Tag: Jeremy Sisto

Seven years ago, Frozen hit the world one Thanksgiving week, and we weren’t ready for it. I don’t recall a lot about the trailers, but I do recall the teaser trailer, and it was very basic.

And you know what? I loved it. Most of the soundtrack was really good. They didn’t use Menzel enough, and Groff was ignored stupidly, but they could have done better. It was still a really good sign of Disney amping up their animation department, and led to the also quite perfect Moana!

And let me say, that for Frozen II, I wasn’t dreading it at all. I loved their first teaser trailer. It made this movie look darker, more plot focused, more adventure full. I was ready to be blown away.

A water horse in water? That makes sense. Land horses are on land.Three years after the events of the first film, everything in Arendelle is going so darn swell. The gates have been open, people are happy and prosperous, and oh golly gee gumdrops, everything will stay the same.

Except… Elsa (Idina Menzel) is starting to hear a strange calling in the distance, and only she is hearing it. And Anna (Kristen Bell) is helping run things, she loves having all these freedoms. Kristoff (Jonathan Groff) is about to propose to Anna, but she is so preoccupied with her sister things keep coming up. And Olaf (Josh Gad) is dealing with his strange existence, getting older and more mature.

All of this only slightly matters. What matters the most is that voice, and all of the exposition the beginning of the film talked about. There used to be an enchanted nearby that the old King saw when he was a boy, and the two groups tried to be friends. But, betrayal! Sadness! And a lot of magic left the world.

I guess Elsa just has that magical adventure itch, because she gets the gang together after a disaster in their city to try and enter that blocked off enchanted forest to see if they can figure out what is going on, or maybe just that voice.

Also starring various voices by Alan Tudyk, Ciarán Hinds, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews, and Jeremy Sisto.

Reindeers rush better than people, Sven wouldn’t you say that’s true? 

Really early on in Frozen II is when I realized things weren’t going to be as good as I had hoped. It started with a scene from their childhood, pre trolls interfering with memory. And it had the long story their dad said about the forest, and a bonus mom song. And the entirety of the movie relies on the scene.

The entirety of a sequel relying on a scene that didn’t happen in the first film? Ugh. There were a lot of plot points they could have naturally done based on the first film. Hell, they could have done most of this film without that scene. But really this just feels like changing the canon. Sure, that kid conversation could have happened in their life and not changed the first film at all. But it now just feels tacked on.

Another downgrade for me is the music overall. Now of course, I love that they gave Groff his own song and parts of other songs, keeping true to his character. They also used Menzel more. But most of the songs don’t capture the spirit to me like they did in the first film. I already listened to the soundtrack a second time and I am not left with whimsy, I’m not wanting to hear and sing a long over and over.

Again, overall, the plot is okay. It has some good parts, some lame parts, some rushed parts, and some tacked on parts. Some of the Elsa and Anna scenes are really strong, but the film overall feels a lot weaker. And that is a shame. It will still probably win an Oscar for animated awards because the Academy is usually really lame though.

2 out of 4.

When I was in the first grade back in 1945, I distinctly remember seeing Ferdinand with its really dark red cover, bull, and designs on it. It stood out amongst the children’s books merely for its boldness and not pastel everything color scheme.

So I definitely remember reading it, feeling proud at having read it. It was one of the first books I can recall reading that weren’t super basic.

This means I was a bit excited that eventually a movie was going to come out about it. It was coming out around Christmas time with no other animated film competition. Maybe it would be amazing! That would be great, given my disappointments this year on the entire genre.

But also, I didn’t remember the story, so I wouldn’t care about the plot of the film versus the plot of the book, which is something I definitely always strive for.

“There was no goat in the book, 0 out of 100!!!” – Book elitist.

When Ferdinand (John Cena) was just a kid, he lived on a ranch and was in training to be a man fighter. I guess that is what you call the bulls in bull fighting matches. But Ferdinand didn’t want to train and butt heads with the other bulls, he wanted to care for flowers and just enjoy the fucking sunshine. One day, his dad was chosen as an honor to head to Madrid and become a man fighter, Ferdinand waited for days hoping his father would return victorious, but alas, he did not.

