Tag: Biography

You know what would be a bad idea? Telling you how little I knew about Mr. Hitchcock and the films he has made. Same story as the other famous things, they are just so old, I haven’t got to them yet. But hey, maybe a movie about Hitchcock would actually be better not knowing much about him. I don’t know any silly rumors about his life, I feel like an open book ready to learn!

Holy fuck, look at him! Look at his face! His Hitchface.

Instead of a full biography movie, this one also focuses on a smaller, potentially more significant part of his life, such as the recent Lincoln film. Hitchcock (Anthony Hopkins) was already a wildly successful director, having just released North By Northwest. But he is getting old, shouldn’t he retire by now?

Wait a minute. The entire time I watched this movie, I wondered who the hell was playing Alfred in the movie, because I couldn’t recognize him as anyone famous. ANTHONY HOPKINS. Just so you know, it didn’t sound like Hopkins, nor did it look anything like him (in my eyes). See the picture above. Damn, give them a make-up award, stat.

Anyways, after that movie, he needs a new project, but has run out of ideas. Tired of the same old crap. His wife (Helen Mirren) who has helped him make all of his movies is starting to work on a script with another man! Some lame Whitfield Cook (Danny Huston) fellow. Despite that, and his secretary’s (Toni Collette) best efforts, he has found himself interested in a book called Psycho. Why not have a horror film made by an established great director? Then it might not be complete crap!

Why not also how he may have tortured Janet Leigh (Scarlett Johansson), his main actress or the film, and a former star of his, Vera Miles (Jessica Biel), who had to go and get pregnant/start a family on him. What the hell.

Spoilers? Nope. Psycho ended up being his highest grossing film, and arguably most famous one. Then he died a few years later, after making a few more big ones of course.

We also get a remake of the shower scene! But less gratuitous violence and nudity. After all, acting and shit.

After seeing Hitchcock, I can say that I kind of want to watch Psycho now. And North By Northwest. Maybe Rear Window, but after that I am probably good. The film is most likely littered with tiny references to his various movies and TV series, but not knowing them didn’t get in the way of enjoying the movie.

I already stated how great Hopkins did in the role, but hey, I will do it again. Maybe he overacted and everything was over the top, but I really enjoyed the performance. How close he was to the actual Hitchcock I will never really know. The making of Psycho is actually an interesting one, and learning of his personal problems and obsessions was pretty sexy as well.

Lindsay Lohan has had a troublesome last few years, with her last film role being sexy daughter, in Machete. We all know about the arrests, the drugs, the drinking, the car accidents, but maybe, just maybe, she was doing all of that with a purpose?

Maybe she was secretly doing research on how Elizabeth Taylor might have lived. I don’t know if Taylor was ever into the partying lifestyle, I only know about her many husbands. In fact, getting hitched and divorced seems to be the only thing Lohan didn’t do over the last few years. I take it all back, it was probably just the drugs.

Just in case you missed it, I am saying that Lindsay Lohan is probably nothing like Elizabeth Taylor.

But Lohan needs a comeback, damn it, so she does what any good actress would do. She agrees to play Elizabeth Taylor in Lifetime Original Movie!

Liz & Dick is the “True story” of the relationship between Taylor and Richard Burton (Grant Bowler) and uhh, that is about it.

They met on the set of Cleopatra, and although they were both currently married, they eventually hit it off. Then they have sexy love time, fight a lot, star in each others movies, and then Richard Burton dies.

Hopefully you didn’t want any more detail, because that is about how much the movie provides. Around 90 minutes in actual screen time, “Liz & Dick” does a great job at rushing through every scene and telling as little plot as possible. Apparently the movie was filmed in about 20 days and boy does it show.

But they fight a lot! There is that! Yeah!

Taylor herself was a very successful actress and winner of multiple academy awards. Burton, despite the lack of awards, was known for his great acting especially on stage. Take two interesting people and make a movie of their love life, you’d think it would work out well, yet somehow this film fails to deliver. I am not even blaming this on Lohan. She was okay in her role, I guess. Bowler was a bit better, but combined, neither of them really told a compelling story.

