Tag: David Strathairn

The last time we got a Guillermo del Toro film is when he directed the one about fucking a fish.

Will someone fuck a different creature in Nightmare Alley? Hard to say based on the title alone. I did not know until a little bit before hand that Nightmare Alley was an older book, and also an older movie from 1947. So we are getting a remake. And honestly, this is the exact reason for remakes in my mind. Often remakes are made for successful film that they just want to try again because people liked the first one. They should do more remakes either based on films that failed, or at least just more unknown work to give them a new fresh light.

Not to insult those of you who know and love the original Nightmare Alley film, but honestly, it isn’t super well known now, regardless of how big it may have been in the past.

This new version promised to be closer to the book. Alright, whatever, I am just hear for the movies. Specifically, Guillermo del Toro movies.

No, this isn’t a screengrab from the next Indiana Jones flick…Who is that mysterious stranger, Stan Carlisle (Bradley Cooper)? The one with the smooth outfit, the clean face, the twinkle in his eyes, the hat? The one who burned down that house for some reason and is willing to just…drift.

Stan finds himself at a traveling show, a carnival, full of lies and deceit. But he sees a geek show, and agrees to help load up for the night for a small payment. And then he gets offered a job to stay along more, because he looks like someone who just needs to be there.

So he stays, he listens, and he learns. Quickly. He learns the tools of the trade. He has plans and ambitions. He has been kept quiet and hidden for so long, he thinks he can take some of these skills and become famous. A celebrity. But if he becomes a man who deals with deceit, eventually, he will be deceited right in the ass.

Also starring Cate Blanchett, Clifton Collins Jr., David Strathairn, Holt McCallany, Mary Steenburgen, Richard Jenkins, Ron Perlman, Rooney Mara, Tim Blake Nelson, Toni Collette, and Willem Dafoe.

I bet his eyes aren’t even closed under there. He is using those eyes and his blindfold eye. He is a phony!

Nightmare Alley is so damn aesthetically pleasing to look at. It is polished (some would even say, polished as fuck). I know it is getting harder and harder to really tell how much of a movie is made in front of green screens, but it feels as if this film was mostly main in real places and scenes, using fine cameras to make everything pop. That is what I truly hope and believe, especially since I know del Toro is a fan of using as many practical effects as possible, generally. But maybe most of it is CGI’d, who knows. It looks wonderful.

The big cast works really together. Some in much smaller roles than expected, but still bringing in their all to tell this strange story. It was good to see Perlman get some work in a non straight to video film. Blanchett is in particular quite a force, basically stealing the movie away from Cooper’s character after she walks into it. She is given a really strong role and one that is hard to top. Cooper also does a wonderful job. It takes awhile before his character starts to talk. I wondered if he would be a silent protagonist for the whole film (like Cage was recently in Wally’s Wonderland) but once he started to actual talk, getting him to stop was the harder part.

The actual story for the film is also a pretty good one, if not slightly familiar in some ways. The ending is the type of thing you can see miles away, because they foreshadow everything really hard. However, it is okay knowing how it ends up, because finding out the lengths someone can fall and also rise is often the most exciting part of a film.

Nightmare Alley, shockingly, has no puppet animals, or strange creatures, or any non humans getting fucked. Is this growth? Nah. That was a one time thing for del Toro. Until it isn’t.

3 out of 4.

No Way. No way at all. This can’t be the theme of every big movie I watch since I’ve had a kid.

But it feels like it is true. Every film is about a guy trying to protect his family and his daughter while everything crumbles apart. Why do films just want to make me feel sad, those bastard films?

American Pastoral of course based on a book that people love, but I never heard of it before it became a movie because I suck. The films with this theme seem to come out every other week, specifically targeting to try and make me cry and think about potentially painful events in the future.

Oh no, what does this dinner scene mean? Where is the daughter? DOES SOMETHING BAD HAPPEN?

It begins from the point of view from some old people at a reunion and the narrator (David Strathairn) finding out that his old hero “Swede” (Ewan McGregor) had just died. He always looked up to Swede, an athletic star, went to the war in WW2, married a beauty queen (Jennifer Connelly) and became a success in the community. He took over his father’s (Peter Riegert) glove factory in Newark, New Jersey, but still chose to live in the country side for his wife to become a small time rancher. That is where they would raise their little daughter and have the best of lives.

After the narrator moved away though, that is when things started to turn and Swede’s life began to crumble. And the whole thing centers around his daughter, Merry (Dakota Fanning), a simple girl with a big heart.

A big heart and a big stutter. Her psychologist (Molly Parker) believes the stutter is a way of forcing herself to have a disability, as her parents are perfect and she could never live up to them. Molly has a big heart though, such a big heart that she just wants to love everything and have peace. This love is so strong that eventually in her teenage years she now seems to hate everything. It is Vietnam and no one seems to care about the lives being lost. They need a revolution and her parents are just living their lives like people aren’t dying all over the world, what the fuck!

