Killing Romance
Killing Romance was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 18th as part of the festival, and it was the Seattle premiere of this film!
First, Hwang Yeo-Rae (Lee Ha-nee) gets famous! A viral person, a superstar singer, and an actress, and she is everywhere. She rises so fast, she gets put in the lead of the most expensive film of all time, and it is a dud. Her acting falls flat, she is a laughing stock. Sure, people love her for this, but she thinks this is a tragedy and her life is over.
Then she meets Jonathan Na (Lee Sun-kyun), a very rich, powerful man, who helps her out of a jam, and seems to like her. Perfect. They live away from Korea for so many years, and eventually return, Hwang now a house wife, with the world forgotten about her.
But then she meets Kim Beom-Woo (Gong Myoung). No, this is not a love thing. This is just a guy who happens to be a super fan of her work. Apparently there is a lot of them ou there. Kim is stuck in a house hold where he cannot pass the college entrance exam, and cannot go to Seoul University like everyone else in his family has ever done. He is a disappointment. But he is able to get a script to Hwang when the couple moves next door.
A script? For a musical? Can this be Hwang’s next big break? Well, no, because Jonathan says no. He cancels the whole thing. He is powerful. He is strong. He is rich. He is controlling over Hwang. He can get people killed. Hwang realizes she needs out of this relationship, it is toxic. But to do that, either Jonathan will have to die, or she will have to kill herself.
Also starring Bae Yoo-ram, Pierce Conran, and Shim Dal-gi.
Gosh, I am already in love with this guy myself.
And he destroyed this role as the toxic mean husband.
Killing Romance is certainly a movie that is indescribable in many ways. It is a BIZARRE film. It is wacky. It is strange. It is an experience.
I think the offput nature of the film, the switching aspect ratios, the switching of quality, the terrible background scenes, the zany nature of Jonathan’s character, are all just certain features that highlight the absurdity of cinema. I know this isn’t a negative of Korean cinema or anything like that. This is just a movie that wants to do its own thing, and is unapologetic in the process.
Is Killing Romance itself a good film? Honestly, hard to tell. I did enjoy my watch overall, and I appreciated the creative output. And again, if this one is Sun-kyun’s swan song, it was certainly a cherry on top.