Heck, it even had Creed Bratton from The Office show up for a small role, which means you know they weren’t going for quality.

Liz & Dick should be avoided at all costs. Some of you would say that was obvious given the cast and TV movie format, but that would be judging a book by its cover! Apparently an acceptable practice in this movie’s case.

Hooray for movies about the dead presidents of our past. I mean, Steven Spielberg is going for a hot ticket president in Lincoln, who just had another movie which you all might recall. Technically, both of them are biographies, I guess.

But hey, if anyone should do a good movie on the man, it is probably going to be Spielberg. Especially if they can get a person to look just like him. Which they succeeded quite insanely.

Look at how fucking Lincoln he is.

Well, if you wanted a full Lincoln backstory, too bad. This movie takes place entirely in the last five months of his life, from Dec 1864 to April 1865. For those Lincoln historians out there, you know that is way after his Gettysburg Address! Don’t worry, you still get to hear it, just not out of his own mouth.

Lincoln (Daniel Day-Lewis) has recently been reelected as President, which he took as a sign saying that the people like what he is doing. They wan’t slavery to be illegal! So he pushes to have the 13th Amendement passed, just needs the House to vote on it. It would make slavery illegal, yet there is a lot of concern. Most of the republicans love it, the conservative Republicans are a bit weary though. Most of the Democrats are violently against it though. That will make the war last forever. No way will the South surrender then!

But a lot of them are losing their jobs. Maybe, just maybe, they will change their vote because of it? Especially if they can get some sweet government jobs…

Basically it is really fucking hard to get this shit passed. He may have even had to do things behind the back of his Secretary of State William Seward (David Strathairn). Like allowing one of the conservative Republicans set up a meeting with the South to end the war (Featuring Jackie Earle Haley as “VP” Alexander Stephens). He also has some men hired to help convince the democrats to change their vote (James Spader, Tim Blake Nelson) without bribes.

Our major Republican players are James Ashley (David Costabile) who brought forth the bill, and Thaddeus Stevens (Tommy Lee Jones), a revolutionist who actually believes all men area created equal! Joseph Gordon-Levitt is his son returned from school, and Sally Fields is his wife, super distraught and crazy in the eyes of others.

I mean, honestly. You know the 13th Amendement passes, and you know what happens in April of 1965. But somehow that doesn’t matter, it is still a captivating tale.

Here is Lincoln on a horse motherfucker. U-S-A! U-S-A! U-S-A!

I’ll say it again, Daniel Day-Lewis is Abraham Fucking Lincoln. Did you see that picture? Look at it long and hard, but that is so much Lincoln and so little Daniel Day-Lewis that I am actually scared. From his voice to his mannerisms, you will love the portrayal you see in this film. Basically everything I found captivating. My biggest smidgen of concern comes from the House of Reps. While watching it is like “Ooh, debating between Republicans and Democrats and Tommy Lee Jones in a time machine!”. He can’t help it, he is too famous. I had a had time picturing the actor outside of the character. I recognized a lot of the other faces, just not at Tommy Lee Jones levels.

Lincoln seems like a pretty kick ass guy to hang around with. One of the features they highlight is his love of telling stories, and they are just so well done. That is really all I can say. The movie is super well done.

Again, you know what happens, and its only five months in time, but it doesn’t seem to matter. If you hate Dramas with mostly just talking, you might not like this one. But I hope more Presidents get this treatment (albeit if they do less famous ones, maybe a longer bit of their life). I even like the questionable way they chose to end it, setting up a scene in a way I just didn’t imagine.

A lot of this could be dramatized for the film, but if it is, we need more dramatization. It makes life better.

Miraculously, Chasing Mavericks is not a story about John McCain and his quest for presidential glory. Nor is this about an unbranded calf (definition on google). Apparently it is a local Californian term for a mythical giant wave that actually occurs somewhere near Santa Cruz!

Ah yes, the legend of the big wave. Only the coolest of surfers could be cool enough to surf them.

As awesome as Butler? We will see. You might be able to surf on his hair.

