Tag: Max Thieriot

Disconnect was one of the many films to come out in the spring of 2013 to theaters, but never to my area. It is such a shame, really. However, this one was never given an advance V.O.D. treatment either, so I didn’t have it on the backburner for months stewing either. Nope, this review is coming out the first week I could literally get my hands on it. Boo yah.

I also literally got wet during this scene.

Technology. I love it. Some other people love it. Some people avoid it at all costs.

In today’s world, we are all really connected in some way or another. Social media has made connecting with someone incredibly easy, expanding social circles to sizes never before seen, even if they are structurally weaker than before.

This is all gibberish now. Disconnect tells three or so stories about technology, the dangers of too much information, and how the littlest thing can affect another human being without realizing it. How people looking for human contact might find themselves too hooked up to really meet they’re goal.

We have Kyle (Max Thieriot), an internet webcam model, potentially part of a large child smuggling operation, and the news reporter (Andrea Riseborough) who wants to bring light to his situation and rise further in her own work place.

We have Jason (Colin Ford), who with his friends, like to make practical jokes. They target another guy in they’re grade, Ben (Jonah Bobo), because he looked at them weird. What transpires eventually brings their families together in ways they would have never imagined, or liked in the first place. Jason Bateman and Hope Davis play Ben’s parents, and Haley Ramm his older sister, while Frank Grillo plays Jason’s dad, a detective.

Finally, we have Cindy (Paula Patton) and Derek Hull (Alexander Skarsgard). They lost their baby boy about a year ago, and they have been grieving ever sense. Cindy has turned to an online grief group, because her husband has become incredibly distant, while Derek has turned to online gambling. But when their identity gets stolen in the process by one of the sides, they have to finally work together and learn a lot about their other half. Michael Nyqvist pops up here, as the identity taker in question.

This is Jason Bateman discovering Rule 34.

You can probably guess a lot of the ways these plot lines unfold, from my brief descriptions. That is what I thought too. And sure, the obvious stuff does happen. But I was constantly surprised with where they took this movie, from conflict to conflict. With how they connected their various stories. With the range of emotions displayed by everyone in the cast, there will be someone you can relate too.

Shit, I was surprised that the “random sister role” by Haley Ramm ended up being really good as well. Her major scenes came completely out of nowhere, and she kicked ass with very little to work with.

All of the plot lines are not equally powerful. The webcam one is clearly the worse of the three. I think they spend less time with it as well. Early on I liked it, but I think it was a bit more dragged out than the other stories. Despite that, the “climactic ending”, which had very well done cinematography, brought out the best of every plot line. Yes, even the weakest one. Well done, making me care and all.

This is definitely a movie that will stay with you for some quite some time, so when you watch it, I suggest you put full effort into watching it. A lot of “text” appears on the screen throughout, because internet yo, so you will have to pay attention. The movie may feel a bit preachy, but even this guy here, who loves all of this technology shit, could still enjoy the hell out of it.

House At The End Of The Street has had a little bit of an interesting history. It was actually filmed before Jennifer Lawrence went on to do The Hunger Games. But hey, releasing it before hand is bad for business. Why not ride the hot young actress coattails, and put it off, like, a year.

Heck, I am even fine with their marketing campaign. Shortening the title to HATES is a lot more convenient. Just annoying that it ignores the “of The” part of the title. Can’t even argue that it is unimportant articles and shit, since the “At the” is prominently features in the acronym. Oh well, making movie titles into acronyms (or vice versa!) is a lot of work.

Warning: This movie might feature a lot of miss Lawrence rolling about and running in this outfit.

Elissa (Lawrence) and her divorced mother, Sarah (Elisabeth Shue) have just moved into the house of their dreams. It is actually affordable. Why? Because the house “next door” has a secret. And by secret, I mean well known fact that a double murder occurred there. A girl, Carrie-Ann, killed both of her parents one night, and escaped off into the woods. They think she drowned, but never found her body.

