Tag: Drama

This film was watched as a part of the Seattle International Film Festival (SIFF). Past Lives had its Seattle Premier on Thursday, May 11 2023 as the OPENING FILM of the festival.

People seem to really like A24 released movies. I am a people. I really like A24 movies. It fits! Or at least this is mostly true for the films that people have seen. For example, When You Finish Saving The World apparently came out this year, directed by Jesse Eisenberg, with some famous people, and frankly I have never heard of that one. Might not be the best.

But what about Past Lives? This one made by a first time director, with strong international themes? Well, if it is anything like Everything Everywhere All At Once, the people will love it. [Editor’s note: This is a joke, because it is absolutely nothing like Everything Everywhere All At Once, not even the same ethnicity of actors.]

But there is a boat, and in EEAAO there was… oh, no boats.

Inyeon is a Korean word and a Korean philosophy, that seems to run pretty deep down into their culture. Well, at least according to this film. One definition calls it “the ties between two people over the course of their lives.” It can be a sort of love, that describes vary different amounts of love. From spousal love, to the love between parent and child, friendships, or even a small conversation once on a train. According to this film, it also refers to these meetings and connections across past lives of the people, when their soul was in another body. People they interact with they will keep interacting with in future generations, without knowing their long past. And it can grow over time. This is what I got out of the word, at least.

Nora (Greta Lee) moved out of South Korea when she was about 12, to live in the US because it was going to be better for her family. She would have more opportunities. She had a crush on a boy at the time, they were the smartest two in their class, but that didn’t mean much in the grand scheme of things. They moved on and forgot about each other. Or did they.

12 years later, they reconnect, still on opposite sites of the world. They found each other on social media, and would talk all of the time on Skype. About their lives, their goals, their loves, and their ambitions. Constantly. Until it stopped.

And finally, 12 years later again, Hae Sung (Teo Yoo) is going to visit NYC, to see Nora. And see her husband (John Magaro). And see the sites. And see that maybe they are a hidden love, or maybe destiny had something else in mind for them.

Also starring Moon Seung-ah as Young Nora.

I was only given one real still to use for the review so here is a poster screen grab yay.

Seriously, Past Lives is so unlike EEAAO that if anyone tries to make a comparison, they clearly didn’t see one or both of the movies. Don’t let it happen.

Past Lives is a slower film. One that really wants you to sit with the characters, and get in their mood and in their head. It is an UNCOMFORTABLE film for that same reason. The situation our leads are in IS weird. Is it destiny for them to keep coming back together? Or are they forcing something that just cannot work. Is it nostalgia? Is it unfinished business? Do they even want to be together? And let’s not forget about that husband.

Because this movies forces you to be in these uncomfortable conversations and situations, you really don’t know what you want or expect from the leads. Is this a typical romance film? Is this a sad drama? Neither direction feels like the right direction, and to be honest, the only people who could decide the right direction are two fictional characters. I am feeling anxiety from their dilemma that is not just forced, but is made up and shouldn’t affect me in the slightest.

But the film is powerful in its draw, and one that you cannot escape.

I also need to highlight just how beautiful and well shot this movie is. So many long shots taken, or our actors from a distance so we can see the surroundings better, where direction and flow matter greatly to the story. I think the camera work is better the actual story, which is no slouch. And the acting from our three leads is great. A good amount of uncomfortable never hurt someone. It just made me want to cry.

3 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). Year of the Fox has its World Premier on Saturday, May 13 2023.

One might wonder what the Year of the Fox refers to. I of course naturally assumed this was Chinese Zodiac reference. And no matter how many times I have seen those episodes of Jackie Chan Adventures, where they had the amulets based on the zodiac, I gradually accepted yes, there is probably a year of the fox. But I was wrong! No fox at all!

Pretty wild, but also, not wild in the sense that its a wild animal. Nah, they got a rooster though.

Year of the Fox was a film that stood out to me when looking for movies to watch for the festival. Something about the plot or the name just drew me to it. Hope it was justified!