The story of Jay Moriarity (Jonny Weston) is one based around the ocean. He had it tough growing up. His dad left him when they were young, his mother (Elisabeth Shue) is bad with money and cannot hold down a job. But hey, as long as he has his surfboard, he is a happy man.

He was actually saved as a kid after falling in the waves, by one of his neighbors, Frosty Hesson (Gerard Butler). A successful handy man with a wife (Abigail Spencer) and kids, he told her he would give up surfing the big waves, but still does it anyways. Not like lying has ever gotten anyone in trouble.

Ever since that day, Jay has been fascinated with the waves. But one day he finds the secret cove where Mavericks form, hidden away and yet being surfed on by his beighbor! The biggest waves he has ever seen and some nice pointy rocks. Well he says he wants to surf on them, and eventually convinces Frosty to train him. He agrees to train his mental, physical, spiritual, and emotional sides in order to conquer these beasts. At the same time he is attempting to woo his favorite girl (Leven Rambin) by being a great friend. Hah.

This also takes place during the 1990s El Nino, fucking everything up, meaning it is making crazier, bigger waves. So big, the secret area is no longer that secretive and a lot of people (amateurs) show up to conquer the mavericks, creating a huge potential for death.

I am now going to call tidal waves “huge potentials for death” from now on.

If you didn’t know, Jay Moriarity is an actual person, and this is his biographical movie. So if you click that wiki link, there will be some spoilers. Basically, he is considered a soul surfer, someone who surfs for the love of it only and is not to be confused with the other recent biographical surfing movie, Soul Surfer. He was made famous thanks to a photographer capturing his picture at the top of a Maverick crest.

But enough history, the movie itself? Typical feel good sports training film. You know how it will end, he will surf the wave. If you know the actual person, you will be aware of other events that happen in the film too. The only other feature this movie might have for entertainment purposes would be cool surfing scenes. I would describe them as “okay.”

For some reason, Chasing Mavericks has an incredibly slow feeling. It begins with a quote that doesn’t make too much sense, and ends with a scene that feels forced and awkward. There might be some inspirational moments in here that speak to certain people, but all in all, the fact that this was a real kid isn’t even that impressive. I’d say it offers not much in the film world, and it makes me wonder if there are any good surfing movies out there.

Movies about male strippers aren’t very common in the world for whatever reason. Women strippers? Sure. But men? Nah. Which is shocking, given the large success of the last male stripping movie I’ve seen, The Full Monty. So why not Magic Mike? Only like a 14 year difference or so. That is incredibly small amount of male stripper movies.

But when you also decide to make this movie pseudo-biographical? Yes. Apparently it is inspired and slightly based off of Channing Tatum‘s early life, when he was a male exotic dancer. Well, that just makes it heartfelt. I guess.

We at Gorgview.com would like to note that we are not sexist, and as such we are fine with men being turned into objects, just like women.

In the heart of Tampa is a dangerous part of town. Sexydangerous. A male strip club, that is only open three nights of the week, where women go to flip a shit over men getting almost naked and dancing. Lead by Dallas (Matthew McConaughey), a now slightly older showman who never strips himself, he brings on energy and a good time to any lady who has the cash. Their biggest act is Mike (Tatum), now 30 years and still showing off his strong dance moves. Other dancers include Tito (Adam Rodriguez), Ken (Matt Bomer), Tarzan (Kevin Nash), and Big Dick Richie (Joe Manganiello).

While working on a construction gig, Mike runs into Adam (Alex Pettyfer), just a 19 year old kid, who is pretty down on his luck. After a few run ins, he has him stop by to help run props for the dancers, and due to an accident, he is thrown onto the stage to strip without any real training! Well it works out, kind of, so he joins full time. And he has a sister, non approving Brooke (Cody Horn). Mike would totally persue that, you know, if she wasn’t so stuck up, didn’t already have a boyfriend, and if he didn’t kind of have a weird thing going on with Joanna (Olivia Munn).

