Tag: Patrick Fabian

Holy shit, they made the movie.

I watched Atlas Shrugged Part I, the first part of a planned trilogy, and got almost nothing out of it. It was weird and confusing, a bunch of business stuff, all of it over my head. It also made about zero dollars.

What I do know about Atlas Shrugged is that its end message is that Capitalism is the best, and the Freer the Marker, the better the world. Right? Well, sticking true to that point, the creator of the film said they would only make Atlas Shrugged Part II: The Strike if Part I made enough money to cover the cost of Part II. Well, the free market said no to that, and that we did not want this trilogy to happen.

But here we are, with Part II out and in our faces. Not only did they make it anyways, they replaced THE ENTIRE ORIGINAL CAST WITH NEW PEOPLE. That is completely unheard of. Everyone character who is in both movies has a new actor or actress. I guess it makes sense. The first one bombed, replace all the people. Still an odd circumstance to happen for a movie.

Something sexist about cleavage and laying down rails.

At the end of the first movie, more laws and taxes were put in place in Colorado, so an oil tycoon decided to set fire to his fields, saying he left it as he found it, and now he is on strike. Oooh, guess where the subtitle came from? Well, he disappeared, but no one cares.

Dagny Taggart (Samantha Mathis) is kicking ass. Her John Galt line was a success, and her knew partnership with Henry Rearden (Jason Beghe) lead to a new metal that is lighter and cheaper than steel. BIG SUCCESS. Despite government interference, every thing is great for them.

Too bad the people aren’t having fun. The 99.97% or whatever are protesting in New York, times never change. Well, famous people keep missing. Nice pianists, for example. Dagny’s brother, James (Patrick Fabian) is running the company now, so he is rolling in the cash. Getting dates with random clerks (Larisa Oleynik, most famous for being Alex Mack from The Secret World Of Alex Mack, woo!) and stuff.

Well, long story short, Dagny finds some weird engine thing, somewhere. Most of the scientists are now disappearing, so she finds the last one available (Diedrich Bader) to figure out how to make it work. It could be even better for the future of energy, since gas is $40 a gallon! Maybe.

Longer story short, government hates everything happening. They make it so corporations can never change ever again. They have to sell to everyone. They cannot sell their business. They cannot change their CEOs. They must remain stagnant, and nothing will change, and no more patents. This is pretty intense. Dagny throws a fit, is losing her scientist, and really wants to find out who the hell John Galt is.

Ray Wise plays the Head of State, Esai Morales is Francisco d’Anconia, and D.B. Sweeney plays John Galt. Ah, that’s who he is!

When Diedrich Bader is your last hope to figuring out science stuff, you are totally going to get fucked over.

Here is one benefit of Part II over Part I. I actually could understand (mostly) what the fuck was going on in Part II. Part I I watched, read the synopsis of, and still found myself pretty dang lost. That’s a problem, and I would say Part II is a better movie because of that reason.

But it is bad. The CGI shows that the movie was made on an extremely low budget.

I also think it was probably too detailed and close to the book, but thats without knowing the book. I am sure this didn’t have to be a trilogy, and because it is split up into parts, it is “okay” to leave you with a cliffhanger ending like they do. Really it just annoys me.

Despite all this, I still want to see the trilogy get finished. First, I wont read the book ever. Or the plot synopsis. Second, I am excited to see the entire cast replaced again, which looks entirely likely. Third, there is a chance part III will be a musical. It is an old source, but fuck it, its the same guy in charge.

Come on. Shit on Ayn Rand’s grave and make her book’s movie (against the will of the free market) into a musical. Do it.

“Oh no, not another exorcism movie!”

“Oh no, not another hand held movie!”

Are those complaints out of the way? Good. Time to ignore them for The Last Exorcism.

“Hey look, a priest and a girl. This is like all the othe-” “WE KNOW!”

Cotton (Patrick Fabian) is not your average evangelical preacher. He likes to have fun! He can get a congregation going lickity split, and praise Jesus like its his job. Because it is his job. His dad was a preacher, and he has been doing sermons since he was young. Heck, it is all he knows how to do. But he might be undergoing a crisis of faith. He doesn’t like doing it anymore, he doesn’t believe. He has been faking the exorcism thing for years; he isn’t a bad person, he is just giving a service that people request. But after the birth of his son, and some issues there, he now feels bad taking advantage of people.

Thus we have this movie. He is going to do one more exorcism, with a film crew, to help prove how phony it all is. Silly Cotton, you are about to get fucked.

But when he gets to New Orleans, home of a pretty intense blend of spirituality and culture, he finds out he needs to read his own fine print. Nell (Ashley Bell) is apparently possessed, but he hates exorcising children. Thinks it is a kind of abuse. But the father (Louis Hertham) insists. Strange family. After the wife died, started to home school his daughter, eventually keeping her locked up the whole time, but not his son of course (Caleb Landry Jones).

Well, all of her problems could be psychological. Could be abuse from the dad causing it. Or any number of things that I won’t mention. Who is winning this fight: Jesus, or science? Iris Bahr plays one of the film crew.

The chiropractor might be the real winner here.

Hey hey hey, this movie might not be all too bad. It isn’t just a simple exorcism story. Creepy girl, being creepy, with people dying. No, this plot might have layers. Layers, everyone! I love layers.

The idea that possessions are complicated, and surely there could just be people not all that right in the head.

Well, the ending I hated. Kind of came out of nowhere, didnt make any sense (from out point of view) and had some pretty dumb events going on.

But there are more problems. Documentary style movie is fine. But the fact that the cameraman was a character there that was never actually on camera, or spoke, or anything, is pretty spooky. When crazy shit is happening, he doesn’t scream, but he may run away. I think they forgot that they made him a character and pretended he didn’t exist.

I do think the buildup of this movie was pretty decent. Not a typical horror, having thriller elements throughout just to make seemingly average situations pretty unnerving. But a lame ending, that we now know lead to a sequel? Well, you just went average.