Dang, those flowers should be put in the grass. They can’t grow on these tiles. 

Ivy (Sarah Jeffery) was adopted at one point. From two straight up white, rich parents. Is it the dream? Well, only if wealth is the dream. Because now she is 17 and her parents are going through a divorce. She doesn’t love her mom as much as her dad. Her dad is fun! He takes her on trips. He shows her the world!

So when given the chance, she decides to go live with him, and she can still hang out with her friends. Now these parties are wild. They are doing coke in the bathrooms. And don’t care about underage drinking. Is this something she wants to be doing with her life?

Unfortunately, it turns out that the social and wealthy elite aren’t always sunshine and lollipops. People get taken advantage of. People get led astray. And these relationships might not be ones that Ivy would like to grow.

Also starring Jane Adams, Arden Myrin, Balthazar Getty, Lexi Simonsen, and Jake Weber.

I have two rules: Don’t touch my Percocet, and do you have any Percocet?

Year of the Fox was one of the first films I was able to see during the festival. And I can certainly say it has very gorgeous scenes and interesting situations for some of the characters. But in all honesty, it doesn’t ramp up until the very end. I would say it takes awhile to get going, but in reality, the main going is just the climax of the film.

Year of the Fox is certainly a good idea for a story. It is just a bit boring along the way. Which is a shame, because I think Jeffery did a fine job in the lead, and so did the actor playing her father. You could tell he was a sleazeball, we just didn’t know his levels of sleaze.

Year of the Fox isn’t a bad film, it is just too long for the effort I believe. Because again, it has some nicely shot areas for a few of the scenes, and I enjoyed the first and final party scene. But I am having a huge problem remembering anything else about the film, and it isn’t just because I watched a lot of movies this festival already. I watch a lot of movies all of the time. It just doesn’t have a lot for me to remember after the fact.

2 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). The Mattachine Family has its world premier on Friday, May 12, 2023. You can see my interview with the director here!

Without a doubt, I think if I just saw the name of this film, I wouldn’t have given it a second thought. The Mattachine Family? That is a real fancy sounding word that I don’t understand, being the illiterate adult that I am. Turns out, Mattachine isn’t really an adjective to describe the type of family, but it can be a reference to many things.

Personally, I think that it mostly would refer to The Mattachine Society, which ended up being an early organization that came about for gay rights. Huh, look at that, I am learning already.

And before I get further, it is most important to point out that this film with many producers, also has Zach Braff attached as the executive producer. Which means he is putting that Scrubs money to good use. Diverse films!

If you look closely, those steps are The Mattachine Steps. Damn, I was wrong!

This is a story about family, which you probably got from the title.

Specifically, it is about Thomas (Nico Tortorella) and Oscar (Juan Pablo Di Pace). Thomas and Oscar are not only in a relationship, they were foster parents for a little kid! Wait, let’s back up a little bit.

Oscar used to be an actor! He was a child star, on sitcoms, got really famous and was himself a foster kid. So it makes sense for him to want to do the same. Things came crashing down when it came out that he was out.

Thomas and Oscar met at one point, and the rest is history! Just kidding, it has its ups and downs as well. In fact, Thomas is a photographer and is struggling to figure out what it means to have a family as an adult gay man. But fostering a kid is certainly one way.

But then, well, his mother is better, and takes him back, after a year in their life. And it turns out, Oscars career is finally starting to pick back up. So he is going to be away filming. And their kid is gone. So what is Thomas to do? He is alone, not sure where to go on in life. Should he try for adoption? Should he ignore kids completely and just focus on living his life with his friends? Being an adult is hard, and it turns out, so is making a family.

Also starring Garret Clayton, Khalilah Joi, Jake Choi, Heather Matarazzo, Emily Hampshire, Colleen Foy, and Annie Funke.

What is love if it is not holding someone from behind in your arms?Let’s go back to that “What is Mattachine” introduction I gave. Well, from the screenshot, you can see that there are Mattachine steps. These steps are known as outdoor workout stairs. Oh, so like, designed actually to be used for exercise? Maybe the real Mattachine family is the one that you need to put work into, and hopefully in the end, it will work out.

