Tag: Kiernan Shipka

This is a review for Totally Killer, out on Prime Video on October 6, 2023.

Oh Jinkies! Living in the year 2022 is so swell. Even for the people in the relatively small community. You know when it wasn’t swell? In 1987, when a masked individual, dubbed the “Sweet 16 Killer” terrorized and killed three sixteen year old ladies! That was totally uncool, and also fun fact, he was never caught.

For Jamie Hughes (Kiernan Shipka), she doesn’t care that much about it. How could it affect her life that much? Well her mother (Julie Bowen) for one. Because those three girls were her best friends, and she has been frightened ever sense. Sure, she has a nice supportive family now, and a protective husband (Lochlyn Munro), but that makes her mom overprotective of HER so Jamie can’t have any fun.

Anyways, SURPRISINGLY, the killer comes back, and comes for her mom. That is totally not cool. 35 years? What the hell dude. Because of plot reasons, Jamie actually ends up going BACK IN TIME, to 1987, a few days before the murders happen. Seems like she knows what to do, stop the killer before he can start! And thankfully, this was after Back to the Future came out, so she can reference that movie and maybe people will just totally get it.

Also starring a lot of people, some of them playing the same character in two timelines! Woo time travel! We have Olivia Holt, Charlie Gillespie, Troy Leigh-Anne Johnson, Liana Liberato, Kelcey Mawema, Ella Choi, Stephi Chin-Salvo, Anna Diaz, Jeremy Monn-Djasgnar, Nathaniel Appiah, Randall Park, Jonathan Potts, Zachary Gibson, Kimberly Huie, and Nicholas Lloyd.

I forget she did Sabrina and can still only think of Mad Men. 

Hey kids? Do you like Freaky? And Happy Death Day? Because this is definitely the movies they want you to compare it too, very much going for fun and death at the same time. Maybe some gnarly deaths, maybe some quirky references. The director, Nahnatchka Khan, is known for comedies, and not her horror, so you can tell that is clearly the bigger focus here. Always Be My Maybe was a wonderful, beautiful, and funny film.

But this is a movie that seems to just completely drop the ball on the scares aspect.

I think the only kill and chase that was only exciting was the first one in the film, when Bowen was attacked. She seemed legitimately afraid for the character. Everything else after that was just a disappointment. Even the final climatic potential scene, where our hero is trying to return to her time finally, with a killer coming towards her. It just felt bloated and didn’t actually live up to its location, where it could have been amazing.

Totally Killer is a GREAT idea for a horror/comedy. And it has the nostalgia element. The film itself looks nice, it just didn’t offer amazing kills, nor did it go beyond the low hanging fruits in terms of joke quality. It is certainly a movie, and you might still like it if you liked the other recent horror comedies. But I don’t think anyone will walk away saying its better than them, which is a shame.

The Blackcoat’s Daughter, if you check it out on IMDB, says it came out first in 2015. Shit, it must have been in the festival game for a long time.

Because today (March 31, 2017) is its actual release date, at least in this area. Maybe part of it is that it is a foreign film, from Canada! And you know it is indie, because it has a VOD release on the same day as its theatrical release.

But I digress. The real important thing I want to talk about is that this film used to be called February. The Blackcoat’s Daughter is definitely a better title, so if anything, it has props for that. And naming it after a month, and releasing it in a different month is super weird.

These poor girls have been waiting patiently for this movie to release for almost 2 months thanks to the title confusion!

This story is about a few girls and a really nice Catholic school. We have Kat (Kiernan Shipka) who is having weird dreams of car crashes, and Rose (Lucy Boynton), an older girl who is afraid she might be pregnant. On an extended break in February, both girls find themselves stuck at the school, neither having a ride home from their parents.

Kat has no idea where her parents are (but assumes they are dead). Rose admits that she “accidentally” told them the wrong date, because she wants to tell her boyfriend about the pregnancy first if she is indeed pregnant. So they are sent to stay with caretakers near the school, because they cannot just live there forever. Rose doesn’t take good care of Kat though, leaving her alone and telling her ghost stories.

But we also have to talk about Joan (Emma Roberts)! She is a weird girl, alone, seemingly homeless. And she gets a ride from strangers because of how cold it is out. Linda (Lauren Holly) and Bill (James Remar) decide to pick her up because Bill says she reminds her of someone. What is her mysterious story and how is she connected?!

