Tag: Janelle Monáe

I was wrong! Recently I released reviews for all of the Disney remakes this year (2019 for you future folk), all together instead of spaced out throughout the week. It was Dumbo, The Lion King, and Aladdin.

Silly me, it looked like only three remakes would occur from Disney in this year. But as Yoda says, there is another.

Lady and the Tramp was probably meant to go to theaters at some point, but they realized it didn´t have as big of a draw as other remakes, and instead decided to just put it out on Disney+ as an opening day movie.

Heck, I saw it up there and for some days just assumed that it was a TV series. Well its out, and here is a damn rushed review.

Aww, look at the little puppy. Someone pet her right now!

Jim Dear (Thomas Mann) and Darling (Kiersey Clemons) are an American rich couple living in a nice house/city in the early 1900´s. If I had to guess, I´d say 1920´s or 30´s based on the cars at the time, and no talk of war. No one finds this weird, so let us move on! They also recently got a puppy that they named Lady (Tessa Thompson).

Well Lady has lived a privileged life, hanging with her neighbor dogs (Sam Elliott, Ashley Jensen), getting collars, and nice food. But her owners are pregnant and a baby is on the way. A scrappy dog named Tramp (Justin Theroux) warns her that babies mean bad news for doggies.

Sure enough, it does, because the owners are overwhelmed. Thanks to a trip and some cats and some confusion, Lady finds herself collar-less, and in the big city, having to rely on Tramp to save her from the dogcatcher (Adrian Martinez). This is also where she will learn that even the scrappiest of dogs have good hearts. Just not cats, they suck.

Also starring Yvette Nicole Brown, and the voices of Janelle Monae and Benedict Wong.

Let´s face it, this is the only reason you are here. 

In the original Lady and the Tramp, not a lot happens. It is a product of its time, no one is really too evil. We have a dog catcher, some cats, and a rat. And that is very much true here as well.

There are not many changes from the source material. Jock is now voiced by a woman, whatever. The couple is interracial and the town very diverse, really weird for the time, but again, whatever. They changed the Siamese cats, which makes sense, to two regular cats and they have a very different song. If they had to change one thing, that is the big one. Oh, and there is no Beaver.

So what we have is basically just a regular remake. Nothing fundamentally different, nothing new to offer, just showing it in a new way. And honestly, it looks really great. The CGI pets are all really well done, and the voice acting is not as jarring as it was for The Lion King.

The spaghetti scene was cute and the songs were fine.

I am giving this movie an average review, basically because of how nice it looks. It is not going to blow you away, it does not change the game, and it is not going to get an serious consideration for watching in my own household. But if they had to remake something and not completely make it worse, this is a good way to go about it.

2 out of 4.

Harriet coming out in 2019 is one of those surprising things that you didn’t expect. How could one of the most famous black women ever not already have a real, state of the art, biography film? The woman who saved so many slaves in the underground railroad? The woman who won an informal contest about replacing Andrew Jackson from a $20 bill.

The most surprising thing about that internet contest is that it sort of worked! The secretary of treasury at the time said sure and was going to do some things. And then Trump happened, and well, there are “more important things to worry about” according to the new secretary of treasury, and she got the shaft again.

This movie might have been made just to help expedite the whole process. I’ve heard about movies being made for worse reasons!

Like, “My best friend was mysterious and hid behind trees, here is there movie!”

Araminta “Minty” Ross (Cynthia Erivo) was born a slave, to slave parents, and only knew working for the man. Her sisters were sold off at a young age, and she was left lonely with out him. She was a similar age to the slaveholders son, Gideon (Joe Alwyn), and knew him her whole life.

After a plea for freedom, based on the wishes of the former owner, Minty knew that she just had to get out of there. So she ran. And with help from people along the way, but on a journey by herself, she made it to Philadelphia, land of the free. There she met slavery abolitionist William Still (Leslie Odom Jr.), who gave her new papers and let her pick her new identity, Harriet Tubman. And for a year she lived a free woman, learning how to be free and live well for once.

But it wasn’t enough. She had family down south. She had a husband. And if the movement up here wouldn’t go and save them, she would just go and do it herself. Again. And again. And again. And again.

And shit, one day, maybe lead a goddamn army regiment during the civil war.

Also starring Jennifer Nettles, Janelle Monáe, Tim Guinee, and Vondie Curtis-Hall.

And introducing for the first time, this GUN.

Sigh. Okay. This is a standard biopic, somewhat boring at times, with good acting from the lead. That is what I am now going to say in more words right after this sentence.

Erivo has been a great acting addition since she hit the scene seemingly last year, and ended up great in our titular role. She would be the reason to see this movie in theaters, as she carries the film.

The cast of supporting characters doesn’t work as well. Seeing Odom Jr., was great, as someone historical other than Aaron Burr, but he felt too goofy in his role and it took away from some of the seriousness of his scenes. Monáe stood out way too much also to feel believable in the role.

The slaveholders are once again turned into cartoon characters instead of villains that both intimidate and induce real scorn. Alwyn never feels natural in his role, and the final confrontation between his character and Tubman is just so fake feeling that the story seems to be wasted on that.