But if you dig deeper…you find out that they were outside of the home of Harry Hay…the founder of the Mattachine Society. Oh good, we are back to that, and it looks like I was right! But hey, the metaphor works nicely as well.

Anyways, this is a very unique film I would say. It isn’t really a standard family film, it isn’t a romcom for the leads. It is almost like dealing with a middle age crisis on what to do for the rest of your life, if you want a family but can’t seem to have one. Obviously the goal here is to define families in a more broad sense, for the friends and people you have in your life and choose to spend your time with. But it is certainly in the drama film, if not loosely, barely, in the romance genre side of things.

I think all of the leads did a fantastic job. They felt believable and were fully fleshed out characters. At the same time, this film had so many ideas floating in it, with the side characters and subplots. I wasn’t sure what the film was meant to be about, until we really got to the final scenes and conclusions began. In my mind, it felt like that this film was maybe first envisioned as a pilot for a television show, that can continue to tell the story of these friends and characters as they continue on for life, but somewhere it pivoted into what we have. I know it isn’t true, but it is the feeling I get from the film, with how disjointed some moments are from scene to scene.

Again, well acted, and honestly, a beautifully shot film. And if the “driveway fall” doesn’t suck you in early on, I am not sure if movies are meant for you.

2 out of 4.

These films were watched as a part of the Seattle International Film Festival (SIFF). Next Sohee has its Seattle premier on Tuesday, May 16, 2023. The Hill of Secrets has its Seattle premier on Friday, May 19, 2023.

In this dual review, I am going to look at two films out of South Korea. Do they have a lot in common? No, not really. But they do deal with youth experiences, at vary different levels. And they deal with the expectations on these kids, whether via extreme pressure, or a complete lack of pressure and apathy. And thus, a good enough reason to double up on these movies.

Next Sohee

Next Sohee is about a girl named…Sohee (Kim Si-Eun)! Surprising, I know. She is the top student at her high school, always putting in the work to get the best grades, make her teachers happy, and never fail. She is also a pretty damn talented dancer, best in her group. She even has a boyfriend. As part of her school program, she is given a job! It is a prestigious job because it is from a big corporation, one type that her school never gets job opportunities from. They only wanted the best.

Well, it turns out the job is a call center job. And the goal of the call center is to not help the customer with their internet plan. But it is to instead give them the runaround, transfers, and get them to change their mind about canceling. It is to not make things easy, and that leads to anger, and it leads to self resentment. But she can’t just quit this job, her school and family is counting on it. But the call center culture has its own rules and standards that make things unbearable, until Sohee can no longer take it. And after that? Who is to blame.

Also starring Hee-jin Choi, Bae Doona, Yo-sep Song, and Yoo Jung-ho.

Certainly not Sohee. It is a SOCIETY problem.

Next Sohee is a film to talk about real issues going on in South Korean schools. For example, ranking of students, so publicly, for every little thing and assignment, builds that competitive stressful experience. But apparently, so do the call centers. And even if you do good, if you are 28th out of 28, you feel terrible, and will be chastised. Even if all of your goals are met. But when it turns out that schools themselves are ranked based on how their students as employees do, putting these pressures on teachers to have their students go through inhumane work conditions, and all of society is working to just tear down these poor kids. It is heart wrenching.

It is pretty obvious to tell what sort of thing happens to Sohee in the film, and I am sure the trailer says it as well. Because a good half of the film takes place later, while a police agent is discovering all of the issues that went on in her life, that could take a normally great kid into someone gone tragically too soon. It is like a journalistic expose, in movie format. And yet it also asks the question, well, even if we know all of this, what can be done to change it? Which is a harrowing question on its own.

4 out of 4.

