Tag: Leslie Odom Jr.

Music

Hey look, its the movie Music! You know, the one recently nominated for some golden globes? It received a nomination for both Best Musical or Comedy and a nomination for Best Actress in a Musical or Comedy. That must be why everyone is talking about it, right? Right?

Oh wait, no. That is…anger I see and hear on the internet. Probably more anger than I have ever seen from any film nominated before. And wow, those IMDB ratings are super low. And (checks my own rating), wow, a 0 out of 4. I don’t know if I have ever given a 0 out of 4 to anything nominated for Best Film. That is pretty bizarre and rare.

What could have people (and myself) so up in arms about a simple movie, directed by Sia, our favorite wig wearing singer?

award winning
“Shhh, don’t listen to the haters, you are wonderful.” – Sia, probably.
Zu (Kate Hudson) is recently out of incarceration and living on her own. She used to do drugs (a lot of drugs) and also sell drugs (a lot of drugs) and that got her put away from some time. She is on the mend, on the rehab, and is clean, but her life is still a bit poop.

Her sister’s name is Music (Maddie Ziegler) and she, in fact, loves music. She is also a mostly nonverbal autistic girl living with her mom in a small apartment. She always has headphones on and is listening to music (way to pick a good name as a baby, I guess), and able to go about her day. She can do a whole lot on her own, she can leave the home, go on walks, and all of that, no issues! Unless her life suddenly changes or something alters her schedule. Like when their mom dies.

So now Zu is brought in to take care of her sister, and gains any and all rights over her. She doesn’t think she can “handle her” and wants out of it as soon as she can, but also, family, you know. And since Zu is still very much mostly in on the drug selling game, it is not like her job is friendly towards those with “problems” they might have at home.

Also starring Hector Elizondo, Ben Schwartz, Sia, and Leslie Odom Jr.

listen
There is a Tropic Thunder reference I can’t make anymore that applies here.
Very briefly, let’s talk about the backlash this film had regardless of how the actual film was. A lot of people, especially autistic people, had a problem with Sia casting Ziegler as a nonverbal high level autistic girl, instead of actually going with an autistic actress who could better represent the community. People were quick to point this out when the trailer dropped, and Sia went totally “I am a bad director” at them and argued with people on twitter, and didn’t listen to the people affected, and changed her story several times about what is going on and just full on ape shit rude.  She has been famous for decades, so she certainly should be above any of that by now and went to the deepest levels of not giving a fuck about others.

A lot of what was said and spoken out against has points. It would be different if it is was just a low level of autism, but Ziegler went really really far into the spectrum with her acting, so the whole thing shows as mocking and uncomfortable. The entire film.

It is very clear Sia just loves working with Ziegler and wants her in every project she does, given their relationship in music videos for the last decade. This film seems to actually exist to create more fun and colorful videos to Sia songs. I lost count how many times it happens, more than five. I believe they are to represent what Music’s reality looks like, as it features the people in her life, and singing and dancing and elaborate costumes. It is all very much on Sia’s brand. I guess that is Sia stating that she pictures her music videos as an autistic girls reality fuel? I don’t know.

But back to more of the movie. We have an insulting performance by the lead, a main plot that is basically having to “deal with family members that need help” and the burden of autism, and a shit ton of Sia music videos that thematically are repetitive. She claims to be woke and trying to represent the autism community, but she is doing it by failing to represent the actual autism community. Hell, there is even a line where they decide to culturally appropriate spirit animal and no character on screen is there to correct it.

Look, this film is problematic in its obvious (and Sia agrees) ableism that is being shoved in the viewer’s faces. There are plenty of reasons to avoid it for all of that. But the film itself is also a really bad movie and completely should be blasted on that front as well. And for something like the Golden Globes to nominate it? Well, awards are usually bought anyways.

Now if you will excuse me, I am going to listen to the long version of Breathe Me one last time and be annoyed that this basically puts a dark mark on the absolutely perfect ending of Six Feet Under as well.

0 out of 4.

One Night In Miami

A lot of people like to go to Miami as a place to let go, its a place with the bass and the sunset low.
You know, a place where everyday is like mardi gras, everybody party all day, no work, all play, okay?

