Tag: B.J. Novak

Michael Keaton has been on fire. Not actual fire, but his comeback has been great. Better than Matthew McConaughey‘s come back!

In 2014 he almost won Best Actor fir Birdman, but lost to Eddie Redmayne for The Theory of Everything. But hey, Birdman won best picture.

In 2015 he was probably hoping to get nominated for Best Actor for Spotlight, however he didn’t get the nomination despite doing really good. But hey, Spotlight won best picture.

So what about this year? He is the lead in a movie again, The Founder. Knowing nothing about it, I knew it was suddenly a contender for The Founder. Could he be the lead in the Best Picture film three years in a row? That has to be a record on its own. Or you know, he won’t and this is the beginning of the end of his come back.

At least the praise in the movie seems genuine!

Ray Kroc (Michael Keaton) is a salesman at heart. He finds an idea he likes and runs with it, hoping to make a living out of it. His current item is a shake mixer that can do five shakes at a time, so he is traveling around the US, making money to put a roof over his wife’s (Laura Dern) head.

But he gets a strange order. A restaurant in California wants to buy SIX of these milkshake machines. So he drives over there to give it a gander. It is a small place, run by Dick (Nick Offerman) and Mac (John Carroll Lynch) McDonald. It is called McDonalds. They have a line around the block, but it goes fast. They don’t have carhops, people have to come to the door. And the food is instant. People are waiting about 30 seconds for their food, it is cheap, it comes in paper so they can throw away their trash themselves. They can eat it on benches, in the car, at the park, wherever. And the line just moves so damn fast.

So Kroc takes the brothers out to learn how and why. Turns out they made the system themselves, took a lot of practice, and developed a system where quality is awesome, everyone is working and churning out food that the people end up ordering. Genius! But no, they don’t want to franchise.

Kroc wears them down, eventually getting a contract between them, that will let him set up McDonald’s restaurants around the US. He has to promise to maintain quality, to not let them make their own food choices, and every change has to go through them. But hey, it is a start. And when Kroc begins to churn out their restaurants, complete with the brothers idea of Golden Arches, people can’t seem to get enough of them. And that is when the power dynamic starts to change.

Also featuring Linda Cardellini, B.J. Novak, Justin Randell Brooke, Kate Kneeland, and Patrick Wilson.

I really wish one or both of the McDonald brothers had a mustache.

The Founder begins with Kroc trying to sell a milkshake machine to reluctant buyer. Except he is staring right at the camera, looking right at the viewer, into your soul, as he monologues. And it is a wonderful introduction to his character. He doesn’t feel like the most conniving individual, but he feels like a real salesman.

The Founder tells an interesting story that becomes easily relatable to most viewers. Everyone has eaten at a McDonald’s, everyone knows what they are like and has seen them evolve over the years. But it turns out they started as something more wholesome, like most things in the middle of the 1900’s. The scene where the brother’s tell their story is fascinating and one of the highlights of the movie.

Unfortunately, after that, it didn’t maintain its high level of enthusiasm. Once Kroc was able to get franchises off the ground, there were some problems, some successes, some shitty moments, some great moments. And despite being the protagonist, Kroc is definitely a jerk. And at times, so are the McDonald brothers. But the story isn’t one that had me at the edge of my seat like I had hoped.

In terms of his last two films, Keaton might still act well, but the film just isn’t the same caliber. Still a good movie, sure, but the second half just feels unimpressive compared to the first. This is not the film that will finally get Keaton his Best Actor Oscar, although I see the potential of nomination. Next year he will be in Spider-Man: Homecoming (which won’t win him anything), and something called American Assassin which I guess will be his next big hope.

Before this week, I had never seen Mary Poppins. Classic movie sure, and I of course knew songs and scenes from it, but I never watched it in its entirety. Blame the parents. While watching the movie as an adult, I did find it very odd. The message was clear: money is evil, family is great, but why they chose to enforce that message in the 1960s was beyond me.

That was my main goal for watching Saving Mr. Banks: to figure out what the money and banks ever did to the Mary Poppins author. Oh, and to figure out why she was behaving like a huge bitch.

I didn’t think anyone could be mean to a face like that.

Saving Mr. Banks is supposed to tell the true-ish story of Walt Disney (Tom Hanks) acquiring the rights to a film version of Mary Poppins, from the author P.L. Travers (Emma Thompson). Of course because it is a Disney movie about the creator of Disney, don’t expect that much actual truth in the movie.

The one thing that does appear to be truthful is that Travers was very very hard to work with. She was granted script rights, and she used the heck out of them. She didn’t want animation, didn’t want music, didn’t want Dick Van Dyke, didn’t want a lot of things. She was very peculiar over her character, and didn’t want Disney to mess it up.

Everything else that occurred in the film is whatever they wanted to say, presumably to rewrite history. For instance, Disney was a chronic smoker and he never hated it, despite it leading to his death. They made a few tiny references in the movie (a cough every once in awhile) but made sure they never showed him doing the deed. In fact, he had a line calling it a disgusting habit and one he was trying to quit. Riiiiight…

The movie is spliced with the tale of Travers’ early life, when she moved to the middle of no where with her family. She lived in a small house, but had a loving (yet alcoholic) father (Colin Farrell), and a quite annoyed mother (Ruth Wilson). Her stories were based on an actual nanny sent to clean up their home, after a few unfortunate events leaving it in disarray.

It should be obvious that most of her complaints with the original script, end up getting included in the final project. So something has to change by the end of the movie, but is it change that all parties actually agree on?

Also featuring Paul Giamatti as an optimistic driver (strange role for him), Bradley Whitford as the writer, and B.J. Novak and Jason Schwartzman as the song writers.

What? You didn’t want a farm story during a Mary Poppins movie movie? Too bad!

After watching the movie, I am unsure how much of it is true, and how much of it is just revisionist history. I mentioned a few discrepancies above, but I also don’t know if the back story on Travers’ early life is accurate. I loved the back story, loved it far more than the other part of the film. It was sweet and it was tragic. It made Mary Poppins make a heck of a lot more sense and give it a more powerful meaning. But given all the other changes, I can only doubt that the past problems are somewhat fabricated as well.

This film is also meant to be a pseudo-biopic for Walt Disney, but since it is such a small part of his wildly successful life, and full of inaccuracies, I wouldn’t be willing to label it as such.

My favorite actor from the movie is surprisingly Colin Farrell, playing the “real” Mr. Banks who needs saving. His performance was incredible, despite being a minor role. But hey, he has impressed me a lot over the last few years with a few of his role choices.

What this film taught me is that the real Travers was indeed really hard to work with, for potentially tragic yet inexcusable reasons. If our current pop culture network existed back then, there would have been tons of negative press thrown her way, with hardly any sympathizers.

Saving Mr. Banks itself will probably mostly just apeal to those who grew up with Mary Poppins in their lives and want to relive the magic in a completely different way.

Part of me was hoping at the end of the movie, when they did the premier of Mary Poppins, that they would show the entire film. You know, secretly turn it into a Double Feature. That would have been truly surprising. But Saving Mr. Banks on its own plays a relatively safe story: one that is very powerful, but also full of deceit.