---

The Hill of Secrets

In the Hill of Secrets, this time our protagonist is just a kid in elementary school. It is about Myung-eun (Moon Seung-ah), a girl from a poor family. Her mom works all the time, her dad is a bit of a slacker, and she has siblings that don’t care about her too much. She is dreadfully embarrassed by them. But for some reason this year, she decides she is going to put on a new façade at her school. She is going to tell people her dad is a business man, her mom stays at home, but they are both also extra busy because of a sick grandmother, so they can never come to school for events.

She also is going to run for Class President, beating out the popular kids! Her teacher is happy to hear her ideas. She even has a suggestion box for them that she stuffs with her own ideas so she can incorporate changes in the class without it looking too weird? She even starts writing at a high level, which she hasn’t done before. But things start to change when a new girl enters the class, who also has ideas, and can write well, but is from a tragic background and actually letting people know. All of this while Myung-eun is lying! Well, maybe she needs to lie even harder. But maybe, just maybe, she needs to tell the truth, even if it will hurt her family more.

Also starring Sun Jang, Kang Gil-woo, Jang Jae Hee, and Sunwoo Lim.

I have both found the hill, and see where she writes down secrets. Movie solved! 

For a film like this, the film lives or dies on the performance of the lead, which is a child actress. No pressure. And she definitely knocks it out of the park. Her life seems so sad at the start, and you can’t help but feel bad for her. It seems like her parents are distant, and don’t want her to draw attention to herself. Sure they will celebrate her victories, but in minor ways because they are limited on funds, and can’t go to the school itself to interact with her there.

It is a story of a determined girl who DOES have a lot of good ideas and tries to pull herself up purely based on perception and boot straps. But just like a child, she acts irrationally nonetheless, and responds poorly to situations she could not predict. In fact, she acts quite childish a few times, which help ground the character and the film. This isn’t some family film about doing your best and being the best you can be and everything will work out. No, it goes for a deeper level of realism.

The Hill of Secrets is not a very flashy film, but it is also well shot and tells a simple story. Families come in all shapes and sizes, and you never know what might be the catalyst for change in your household.

The Hill of Secrets: 3 out of 4.

This film was watched as a part of the Seattle International Film Festival (SIFF). Anu has its world premier on Sunday, May 14, 2023. You can see my interview with the director here!

If there is anything we vastly need more of, it is stories of non-white people in films. I fully believe that, and it is up to us as movie watchers to seek out these stories when they become available.

That was my driving factor for seeking out the film Anu. Anu is actually based on the book, Looking for Bapu, which came out in 2008. Written by an Indian-American woman, about a kid growing up in a mixed culture environment. And now, with Anu, telling the same story, is with Indian American director, Sudeshna Sen.

See? Exactly what I want, new perspectives, from people who aren’t like me, and non-male directors is only a plus at this point. Throughout these festival reviews, I will try my best to highlight and seek out films that aren’t the standard.

And if I don’t, Anu said she would glare at me all night and I don’t need that on my mind.

Anu (Diya Modi) is a preteen Indian American girl living in the Seattle region (hey, that is where I live. And where the festival is!) and has to deal with normal preteen girl issues. However, her life starts to change really early on when her grandfather, Bapu (Abhijeet Rane) passes away unexpectedly. With this, her life does begin to unravel a bit. She loved her Bapu, and she misses him, and how can she go on living without him?

From there though, she begins to see visions of him as a ghost! And it is definitely real. Anu wants to begin a quest to bring him back to life as a reincarnation of Siddhartha. But before that can happen, she has to go on a spiritual journey…in her own neighborhood and school. She has to become holy. Whether it is fasting, giving fortunes, or changing her style, she knows she needs to be able to bring him back, that is the only solution left in her life.

Also starring Lowell Deo, Pratik P. Shah, Tanvee Kale, Hudson Bruener, and Eden Campbell.

Clearly a walk to remember. Oh, no, different movie.

Anu is a classic coming of age story, or at least, a coming of age story, where culturally the way the character acts and interacts with her surroundings makes it more unique than the standard film of this variety. First I want to talk about the main actress, Diya Modi. This is her first feature length film where she has a major role and she knocks it out of the park. It is arguably my favorite aspect of the film. Her character has flaws and makes mistakes and acts like a girl that age, and is not some “perfect kid” learning to deal with death. She is a regular kid, learning to deal with death, through the good and bad reactions one might go through based on what they were taught.