Can you feel me? Miami has all ages and races, with real sweet faces.
Every different nation, Spanish, Hatian, Indian, Jamaican.
Black, White, Cuban, and Asian.

But this movie isn’t about regular Miami, that parties all day and all night apparently (When they aren’t dealing with every mob organization on the planet), but specifically just One Night in Miami. A fictionalized night in which, Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke gathered to celebrate and to discuss current events, their lives, and their futures.

And it basically is a party too. A party of ideals, friendship, and togetherness.

bar
Ain’t no party like a friendship party, because a friendship party can probably do magic.

February 25, 1964 was definitely a real date in the past, and not some simulation. And on that night Cassius Clay (Eli Goree) defeated Sunny Liston in a boxing match surprising a lot of people, and it was a pretty big deal. Cassius Clay was an up and coming boxer, and not sure what to do in regards to topics like war or even his own faith. He believed he would join the movement to become Muslim, but he also knew that it had to help capitalize the movement, to help spread equality, and black power.

That is where his friend Malcom X (Kingsley Ben-Adir) comes in. And other friends, like singer Sam Cooke (Leslie Odom Jr.), and NFL player Jim Brown (Aldis Hodge).

The four gentlemen spend a night talking about religion, their lives, racism in America, what they can do to help, and what they can do to help each other. With alcohol and the stresses in all of their lives, things do become tense, but the honest keeps them real, and the struggle keeps them (mostly) focused.

Also starring Beau Bridges, Christian Magby, Derek Roberts, Joaquina Kalukango, Lance Reddick, Lawrence Gilliard Jr, Michael Imperioli, and Nicolette Robinson.

sing
I’ve seen enough movies to recognize the Copa.

This is one of those movies that I watched without knowing it was actually based on a play beforehand. And I didn’t realize that fact either while watching it. A lot of movies you can tell were likely plays before a film from watching it. But now that I have found out that fact, it totally makes sense when looking back and reflecting on the film as a whole. For sure, a play, about four famous men talking and getting deep, that makes perfect sense. The play came out in 2013, so relatively modern, but this film version was directed by Regina King, her first time at the director’s helm, and she definitely makes sure this story is brought on screens to life.

Ben-Adir, Goree, Hodge, and Odom Jr. could talk all night and I’d want to listen. Okay, that is technically the point of the movie. Fine, they can talk all week. They have wonderful chemistry together, each bringing so much personality to their characters, making them feel unique and respectful to the real men they are playing. Honestly, I didn’t even realize it was Odom Jr. until writing this review (unlike it very obviously being him in something like Harriet), so it is great to really see him grow into these roles and become someone else.

The topics talked about where conversations I never even considered along with some more obvious and important ones as well. It was just so easy to get lost in the story, after the introductions.

One very powerful scene that spoke out to me involved the Sam Cooke character telling a story about a concert gone wrong due to some artist interference, and yes, it involves music, those scenes are my favorite. It was chilling and really crept into the feels.

One Night in Miami is a movie that made me discover not just a play but a modern playwright who has some goddamn great writing chops under him, and I cant wait to see more from him in the future.

4 out of 4.

Hamilton

I am not throwing away this review, but I am going to keep it short and sweet.

Bless Lin-Manuel Miranda, who decided in 2016 they needed to shoot their musical with the original cast. They could have held on to this for over a decade and waited and waited. They said it would come out October, 2021! And then? Then pandemic.

And now it is out much, much, much earlier. On Disney+ so most people don’t have to pay much at all to see it, versus the theaters (Which it should still go to when it is safe, I would buy that ticket).

Thank you for spending three days getting this filmed, including the off-Broadway day for all of the cast and crew, putting in extra shows to make this thing out there.


It’s Alexander Hamilton, singing on the screen for you.

Wait for it! The entire original cast and crew is in this picture!

Anthony Ramos, Chris Jackson, Daveed Diggs, Jasmine Cephas Jones, Jonathan Groff, Leslie Odom Jr., Okieriete Onaodowan, Phillipa Soo, Renée Elise Goldsberry, and Sydney James Harcourt.

