Day: March 25, 2023

Unicorn Boy

Unicorn Boy is part of Make Believe Seattle, and it is playing on Saturday, March 25, 2023. 

As has come up in many reviews before, my high school mascot was the noble Unicorn. So, did that make me a Unicorn Boy? Am I still a Unicorn Boy now? I will say yes to both.

I was of course very happy to pursue a film with a title like that, as I need more movies that are about unicorns or at least unicorn adjacent. For some reason it is a market overly saturated in TV shows, video games, and books. But not movies. I wonder why is that. Do movie watchers not like Unicorns? I hope that isn’t a stereotype.

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Stereotypes make me make these faces.

Matty’s (Matt Kiel) life is currently spiraling downward. He has friends, fineeee. But he broke up with his girlfriend. It was a little awkward the timing too. It was after she said she loved him. And he panicked shortly after, and broke up with her. Okay, sorry, it was a lot of awkward, not a little. Don’t worry, Matty realized he missed her greatly. Life wasn’t as good without her. So he could just like, call her back and apologize and they could reconnect. Surely that would work.

Well, several voice mails later, sure enough, he is not able to get ahold of her. Wild right?

Unfortunately, while in a bathroom at a coffee shop, Matty gets sort of abducted by a unicorn, and brought to a strange colorful, rainbow filled world. This unicorn, Prince Purpleton (Sarah Natochenny) also doesn’t talk much and seems to be…uhhh, broken almost. And messy. Hard to describe. But Matty is brought back to their palace, where he learns that there might be a giant Unicorn running around, threatening things. But no one believes this story but the prince. The king (Patton Oswalt) is extremely passive and the queen (Maria Bamford) is mean. What is going on, how does this effect Matty?

Well it effects him a lot, apparently. Especially when he gets revived in the bathroom, and he is taken from the Unicorn world, and he spends a majority of his time trying to get back, to help his new friends, in a world that seems to be better than his own.

Also starring Sethward, Parvesh Cheena, and Harold Perrineau.

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Messy rainbows, a picture.
Unicorn Boy is a lot. A lot of interesting voice work, a lot of interesting colors, and certainly a lot of interesting facial expressions. Honestly, when cartoons focus on extreme facial reactions to events, it reminds me back to Ren and Stimpy, and I never really love it. It makes me make an extreme facial reaction and I never really get over it. And I never got used to in in this film either, which leads me to looking away from the characters more than watching them, which is a strange position to be in, and might be my own personal preference.

But the best news about this movie, is that the story totally works and is worth exploring and watching. My own biases on animation aside, I think Unicorn Boy not just tells a relatively unique story, but an important story. It tackles quite a few issues. In general, grief and depression, finding yourself, dealing with different levels of abusive parents, and of course, determining that the body you are in is not the body that matches you. You know what I mean? I think you do.

And to go with the story, the voice acting itself was top notch. Our lead, Matty, is voiced by the director, writer, and main animator of the movie. Sethward is his real life friend in some comedy group, who got famous from America’s Got Talent. But we also got a few celebrities for roles, and of course, the voice of Ash Ketchum. An impressive lineup for an independent animated film.

Unicorn Boy is a movie for a lot of people, and a lot of people can probably interpret it different ways. But regardless of which way you interpret it, you should be able to recognize that it is definitely done with heart and humor in mind.

3 out of 4.

Poundcake

Poundcake is part of Make Believe Seattle, and it is playing on Sunday, March 26, 2023. 

Heh. Poundcake.

If you want to make an attention grabbing movie, it always starts with an attention grabbing title. And poundcake would certainly make most people curious about your film.

I mean, there is a chance it is about actual cakes. Which would for sure be a win overall. But it could also be slang and go a lot of different ways. And I am here to let you know, it certainly goes those ways.

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Immediately, it is one of the more negative of those ways based on this image.

A new killer is out on the loose! Apparently. It is amazing that one could even find that out since it is in New York City, but these deaths are a bit different.

First of all there is a pattern. Everyone at that point had been a straight white male. Not too surprising there, I guess. They all had been strangled as part of their death. So there is some level of pattern there. Oh, and they also had been raped. Yep.

So despite no one seeing the killer, all of these happening in isolation, there is a clear theme and focus. And it has the city in, well, has them curious. Is this okay? Is this revenge? Is this a form of justice?

Who is to say overall, but those who have some level of minority are feeling a lot more safe about themselves during these times, for sure.

Starring Onur Turkel (also the director), Eva Dorrepaal, and Ron Brice. A lot of others too, but this isn’t on IMDB yet and I am limited in finding people.

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People should talk more about serial killers at the workplace. 

To start off, this movie was a lot funnier than I thought it had the right to be. I mean, it was very low budget and its visual framings were never that creative. But it has got personality, friends. A lot of it. A lot of weird, oozing personality.

A large percentage of the film is framed through podcast recordings. Various different groups talking about current events in their lives and cities. Most of them themed around gender, race, or some sort of drug using identity. And from that we got to hear the discussions of “other New Yorkers” about their thoughts and feelings during these attacks, and how they affect their views on other people. The podcasters are real characters too, not just a narrative device, and their lives are explored for a bit in the film, including when groups break apart, change members, or share guests for interviews. Outside of the whole, murdering of white dudes angle, it was basically the other main plot in the film.

A film that also had some strange subplots, like the director playing a character really certain in his sexuality while exploring new things sexually. It related to the rest of the story, a little.

Honestly, the ending of the film, during the memorial, had me in all sorts of giggles. Quite a lot of scenes, but the ending went full ridiculous and I am happy that the film embraced the ridiculousness of the story. The write up on the festival site calls the director, “one of the most astute and fearless satirists of his generation,” which is obviously written by his team/PR group, but it is definitely some level of fearless satire going on here. In films we want originality, and if anything, Poundcake has some originality.

3 out of 4.