Rane as Bapu was also delightful, and I wish he had more screentime. (This is arguably the plot of the film as well, getting him more screen time).

And although it is easy to remember the things that Anu did in the film in order to complete her spiritual journey, I will acknowledge I don’t remember much more of the film. It was great to see local sights and sounds, and just hear a character saying “Ballard” (a neighborhood of Seattle), but I don’t think the other supporting characters added enough for the full film. Her parents, her friends, it all becomes a little bit of a blur.

Anu is certainly not close to being a bad film; it was certainly a unique and interesting film! It is just also one where I was hoping for a bigger character catharsis and cast to help elevate it into bigger and better levels. It also gave me enough interest to seek out the book the film is based on, even if it is meant of elementary/middle school aged students.  I hope that the lead continues her acting career, not just for diversity sake, but because she handled the lead role so well.

2 out of 4.

New Jackie Chan movie?!

Hooray! It has been some amount of time. Honestly, I think I just naturally assumed at this point he retired. As of this moment, he is 69 years old (nice) and spent his life doing action films and hardcore stunt work. It must take a tole on his body and at some point, you gotta stop pushing yourself so hard and actually enjoy the fruits of your labor. You know, unless the retirement age keeps going up. But that is another topic.

This time Jackie Chan is seemingly picking a new sort of costar. A horse. A horse he is, presumably, going to Ride On. Thus the title.

But over the last fifteen years, there was no guarantee we would get classic Jackie Chan action. He is in more drama films and films where he has a small role. So this could have all been a ruse, who knows!

There is a mask, what if it is not Chan behind the mask?

First of all, this was not a ruse! Lao Luo (Jackie Chan) is an old man, who is mostly staying out of people’s way. He has a daughter, Xiao Bao (Haocun Liu), who wants him to just be chill and careful. It turns out he used to be a stuntman for films. So he had to do hard tasks, and his body took a beating. Huh, sounds familiar. But eventually, at some point, a mishap did happen, and it took a big toll on Luo, where he for sure had to stop.

This led to other issues. And eventually, many debts.

So now he is just is raising a horse, notably Red Hare, basically his best friend. They train together and trust each other. So when some debt collectors come and try to attack Luo, he is able to fight them off, with the help of his horse, and some recordings have this go viral.

Turns out, this was just what he needed to get back into the game. An older man, sure, but the horse? Hell yeah. They can do exciting horse action stunts, doesn’t matter his age.

Where does that leave us? An old man, who was already injured before, putting his body on the line again. And still debt issues and legal issues at the same time. Too much for a retired life.

Also starring Rongguang Yu, Kevin Guo, Jing Wu, and Joey Yung.

Is there anything stronger than the bond between a man and his horse?

Ride On is a film that has a lot going on with it. In fact, I would say, too much.

In one obvious way it feels like a love letter to Jackie Chan’s career, just hiding it behind a new face. It is really easy to see this plot aspect, especially when it comes to the character trying to protect the horse, yet still push the horse to more and more dangerous stunts, despite the obvious limitations. The initial disgust and anger towards using CGI for a stunt, even though it was one that clearly would hurt. And of course another moment looking at a montage of the characters “past stunts” when they were younger.

That is the movie I was hoping to see, while still getting the benefit of some interesting cool fight and stunt work. Yes I wanted it both ways.  But I knew that at least the fights and stunts throughout the film would actually be helped with CGI and safety would be a concern, because it is not the 80s anymore and there would be no chance of disaster.

And so I was happy with the fun fights and stunts and classic Jackie Chan humor with these fisticuffs, just also with a horse.