When doing a biography film, it is important to steep it in as much truth as possible if they want to make it something schools will buy and show for education reasons.

Other important notes: I am glad they included her civil war victory. I am glad they showed the various members of the railroad who helped her along the way. And this movie has Fredrick Douglas in it, but they never say his name. It’s great he has such an iconic look that we can tell without doing the awkward name dropping thing lampooned in Walk Hard.

Harriet features great acting from the lead, but the rest could have had improvements to make this a truly great film.

1 out of 4.

When I first heard about the Uglydolls movie, it was…when I got an invite to see the movie. I honestly had no idea this movie was coming out. I try to keep my finger on the pulse of the coming soon community, especially animated films, because I am looking always for the next big thing that will dethrone a Disney or a Pixar. And yeah, this one I knew nothing about.

Sure, it is based on a line of toy dolls I have seen mostly in comic book shops for a decade or so. The actual theme of them is “reject” dolls that would normally be trashed and sold anyways, despite obviously being made that way. Like a fake level of being unique. Okay, that leads to a pretty easy plot to anticipate and follow.

And I also figured out it had to be a musical of some sort, because over half of the main voice cast appears to be a singer. Even some I have never heard of before in my life, but singers nonetheless. A lot more B-talent in terms of voice acting singers, people you don’t see in the biggest movies, so maybe it is their chance to shine?

Really, what I figured from all these glances is that Uglydolls wants to be the next Trolls. Toy line, weird looks, bright colors, and of course, songs to entertain. But honey, this ain’t up to the Trolls level, and Trolls was only average.

Hello group of Not Trolls, whats up? Eating? Cool!Deep in a toy factory, many dolls are created and sent off to be loved by kids everywhere. Except, sometimes a doll is not molded correctly, for one reason or another. There is a mistake! And that doll is sent away down a series of tunnels to Uglyville. A happy small place with strange looking homes, citizens, and a party every night. Mayor Ox (Blake Shelton) makes sure everyone is having a swell time and living it up.

Now Moxy (Kelly Clarkson)? She is an extreme optimist. She believes that one day, every doll is sent into the big world to be with a “child” when the moment is perfect and right. Destiny will find them together. And every new day is the day where she will be picked!

Everyone else knows it is nonsense, until she finally goes exploring with her band of friends. And sure enough, she finds a bigger area, with a lot of dolls that look like people. They have to go through training before they can hit the real world. They need to be perfect. They need training before they can hit that child’s arms. And hey, are these the dolls to do it?

Also starring the voices of Nick Jonas, Janelle Monáe, Leehom Wang, Jane Lynch, Emma Roberts, Gabriel Iglesias, Wanda Sykes, Ice-T, Pitbull, Charli XCX, Bebe Rexha, and Lizzo. The last few I have confirmed are real people.

Totally getting judged right now.Judging really early on in the movie, it was already starting off on the wrong foot. The animation style was a bit safe, nothing to top of the line. It started basically with a song, that also needed to get some exposition and character introduction in, and seemed to go on just a bit too long.

Overall, none of the songs really stood out to me as being great. I didn’t want to go find the soundtrack afterward to hear something again, and that is a real shame. They are all mostly generic.

The plot is really easy to guess/understand for the most part. It is something that a kid will probably follow along and enjoy, but the older folks will be quite bored. It also moves along too quickly. We aren’t able to dwell on anything for too long before it is quickly resolved and moving on to the next moment. One scene similar to the ending of Toy Story 3 was fixed almost instantly and allowed no time for potential sadness to creep in.

Also, let’s be clear. There are dumb components. In the intro, we see all these animals being made for dolls, and then obvious messed up versions being sent away. And so we’d expect diversity when they climb up the tunnels. And instead we get only people looking dolls, perfect and the same, with just different skin tones and hair. How do these dolls accidentally create any of the Uglydolls? They weren’t even trying to make sense.

Uglydolls is a forgettable film, that is safe, and full of generic pop. The message is simple. Ugliness is on the inside. Next.

1 out of 4.

Biographies are weird. They should generally be saved for people who have changed the world or done great things in their life. But what about those great people who people don’t know about? Those are the really important biographies that we are missing and we don’t know we are missing. We don’t need another Biographical film about Steve Jobs now, for instance. And we didn’t know we needed a biographical musical on Alexander Hamilton.

And that is where Hidden Figures comes in. Celebrating the lives of a few individuals who you didn’t know you should know.

And with this regular introduction basically done, I will note this is the second year in a row with a very Pro-NASA movie, along with last years The Martian.

They wouldn’t be legally allowed to watch The Martian on a TV that small. It just wouldn’t be right.

Hidden Figures is about three women, all working for NASA at the Langley Air Force Base in Virginia. Katherine Goble (Taraji P. Henson) is our lead, a brilliant mathematician since she was a kid but held back by her gender and skin color. There is also Mary Johnson (Janelle Monáe), another brilliant mind. Both of them are Computers, people who check the math and solve longer problems for the “Real engineers” and workers at NASA, basically a bunch of white men.