So Ferdinand escaped. There was nothing left for him at his home except for sadness, angst, and bullying. Because of bulls. He escape and, luckily, found himself at a peaceful farm where they actually grew flowers for a living! And there was a little girl there, Lily (Lily Day), who loved Ferdinand and raised him as a pet. He wasn’t mean, he just loved flowers and was a big goof ball.

But when Ferdinand got older, he was extremely large, larger than most bulls. Ferdinand was a gentle giant, who accidentally caused a lot of trouble one day thanks to not listening and due to a bee sting. This put Ferdinand back into captivity, back at the place he escaped long ago, with a Matador fight looming that he knew he would not come back from alive.

Also starring Anthony Anderson, Peyton Manning, David Tennant, and Tim Nordquist as additional bulls, Gina Rodriguez, Daveed Diggs, and Gabriel Iglesias as hedgehogs, and Flula Borg, Sally Phillips, and Boris Kodjoe as German show ponies.

Oh and Kate McKinnon as a goat, Bobby Cannavale as a rival bull, Miguel Ángel Silvestre as a famous bull fighter, and Jeremy Sisto as Ferdinand’s dad.

Oh. Animals driving trucks during the ending conflict. Lovely.

The book Ferdinand story was big huge bull, didn’t want to fight, liked flowers, got taken away when he accidentally messed up a village after a bee sting, went to fight a Matador, refused to fight and was saved. Simple book, and hey, that is the basic point of this movie too.

We also just get some extra kid backstory, rival characters, several groups of side characters, extra human characters, and more. There are so many goddamn animals in this one. Not just the bull friends, but we have some extra 1 of animals only, then a group of hedgehogs, a group of horses. It just seems like I was drowning in side animals, most of which were unnecessary and one dimensional. Although the hedgehogs made me laugh occasionally.

Thanks to all these characters, we got one of the worst scenes I have seen in an animated film since the entirety of Norm of the North, when there was a “dance off” between the bulls and the horses. It was bad, it didn’t match the characters, it went on too long and just was aggravating.

As for the rest of the film, the beginning was very boring, the voice acting was weak, and the film seemingly killed off characters willy-nilly without any big amount of remorse. Or at least it seemed that way, but actually the extremely efficient slaughterhouse has no actual employees. Seriously, they show up instantly to take away a bull not good enough, but when the bulls head to the place to save them, we have no employees, no people attempting to stop them, just an extremely elaborate and nonsensical “ground beef” making machine.

Add in the ending where we have our animals driving vehicles, because every goddamn animal movie needs that now, a way too long chase scene through Madrid, and an ending where, sure, Ferdinand and his friends make it but without any long term changes made.

We all know bull fighting is terrible at this point. It is a relic of the Roman Colosseum, killing animals in front of crowds for sport. It is awkward that basically every bull is super stoked about the idea of being chosen for most of the film, until they realize how bad it is. It is even more ridiculous when you’d think the goal would be to end all bull fighting to save the bulls, but apparently just their group of six is good enough.

Ferdinand had a treasured book to work with, and they used that material. Unfortunately, the people who gave us the bad franchises of Ice Age and Rio have seemingly, once again, failed to produce a quality product. Not surprising I guess.

1 out of 4.

I have heard about the Waitress movie for awhile. Mostly positive things. And once I got rid of all the opinions from people who thought I was talking about Waiting…, turns out people still overall liked Waitress. I knew not much about it, just assumed because it was about a woman, that there would be a love element!

This mostly being necessary for a review coming out on Valentine’s Day.

And she’s happy!

Kari Russell plays a waitress in a small town diner. She likes to make pies, and is good at it. Did the whole pie thing since she was a child. She is married to Jeremy Sisto though, who doesn’t treat her right. Doesn’t beat her or anything, but he also just seems to be controlling. Won’t let her have a car, doesn’t care about her pies, and doesn’t seem to “love” her.

But she gets pregnant! Damn it, damn it! She won’t get rid of it, but she wants to leave her husband anyways, maybe win a pie contest. Unfortunately her doctor just retired, and all she is left with in the small town is Nathan Fillion. Who is awkward around her.

So Keri has to deal with putting up her husband, secretly going to a birthdoctor, possibly wanting to tap said doctor, and still make a lot of pies for the shop. Her friends try their best, fellow waitresses Cheryl Hines and Adrienne Shell, but even the owner, played by Andy Griffith, seems to give her a hard time every time he stops in for meals (and PIES).