Unfortunately, the film is bogged down with the legal and debt story. That is likely another aspect of stunt work they wanted to highlight. These people are movie stars, whose bodies decay and don’t get the riches the face stars get. And they have legal problems that can tear their lives apart. But that aspect of the film just wasn’t given to us as well as the other exciting parts. It slowed down the film, and didn’t really give the best context.

I wondered of course if this film, Ride On, was meant to be a retirement film for Chan. But IMDB showed 7 titles currently in Upcoming, it means that Chan had a couple year break, maybe from just COVID concerns, and now he is still going forth and ready to do his thing.

2 out of 4.

On a Wing and a Prayer is a catch phrase. It means you are likely fucked. You don’t have the talent, or resources, or training, or something to make it through the situation. You know, like a plane that only has one wing. So how can it fly and land? Well, it is going to need that prayer element. Hope the universe can guide them to safety. Hopefully luck is on their side.

A film like this could be about anything. Hell, most films involve odds like this where the heroes overcome despite not having the right resources and need a lot of luck. But why not use that phrase for a literal movie about a plane problem? Heck, any plane disaster movie could have used it as a title. Like. Plane. United 93. All of them.

But it would be nice if it was about a one winged plane. Unfortunately for the movie On A Wing and a Prayer, the plane will have both wings the whole time, so the lack of resources will come from another place. And the prayer will come from Jesus, I guess.

Damn, no one is in that seat. Looks like it will have to be filled with the holy spirit. 

This film is a lot about Doug White (Dennis Quaid), a pharmacist. He has a wife (Heather Graham) and some kids, but really, the relationship we care about is the one he has with his brother, Jeff (Brett Rice). They are best buds, they do a random BBQ cook off together and win? Despite the fact that they just are regular people. This is meant to be a character trait I imagine.

Anyway they hang out, and days later after they go back home, Jeff dies! A shocker for sure. So they go to the funeral, and are flying back home in a tiny private plane with a pilot and just their family. When not many minutes after take off, the pilot dies as well! Damn, maybe Doug is just a jinx. Men around him just dying.

Now they are already in the air, and the autopilot is on, so they have time. But what if he needs the autopilot off because the safest thing would be to turn around to try and land? Doug has been taking pilot lessons. Not really. He did his first ever lesson, which has almost no actual training. So he lacks the experience to get it done. It takes a lot of people working together at nearby traffic control, and people outside of that, to give him any hope of success.

But hey, maybe Jesus will take the wheel?

Also starring Jesse Metcalfe, E. Roger Mitchell, Abigail Rhyne, Jessi Case, and Rocky Myers.

Oh nevermind, seat’s taken, Jesus. 

It is important to point out that sure, this film is based on a real story. And hey, anytime a real person who survives a crash and lands, despite not being a pilot, good on them. I love to hear it. I am super glad they didn’t die. But not every one of these stories needs to be made into a film.

This film has incredibly low stakes. I mean yeah, the life of the family on the plane. But it still feels like the film was filled with filler. [Editor’s note: That was an interesting sentence]. I wouldn’t say that we needed some kids nearby listening on a monitor. Did that help much? Nah. It just took away from the plane, which had not a lot of actual content to fill out the film. Heck, the beginning of the film was so awkward. The BBQ cookout win looked like it was all done in one take, no one really was caring much during that part of filming.

The idea of “Jesus taking the wheel” I always find to be a strange one in general, in real life. But to have that be a literal moment for this movie? It is certainly an interesting choice. On a Wing and a Prayer is a sort of religious movie. It doesn’t go as hard as something made by Alex Kendrick, so it feels a least a little bit realistic. But letting the end of the film rely on this sort of moment just, honestly, made me sigh and roll my eyes.

On a Wing and a Prayer is a drama film, not a thriller. It tells a relatively simple story, where we know everyone will be fine by the end. But even if it isn’t a thriller, it should have some level of thrills in it to keep my attention. But unfortunately, it never could.

1 out of 4.

Alright, alright, alright.

I mean. I thought of the candy bar. And the baseball player. Ruth and Ruby are pretty similar. That has to have been involved in the thought process to name this movie Baby Ruby. Give it some sense of familiarity.