She wants anarchy, she wants protests, then people will be safe. That is what her New York City friends are teaching her. Eventually a terrorist attack on a post office in their small town puts their already hectic life into pieces. As explosions tend to do.

Also featuring Rupert Evans as the Swede’s brother, Uzo Aduba as the main assistant at the glove factory, Valorie Curry as a mysterious NYC friend, and Mark Hidreth as an FBI agent on the case.

You can cut the teenage angst here with a knife, and honestly, the teenager would probably like that.

American Pastoral in its heart has a deep and moving story and at points a slightly scary one as well. I had no idea where it was going, except that it would end with heartbreak and fill me will feels.

Despite that, it also felt almost superficial. The cameras were strong and the sets well created, it also felt fake. Despite good acting, the story felt disjointed. The events were important, but they felt like they were lacking some sort of real cohesion to tell the full story.

McGregor did a fine job as a first time director that is for sure. He took what I have been told is a great book and turned it into a probably faithful adaptation. But despite not reading the book it is extremely apparent that it is a situation where the book has to be leagues better because of how much depth is missing from the film. It is obvious that depth is out there somewhere and just not showing itself on the screen.
A decent film, but one that just feels a bit lacking.

I am horrified by this film and yet, underwhelmed.

2 out of 4.

Hooray for movies about the dead presidents of our past. I mean, Steven Spielberg is going for a hot ticket president in Lincoln, who just had another movie which you all might recall. Technically, both of them are biographies, I guess.

But hey, if anyone should do a good movie on the man, it is probably going to be Spielberg. Especially if they can get a person to look just like him. Which they succeeded quite insanely.

Look at how fucking Lincoln he is.

Well, if you wanted a full Lincoln backstory, too bad. This movie takes place entirely in the last five months of his life, from Dec 1864 to April 1865. For those Lincoln historians out there, you know that is way after his Gettysburg Address! Don’t worry, you still get to hear it, just not out of his own mouth.

Lincoln (Daniel Day-Lewis) has recently been reelected as President, which he took as a sign saying that the people like what he is doing. They wan’t slavery to be illegal! So he pushes to have the 13th Amendement passed, just needs the House to vote on it. It would make slavery illegal, yet there is a lot of concern. Most of the republicans love it, the conservative Republicans are a bit weary though. Most of the Democrats are violently against it though. That will make the war last forever. No way will the South surrender then!

But a lot of them are losing their jobs. Maybe, just maybe, they will change their vote because of it? Especially if they can get some sweet government jobs…

Basically it is really fucking hard to get this shit passed. He may have even had to do things behind the back of his Secretary of State William Seward (David Strathairn). Like allowing one of the conservative Republicans set up a meeting with the South to end the war (Featuring Jackie Earle Haley as “VP” Alexander Stephens). He also has some men hired to help convince the democrats to change their vote (James Spader, Tim Blake Nelson) without bribes.

Our major Republican players are James Ashley (David Costabile) who brought forth the bill, and Thaddeus Stevens (Tommy Lee Jones), a revolutionist who actually believes all men area created equal! Joseph Gordon-Levitt is his son returned from school, and Sally Fields is his wife, super distraught and crazy in the eyes of others.

I mean, honestly. You know the 13th Amendement passes, and you know what happens in April of 1965. But somehow that doesn’t matter, it is still a captivating tale.

Here is Lincoln on a horse motherfucker. U-S-A! U-S-A! U-S-A!

I’ll say it again, Daniel Day-Lewis is Abraham Fucking Lincoln. Did you see that picture? Look at it long and hard, but that is so much Lincoln and so little Daniel Day-Lewis that I am actually scared. From his voice to his mannerisms, you will love the portrayal you see in this film. Basically everything I found captivating. My biggest smidgen of concern comes from the House of Reps. While watching it is like “Ooh, debating between Republicans and Democrats and Tommy Lee Jones in a time machine!”. He can’t help it, he is too famous. I had a had time picturing the actor outside of the character. I recognized a lot of the other faces, just not at Tommy Lee Jones levels.

Lincoln seems like a pretty kick ass guy to hang around with. One of the features they highlight is his love of telling stories, and they are just so well done. That is really all I can say. The movie is super well done.

Again, you know what happens, and its only five months in time, but it doesn’t seem to matter. If you hate Dramas with mostly just talking, you might not like this one. But I hope more Presidents get this treatment (albeit if they do less famous ones, maybe a longer bit of their life). I even like the questionable way they chose to end it, setting up a scene in a way I just didn’t imagine.

A lot of this could be dramatized for the film, but if it is, we need more dramatization. It makes life better.

4 out of 4.