Deliver Us From Evil

The first time I saw a trailer for Deliver Us From Evil, it definitely scared me. It was simple and basic, but it did the trick. They made a more plot based trailer eventually, but I never saw it.

It should have been of no surprise that I found the trailer terrifying, because the writer/director of this movie also wrote/directed Sinister from last year, which I loved. He seemed to have a real knack for the build up and tense moments, with the occasional jump scare to poop thine pants.

Basically, I was kind of excited, is what I was getting at, despite my dislike of being scared.

Who actually likes being scared anyways? Who? Who? Who?

The story mostly takes place in the distance past, 2013, with Sergeant Ralph Sarchie (Eric Bana, sporting a pretty accurate to me Bronx native accent) rolling around his turf, stopping bad guys. He has had a rough couple of cases recently, some dead babies, a dude who beat his wife, a lady who threw her baby into a lion pit.

Whoa now. Let’s go back to that. A Jane Crenna (Olivia Horton), mysteriously threw her baby over the side, then the lights went out in the whole park, causing everyone to flee. She was found later in the park, digging holes and singing The Doors very quickly. There was also a mysterious painter (Sean Harris) who was seen at the lion den, but got away, also mysteriously.

Things just are not going Ralph’s way. He is getting angrier at all of these stranger events, affecting his home life with is wife (Olivia Munn) and daughter.

But things don’t really get weird until he starts to see the connections between a few of his weird events and things I didn’t say. Unfortunately, it might even take a priest (Édgar Ramírez).

Also starring Daniel Sauli, as a mean man, and Joel McHale, as a character who is a cocky asshole. But this time the cocky asshole has a slight accent and a bit more relevant character traits than normal. Oh, he is also Ralph’s partner.

Man, that painter really doesn’t understand his job description.

First things first, yes, I did indeed get scared during the movie. There were a lot of jump scares too, a significant amount to say that they might have been a majority of the scares, which is annoying. But some of these came at such random times, just out of no where, that they did shock me. There was also fear in the build up and scene building, as I mentioned above that Sinister had. So despite the jump scares, the fear is real.

The plot? I actually enjoyed the plot. There is obviously an exorcism in this movie. Why else would we have a priest? They kept it mostly fresh and action packed. The fact that this was a sort of crime/mystery + horror movie really got you invested into the plot. Eric Bana was at his best and really flourished during this movie to I thought. Good job Bana. Everyone else? Eh, take it or leave it.

However, there was something incredibly terrible with this movie. Sound Editing/Mixing/Whatever. Holy crap, it was terrible. I feel like a real reviewer using these words, yes. Okay first off, yes, the main character began to hear things that other people could not hear. It was static noise, kids playing most of the time (and the kids playing used a very recognizable sound clip, so it was awkward every time it ran). But the rest of the movie’s sound was all over the place, screams out of nowhere as part of the music basically, despite nothing making the noise. Not just normal movie horror noise. Just very loud, all over the place, disjointed. It took me out of the movie numerous times.

There were a few cheesy moments too. The detective who was watching the exorcism from a distance made snide “OMG” like comments every now and then, un-tensing one of the final important moments of the film. Minor things like that. But mostly the sound editing.

So I don’t think it is as good as Sinister. But it wasn’t also trying to be inspired by a “True story” so that is another good bonus for Sinister over Deliver Us From Evil. Still very watchable.