There is also Dorothy Vaughan (Octavia Spencer), a computer herself, but basically running the entire colored department without getting the job title of supervisor. Three women, all hoping to do something better.

Katherine gets a temporary assignment to be a computer for the Space Task Group, a big room full of white male engineers trying to figure out how to predict where their capsules will land AND how to get their rocket out of orbit to get their astronaut at a predicted landing. It is led by Al Harrison (Kevin Costner) who barely has time for the head engineer (Jim Parsons), let alone a colored women. Spoiler, she ends up doing the most important math.

Mary faces trying to apply to become a real engineer, but requiring to take classes offered only at an all male school, so she has to go to courts to fight for the right to take the classes. And she has a husband (Aldis Hodge) who doesn’t always agree with the fights she chooses.

And Dorothy, she really wants to be a supervisor, but her actual boss (Kirsten Dunst) continues to seemingly thwart her on every turn. Dorothy is also worried about their whole division being canned when the IBM comes online and does the computing for them. So she sets out to learn Fortran and become an IBM operator.

Also featuring Mahershala Ali as a love interest to Katherine and Glen Powell is John Glenn. Don’t get confused.

I couldn’t handle Chad Radwell from Scream Queens playing a serious role.

Hidden Figures could be renamed “That’s Just The Way Things Are: The Movie” and really drive the same point home. I lost track of how many times a white OR black character uttered something similar but it was definitely more than five times. They wanted to make sure you know these women were facing struggles, there were many opportunities against them, and it took a long, long time in the movie before they started to get any wins.

It could be coming from a state of modern day feelings, but it really dragged down the film in my mind. Making a few quick references would have been fine. But it just felt like it was piling on without letting you escape, which may have been the point, to give that experience. It just made for a less enjoyable film.

Focusing on more than just Katherine was a good idea, or else the film would have felt very repetitive. The other two plot lines gave a nice break to that, giving us something different to focus on to keep the movie from staying stagnant. Henson truly does change during in her role, playing something completely off character for her. She does a great job, but at the same time, she does a few stereotypical nerd things too many times. Including pressing her glasses back up her nose after doing something particularly impressive math wise, this happens again, at least three times.

Hidden Figures tells an important story. It highlights three women that should be known. But it gets bogged down in other messes without truly ever reaching any full potential.

2 out of 4.

The only reason I am late on seeing the film Moonlight is mostly out of confusion. I was definitely invited to a pre-screening, it looked good to me, but then the date kept getting changed around, so it got lost in the shuffle.

I also thought I had to choose between Moonlight and Doctor Strange, and I have to go for the giant blockbuster a lot of those times. Especially if the blockbuster is something I have been wanting to see for years.

Another fun fact about Moonlight is that two of the stars in this film were also in big roles in Hidden Figures. That on its own isn’t weird, it is just amusing given the subject matter of this movie, compared to Hidden Figures, a PG Disney real life film.

Enough mindless stalling, lets get on to the crack.

No no no, I said crack, not smack.

Moonlight is broken into three parts of a Chiron’s life. We have 9 year old Chiron, or Little (Alex R. Hibbert), teenage Chiron (Ashton Sanders), and adult Chiron, now going by Black (Trevante Rhodes). It takes place in a lower class area of Miami, not Chicago which I assumed, allowing the film to make a lot more sense.

When Chiron was growing up, he was picked on a lot for his size (See: Nickname of Little). He didn’t like going home to his mom (Naomie Harris), who doesn’t care for him and is getting into drugs herself. By accident he runs into Juan (Mahershala Ali), who decides to give him a meal, since he finds a frightened boy who wont talk and is lost. He even gets to spend the night and meet his wife (Janelle Monáe). And yes, Juan is a big time crack dealer.

When he is a teenager, Chiron gets bullied (by Patrick Decile) a lot more, which leads to a rougher home life. He only has one friend his age, Kevin (Jaden Piner, Jharrel Jerome, André Holland), and their relationship is a very close one.

Needless to say, Moonlight is a story examining the choices in a man’s life. What led him to his decisions, how those decisions affected him later down the line, and the internal struggles he had to deal with mostly on his own.

The good news is he turned into a not so little adult.

Moonlight is certainly a hard movie to talk about, for those easily distracted they will watch it and assume not a lot actually happened. There are longer shots, there are long moments of silence, there are only a few characters, and so on. But what drives Moonlight is how deep it gets into our main character, how much it shows through his face and through his surroundings.

The themes that Moonlight explored I certainly didn’t expect, as they didn’t really explain a lot in the IMDB synopsis, so I will avoid going into explicit detail. But part of the plot is not just growing up in an emotionally abusive household, where the nicest people in your life deal drugs. It is also exploring his sexuality, figuring out how to be true to himself, and deal with issues in his own way.

All three Chiron’s give deep, personal performances. It is strange how three different people can feel so connected. But it works.

Moonlight feels like a dream at some point, branching out into some Terrence Malick territory. Nothing too out there, but visually it was unexpected given what many might just assume is another “gang/drug” adolescent movie.

Basically what I am getting at is that Moonlight is full of surprises. It defies the genre you think it will play into, and it gives a few powerful but subtle performances.

4 out of 4.