The movie isn’t really about love or her looking for love. No it is about a woman, who wants to just live her life the way she wants to live it, with the unfortunate side effect of getting pregnant with a man she doesn’t love. Nathan Fillion is a nice doctor, but he might not be the answers she needs either.

Although they make such nice pies together.

I liked this movie a lot. As I just said it was nice to see a movie about an independent woman who is not working towards getting a man the whole time. Everyone in the movie does a great job conveying the small town feel. Even though Sisto’s character is a jerk that you will hate, he also does a great performance.

This must be where Sisto first met Hines, since they both are now in the show Suburgatory together. Connections, also, are one of the more fun things you can do with movies and tv shows.

Overall, great movie, with an ending that isn’t entirely predictable. Yay!

3 out of 4.

I decided to try this movie out when I was browsing Jeremy Sisto‘s imdb page. The other was the dreadful Rosencrantz and Guildenstern Are Undead, but I figured with a title like Into Temptation, how could it be bad? If anything, might just be some super awkward soft porn thing, and I could have a hilarious review because of it.

Complete with Catholic priest role playing.

In the story, Jeremy Sisto is a Catholic priest, in some lame part of some city. He saved his Parish from going away, or something. He also is a bit unconventional, talking on subjects other guys wont touch. Trying to add jokes to his sermon. What have you. But in the first few minutes, a woman (Kristin Chenoweth) comes in for a confessional. She is a prostitute! Of course she was also raped by her step-dad, has lived a life of sin, and is also going to kill herself on her birthday.

All Sisto knows is the necklace she wears, as she gets out of there before he can see her face and talk to her.

So the movie is more or less Sisto trying to find Kristin, on his journey to the underworld, in order to help save her. Along the way he gets some spiritual advice from a higher up Catholic Father, played by Brian Baumgartner, or Kevin from The Office.

Turns out he doesn’t always talk like “that”.

I’d say most of the movie is relied on Sisto’s acting for it to work. Everyonce and awhile we get a small scene with Kristin, who is usually alone, and we have to rely only on facial gestures and mannerisms. What this movie ends up being is a journey for Sisto’s character to be himself, a better man, and help others along the way, while finding out how to be a better priest. It was a very interesting movie, if not slowly paced. It also didn’t focus much at all on the religious aspect of it all, which is surprising. Pretty decent flick.

3 out of 4.

So I came upon this title by accident. I was on Jeremy Sisto‘s imdb page (who is kicking ass on Suburgatory), and saw the title. I immediately went “OH MAN MUST SEE THIS MOVIE!” I was assuming it was some pseudo sequel thing to what every existentialist worth his lone self would know about, Rosencrantz and Guildenstern Are Dead. Yes, the movie based upon the play of the same name, both fantastic.

I already feel like this is a mouthful.

This movie has not much at all to do with that movie/play. They do makes some references to the work, but its not at all related (Yet Tom Stoppard apparently told them to go for it). The play/movie is a personal favorite of mine, full of some great quotable gems, so that was a shame.

“We’re actors! We’re the opposite of people!”

So anyways, this movie takes place in modern NYC. Jake Hoffman is forced to be the director of the play, in a theater owned by John Ventimiglia. Everyone else involved is a vampire. They want to do the play that they made up, which is the name of the movie. All the director really wants to do is win back his ex girlfriend, Devon Aoki, from none other than Ralph Macchio! Sisto is barely in the movie, as a cop guy.

Eventually they realize that their version of the play is actually a true story, with a real Hamlet, and involving real vampire’s during Shakespeare’s time. John V goes around performing the play, turning the actors into vampires and audience members around the world. Similarly, the real Hamlet is out there trying to stop him. The only thing that can stop him is the Holy Grail.

Does this sound ridiculous? Because it is.

It is hard to figure out what is going on most of the movie. They had different play sequences throughout, and it was supposed to be all interweaved and surprising, but it just felt clunky and confusing. For all I know this could be some super meta type of movie that I just don’t get, but I don’t want to get it either. The acting was bad and cheesy, and well, just bad overall. It probably would have been better if I just watched the original movie again.

“We can do rapiers… or rape… or both!”

1 out of 4.