Art of a Hit was sent to me early as a screener. You can see an interview I had with two of the stars, here!

What happens to yourself if you get a little bit famous, but can never surpass that level? And you both plateau, and then fade away into obscurity? You were so close to greatness, and yet it is all gone.

That is what happened to our band. They had a few hits in the 90s, things were okay. But then their bass player (Rob Raco), who had all of their personality and star potential (weird for a bass player…), got offered a solo gig and took it to grow his career, and the rest of the band had…nothing!

So now here it is over a decade later, the band is sort of together, but not really. They never quit, but that doesn’t mean they play together as much. They have side projects, they still make music, but they aren’t together. But with their record label, they get an offer to head to France, to work with a mythical record producer (Charlie Saxton), to see if they can get their sound back. To see if they can make a hit song or a hit record with him. And maybe taste that sweet sweet glory.

While this happens, the band leader, Ryan (Ryan Donowho) has to manage all of the personalities, the producer, and the record label (who actually dropped them and isn’t paying for this, whoops!). While finding himself mentally, and literally, haunted at this daunting task in front of him at this spooky castle.

Also starring Allie MacDonald, David Valdes, James Earl, and Tim Jo.

band
“This is going to ruin the tour.”
“The what?”
“The world tour.”
This film is labeled as a horror, but really it is not. First, it is far closest to a drama. There are scenes that suddenly get…gorey? I guess that is the right way to describe it. Accidents, self mutilation, being literally chased. But those scenes are few and far in between, and they are almost all in the band leaders head or dreams (not a spoiler). So if anything, maybe its more of a thriller, because of all of the uncertainty they are dealing with, and how most of it manifests in terms of fears of failures.

Honestly, the real scary stuff is happening at the end, and it is literally indescribable. Indescribable because of a spoiler, and I don’t want to get into that, but the ending is definitely horror in a non traditional sense of the genre.

Instead what I am mostly watching and interested in, is the band dynamics, the secrecy of their former bandmate who left, and how natural the group feels. And hell yeah, the band feels like a real band, with baggage and history. Exactly like one would hope. Only one member was awkward with them, and that was because he is new to them for the plot. I think Donowho carries a lot of weight in his face, with his fears of mediocrity, and it shows.

I believe I have been told all of the people did re-record the music that was made for this film. The band Jets to Brazil wrote the songs for the movie, but the actual actors (who all happen to be musicians), re-recorded it and we get to hear what they actually sound like together, and that is awesome. No weeks of intense strumming camp for these folks.

Either way, Art of a Hit I think would be better if they focused less on these few horror elements, and more on the very real dramatic and scary elements of being faced with fading into nothingness, with people barely remembering your name after you were so close to superstardom. That is a strong story. But I do understand these sorts of movies are harder to get funding for, than cheap horror. You never know when the cheap horror film will skyrocket and become popular, after all. A good story, just with some dumb horror moments.

3 out of 4.