Poundcake

Poundcake is part of Make Believe Seattle, and it is playing on Sunday, March 26, 2023. 

Heh. Poundcake.

If you want to make an attention grabbing movie, it always starts with an attention grabbing title. And poundcake would certainly make most people curious about your film.

I mean, there is a chance it is about actual cakes. Which would for sure be a win overall. But it could also be slang and go a lot of different ways. And I am here to let you know, it certainly goes those ways.

Immediately, it is one of the more negative of those ways based on this image.

A new killer is out on the loose! Apparently. It is amazing that one could even find that out since it is in New York City, but these deaths are a bit different.

First of all there is a pattern. Everyone at that point had been a straight white male. Not too surprising there, I guess. They all had been strangled as part of their death. So there is some level of pattern there. Oh, and they also had been raped. Yep.

So despite no one seeing the killer, all of these happening in isolation, there is a clear theme and focus. And it has the city in, well, has them curious. Is this okay? Is this revenge? Is this a form of justice?

Who is to say overall, but those who have some level of minority are feeling a lot more safe about themselves during these times, for sure.

Starring Onur Turkel (also the director), Eva Dorrepaal, and Ron Brice. A lot of others too, but this isn’t on IMDB yet and I am limited in finding people.

People should talk more about serial killers at the workplace. 

To start off, this movie was a lot funnier than I thought it had the right to be. I mean, it was very low budget and its visual framings were never that creative. But it has got personality, friends. A lot of it. A lot of weird, oozing personality.

A large percentage of the film is framed through podcast recordings. Various different groups talking about current events in their lives and cities. Most of them themed around gender, race, or some sort of drug using identity. And from that we got to hear the discussions of “other New Yorkers” about their thoughts and feelings during these attacks, and how they affect their views on other people. The podcasters are real characters too, not just a narrative device, and their lives are explored for a bit in the film, including when groups break apart, change members, or share guests for interviews. Outside of the whole, murdering of white dudes angle, it was basically the other main plot in the film.

A film that also had some strange subplots, like the director playing a character really certain in his sexuality while exploring new things sexually. It related to the rest of the story, a little.

Honestly, the ending of the film, during the memorial, had me in all sorts of giggles. Quite a lot of scenes, but the ending went full ridiculous and I am happy that the film embraced the ridiculousness of the story. The write up on the festival site calls the director, “one of the most astute and fearless satirists of his generation,” which is obviously written by his team/PR group, but it is definitely some level of fearless satire going on here. In films we want originality, and if anything, Poundcake has some originality.