Either way, Adam is introduced to the living large lifestyle, and gets pretty deep pretty fast. Mike himself would rather stop stripping eventually, and work with his hands, building customer furniture. Once banks give him a damn loan (shitty credit dealing only with cash), and you know, if he didn’t have to pay off other miscellaneous purchases. Oh yeah, and Gabriel Iglesias is the club DJ, but as he is Hispanic, he is also a drug dealer.

To further clarify our non-sexism, here is some women potentially being objectified as well.

So, surprisingly I guess, the movie wasn’t completely terrible. Was there lots of eye candy for the females? Sure. But the dance moves / performances were generally mostly good, with some big exceptions. Even some funny moments. But the biggest problems really came from a technical stand point.

Generally, I found the transition between scenes to pretty bad in this movie. It opens to the McConaughey “do not touch” monologue from the trailer, but then goes to a black title screen with JUNE on it. Alright. I have no idea why though. I guess the first scene wasn’t June, and now it is? Or we are in a flash back? No, they just arbitrarily decided to tell you the current month that way, fine.

But besides that, scenes would end a little bit too long after the joke, or just at other awkward moments, never flowed too naturally. They also tried to do a lot of long shots for conversation scenes, which were hit and miss. Most of the time they were a miss if they involved Cody Horn, who was pretty bad in this movie. I guess her character was supposed to have a disapproving look 100% of the time on her face, but holy crap was it annoying.

Finally, Kevin Nash. What the fuck. He played the bigger male stripper, but whenever there was a group dance scene, I couldn’t pay attention to the sweet break dancing, because every time he was on camera he looked out of place. Dancing like a robot, not doing much at all. They could have easily gotten a big guy who can actually jump, no idea why they went to shit with him.

I’d say the plot wasn’t the best, but the (mostly) well choreographed dance scenes earn it a watch.

If you have no idea who Mesrine is, then you should probably read the review of part one, of this two part movie series. That way you knowledge can increase by about 3% on the subject!

Knowledge, it makes you happy.

After the events of the first film, Mesrine (Vincent Cassel) found himself alone, on the run, and mad. How does Mesrine: Public Enemy #1 begin? Shit, with Mesrine dying. Spoilers? Not really. Hopefully you would guess a nationwide gangster ended his career in prison or in death. Why they started with his body, not sure.

Last time we got to see kidnapping, killing, some extortion and breaking away from the police twice.

Well this movie is really no different. Some more escapes, some more kidnapping. He has different lovers in this film (Ludivine Sagnier). Some notable police workers (Oliver Gourmet and Christophe Vandevelde). And of course new accomplices and criminals (Gerard Lanvin, Mathieu Amalric, and Samuel Le Bihan).

Why be vague? I explained that last time. Because its all about the experience, damn it.

There must be some kind of way out of here, said the gangster to the thief. In prison.

But is it ust as good? To me, it didn’t feel as good. It is a bit longer, but I think a lot could have been cut out. Overall, it just felt like more of the same.

Maybe my problem is considering it two movies (you know, because it was released that way…) and not as one super really long movie. But in that case, overall it might have been better to just make it like a long three hour movie instead of a little bit over four hours overall. I guess it is because it became more of a biography and really did want to talk about all of his exploits. Not just the cool shit. I respect that, but I didn’t care about most of it.

I will say his death was kind of bad ass, as were his escapes. I also loved that everytime he got caught he was generally happy. Posing for the press, making great courtroom stands and what not. Then you know, escaping. Well done Mesrine.

Gangsters have had a place pretty much in all first world countries. Because if they weren’t first world countries, they’d probably just be called Warlords or something similar. Apparently France is not an exception.

Of course, like every good gangster, he needs to have rockin’ facial hair.

Mesrine: Killer Instinct is the biographical film of France’s most famous gangster, Jacques Mesrine (Vincent Cassel). However it only goes over his beginnings, his rise to power, and escape from prison.

There is more to the story than that. There is even worse crimes, and public enemy number 1 status, which is told in the second half (appropriately named), Mesrine: Public Enemy #1. Hmm, I wonder what will be reviewed tomorrow.