And its the Hamilton musical, damn it! This is my plot outline. It is about Alexander Hamilton and some more people. There.


The room where this whole thing happened was actually in a theater in Broadway!
A phenomenon greater than most other phenomenon, I can die happy now that this is available. I never could see it on stage, and I likely wouldn’t now anytime remotely soon thanks to pandemics. This is a blessing and we should cherish it.

This counts as a movie for the year? I’ll take it. Now I have given two 4 out of 4s so far this year.

What are you waiting for, what do you stall for? It’s available now, go see it.

One last time, this musical is love.


My wife said I needed some more review aspects to this, fine. I cried five times despite hearing this musical so many times, some of my cries were new, some where at the same time I cried during just the music.

A few songs were enhanced thanks to the visuals. Like Satisfied, and seeing King George in more scenes. The use of moving stage was used wonderfully. The ending is so much better (of an already awesome song) with the dancers and background.

I will note that Odom Jr.’s Burr uses a much more lispy voice in this recording versus the original cast recording. I assume that was done in the main show way before it, maybe it is easier to sing with that voice in the long term, maybe it is to make him seem a bit more sneaky, but it is noticeable and completely acceptable.

4 out of 4.

Harriet

Harriet coming out in 2019 is one of those surprising things that you didn’t expect. How could one of the most famous black women ever not already have a real, state of the art, biography film? The woman who saved so many slaves in the underground railroad? The woman who won an informal contest about replacing Andrew Jackson from a $20 bill.

The most surprising thing about that internet contest is that it sort of worked! The secretary of treasury at the time said sure and was going to do some things. And then Trump happened, and well, there are “more important things to worry about” according to the new secretary of treasury, and she got the shaft again.

This movie might have been made just to help expedite the whole process. I’ve heard about movies being made for worse reasons!


Like, “My best friend was mysterious and hid behind trees, here is there movie!”

Araminta “Minty” Ross (Cynthia Erivo) was born a slave, to slave parents, and only knew working for the man. Her sisters were sold off at a young age, and she was left lonely with out him. She was a similar age to the slaveholders son, Gideon (Joe Alwyn), and knew him her whole life.

After a plea for freedom, based on the wishes of the former owner, Minty knew that she just had to get out of there. So she ran. And with help from people along the way, but on a journey by herself, she made it to Philadelphia, land of the free. There she met slavery abolitionist William Still (Leslie Odom Jr.), who gave her new papers and let her pick her new identity, Harriet Tubman. And for a year she lived a free woman, learning how to be free and live well for once.

But it wasn’t enough. She had family down south. She had a husband. And if the movement up here wouldn’t go and save them, she would just go and do it herself. Again. And again. And again. And again.

And shit, one day, maybe lead a goddamn army regiment during the civil war.

Also starring Jennifer Nettles, Janelle Monáe, Tim Guinee, and Vondie Curtis-Hall.


And introducing for the first time, this GUN.

Sigh. Okay. This is a standard biopic, somewhat boring at times, with good acting from the lead. That is what I am now going to say in more words right after this sentence.

Erivo has been a great acting addition since she hit the scene seemingly last year, and ended up great in our titular role. She would be the reason to see this movie in theaters, as she carries the film.

The cast of supporting characters doesn’t work as well. Seeing Odom Jr., was great, as someone historical other than Aaron Burr, but he felt too goofy in his role and it took away from some of the seriousness of his scenes. Monáe stood out way too much also to feel believable in the role.

The slaveholders are once again turned into cartoon characters instead of villains that both intimidate and induce real scorn. Alwyn never feels natural in his role, and the final confrontation between his character and Tubman is just so fake feeling that the story seems to be wasted on that.

When doing a biography film, it is important to steep it in as much truth as possible if they want to make it something schools will buy and show for education reasons.

Other important notes: I am glad they included her civil war victory. I am glad they showed the various members of the railroad who helped her along the way. And this movie has Fredrick Douglas in it, but they never say his name. It’s great he has such an iconic look that we can tell without doing the awkward name dropping thing lampooned in Walk Hard.

Harriet features great acting from the lead, but the rest could have had improvements to make this a truly great film.

1 out of 4.