She did leave her brother alive though, how nice! Ryan (Max Thieriot) mostly keeps to himself after the incident. After all, a fucking double murder happened, and he is still in the house. The town wants to buy his house and demolish it, but it is all he has left, so he refuses to sell, not caring about everyone else’s poor property values. The only person who doesn’t give him crap is a local cop (Gil Bellows).

Unfortunately for Elissa, Ryan is the only guy who actually seems decent. Tyler (Nolan Gerard Funk) is just as mean and pompous as the rest of the town, and just wants some sex. Can’t have any of that. So she tries to fix Ryan instead. Hopefully it is not weird either that it looks like his sister is still alive and living in a closet in his house. Whoops!

“Why is there a girl up in your trunk? In your trunk? In your trunk?”

On second thought, the title doesn’t really make that much sense. There is no real street here, just seems like random houses in the woods, despite it being a mostly rich like area. Even though their house is “right next” to Ryan’s, it is also as if there is still a big forest in between them. Can’t even tell how much of his house is on the same street. Plus, it seems like no one else lives close by. How could it ruin their property values?

Semantics. I was kind of bored by the movie to start. It had “Jennifer Lawrence” singing original songs at the start. Or at least that was the plan. Apparently someone else sang over her to make it sound a bit more better. That is silly.

But by the end, as it is with most horror movies, some twists began to happen and I actually liked them. It actually added some backstory and reason to the actions of the main characters, pretty surprising for a horror movie. Not enough to make it exceptional, but enough to make it kind of cool. For one viewing. Definitely wasn’t really scary either, felt a lot more like a thriller. But don’t worry, you will get to see at least two deaths.

Chloe was “voted” to be my next review, so the last thing I would hope to do is piss off my readers. Even though everyone who voted for this probably already saw it, and thus don’t really need a review on it. People are probably doing this to judge me, and make sure I think like they think! Ahh! Pressure!

Oh yes. Sorry. Back on topic.

Movie begins with Liam Neeson, being all college professor like. Apparently the kids love him, cause he is a swell guy. He has to deny going out to dinner with a few of the students, because it is his birthday, and he must fly home! But he misses his flight. Which is bad because his wife, Julianne Moore, had a big party planned for him. Oh well, its not like he was cheating on her right? Right?

Right?

Well out at dinner the next day, she runs into Amanda Seyfried, who is a call girl (named Chloe!!) of some sort. After a few other “moments”, Julianne is convinced Liam is cheating on her and has a thing for younger girls. After all, when men get older they get handsomer, and women just get “old”. So she hires Chloe to bump into Liam at a breakfast area, and see if he does anything. Well he does. He talks with her for a bit.

This enrages Julianne so she sends her off to do it again, to make sure. But not go too far with it! Well too far happens. Sexy time might happen. But the descriptions are pretty hot? Julianne both hates it, but gets turned on by it. Whaat. Good thing they don’t have a son or something, that would make all of this more awkward. Oh wait, Max Thieriot plays their teen angsty son, discovering sex for himself.

Don’t let that scarf fool you. He is cool, because he plays hockey in the movie.

So, there’s a lot of talk about sex, and actions involving sex in this movie. Also a lot more Julianna Moore boobage than I expected (which was actually nothing). All of the Seyfried boobage, except maybe once, was stunt doubled. Obviously if you hate sex, or talk about sex, you will hate this movie.

I kind of guessed where it was going, and it was pretty serious. But I didn’t expect everything that happened. The acting great for the two main female leads. Liam Neeson and the son weren’t as important to the crazy wife and the call girl. Both of which open up pretty emotionally.

The only thing I really don’t get his Neeson as a professor. I can’t tell what is going on with him. He has to fly a plane to get to his home at the beginning, so I assume he works far away. But throughout the movie he keeps having to go to class, meet with teachers, etc. And it seems like he is in walking or driving distance. I figured he could have been on a long break at first, but still having to work at break? Maybe he just flies in and out daily. Yeah. That makes more sense.