We get at least two loves of his life, in Sofia (Elena Anaya) and Jeanne (Cecile De France). The former his first love who didn’t want him involved in crime after his first prison stint, and the latter, a nice partner in crime who wouldn’t let him break her out of prison to save his own life.

We have some bank robberies, kidnapping, you know, the normal gangster stuff. Maybe some extortion. Lots of money. Lots of danger. He was more than a French criminal too, going to both Quebec and the US at least in his crime pursuits. One of his “bosses” is Guido (Gerard Depardieu), aka the only name I’ve heard before actor wise. He also gets an accomplice Jean-Paul Mercier (Roy Dupuis) who helps him out, and helps him break out of prison.

The film ends, with Mesrine out of jail, now on the run with no real plans for his future. He has now killed some more innocent people, and the latest love of his life has left him. Shit, that guy is about to snap. It played out like a “You think you’re bad? You haven’t seen nothing yet!” type moment, and then went straight to credits.

You know the jizz in your face motion? It works a lot better with a gun and lots of money.

Think that review was disjointed and random? Well that was on purpose. Since this is a true story with a bit of artistic license, arguably the events in the movie and the next are some form of public knowledge (somewhere). You know he is a gangster, and thus will do gangster things. I just really wanted to show some characters and explain the situation. Because there is a second half to be reviewed later, spoilers don’t really feel like an option in terms of how it ends, so instead the spoilers will be most of the actual details and plot. Hooray!

I thought Vincent Cassel did a kick ass job as a gangster, and I am excited to see where the character goes in the second half of his life.

Some parts were a bit confusing, I am sure the filmmakers didn’t feel the need to explain everything to the French audience, but since I knew nothing I had to figure it out on my own. But it wasn’t that much of a nuisance.

Darwin Darwin Darwin.

Who would have thought a movie called Creation was a biographical-ish movie about Mr. Charles? Seems pretty silly. But I guess it is about his struggles with discerning natural selection, and his “battle” against Creation.

Alright why not, his life is probably riveting.

Oh, I see what they did there.

Charles Darwin (Paul Bettany) loves him some biology. And family! Especially his daughter, Annie (Martha West). She loves to hear stories, and thankfully he has a whole bunch. Because fifteen years prior, he went on this fantastic voyage to the Galapagos Islands. So since then he has been home, working on his discoveries, and trying to figure out this dang evolution thing.

His wife Emma? She hates this shit. Emma (Jennifer Connelly) is more religious than a Chinese fruit basket, so she doesn’t like the potential implications of the findings of his research. She thinks she will be in heaven and he won’t make it if he publishes the book, and they will be separated throughout eternity.

Turns out also that daughter he loved died awhile ago, weak genes or something, and he is just moping. Doesn’t want to kill god, doesn’t want to make wife mad, but can’t just ignore this stuff. So most of the movie is him trying to properly grieve over the death of his daughter and rekindle his marriage, with some Galapagos island stories, a monkey, and other science.

WILL HE DECIDE TO PUBLISH HIS BOOK THOUGH? I do not know.

Like I said, it is his favorite kid. >.>

Kind of a short plot summary eh? Well I mean, it is pseudo biographical. I think they cut out a lot of his children, and probably just exaggerated how much it affected him. I mean, Charles Darwin, he is a scientist, probably not seeing a ghost of his daughter.

Unfortunately for me, I found this tale to be quite boring. If I wanted a full biography of him, I’d like some stuff as he grew up as well, before his wife, actual life story, not just the important 15 years. I’d also want post book publishing implications.

However much of this is true, I can’t say, but over half of it is just awkward guilt and grieving, so not really what I expected.

Hell yeah, this movie has either a vague metaphor title, or a very specific title.

Mao’s Last Dancer, is it really about the last dancer for Mao in China? Or is it about the fall of communism, with art? Who knows! It can go either way. I already feel like I know a lot about the movie before it starts, on title alone. So exciting.

“All together now kids, one, two, three, ‘Fuck your metaphors!'”

