Tag: Natalie Martinez

Oh hey, look at that! A movie title with two clear meanings so it probably means both!

Let’s see, Self/Less. Let’s look at it without the slash first, because that is easier. Selfless. So someone in this movie will do something very selfless for other people. Okay, cool, sounds like a hero.

Self/Less. Meaning maybe, that someone has less of a self. Maybe no self. Does someone lose their self in this film (and not just to the phat beats on the radio)? That’d be the easy guess.

In other news, this is like the fourth movie for Ryan Reynolds this year. Save some acting for the rest of us, jeez!

Now go to your room and think about what you have done.

Before we get to Mr. Reynolds, let’s first talk about Damian (Ben Kingsley), a NYC real estate tycoon who amassed a huge fortune, and you know, built a lot of buildings. He is the head of a big company, kind of a shitty person, and has a bad relationship with his daughter, Claire (Michelle Dockery). He also has the cancers!

Thankfully, science is here and the rich can benefit! A group, led by Dr. Albright (Matthew Goode), wants to give those great thinkers a second chance and some extra years. They can grow bodies, transfer the mind of the great into the body of a young man, giving them more time to revolutionize the world! They would have to give up their past behind, of course, but they’d leave a small fortune for them to do whatever they want and become great again!

So now Damian is in a younger body (Reynolds), but it takes some time to get used to it. He has to go through rehab, to have his mind figure out how to use his body. He also gets strange flashes of hallucinations that are a side effect, but hey, they have pills to make those go away too! Yep. Life is awesome. Surely nothing is sinister about this operation.

Also featuring Brendan McCarthy, Jaynee-Lynne Kinchen, Natalie Martinez, Victor Garber, and Derek Luke.

Hey man. You got something on your face.

Self/Less is one of those movies that likes to pretend it is smart and dealing with deep philosophical theories, when in reality, it is a dumb bad action movie. Yes, this psychological thriller drama is secretly just a bad action movie. After all, it didn’t have enough action to just be an action movie. Maybe 20-30% of the film is action movie, where the other percentage lies in the drama ethics focused feature. Unfortunately, the action was the worse part, because when it started, it seemingly came out of nowhere. Suddenly, new Damian is super strong, breaking toilets, busting down doors and patio decks just by running through them. He becomes a super hero, just because why not.

If the film eliminated most of the action and instead focused on the human elements, delving just a little bit into the consequences of their actions, this could have been a smart and through provoking film. Instead it is dumbed-down. The main character’s actions are seemingly completely random. He seems to give himself justification for going on an action-spree at the end, killing a lot of people, when ethically they aren’t even doing something that bad. This is a film where just some bad communication causes all of the problems, but at least half of that stems from the antagonist refusing to even listen.

Shit, even the whole sub plot involving figuring out what was inside the drug ended up being super pointless. The filmmakers must have had only a loose idea on what they wanted in a movie, then filled it with bad science and terrible motivations hoping it would bring in the summer blockbuster crowd.

I think what I am most disappointed in with this film is that the acting wasn’t even bad. Sure, I couldn’t understand everything Kingsley said early on, but he was an old cliche dying man. But Reynolds was actually pretty good in this film, but the acting is wasted on the terrible story. Self/Less is a movie that will end up being completely forgettable in a few months time, which I am looking forward to doing.

For my initial impressions of Broken City, I obviously can only look at the trailer. Lot of high energy music, camera flash noises, very exciting. Sexy scandals! Government cover ups! Black mail! Potential boredom!

To be honest, the strange flashing parts near the end of the trailer gave me a bit of a headache. Thankfully, as we all know, trailer music never makes the actual movie. Presumably there wont be awkward shutter noises either.

Here is the most actiony shot of the movie I could find on the internet. Consider it an action epilogue.

Billy Taggart (Mark Wahlberg) has done a bad bad thing. He killed a man, multiple shots. He claims he was defending himself, the other man had a gun. He was just a cop at the wrong place at the right time. The town claims it was cold blooded murder, but they had no real evidence. He was found innocent, but the public outcry was so strong, and new evidence was covered up, so the police chief (Jeffrey Wright) and mayor (Russell Crowe) had to let him go anyways.

Well, seven years later, he is a PI with an office and an assistant (Alona Tal) and a huge debt! Well, the mayor said he would remember his name, and he gives him an offer. $50,000.00 to tail his wife (Catherine Zeta-Jones), take pictures of who she is sleeping with, and find out the name of the man. Half now, half later. He also needs it quickly, because the election is a few days away, and the new guy (Barry Pepper) is giving him a lot of crap.