This is a film that came to me suddenly and without warning, so I knew nothing about it, but hey, I recognized one of the actors at least.

I knew nothing like one of those literary characters. Can’t remember his name.

Jo (Noémie Merlant) is an influencer/vlogger, who has a pretty big following amongst the world. She does the nice photos, nice home set up, nice marriage, all of that. People know a lot about her! And then she also got pregnant.

Her husband (Kit Harrington) just has a regular job, but supports her. And the film opens with them returning home with their baby, ready to start their life as parents. But then this baby, Ruby, cries a lot. All the time. Constantly. It seems to hate Jo almost. When they go to stores. When they go on walks. Over night. It is like Jo cannot do anything to please this kid.

So she doesn’t feel great about this whole being a mom thing. She hasn’t even posted pictures of her kid online yet! Wow. What about her fans? Speaking of fans, she keeps running into the same people, like Shelly (Meredith Hagner), who is also a new mom, and hangs out with a lot of new moms. And they all seem so perfect. Why is their life so much better than hers? And is there something sinister about this group? About her nanny?

Jo’s visions start getting worse and worse. It’s almost like they want to steal her baby from her…

Just guess how many babies are actually in this photo!

Recently I watched a different psychological horror, about a woman in bed rest during a big amount of time before giving birth. And then there was also ghosts. But it was maybe a metaphor, maybe not. Everything spooked her. It was pretty poorly done.

Thankfully, Baby Ruby was not poorly done!

In terms of movies that are metaphors for postpartum depression, this seems to be a really good one. It doesn’t go hard into a supernatural aspect for the thriller. But it does go through a lot of situations and conversations and amplifies them up to really make it more obvious for those who have never experienced ppd. One of the biggest moments I recall was an argument between the couple, where the husband said some very obvious shitty things. The type of lines that can get normalized in society, but based on everything up that point it really punches hard.

The beginning got to be a little weird, but in reflection, I do think it stands well. I hate it when they do too much cross over between reality and supernatural, when they are going for a metaphor overall. But in this case, it is a nice metaphor, if not super realistic.

Well acted, and well thought out, and well experienced.

3 out of 4.

My first thought from this title, was that Alice Darling sounds like a name, so it is a good thing that they put that comma in there. And it turns out, I was right. Here is someone named Alice Darling, she is a singer and was on Spotify. Also her album is called Alice Darling too.

I found this out when checking to see if this movie was based on a book. The title, and aura of the film, gave me based on the book vibes. There is a chance this is the fault of Still Alice, which was also based on a book.

But sure enough, Alice, Darling is not based on a book at all! It might be loosely inspired by real events from the creator, but that is as far as we will get. Speaking of the creator, it was directed by Mary Nighy, her first feature length film, and it was written by Alanna Francis, her second screenplay. That’s right. We got a movie about some women, written and directed by some women. Honestly, this happens so rarely I just feel compelled to point this out.

Staring out of windows, being a darling, just Alice things.

Alice (Anna Kendrick) is in a relationship! Haven’t you heard? Simon (Charlie Carrick) is an artist, and has art, and does galleries with his art, and I guess he has success and makes money. He cares and provides for Alice, who still has her own independence thing going on. She has a job after all, and friends. Or does she?

Okay yes, she has a job. But it is limited, and Simon doesn’t like to see her gone so much. He also has helped change her diet to be more healthy. And he also doesn’t like it when she is with her friends so much. Her friends, Tess (Kaniehtiio Horn) and Sophie (Wunmi Mosaku), haven’t seen as much from her lately. Alice cancels her plans more often, or she leaves really early from their engagements, and just isn’t there. When Tess wants to do a week long trip at a Cabin for her birthday, it takes more convincing to get Alice to join, who is very reluctant, but she does want to go.

So she does the noble thing, and just lies to Simon that it is a work thing, and she will be busy. Why does she lie to him about hanging out with friends? Why does she fear saying anything wrong to him? Why is she so distant? Well, her friends are ready to confront her and help her out through this relationship, that might be a lot more one sided than Alice realizes.