Li Cunxin (Chi Cao) is just a young boy living in a rural part of China. But when officials from Beijing come to visit the school, they are only told they are looking for a few special students, but not told why. After some pleading, the teacher gets Li picked, and he passed some cultural tests and performance tests. His parents, Dia (Shuangbao Wang) and Niang (Joan Chen) are super proud, having seven kids, that at least one of them will potentially go on to do great things. Hooray cultural revolutions.

And where do they go? To a ballet school. Whaaaa. Li ends up being the least skilled of the dancers, and gets called names more so because of his mess ups. He does training at night to get better, when he should be sleeping. Shame on him. Eventually he kicks the most ass, and becomes a stand out performance, even in the weird mix of ballet that exists in China, between normal Russian stuff to weird revolutionary imagery. Ben Stevenson (Bruce Greenwood) is the owner of an academy in Houston and requests Li to come to America as a foreign exchange student for three months.

While there, at first reluctant of Western Culture (from his years of training and learning how backwards the Capitalist system was), he eventually grows to love it, and also begins to have interest in another dancer Liz (Amanda Schull), whom he is a far better dancer than, but hey whatever, she’s cute.

Obviously time eventually passes, and he has to go back to China. But what if he doesn’t want to now? There has to be a way to stay in America, with out full on defecting and potentially harming his family. Afterall, he still likes China, and would like to return, but wants to go back and forth. And maybe eventually move to Australia. Because fuck everything.

Living the American dream. Come to the country, and fall in love with a white woman.

This is obviously a biographical movie, of this dude who came to America from China and kicked some ass at some ballet. So if you like ballet, there is a lot of good ballet in this movie, for you to enjoy. Like Step Up, but not really.

Definitely an interesting story, and interesting that they spliced his childhood and American travels back and forth. So we knew where they were going with the movie, and explain things in a good pace. The latter parts of his life seem to have been a bit swept under the rug (with the and then later!…title cards), like moving to Australia, after divorcing Liz, and finding an Australian girl. But hey, at least he eventually got to go back to China and perform for his village. Just had to wait for Mao to keel over first.

Interesting story, good dancing, potentially some propaganda, and a decent family movie, if you want to show a bit of history (but not much).

Casino Jack is the second of “movies Kevin Spacey has been in recently that apparently no one has heard of”. Very specific theme. Only two I was doing, this and Shrink.

Oh how mysterious and …weirdly bordered he looks.

This is actually the true-ish story of Jack Abramoff, the most lobbyist lobbyist in the America.

Dude was making bank, and lobbying up a storm. People in Congress were making bank, him and his family were making bank. Evurrybody was living it up. On what? Indian Casinos. More specifically the SunCruz Casinos, that go on a cruise to “nowhere” but mostly to get into international waters.

Him and his partner Michael Scanlon (Barry Pepper) are getting rich and quick. But they make it seem like Abramoff is donating a lot more to charities, and the betterment of his love one and not “wasting it” as much. His wife (Kelly Preston) is worried about their finances, and then eventually on where they come form.

Their bigger problems start when the help of Mattress Kingpin Adam Kidan (Jon Lovitz), who unbeknownst to the rest of them, has ties with the mob and other bad people.

This eventually leads to a series of events that brings down their decline, and prosecutors having a field day with the amount of people who accepted the bribes. It was a pretty serious deal. Wiki that stuff. Yet somehow no one seems to remember it, despite its large implications. Oh and Rachelle Lefevre is in this movie. But I just forgot what her actually role was. Whoops.

Also, yelling!

Kevin Spacey has turned into the king of mediocrity? No, that’s not right. He is decent in this movie as well. But the rest? Damn, thats mediocre. Like a lot of his last few years worth of movies. I guess he just does what ever looks interesting, gives it his all, and not everyone else can be as good as him.

Maybe if he was worse the movie would seem better because everyone is acting as good as Spacey? This is some serious conspiracy Keanu stuff here.

But why do I say that? Well, parts of the movie were interesting. Parts went above my head. But parts were also pretty uninteresting. Overall just okay, again. Like Father of Invention. Oh yeah. Another recent Kevin Spacey movies.

Just saying. His movies tend to be better with a lot more known leads, like Margin Call, or Horrible Bosses, when he doesn’t have to carry the load on his back.