marry her and move them in so that Ella would have friends and a family again.

Hah. Just kidding. New mother is a bitch (Cate Blanchett). New sisters are whiny bitches (Sophie McShera, Holliday Grainger). And of course her dad kicks the bucket too while he is out on a trip. Fuuuuuuuuuuck.

So they are poor now. They have to let go all their workers leaving just poor old Ella to make the food, clean the dishes, and help her “family” have some sort of luxury. She is too gosh darned nice.

So when the local Prince (Richard Madden) is going to have a ball to find a wife before the King (Derek Jacobi) croaks. Of course Ella can’t go because of bitches. Then we have a fairy godmother (Helena Bonham Carter), transformations, glass slippers, running, big search, and maybe some more shenanigans you don’t even know about.

Also with Stellan Skarsgård as a Duke and Nonso Anozie as a captain! Wait, no, his name is officially Captain it looks like.

Yep, none of them are blonde, therefore they are all evil.

It turns out, Cinderella doesn’t have a lot going on with its plot. I mean, in its basic form, girl is living with step family, doesn’t get to have fun. Some magic happens, she gets to have fun, and a Prince saves her and they live happily ever after. Not a whole lot going on for Ella. She just cleans a lot and is really nice. Fuck, so many times watching the movie, I was just thinking that she should just lock her fucking house doors when they go out to town and be done with it all.

But her niceness meant she just had to get shit on for years or months or however long the time line happened? Man. What a beta.

Okay, boring character aside. Boring plot aside. They don’t really change anything at all from a story sixty five years ago. They have a bit more back story and some more late game scheming, but literally nothing new and so it isn’t a surprise.

The only people who seem to have any amount of personality are the bad guys!

But despite all of it, is is indeed a pretty movie. Visually stunning, outside of one terrible CGI scene involving the pumpkin to carriage (it was gross and the humans looked fake during it), it was just an incredibly beautiful film. They really did great work in the costume and make up department, so you can expect an Oscar nomination there. Overall though, just too much filler and time wasting, especially at the ball.

Also, I feel uncomfortable with Skarsgård having a biggish role in a PG movie after seeing Nymphomaniac.

2 out of 4.