See, she has friendship on both sides of her! Like a sandwich!

Friendship and relationships can be hard. Being in a relationship can mean spending less time with your friends, and being more involved away from them, doing less than you normally would. But is that always a bad things? Or is it normal?

That is questions I had to ask myself watching the film. Because it would be messed up if your friends held an intervention to spend more time with them, if you were just super into a new relationship. But that is one of the themes this film explores. How much is too much? How much of an emotional codependence is a good thing, depending on the stage of the relationship? And what happens if the relationship is actually really one sided, with the side being taken advantage of, or used, not actually realizing it?

I won’t use the g word here, but abuse doesn’t have to be physical. It can just be controlling and emotional damage being done. A general fear of being looked down upon. And worse, which I won’t get into.

The film did take some time getting going. The flashbacks that were often literal flashes in length, weren’t super helpful. I wish it really delved a bit more into that aspect. I think Kendrick and Carrick both did really well with their characters. It was unfortunately the friend roles that seemed to lack more. I couldn’t believe them as much, and it made a few of the bigger emotional tics jarring as a result.

If anything, this film is a real strong in its messaging of what happens if Love is actually just a codename for Control.

3 out of 4.

Here is an interview with the director of Unidentified objects, Juan Felipe Zuleta! 

Everyone wants to talk about the UFO’s, but what if they aren’t flying? What if they walk? What if they teleport? What if they just sit there like a rock and do nothing?

I guess they would just be called UOs, Unidentified Objects. They are less exciting than UFO’s, but they still are unidentified, so I guess no one knows what they are. They are mysterious.

So for a film that goes by that name, we know it has to involve some aliens, but the walking variety. A welcome change, if I am being honest.

I can confirm, neither of these objects look like they can fly. 

Peter (Matthew Jeffers) lives alone in NYC, and honestly, he prefers it that way. He is angry at the world for many reasons. There is a pandemic, that is one of them, sure. But he is gay, a dwarf, and just in general doesn’t have many friends.

So who knocks on his door? Winona (Sarah Hay), one of his neighbors, whom he doesn’t really talk to ever. But she has an emergency. She needs to go on a small trip, and doesn’t have a way to get there. It is to visit her sister. And she offers to pay him almost $2000 for the trip. He does need the money, so…screw it.

However, it turns out that she did mislead Peter on their destination and the reason. First, they have to go into Canada. Second, it is with a goal of getting to a specific spot at a specific time in order to meet…aliens! She believes in them and has some good information. But they will have to sneak across the border, and meet a lot of interesting individuals along the way. Not that they aren’t interesting individuals themselves.

Also starring Elliot Frances Flynn, Hamish Allan-Headley, Kerry Flanagan, Tara Pacheco, and Roy Abramsohn.

Canada means lumberjacks, that is a fact. 

Unidentified Objects on its own sounds like a story you may have seen over and over again.  A road trip film about unlikely companions, to discover something about the world, and hopefully, themselves. And sure. Yes, this is one of those films. And yet despite that, it feels quite unique in its story telling and it is worth the time.

The strength in the film lies mostly in their leads, who both bring about what feels like real passion and real emotion to their roles. This isn’t a zany road trip film. The people met along the way would normally be the types of characters at the butt of the jokes for our main characters, but everyone met is explored and given room to breathe. Whether that is good or bad for the leads depends on whom they meet along the way, but despite being a film about going to potentially meet aliens, it reminds grounded and it excels in that aspect.

Despite being a realistic film, it does feature quite a few dream sequences, to keep the viewer on their toes, and to help explore the characters better, especially our main lead. They almost always got me too, they mostly flowed well from the regular scene, until they didn’t. One cop scene in particular got very weird, very quickly.

With Unidentified Objects, it is a film that is easy to skip from the description alone, but I was blown away by how much I cared about the characters and their individual journeys before the end of it. Strong acting performances from people who aren’t big names. You love to see it.

4 out of 4.