Also, demons!

And she is screaming into bloody hands. Or eating bloody stuff. Or maybe some spicy cheetos?

First of all, let’s just say I don’t have any clue why this movie is called The Blackcoat’s Daughter. I might have missed it. It could have been in a story Rose told. But I don’t know. I would have understood why it was called February at least.

The film itself is very tense and slow. It takes awhile to realize how the girls are connected and the why, but it has some great reveals. The death scenes, unfortunately, feel very realistic. They are not glorified in violence, but they are graphic and still shocking. I was definitely at the edge of my seat by the end.

At the same time, it still was a bit confusing. It was also a little bit too slow at points in the middle. It has an okay story and some decent frights, it just takes awhile to get there.

Roberts/Boynton aren’t the strong suits here, even though I watched it for them. Shipka does really shine in creepiness. It must be those intense Mad Men eyes of hers.

Overall, The Blackcoat’s Daughter has a small scale story, but it offers some real thrills. It just didn’t overall do it for me as a movie and had me lost in a few places.

Hayao Miyazaki, remember that guy? Famed animated director at Studio Ghibli who made a shit ton of great animated films and then retired after The Wind Rises?

Well, Studio Ghibli was basically all up on that Miyazaki hype train, so the didn’t really know what to do. Yes, they did The Tale of the Princess Kaguya which was incredibly different (and still amazeballs), but they decided they should take a break to figure out what the hell they were going to do.

Right after When Marnie Was There, which was already in development. Yes, after that, THEN they would take their break and figure shit out.

So here we are. Ho hum. Feels like a filler movie knowing these details.

When Marnie was there, Anna was still a good steps from the finishing line.
That slow running bitch.

Anna Sasaki (Hailee Steinfeld) is a 12 year old girl, a bit of a loner, and a lot of a tom boy. She isn’t going to the mall or teeheehee-ing it up with the other girls. She just wants to draw and be left alone (thus my use of the term loner). Either way, she has an asthma attack, so her Foster mom (Geena Davis) sends her to her relatives over the summer to get a refresher on life.

There she stays with Setsu (Grey Griffin) and Kiyomasa Oiwa (John C. Reilly), still feeling weird. Anna gets in a fight with a girl about her blue eyes (not knowing her real family), so she runs off to the mysterious mansion across the Marsh that used to have foreigners live there. It is not abandoned. JUST KIDDING. Marnie (Kiernan Shipka)is there, and so is her whole rich family. Funny, it used to look abandoned and shit.

Marnie and Anna agree to keep each other secret, so they can be friends but let no one know.

Overtime, with Marnie, Anna is able to find out the truth about her life and her family, even though she doesn’t know it yet.

Also having the voices of Ava Acres, Vanessa Williams, and Catherine O’Hara.

When Marnie was there behind the bushes, we could see everything. EVERYTHING.

Just so we are clear, I totally watched the English Dub, thus the actors/actresses tagged. I couldn’t even find a subtitled version if I wanted it.

And just so we are clear again, this film was nominated for an Oscar for Animated Films, as the Studio Ghibli movies tend to be. But this one just doesn’t do it for me on any level.

Ghibli in recent movies have had the sexiest animation, although going in many different directions (see the two movies I tagged in the intro). This one just felt so bland and old. It felt stylistically like a step back in the wrong direction. It wasn’t completely shit, it just wasn’t up to the standards that I have become accustomed to.

The voice acting from the English cast felt pathetic. The first half of the movie, everyone seemingly just talks in a monotone voice. It makes the story drag on and on. By the end, I didn’t give a crap about the mystery of who Marnie was. It felt like the characters were bored with it all, and the emotions were just pitiful. I wonder if the voice work was all done in one take with never any context.

As I already mentioned, the story was a big meh from me. It could never grasp me or make me care about those involved. It felt way too long, without enough happening to push the mystery closer to its conclusion. The entire mystery is told by the end of course, but if there were clues along the way to let you know what was happening, I didn’t see any of them.

Ghibli is taking a break to figure shit out. This is good. I am sad they ended the note on this film, which I almost feel like was nominated because the Academy is used to their films being so much better.