But why would the mayor care so much about the affair this close to an election? There has to be more important things afoot, damn it. Also featuring Kyle Chandler as the campaign manager for the new guy, and Natalie Martinez as the long term girlfriend of Billy.

“Women be cheatinnnnnnnnnnn” – Crowe

Don’t watch the trailer, don’t watch the trailer, don’t watch the trailer? You saw the trailer? Don’t watch the movie. No point.

Turns out the trailer gives a lot of it away, in terms of how the movie is going to end. It is sparse on the actual plot details and many of the characters, but outside of that, the jig is up. When the movie ended, I was mad. Why would they do that, given the trailer?

I am supposed to judge a movie on its own, but I feel like if the trailer gives you too much information, and is plastered everywhere, it should be included if it does something so egregious. I was disgusted and appalled. Heck, after the movie I found myself more confused because the trailer had scenes that were not in the movie. I had to go back and watch it to make sure. They were there, but the context was so out of place, it was pointless.

Yes, I am saying the trailer both gave too much away, and created scenes that just were not true. It can do both.

I didn’t hate the acting from Marky Mark either. Zeta-Jones felt wasted in the movie, Crowe looked weird with that skin tone/hair.

However, a lot of the plot bugged me. The actions of the characters confused me. I don’t think they explained why he was just invited into a murder scene by someone completely random. Why people let him stick around. I had no idea what was happening in the plot, and yet the whole time I felt like I knew the ending. That is a strange way to see a movie.

Confusion is not a substitute for suspense, movie makers.

End of Watch (I hate that there is no ‘the’ there) is another of those movies that I felt bombarded by trailers for. Unfortunately they only made a single trailer for this movie, so I saw the same two minutes over and over again. But from that trailer, I was definitely curious about this movie. Filming style was different, might have been a buddy cop movie, but at the time with very serious overtones. I do love genre bending movies!

Oh man, look how happy they are! If only they knew…

Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) are partners working the hard streets of South Central LA. They are great at their job, if not a bit reckless. Brian is slowly taking classes, working on a Pre-law degree, with high aspirations. Mike is happily married (Natalie Martinez) with a child on the way.  The beginning of the film opens with a chase scene and subsequent shootout, causing the two to be suspended for a month while they make sure it was a legitimate shooting.

But no worries! They make sure they follow the book, mostly. Brian is also taking an ‘art’ class, where he has to make a movie so he decides to document his life. Why not? Cops are exciting! So he has his normal hand held camera, and some ‘spy cameras’ on their shirts, along with other footage from police scanners to make up the majority of the film.

They are like most stereotypical cop units, there is a hardass equal who always gives them crap (David Harbour), a lieutenant who only cares about results (Frank Grillo), and some other friendly cops who actually appreciate what they do (America Ferrera, Cody Horn). Heck, even Brian has started to see someone, a smart girl who is more than just a booty call (Anna Kendrick).

But when the two start an investigation on a Hispanic gang shooting, they soon find themselves deeper and deeper in the dealings with the drug cartel, who have expanded their operations out of Mexico.  Discovering mass murders, cocaine, golden guns, cash, and human trafficking have put them as the number 1 priority for the cartel to deal with. What they just assumed was a normal shift will turn into a fight for survival to just make it to the end of (the) watch.

Yes, the same Cody Horn who helped ruin Magic Mike is a cop in this. Same disgruntled face.

I know my description of the plot made it seem like a pretty serious action movie, but surprisingly I would instead describe it as a “Comedy Drama Action Thriller” film. It is seriously all of the above. I laughed, quite often, I cried once, there was the obvious action, and I felt scared more than once.

The film isn’t a typical ‘found footage’ film. I believe the director originally wanted the whole thing to be in police camera / hidden camera footage, but there is plenty of actual camera work thrown in as well. So that means we have a movie that fits multiple genres, and doesn’t even keep its camera use constant, but yet it works really really well.

Frankly I thought the movie would be stupid, but I ended up loving every minute of it. Gyllenhaal and Peña had excellent chemistry together, and it shows that they spent months shadowing LA cops and hanging out for inspiration.  My only suggestion for watching this movie is to be prepared to have scenes change suddenly. It may go from hilarious banter to scary cop moments in an instant. This form of ‘genre shock’ is pretty rare, and now something I hope to see more often in movies after this. End of Watch is a definite must see.